Chris Thile & Folk Alliance Int’l: 10 Collaborations for COVID Relief

Folk Alliance International commissioned ten musical collaborations between U.S.-based and global artists, applying their exceptional talent to address this moment in history, presented in partnership with Chris Thile.

The first is out today, featuring John Paul White and Rose Cousins (below) Each will be available via the FAI YouTube channel every two weeks. The whole project also asks folk fans to contribute to FAI’s COVID-relief Village Fund and each video features Thile speaking on its importance at the close of each video. Fans can donate to the Village Fund.

Marty Stuart Readies New Acoustic Album ‘Songs I Sing In The Dark’

The legendary Marty Stuart will soon release ‘Songs I Sing In The Dark,’ an acoustic 20-song album comprised of 20 “Obscure songs, old favorites” as Stuart describes them in the introductory video below, and was recorded just outside of Nashville.

Stuart will be sharing one tune each month alongside a personal statement about the song’s importance, both personally and in the context of country music history of which Stuart is a participant as well as a student. Whether that means that the album will then be formally released after all 20 songs have been shared once per month which would be October 2022 (!) is unknown as I was unable to find an official release date

About ‘Songs I Sing In The Dark,’ the five-time Grammy winner says “The title tells the story. I have a long line of songs that range from obscure, originals, to old favorites from various musical worlds that I often sing to myself when I’m alone,” He continues. “Until recently, I had never formally made a list of all the titles. When I did, I saw in those titles so many great songs that need to be remembered and passed down. There was a mighty congregation of names of profound songwriters whose presence and lyrics are to be cherished. And, looking into those songs I could hear the music of those brilliant musicians, arrangers, and singers who brought those tunes to life, and gave the world reason to love them. In the wake of these revelations, I was inspired to finally go to work on the idea of Songs I Sing in the Dark.”

“I love the restless wisdom in the words, and those words are shadowed by a lonesome melody that is served up from the blue side of town,” says Stuart. “As the pandemic raged on, ‘Ready for the Times to Get Better’ became my personal theme song. I can’t seem to quit playing it. Several months later, I’m still at it. The title proclaims what every soul on planet earth undoubtable feels. It is the perfect country song and I consider it an honor to sing such words.”

Songwriter Allen Reynolds penned the first release “Ready for the Times to Get Better.” The song was originally cut by Crystal Gayle for the 1976 album ‘Crystal,’ and it went on to become a Number One hit for her.

In December of 2020, the Country Music Association announced Stuart would be inducted into the Country Music Hall of Fame and Museum in the Modern Era Artist category along with Dean Dillon and Hank Williams Jr.

https://www.youtube.com/watch?v=I1AXPIPf7NM

2021 Grammy Awards – Country, Americana, Bluegrass and Folk Nominees

2021 GRAMMY Awards

Nominees for the 2021 Grammy Awards were announced with Miranda Lambert dominating the Country Music Categories (3). The Queen of Americana Lucinda Williams has 2 and ties with The Secret Sisters (Laura Rogers & Lydia Rogers) and John Prine’s last composition , “I Remember Everything, which has been nominated in two categories Best American Roots Performance and Best American Roots Song.

The Grammy Awards for roots music takes place before the televised preceding the 2021 GRAMMY Awards show, the 63rd GRAMMY Awards Premiere Ceremony will take place Sunday, March 14, at noon PT, and will be streamed live internationally via GRAMMY.com.

The 2021 GRAMMY Awards show performer lineup will include performances from Texas’ own neo-soul newcomers Black Pumas, Brandi Carlile, Mickey Guyton, Brittany Howard, Miranda Lambert and more.

