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Posts Tagged ‘Miranda-Lambert’

55th Annual Grammy Award Nominees – Americana, Country and Related Categories

08 Dec

This year’s National Academy of Recording Arts and Sciences (NARAS) 55th Annual Grammy Awards nominees reflect the rich and diverse community of talent that celebrates some of the genres finest old and new. From a CBS prime-time nominations concert LL Cool J and co-host Taylor Swift.

Some history – Nashville hosted the Official Grammy awards in 1973, but this marks only the fist time The Grammys have held the nomination event outside of L.A. This fortuitous event for Music City resulted from a scheduling conflict with the event usual home at the Staples Center but the city rose to the occasion and showed the performers and attendees a great time. Of course I would have preferred to have people from the lists below perform of national televised show but I’m biased by design.

As in recent years social media was a major conduit for the event. Music City was abuzz on mobile phones, computers ad tablets during the hour-long broadcast from Nashville’s Bridgestone Arena (Go Predators!) . Nearly 12,000 posts on Twitter, Facebook and other social media sites mentioned the word “Nashville” in connection with the Grammy nominations

Aside from the usual categories of Americana, Folk and Bluegrass roots music made an impressive showing for the coveted Album Of The Year , which includes a nomination for Mumford & Sons’ sophomore outing Babel, and Best New Artist with Alabama Shakes and the Lumineers.

I got 2 out of 7 of my predictions right for the Best Americana Album category with The Avett Brothers and Mumford and Sons. The pleasant surprise in this category is John Fullbright who I’m willing to say here I’m pulling for. The legendary Bonnie Raitt is nominated in this category and I’ll also go on record as saying Bonnie has secured her legendary status in Blues and Rock. When there are performers from the community like Justin Townes Earle and Corb Lund have new albums out why poach legends from other genres.

Classic country was also celebrated with Nashville Western swing ensemble the Time Jumpers being nominated for two GRAMMYs for Best Country Duo/Group Performance for “On The Outskirts Of Town” and Best Country Album for their latest self-titled release. Best Country Album also has another surprise with Jamey Johnson being nominated for his tribute covers album “Living for a Song: A Tribute to Hank Cochran.” The “Gentle Giant” Don Williams is nominated for his duet with the woman that hold the record for the most Grammys by a female artists (27!), Alison Krauss for Best Country Duo/Group Performance with “I Just Come Here for the Music”

Here’s the full list of Americana and associated categories for the 55th Grammy Awards. The Awards will be presented on Feb. 10, 2013. Most of these will be presented in the pre-telecast ceremony before the televised portion that evening on CBS. To find ot the winners follow me on Twitter and watch live streaming at Grammy.com.

Best Americana Album
The Avett Brothers – The Carpenter
John Fullbright – From the Ground Up
The Lumineers – The Lumineers
Mumford & Sons – Babel
Bonnie Raitt – Slipstream

Best Bluegrass Album
Dailey & Vincent – The Gospel Side Of
The Grascals – Life Finds a Way
Noam Pikelny – Beat the Devil & Carry a Rail
Special Consensus – Scratch Gravel Road
Steep Canyon Rangers – Nobody Knows You

Best Country Album
Zac Brown Band – Uncaged
Hunter Hayes – Self-titled
Jamey Johnson – Living for a Song: A Tribute to Hank Cochran
Miranda Lambert – Four the Record
The Time Jumpers – Self-titled

Best Folk Album
Carolina Chocolate Drops – Leaving Eden
Ry Cooder – Election Special
Luther Dickinson – Hambone’s Meditations
Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile – The Goat Rodeo Sessions
Various – This One’s For Him: A Tribute to Guy Clark

Americana and Roots artists on other categories:

- Mumford & Sons – Album of the Year for Babel, Best Rock Performance and Best Rock Song for “I Will Wait”, Best Long-form Music Video for “Big Easy Express” from the Railroad Revival Tour with Old Crow Medicine Show , Edward Sharpe and the Magnetic Zeros, “Markus Dravs nominated for Producer of the Year for Babel.”
- Alabama Shakes – Best New Artist, Best Rock Performance for “Hold On”, Best Recording Package for Boys and Girls
- The Lumineers – Best New Artist-
- Bruce Springsteen – Best Rock Performance, Best Rock Album for Wrecking Ball & Best Rock Song for “We Take Care of Our Own”
- The Goat Rodeo Sessions featuring Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile – for Best Folk Album, Best Engineered Album, Non-Classical
- Don Williams (feat. Alison Krauss) – Best Country Duo/Group Performance for “I Just Come Here for the Music”
- Taylor Swift/The Civil Wars – Best Country Duo/Group Performance & Best Song Written for Visual Media for “Safe and Sound”
- Woody at 100: The Woody Guthrie Centennial Collection – Best Boxed or Special Limited Edition Package, Best Historical Album
- Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads, And Instrumentals Recorded In The Great Smoky Mountains By “Song Catcher” Joseph S. Hall – Best Historical Album
- Ryan Adams – Ashes and Fire – Best Engineered Album, Non-Classical

 

RIP Susanna Clark

29 Jun

Behind every great man there is a great woman rings none more true than in the case of Guy and Susanna Clark.

