• Merle Haggard has penned a deal with independent label Vanguard Records- home pf Levon Helm – ans will release hos label debut I Am What I Am, his first album on April 20. The project, featuring 12 new songs he has written, was co-produced by Haggard and Lou Bradley.

• Six members of Willie Nelson’s band and crew were cited for misdemeanor possession offenses after of marijuana wafting from the window of a The Texas Yoda’s tour bus led to six members of the country singer’s entourage getting busted in Duplin County for possession of marijuana and three-fourths of a quart of moonshine. Nelson later that day canceled a North Carolina concert due to a hand that was husrting him – what may be a result from carpal tunnel surgery in 2004 – according to a posting on his Web site.

• Justin Townes Earle dapper throw-back hillbilly duds has garnered him a spot on GQ’s 25 Most Styish Men in the World list.

• The mighty Drive By Truckers have announced tour dates to suppert their upcoming release The Big To-Do (March 16, 2010 – ATO Records) DBT and ATO Records are also offering up the first single, “This Fucking Job”, from The Big To-Do for free: Drive By Truckers – This Fucking Job

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging generation used to genre defying music now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their 30s. A generation that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick, and the success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand brings older performers and songs to a new audience and shows that the music is not only interesting and exciting, and in a culture steeped in hipster irony something emotionally authentic, but it can make money as well.

Maybe part of the boom was the newly added Americana Grammy category (yeah, I don’t buy that either), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70’s, is a response to this environment of mediocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks) and wielding the power of social media that does much of the jobs the big labels used to do a generation ago. Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyor of all the goods, and I hope some of you readers find some of this stuff interesting as well.

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of the best music blogger compadres around in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide nobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates -Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Wrinkle Neck Mules – Let The Lead Fly (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road (Roots/Rock sweetheart with a folk sense of cultural activism)
15. Willie Nelson & Asleep at the Wheel – Willie and the Wheel (perfect union channels the spirit of Bob Wills)
16. Todd Snider – Excitement Plan (Steve Earle should study this release, social commentary doesn’t have to suck)
17. Justin Townes Earle – Midnight At The Movies (the younger Earle continues to make his mark by reaching into country music’s past)
18. The Felice Brothers – Yonder is the Clock (The Basement Tapes run through a dark prism)
19. Guy Clark – Somedays The Song Writes You (A Texas treasure that can do no wrong)
20. Deer Tick – Born on Flag Day (Indy spirit that uses twang as a strong driver)
21. Those Darlins – Self-titled (Riot Grrrl spunk with a Carter Sisters trad reverence)

• Country Music Neo-Outlaw Jamey Johnson shows his respect for the classics by covering Vern Gosdin, George Jones, George Strait and, his most obvious influence, Waylon Jennings, at the Chicago Country Music Festival.

• Break out a jar of granny’s skull rattle folks, Juli Thaki at the 9513.com has given us her top 26 songs about moonshine.

• Tom Russell has written what could be considered a companion piece to his new release Blood and Candle Smoke at the Rumpas (Where God and the Devil Wheel Like Vultures: Report from El Paso.) The dispatch reflects Russell’s style he cultivated by hanging with American underground great Charles Bukowski and similar threads from this and previous releases about his home in El Paso, TX,  the culture, people and the drug wars.

• The Los Angelas Times’ Ann Powers reviews the Country Music Hall of Fame and Museum benefit featuring Emmylou Harris, Vince Gill and Dwight Yoakam among others (including the spirit of Townes Van Zandt.)

• The Flower Pickin’ festival (October 16-19)will feature Carlene Carter, Justin Townes Earle, Jimmy Tittle, John Francis and more. The festival celebrates the day that Johnny Cash was arrested for public drunkenness in Starkville, MS in the early morning of May 11, 1965 following a performance at Mississippi State University. He spent one night in jail and paid a fine of $36. Cash sang about his run-in with “the law” in Starkville on his album, “At San Quentin (The Complete Live Concert),” recorded in 1969.

• The Green Bay Press Gazette has a great interview with Justin Townes Earle. Earle talks candidly about his past addictions and is troubled relationship with his father. as well as his excellent new release Midnight at the Movies.

• Robert Earl Keen’s Lost Highway debut “The Rose Hotel,” produced by Lloyd Maines, will be released on On Sept. 29

• Rounder Records will celebrate their 40th anniversary on Oct. 12th at the Grand Ole Opry House in Nashville, TN with performances from Alison Krauss & Union Station featuring Jerry Douglas, Mary Chapin Carpenter, Bela Fleck and Irma Thomas will join in this momentous celebration along with musical host Minnie Driver and special guests to be announced.

• Shreveport-based , the Louisiana Hayride (1948 to 1960) will  be inducted into the Louisiana Music Hall of Fame. In it’s day the country music showcase featured Hank Williams, Kitty Wells, George Jones, Johnny Cash and Elvis Presley.

• The grave of the late great Texas blues musician, Blind Willie Johnson, is  finally discovered. Johnson’s songs have been covered by everybody from Bob Dylan and Eric Clapton to Led Zeppelin and the Rolling Stones.

• Details magazine sits down with Native Texan and anti-Taylor Swift blond bad ass Miranda Lambert for some Q&A.

• Nashville Scene’s newest cover has  “Three Hot Acts Present a New Breed of Female Songwriter” featuring Caitlin Rose, Tristen Gaspadarek and Those Darlins.