Here are the country and roots music nominees:

Best Country Solo Performance:
“Stick That in Your Country Song,” Eric Church
“Who You Thought I Was,” Brandy Clark
“When My Amy Prays,” Vince Gill
“Black Like Me,” Mickey Guyton
“Bluebird,” Miranda Lambert

Best Country Duo/Group Performance:
“All Night,” Brothers Osborne
“10,000 Hours,” Dan + Shay & Justin Bieber
“Ocean,” Lady A
“Sugar Coat,” Little Big Town
“Some People Do,” Old Dominion

Best Country Song:
“Bluebird,” Miranda Lambert (Luke Dick, Natalie Hemby & Miranda Lambert, songwriters
“The Bones,” Maren Morris (Maren Morris, Jimmy Robbins & Laura Veltz, songwriters
“Crowded Table,” The Highwomen (Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters)
“More Hearts Than Mine,” Ingrid Andress, (Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters)
“Some People Do,” Old Dominion (Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters

Best Country Album:
Lady Like, Ingrid Andress
Your Life Is a Record, Brandy Clark
Wildcard, Miranda Lambert
Nightfall, Little Big Town
Never Will, Ashley McBryde

Best American Roots Performance:
“Colors,” Black Pumas
“Deep in Love,” Bonny Light Horseman
“Short and Sweet,” Brittany Howard
“I’ll Be Gone,” Norah Jones & Mavis Staples
“I Remember Everything,” John Prine

Best American Roots Song:
“Cabin,” The Secret Sisters (Laura Rogers & Lydia Rogers, songwriters)
“Ceiling to the Floor,” Sierra Hull (Sierra Hull & Kai Welch, songwriters)
“Hometown,” Sarah Jarosz (Sarah Jarosz, songwriter)
“I Remember Everything,” John Prine (Pat McLaughlin & John Prine, songwriters)
“Man Without a Soul,” Lucinda Williams (Lucinda Williams, songwriter)

Best Americana Album:
Old Flowers, Courtney Marie Andrews
Terms of Surrender, Hiss Golden Messenger
World on the Ground, Sarah Jarosz
El Dorado, Marcus King
Good Souls Better Angels, Lucinda Williams

Best Bluegrass Album:
Man on Fire, Danny Barnes
To Live in Two Worlds, Vol. 1, Thomm Jutz
North Carolina Songbook, Steep Canyon Rangers
Home, Billy Strings
The John Hartford Fiddle Tune Project, Vol. 1, Various Artists

Best Folk Album:
Bonny Light Horseman, Bonny Light Horseman
Thanks for the Dance, Leonard Cohen
Song for Our Daughters, Laura Marling
Saturn Return, The Secret Sisters
All the Good Times, Gillian Welch & David Rawlings

Sturgill Simpson Surprises Again With “Cuttin’ Grass Vol 2. (Cowboy Arms Sessions)” Release

If you were thinking to yourself “Self, I sure do loveSturgill Simpson’s “Cuttin’ Grass Vol 1. The Butcher Shoppe Sessions” but wouldn’t it be great if he did another one in a few weeks?”

Well you greedy bastard you got your wish. News trickled in the socials last night that Sturgill had a new album out. Given his penchant for tomfoolery I’m hesitant to bite on early Sturgill news. But just as he did with the first Volume, Volume. 2 (Cowboy Arms Sessions) had populated across streaming platforms as a surprise, more personal release.

Simpson said in a statement about the project: “On Volume 2, we recorded everything I was too afraid to do on Volume 1. It’s hard to deny that this is a much more intimate offering. I was thinking about my kids, my grandfather, my wife.” Vol. 2 features a returning crew of celebrated bluegrass players who were also involved in Vol. 1, including mandolin player Sierra Hull, guitarist Tim O’Brien, and fiddler Stuart Duncan.

“Cuttin’ Grass Vol. 2” gives us toe-tapping version of “You Can Have The Crown” that had previously retired from his live shows performing. There’s the inclusion of “Jesus Boogie” and “Oh Sarah” from his earlier band Sunday Valley. Simpson debuts two new cuts on the record: “Tennessee” and a “Cowboy” Jack Clement tribute album closer “Hobo Cartoon,” billed as a co-write with late country legend Merle Haggard. The album also interprets a half-dozen songs from Simpson’s 2016 record “A Sailor’s Guide To Earth.”