Atlanta, Texas-born Susanna Clark, a former art teacher and renowned songwriter for Emmylou Harris, Kathy Mattea, Miranda Lambert, Rosanne Cash, Jerry Jeff Walker and others, died Wednesday, June 27 in Nashville. She was 73, and had reported to have been in poor health in recent years.

Susanna was key to Guy Clark quitting his job at a Houston television station and focusing on songwriting. Guy Clark, a contemporary of frequent house-guest Townes Van Zandt, would go on to pen great songs such as “L.A. Freeway” (which mentions Susanna ) , “Desperados Waiting for a Train” and “Hemingway’s Whiskey” (which was later covered by Kenny Chesney.)Clark would go on to become a member of the Nashville Songwriters Hall of Fame.

The Tennessean sites a Journal of Country Music interview where Susanna said “I just asked him what he wanted to do, and he said, ‘Music, I said, ‘Well, let’s do it.’ And he said, ‘That’s the first time a woman has ever asked me to quit a job.”

Her first Top 20 country hit was “I’ll Be Your San Antone Rose” for singer Dottsy in 1975. In 1978, she and Carlene Carter wrote “Easy From Now On” the lead track of Harris’ Quarter Moon In A Ten Cent Town. Most recently she wrote the title cut from Miranda Lambert’s 2007 “Crazy Ex-Girlfriend.” Clark also put her painting talents to work creating the album cover for Harris as well as Willie Nelson’s “Stardust.”

One of my favorite scenes from the classic film “Heartworn Highways” is the scene with Texas singer/songwriters gathered at Guy and Susanna Clark’s home for a picking session on Christmas Eve 1975. Here you see Guy and Susanna in the opening scene followed by Steve Earle, Rodney Crowell and Richard Dobson

http://www.youtube.com/watch?v=DJrVwJonlrA

Here’s a great video of Guy Clark telling a great story about Susanna and performing a song he wrote for her.

 

Listen to Pistol Annies “Run Daddy Run” from Hunger Games Soundtrack

19 Mar

Singer/songwriter/producer and Americana stalwart T Bone Burnett seems to be practicing a sort of genre alchemy  with the upcoming Hunger Games soundtrack (March 20.)

Mr. Burnett seems to be taking poetic license with Suzanne Collins’ trilogy which follows the heroine, whose home in District 12 that encompasses current-day Appalachia, an region Burnett knows something about. The setting of the books is a sort of future version of the old frontier which also plays to Burnett’s wheelhouse.

Burnett excels  in making neo-rustic music that would appeal more to Hunger Game readers parents. The young women that are the primary demographic for the books are more likely to be fans of indy rock, pop or country pop.

Burnett displays his craft to fuse his world to the new audience adeptly on the  Taylor Swift and Civil Wars track “Safe and Sound.” Now he’s done the same for the same for the Pistol Annies’ cut Run Daddy Run. The song is sung by the group, which consists of Miranda Lambert, Ashley Monroe and Angaleena Presley, and sounds more akin to O Brother’s Didn’t Leave Nobody but the Baby sung by Emmylou Harris, Alison Krauss and Gillian Welch. This is a different sound than the sassy country found on the recent Pistol Annies debut.

Check out the track below and let me know what you think.

http://www.youtube.com/watch?v=rYhvKabzUZ4&feature=player_embedded

 

The Hunger Games Soundtrack Champions Americana/Country Music

15 Feb

The Secret Sisters announced this morning via their Facebook page that their song “Tomorrow Will Be Kinder”  (below) would be included on the soundtrack to the upcoming film The Hunger Games. I had known about (and more surprisingly actually enjoy) the song “Safe & Sound” with The Civil Wars and Taylor Swift. Two songs hardly make a theme so I looked up the soundtracks track list on MTV.com ans was pleased to have my suspicions verified.  Miranda Lambert with the Pistol Annies, Carolina Chocolate Drops and Neko Case shows a hearty helping of Americana/Country music represented (0r as MTV.com describes it “…the album is bursting with twang!) I haven’t read the books but will definitely be getting the soundtrack when it’s released on March 20th.