• The Wall Street Journal talks to some of the performers on the Big Surprise Tour. The toue is traveling the East coast and  showcases the Old Crow Medicine Show, Justin Townes Earle, The David ­Rawlings Machine (featuring Gillian Welch) and the Felice Brothers.

• Houston Presses’ William Michael Smith in his Lonesome Onry and Mean column tells of  his son leaving the petroleum engineering program at University of Houston to, over time, become a guitarist for Hayes Carll, looking down the stage and seeing Guy Clark (arms folded) and being heckled by David Allan Coe (My Son, the Guitar-Slinger)

• Jennifer Aniston has signed on to signed on to produce and star in Goree Girls, a film about the Goree All Girl String Band, a country music group that had a popular 1940s-era radio show despite the fact that its members were all inmates at a Texas prison. (E Online)

• Kevin Costner wants to help victims of Canada’s Big Valley Jamboree country music festival in Canada where his band “Modern West,” was set to perform.  Storms at the event injured 70 people and a 35 year-old woman died when the wind blew down a speaker on her.

Thsi is a can’t miss show! In the tradition of the local hootenanny’s and jamborees of yesteryear The Big Suprise tour will feature a showcase of some of Americana’s brightest stars – Old Crow Medicine Show, Dave Rawlings Machine (featuring his frequent collaborator Gillian Welsh), The Felice Brothers and Justin Townes Earle – and will be making it’s way up the East Coast revue this summer.

The The Big Surprise Shows (the name comes from a Felice Brothers song) will be composed of two 90-minute sets broken up by an intermission. Artists will share the stage and take part in each other’s songs, Old standards are reported to be performed as well as newly written collaborative material. I hopw when the East Coast of covered they head over to the West.

Tour Dates Below:

AUGUST 2009

04 – Hampton Beach, NH @ Casino Ballroom
05 – Boston, MA @ House Of Blues
06 – New York, NY @ Beacon Theatre
07 – Philadelphia, PA @ Electric Factory
09 – Charlottesville, VA @ Charlottesville Pavilion
10 – Cary, NC @ Koka Booth Amphitheatre
12 – Louisville, KY @ Waterfront Park
13 – Nashville, TN @ Riverfront Park
14 – Knoxville, TN @ World’s Fair Park

The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held Thursday, September 17 at the Ryman Auditorium in Nashville, Tennessee.

I’ve attended the conference and showcase for the last three years and it’s always an amazing time. I don’t agree with all the nominees, and as a member of the organization I voted accordingly. But one thing is for certain, every nominee kicks the shit out of 99% of the CMA Awards.

The 2009 Americana Music Association Honors and Awards Nominees are:

ALBUM OF THE YEAR

Real Animal, by Alejandro Escovedo
Written in Chalk, by Buddy & Julie Miller
Jason Isbell & The 40 Unit, by Jason Isbell & The 40 Unit
Midnight At The Movies, by Justin Townes Earle

ARTIST OF THE YEAR

Alejandro Escovedo
Buddy Miller
Justin Townes Earle
Raul Malo

INSTRUMENTALIST OF THE YEAR

Buddy Miller
Gurf Morlix
Jerry Douglas
Sam Bush

NEW & EMERGING ARTIST

Band of Heathens
Belleville Outfit
Justin Townes Earle
Sarah Borges

SONG OF THE YEAR

“Chalk,” written by Julie Miller, performed by Buddy Miller & Patty Griffin
“Country Love” by the Gourds
“Homeland Refugee,” by Joe Ely, Jimmie Dale Gilmore, and Butch Hancock, performed by the Flatlanders
“Rattlin’ Bones” by Kasey Chambers & Shane Nicholson, performed by Kasey Chambers & Shane Nicholson
“Sex And Gasoline,” by Rodney Crowell, performed by Rodney Crowell

DUO GROUP OF THE YEAR

Buddy & Julie Miller
Flatlanders
Kasey Chambers & Shane Nicholson
Reckless Kelly

The news of No Depression’s death have been  greatly exaggerated. In the wake of their widely successful community website the purveyors of all things Americana/roots/alt.country will hold the first ever (that’s hard to believe) all-day festival Featuring Patterson Hood & The Screwtopians, Jesse Sykes & The Sweet Hereafter, Justin Townes Earle, Jessica Lea Mayfield, Seattle Roots-Music All-Star Revue, and Zee Avi. The festivities take place Saturday, July 11 at Marymoor Park, Redmond, WA.

Tickets, $45.00 (not including applicable fees), are on sale Friday, May 15th at noon at all Ticketmaster outlets.

If your part of the No Depression community (and if you’re not and your at this site more that 5 minutes then you ought to be) then you know that chat function on the bottom panel if the online equivalent of Siberia. Well no more friends.

On May 17th (2pm Pacific) that all changes as No Depression hosts its  first live chat with Justin Townes Earle. So tune in and dial up and make the first ND chat session a great one.

If your in the Bay Aarea tonight and are hankering for some riughtous roots flaovored honky-tonk and alt.country Southern rock (wheew!) head over to the The Independent tonight in San Franciscoto see Justin Townes Earle opening for ex-Drive By Trucker Jason Isbell and The 400 Unit.  Personally I think the bill should be reversed, but that’s me…

Justin Townes Earle – Mama’s Eyes – Live at SxSW 2009

Jason Isbell & the 400 Unit – Soldiers Get Strange