Again joining Sturgill on the release is the hot-shot bluegrass band, dubbed the “Hillbilly Avengers,”fiddler Stuart Duncan, guitarist Tim O’Brien, mandolinist Sierra Hull, drummer Miles Miller, bassist Mike Bub and Scott Vestal and Mark Howard on banjo. David Ferguson produced the album.

Order “Cuttin’ Grass Vol 2.” pre-release.

“Cuttin’ Grass Vol 2. (Cowboy Arms Sessions)” Track List:

1. Call To Arms
2. Brace for Impact (Live a Little)
3. Oh Sarah
4. Sea Stories (Sunday Valley cut)
5. Hero
6. Welcome To Earth (Pollywog)
7. Jesus Boogie (Sunday Valley cut)
8. Keep It Between The Lines
9. You Can Have The Crown
10. Tennessee
11. Some Days
12. Hobo Cartoon written with Merle Haggard)

Doc Watson and Gaither Carlton Live Recordings To Be Released This Spring

Doc Watson

Yes, the shiny new stuff is fun to look forward to. But we do well to remember the elders that paved the sonic highways leading to the music we still love today.

Doc Watson and Gaither Carlton are just such pioneering elders. Watson went on to become a legend in the late 50’s early 60s folk scene and his guitar style influenced luminaries as Bob Dylan to Ry Cooder and the Nitty Gritty Dirt Band. They were part of a wave that brought the austere aesthetic of the hills and plains to the coffee house youch hungry for something “real.”

On May 29 Smithsonian Folkways will give us a chance to hear what those caffeinated kids were experiencing. “Doc Watson and Gaither Carlton” is the title of the upcoming new album of old-time music produced from archival recordings consisting of largely unheard tapes that were recorded at Doc Watson’s two earliest concerts, presented in New York City’s Greenwich Village in 1962. Those shows were among the rare appearances Doc’s father-in-law, Appalachian fiddler Gaither Carlton, made outside of North Carolina. The instrumental pieces, including Gaither’s signature tune “Double File,” include intricate musical interactions developed through years of family music-making. On the songs and ballads, Doc’s instantly recognizable baritone voice is accompanied by his own guitar and Gaither’s fiddle, or by the traditional combination of fiddle and banjo. Shortly after these recordings were made, Doc Watson embarked on a career as one of America’s premier acoustic guitarists, earning the National Medal of Arts and eight Grammy Awards.

And we’re proud to announce this on Doc Watson’s birthday!

From the presser:

It’s hard to imagine a time when the brilliant guitar playing and Appalachian roots of Doc Watson weren’t a part of the American musical fabric. A famed artist in his day and a continuing influence on American music, Watson happened into the music industry much by accident, “discovered” by noted folklorist Ralph Rinzler in the early 1960s when he was mainly playing rockabilly tunes on the electric guitar near his home in tiny Deep Gap, North Carolina. Rinzler convinced Watson that audiences around the country were interested in the older music of Appalachia, and the nation soon fell in love with his heartfelt, powerful singing and his inimitable acoustic guitar playing. He inspired countless people to pick up the guitar and learn to flatpick the old melodies, much of this encouragement coming in person after performances. It was at the first of these shows in New York, really Watson’s first time headlining a show in the city (the previous time he’d played there he was one of two guitarists in Clarence Ashley’s band), that we get to hear this old music played by Watson and his fiddling father-in-law, Gaither Carlton. These live recordings from 1962 are to be released May 29, 2020, by Smithsonian Folkways as Doc Watson and Gaither Carlton on CD, digital, and vinyl. Most of these tracks have never been released before, and the recordings capture two masters at the height of their power, reveling in an audience that was there to listen, not just to drink and dance. It’s a moment where the rural Appalachian world of North Carolina came face to face with the urban New York world of young people desperate to learn folk music and to learn more about the Southern traditions they’d been discovering. These recordings show two very different worlds coming together, buoyed by Watson’s charming personality and his willingness to teach all who would learn.