1. “Safe & Sound” (feat. The Civil Wars) by Taylor Swift
2. “Eyes Wide Open” by Taylor Swift
3. “Abraham’s Daughter” by Arcade Fire
4. “The Ruler & The Killer” by Kid Cudi
5. “Run Daddy Run” (feat. Pistol Annies) by Miranda Lambert
6. “Kingdom Come” by The Civil Wars
7. “One Engine” by The Decemberists
8. “Take The Heartland” by Glen Hansard
9. “Lover Is Childlike” by The Low Anthem
10. “Dark Days” by Punch Brothers
11. “Tomorrow Will Be Kinder” by The Secret Sisters
12. “Just a Game” by Birdy
13. “Oh Come & Sing” by Ella Mae Bowen
14. “Rules” by Jayme Dee
15. “Reaping Day” by Carolina Chocolate Drops
16. “Give Me Something” I’ll Remember by Neko Case
17. Video “Safe & Sound” (Bonus Video) by Taylor Swift

 

Jason Isbell Accuses Dierks Bentley of Plagiarism

07 Jan

Yesterday evening I was hanging around on the twitter machine (I’m a wild man on a Friday night!) I was watching the usual silliness pass along on the distinguished group of folks that I follow there and then I saw a post from singer/songwriter Jason Isbell that caught my attention:

“Dierks” has officially ripped off my song “In A Razor Town.” Dierks is a douchebag.”

In A Razor Town” is a cut off Jason Isbell’s first solo release ‘Sirens in the Ditch.”

There aren’t many Dierks that I’m aware of in music so my assumption was that he was accusing Nashville Capitol Records recording artist Dierks Bentley. That assumption was confirmed with subsequent tweets as Isbell called Bentley out by his full name and named the title of the allegedly “ripped off” song.

The accused song is “Home,” the title song off Bentley’s 10/10/11 release. Wikipedia states that  “The song was inspired by the Tucson, Arizona shooting that killed six people and critically injured U.S. Representative Gabrielle Giffords in January 2011.”

Isbell also accuses Bentley of possibly bringing an idea of his song to co-writer of Home Dan Wilson.

“I bet Dierks brought that idea to the table and Dan ran with it.”

Bentley took to his twitter account to address the accusation:

“@Jasonisbel “I bet Dierks brought that idea to the table and @Danwilsonmusic ran with it.” -HAHAHAHAHAHAHAHAHAHAHA! that is some funny shit!”

These things are tricky, and I was terrible at spotting copyright infringements in my copyright law class at NYU, but after listening to both songs (below) it’s a pretty amazing coincidence. If Bentley had heard Isbell’s song, and mistakenly brought it to the writers table as his own idea, he needs to listen objectively, fess up and cut Isbell in on the songwriting credits.  That’s what Miranda Lambert did when it was brought to her attention that the title song to her album “Kerosene” was strikingly similar to Steve Earle’s  “I Feel Alright.” Miranda will always be aces in my book for that.

ON EDIT: Ernie over at El Trash has a post striking similarities between Dierks Bentley song “Up on the Ridge” and Matt King’s songs “Hard Luck Road” and “Shanty Town.” there appears to be a pattern forming here.

Jason Isbell – In A Razor Town

Dierks Bentley – Home

 

 

Dierks Bentley

 

The Best of 2010

23 Dec

It’s that time again. The end of the year list that are as common as as spam in your inbox, but it’s tradition and I’m a sucker for tradition. So here we go!

If you follow my twitter feed (http://twitter.com/#!/TwangNation) you’ll already know what’s on this list. I did the countdown as seperate tweets lest week and I got a great response. You also know that its not merely a top 10 but a top 25! That’s right, you get 25% more music for your money.

It has been another great year for Americana/roots music, and from what’s currently coming across my desk for 2011 we can look forward to another. Old-timers are beating on the barn door and upstarts are using old parts to make new works that advance the form while staying true to the roots.  The genre appears to be attracting and cultivating the type of nurturing and craftsmanship that labels used to practice in the golden days of the 60s and early 70s. Of course this time without the lavish pay-out. The music industry is in turmoil from the corner office view but from the touring van and the laptop it’s  a prime-time for opportunity. And if you’re a burgeoning musician concerned about the current conditions I urge you to purchase Dr. Ralph Stanley’s book Man of Constant Sorry and learn about what REAL hard time look like.

So I raise a pint and celebrate an embarrassment of riches that show the love of craft and and honor in roots that defines a road of American culture that is often overlooked and forgotten but often leads to the promised land.

As the year comes to a close, I’m reflecting on the past four years of writing Minkin’s Music and all the good times with people I’ve met along the way. May the spirit of the season touch your soul and let comfort and joy shine upon you throughout the upcoming year.