The recordings on Doc Watson and Gaither Carlton come from two concerts in New York City in October 1962; one concert at the NYU School of Education and the other at Blind Lemon’s (a folk club in the West Village that was gone the next week). Rinzler set up the concerts as Watson’s debut in New York, but it was a young Peter Siegel, barely 18 years old, who recorded both concerts. Siegel still lives in New York, and went on to many great projects in the years after this, founding the Nonesuch Explorer Series, producing more music with Watson, becoming head of A&R for Polydor, and later producing music with Paul Siebel, Tom Paxton, Roy Buchanan, and others. But during those wintery nights in New York in 1962 he was just a teenager with a recording device, and he captured something truly special. “Today there are all these great flatpicking guitarists we know about,” Siegel says. “Clarence White, Tony Rice, all kinds of people. Billy Strings too now. At that time, nobody had ever heard a folk guitar player play like that! In folk music, the guitar was an accompanying instrument, which was usually strummed in a specific way. So when Doc showed up, it blew my mind. It blew everyone’s mind!”

The music that Doc Watson and Gaither Carlton played on these recordings is not the powerhouse virtuosic guitar style Watson would later be known for; indeed he actually plays banjo on half the tracks. “This is family music with intricate interweaving of fiddle and guitar, or fiddle and banjo,” Siegel says. “This is the music that Doc and Gaither had been playing at home for the last twenty years. On this record you can hear the older stuff, you can hear flashes of brilliant guitar playing, but that’s not what the album is about.” Gaither Carlton was himself a fiddler of great power. His stately playing reflects the Scottish and Irish roots of the music, and he knew seminal old-time fiddlers from the 78rpm era, such as fiddler GB Grayson of Grayson & Whitter. Whereas Watson grew up in a household with a record player and access to the radio, later basing much of his music on songs he discovered over the airwaves, Carlton came from an older world and learned his music from his family and friends directly in his region of Appalachia. As Siegel says, “Gaither Carlton’s playing is a lot like his personality. He was very humble and soft-spoken. Now I listen to it again, I see he’s the soul of old-time music. He just brings out the essential quality of that music tradition.”
You can hear the love from the audiences at these concerts, and you can hear the love between Doc Watson and Gaither Carlton as they play, Watson encouraging Carlton with a “Fiddle it, son!” exclamation at one point. “These recordings were made,” as Siegel says, “at a particular time in Doc’s career when he’s just figuring out that people like to hear this old-time music. He couldn’t get arrested with this music in his hometown. If you listen to parts of this album, you can hear his surprise and happiness that the audience is responding in such a way. He’s clearly having a real good time.”

Pre-order Doc Watson and Gaither Carlton.

Lucinda Williams Teases New Album “Good Souls Better Angels,” To Be Released This Spring

Lucinda Williams - Down Where The Spirit Meets The Bone

2020 releases just keep getting better and better.

While discussing her history and her upcoming Fort Mayers her show at the Barbara B. Mann Performing Arts Hall (tickets here) the Queen of Americana Lucinda Williams dropped some sweet news that she had decided on a title for her upcoming release as well as a date.

“Good Souls Better Angels” is the album title, a title she just settled on the week before this interview. The release date was stated to be in April.

About the album Williams says: “Once I start writing, then the songs kind of dictate: OK, this is the kind of album it’s gonna be,” she says. “So this one ended up being very grungy and edgy and bluesy and rock. Very political, you know.

“I don’t like using the word political, because people interpret that in different ways. They used to call ‘em topical songs, you know, back when Bob Dylan was writing protest songs. They called ‘em topical songs. So that’s what I’d call them.”

Read the full interview here.

!!!UPDATE!!!

We now have official news on Lucinda Williams’ new album and a new song as well!

Williams’ upcoming album, ‘Good Souls Better Angels,’ will be released April 24th via Highway 20/Thirty Tigers.

The LP is the follow-up to 2016’s ‘The Ghosts of Highway 20’ and reportedly ” finds the Americana songwriter addressing an array of cultural and political issues, from social media persecution to a nonviable leader. Williams and her husband Tom Overby produced the album with Ray Kennedy, who engineered her 1998 breakout album Car Wheels on a Gravel Road.

Hear the new song ‘Man Without a Soul’ below.

Willie Nelson To Be Honored at Grammy Week Americana Music Association Benefit Concert

shotgun willie

In keeping with its honoring music legends in the runup to the Grammy Awards (who in many ways prefers to forget them), the Americana Music Association will be producing a solute to none other than the red-headed stranger himself, Willie Nelson.

Willie will be saluted by peers and admirers that include John Prine, Tanya Tucker, Shooter Jennings, Rhiannon Giddens & Francesco Turrisi, Calexico, Andrew Bird, I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) and Yola. The War and Treaty, Iron & Wine, Madison Cunningham, Gregory Alan Isakov, Ida Mae, Sierra Ferrell and others still to be announced also are slated to take part in the tribute.

The evening celebrates the Recording Academy’s recognition of Americana musicians and typically uses the work of an Americana luminary as a focal point. Prine was the honoree last year and will be making his second appearance at the event to pay homage to the 86-year-old Texas singer and songwriter, who is not expected to attend.

Previous honorees include Everly Brothers singer and songwriter Phil Everly (which I was fortunate enough to attend), Eagles founding member Glenn Frey and country queen Loretta Lynn.

The benefit will take place at the storied West Hollywood venue Troubadour. Tickets are $75 and proceeds benefit the AMA. General sales begin at 10 a.m. Friday.

Grammy Awards Nominees : Tanya Tucker Leads The Pack

62nd Grammy Awards

Nominations for the 62nd Grammy Awards were announced Wednesday, and Taya Tucker led the country/roots music pack with four nominations in the Song Of The Year, Best Country Solo Performance, Best Country Song and Best Country Album categories. Tucker was first nominated for a Grammy for the song “Delta Dawn” in 1973.

Tucker shares her Best Country Solo Performance nomination spot with Tyler Childers, Ashley McBryde, and Willie Nelson. Best American Roots Performance nominees are Sara Bareilles, Calexico and Iron & Wine, Rhiannon Giddens With Francesco Turrisi and Yola.

Calexico And Iron & Wine, Madison Cunningham, Madison Cunningham, Keb’ Mo’, J.S. Ondara and Yola are up for Best Americana Album.

See the full list of country/Americana roots nominees below and see the complete list of nominees here.

The Grammy Awards will take place on January 26th at the Staples Center in Los Angeles. The broadcast will air live on CBS at 7 p.m. ET/PT.

Song Of The Year
“Always Remember Us This Way” — Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna, songwriters (Lady Gaga)
“Bad Guy” — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
“Bring My Flowers Now” — Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
“Hard Place” — Ruby Amanfu, Sam Ashworth, D. Arcelious Harris. H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
“Lover” — Taylor Swift, songwriter (Taylor Swift)
“Norman F—ing Rockwell” — Jack Antonoff & Lana Del Rey, songwriters (Lana Del Rey)
“Someone You Loved” — Tom Barnes, Lewis Capaldi, Pere Kelleher, Benjamin Kohn & Sam Roman, songwriters (Lewis Capaldi)
“Truth Hurts” — Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John, songwriters (Lizzo)

Best Country Solo Performance:
“All Your’n” — Tyler Childers
“Girl Goin’ Nowhere” — Ashley McBryde
“Ride Me Back Home” — Willie Nelson
“God’s Country” — Blake Shelton
“Bring My Flowers Now” — Tanya Tucker

Best Country Duo/Group Performance:
“Brand New Man” — Brooks & Dunn with Luke Combs
“I Don’t Remember Me (Before You)” — Brothers Osborne
“Speechless” — Dan & Shay
“The Daughters” — Little Big Town
“Common” — Maren Morris ft. Brandi Carlile

Best Country Song:
“Bring My Flowers Now” — Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, Songwriters (Tanya Tucker)
“Girl Goin’ Nowhere” — Jeremy Bussey & Ashley Mcbryde, Songwriters (Ashley Mcbryde)
“It All Comes Out In The Wash” — Miranda Lambert, Hillary Lindsey, Lori Mckenna & Liz Rose, Songwriters (Miranda Lambert)
“Some Of It” — Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, Songwriters (Eric Church)
“Speechless” — Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, Songwriters (Dan + Shay)

Best Country Album:
Desperate Man — Eric Church
Stronger Than The Truth — Reba McEntire
Interstate Gospel — Pistol Annies
Center Point Road — Thomas Rhett
While I’m Livin’ — Tanya Tucker

Best American Roots Performance:
“Saint Honesty” — Sara Bareilles
“Father Mountain” — Calexico With Iron & Wine
“I’m On My Way” — Rhiannon Giddens With Francesco Turrisi
“Call My Name” — I’m With Her
“Faraway Look” — Yola

Best American Roots Song:
“Black Myself” — Amythyst Kiah, songwriter (Our Native Daughters)
“Call My Name” — Sarah Jarosz, Aoife O’donovan & Sara Watkins, songwriters (I’m With Her)
“Crossing To Jerusalem” — Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
“Faraway Look” — Dan Auerbach, Yola Carter & Pat Mclaughlin, songwriters (Yola)
“I Don’t Wanna Ride The Rails No More” — Vince Gill, songwriter (Vince Gill)

Best Americana Album:
Years To Burn — Calexico And Iron & Wine
Who Are You Now — Madison Cunningham
Oklahoma — Keb’ Mo’
Tales Of America — J.S. Ondara
Walk Through Fire — Yola

Best Bluegrass Album:
Tall Fiddler — Michael Cleveland
Live In Prague, Czech Republic — Doyle Lawson & Quicksilver
Toil, Tears & Trouble — The Po’ Ramblin’ Boys
Royal Traveller — Missy Raines
If You Can’t Stand The Heat — Frank Solivan & Dirty Kitchen

Best Folk Album:
My Finest Work Yet — Andrew Bird
Rearrange My Heart — Che Apalache
Patty Griffin — Patty Griffin
Evening Machines — Gregory Alan Isakov
Front Porch — Joy Williams

Best Song Written For Visual Media:
“The Ballad Of The Lonesome Cowboy” — Randy Newman, songwriter (Chris Stapleton); Track from: “Toy Story 4”
“Girl In The Movies” — Dolly Parton & Linda Perry, songwriters (Dolly Parton); Track from: “Dumplin’”
“I’ll Never Love Again (Film Version)” — Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere, songwriters (Lady Gaga & Bradley Cooper); Track from: A Star Is Born
“Spirit” — Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh, songwriters (Beyoncé); Track from: “The Lion King”
“Suspirium” — Thom Yorke, songwriter (Thom Yorke); Track from: “Suspiria”

Best Album Notes:
The Complete Cuban Jam Sessions — Judy Cantor-Navas, album notes writer (Various Artists)
The Gospel According To Malaco — Robert Marovich, album notes writer (Various Artists)
Pedal Steel + Four Corners — Brendan Greaves, album notes writer (Terry Allen And The Panhandle Mystery Band)
Pete Seeger: The Smithsonian Folkways Collection — Jeff Place, album notes writer (Pete Seeger)
Stax ’68: A Memphis Story — Steve Greenberg, album notes writer (Various Artists)

Best Historical Album:
The Girl From Chickasaw County – The Complete Capitol Masters — Andrew Batt & Kris Maher, compilation producers; Simon Gibson, mastering engineer (Bobbie Gentry)
The Great Comeback: Horowitz At Carnegie Hall — Robert Russ, compilation producer; Andreas K. Meyer & Jennifer Nulsen, mastering engineers (Vladimir Horowitz)
Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990 — Spencer Doran, Yosuke Kitazawa, Douglas Macgowan & Matt Sullivan, compilation producers; John Baldwin, mastering engineer (Various Artists)
Pete Seeger: The Smithsonian Folkways Collection — Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)
Woodstock: Back To The Garden – The Definitive 50th Anniversary Archive — Brian Kehew, Steve Woolard & Andy Zax, compilation producers; Dave Schultz, mastering engineer, Brian Kehew, restoration engineer (Various Artists)

Producer Of The Year, Non-Classical:
Jack Antonoff
Dan Auerbach
John Hill
Finneas
Ricky Reed

Sturgill Simpson Announces New Album and Anime Tie-In

Sturgill Simpson (photo by Semi Song)
Sturgill Simpson (photo by Semi Song)

Few artists are less willing to rest on their laurels than Sturgill Simpson.

In his latest gutsy move, Sturgill Simpson announced last weekend at San Diego’s Comic-Con that his upcoming new album, “Sound & Fury,” will be paired with an anime film of the same title to be released simultaneously on Netflix. The anime
is written and directed by CG studio Kamikaze Douga founder Jumpei Mizusaki.

Simpson emerged as part of an outlaw country resurgence the release of his second LP, “Metamodern Sounds in Country Music.” Much like the original outlaw country pioneers, Simpson was taking control of the trajectory of his career resulting in fans and media accolades as the mainstream country radio did what they always do and shied away from the risky weirdness of “Turtles All the Way Down.”

Simpson doubled-down on following his contrarian muse with 2016’s “A Sailor’s Guide to Earth,” a loosely assembled concept album with songs inspired by his time in the Navy. The album moved further from the jet-fueled honky-tonk that defined his early career and embraced his love of rock, soul, and psychedelia. ironically Simpsons’ least country album went on to win the 2018 Grammy for Best Country Album.

With this latest announcement, Simpson remains (place genre here) most interesting agent of disruption. He steadfastly refuses o play by Music City rules or typical music career rules in general.

We will all be able to hear and see the latest stop on this sailer’s (pirate’s?) journey when “Sound & Fury” is released in September.

Hear Gillian Welch & David Rawlings Perform “When A Cowboy Trades His Spurs For Wings”

 Gillian Welch & David  Rawlings -  “When A Cowboy Trades His Spurs For Wings”

Gillian Welch and David Rawlings wrote “When A Cowboy Trades His Spurs For Wings” for the recent six-part Coen brothers anthology, The Ballad Of Buster Scruggs. If you watched the show you know the original song was sung by Tim Blake Nelson as Buster Scruggs alongside Willie Watson as “The Kid.” Today, Welch and Rawlings share a new version that they will perform at the 91st Academy Awards on 2/24.

Gillian Welch and David Rawlings recently garnered a nomination for “Best Original Song” at the 2019 Academy Awards, for “When A Cowboy Trades His Spurs For Wings.” their version of the song on Acony Records, which they sing in their own lonesome and timeless
style, invoking both the absurd fatalism of the show and their own penchant for a good yodel.

Welch and Rawlings said about their nomination: “We are eternally grateful to Ethan and Joel Coen for giving us the opportunity to write a cowboy duet between the living and the dead, and to Willie Watson and Tim Blake Nelson for bringing it to life.”

The pair confirmed they will perform the song on The Grand Ole Opry on February 16th as well as at the 91st Academy Awards on Sunday, February 24, 2019.

Welch revealed the story behind the song and working with the Coen Brothers in a recent Rolling Stone interview:

“They [The Coen Brothers] gave David and I the script, and they gave us the script of maybe two other of the shorts in the collection so we could gauge the darkness [laughs]… And then there was just a really basic conversation [with Joel Coen]. He was like, “Look, there’s the singing cowboy — he’s been around for a while. Now here comes the new guy. He’s cuter, he’s faster and he sings better. He’s just better. It’s the new model. He’s coming for him.”… Joel just said, “Here’s the specifics of it. They have to be able to sing it together. They have to be able to sing it once Tim has been shot and is dead and is floating up to heaven.”

Gillian also spoke to Variety about her and Rawlings’ process writing the song:
“It was a pretty straightforward thing: ‘Well, we need a song for when two singing cowboys gun it out, and then they have to do a duet with one of ‘em dead. You think you can do that?’ ‘Yeah, I think we can do that’”… “The more peculiar restraints you put upon a song, the more fun it is, so this was kind of a dream assignment,” Welch says. “And they didn’t tell us to do this, but if you’re writing a gunfight song between two singing cowboys, who wouldn’t love the opportunity to put some yodeling in?”

Buy the single “When A Cowboy Trades His Spurs For Wings” here.