  1. Mat D – Plank Road Drag – goo.gl/JmxJL
  2. Jamey Johnson – Guitar song- goo.gl/quZFh
  3. Ray Wylie Hubbard – A: Enlightenment B: Endarkenment (Hint: There Is No C) – goo.gl/VMe2Z
  4. Truckstop Darlin’ – Truckstop Darlin’ – goo.gl/jcRi0
  5. Reckless Kelly – Somewhere in Time- goo.gl/gwqGM
  6. Miranda Lambert – Revolution – goo.gl/Ana72
  7. Justin Townes Earle – Harlem River Blues – goo.gl/ZIU2V
  8. Lindsay Fuller – The Last Light I See – goo.gl/wZsFI
  9. Elizabeth Cook – Welder – goo.gl/kiEVi
  10. Jason & The Scorchers  -  Halcyon Times – goo.gl/gzf0g
  11. Mandolin Orange – Quiet Little Room – goo.gl/tPcHS
  12. Black Twig Pickers – Ironto Special – goo.gl/sipmJ
  13. Possessed By Paul James – Feed The Family – goo.gl/0BjNl
  14. Joe Thompson – Yankee Twang – goo.gl/whgRF
  15. Joe Pug – Messenger – goo.gl/VQt31
  16. Carolina Chocolate Drops  – Genuine Negro Jig – goo.gl/38tmF
  17. The Sadies – Darker Circles – goo.gl/z5nMt
  18. 6 Day Bender – E’ville Fuzz – goo.gl/xLDK6
  19. I Can Lick Any Sonofabitch In the House – Sounds of Dying – goo.gl/AhIG1
  20. Doc Dailey & Magnolia Devil – Victims, Enemies & Old Friends – goo.gl/twVaZ
  21. Shineyribs – Well After Awhile – goo.gl/8kgWY
  22. Patty Griffin – Downtown Church – goo.gl/YVXav
  23. Whitey Morgan & the 78′s – Whitey Morgan & the 78′s- goo.gl/HM2af
  24. Th’ Legendary Shack Shakers  - Agridustrial – goo.gl/ldsGN
  25. Mary Gauthier – The Foundling – goo.gl/fKAJb
 

Nominations for the 53rd GRAMMY Awards

02 Dec

The National Academy of Recording Arts and Sciences (NARAS) announced the nominees for the 53rd Annual Grammy Awards (to be held February 13th, 2011.) Here listed are the nominees in the Americana, Roots categories as well as similar artists in other categories (for a full list of nominees ho the Grammy.com)  Any surprises? Who’s missing?

BEST AMERICANA ALBUM
Rosanne Cash – The List
Los Lobos – Tin Can Trust
Willie Nelson – Country Music
Robert Plant – Band of Joy
Mavis Staples – You Are Not Alone

BEST BLUEGRASS ALBUM
Sam Bush – Circles Around Me
Patty Loveless – Mountain Soul II
The Del McCoury Band – Family Circle
Peter Rowan Bluegrass Band – Legacy
The Steeldrivers – Reckless

BEST TRADITIONAL FOLK ALBUM
Carolina Chocolate Drops – Genuine Negro Jig
Luther Dickinson & the Sons of Mudboy – Onward and Upward
The John Hartford Stringband – Memories of John
Maria Muldaur – Maria Muldaur & Her Garden of Joy
Ricky Skaggs – Ricky Skaggs Solo: Songs My Dad Loved

BEST CONTEMPORARY FOLK ALBUM
Jackson Browne & David Lindley – Love Is Strange – En Vivo Con Tino
Mary Chapin Carpenter – The Age of Miracles
Guy Clark – Somedays the Song Writes You
Ray LaMontagne and the Pariah Dogs – God Willin’ & the Creek Don’t Rise
Richard Thompson – Dream Attic

BEST COUNTRY INSTRUMENTAL PERFORMANCE
Cherryholmes – “Tattoo of a Smudge”
The Infamous Stringdusters – “Magic #9″
Punch Brothers – “New Chance Blues”
Darrell Scott – “Willow Creek”
Marty Stuart – “Hummingbyrd”

Other Americana/roots/indie/alt/whatever artists nominated in assorted other categories:

  • Dailey & Vincent – “Elizabeth” (Best Country Performance by a Duo or Group with Vocals)
  • Dierks Bentley – Up on the Ridge (Best Country Album)
  • Dierks Bentley, Miranda Lambert & Jamey Johnson – “Bad Angel” (Best Country Collaboration with Vocals)
  • Dierks Bentley, Del McCoury & the Punch Brothers – “Pride (In the Name of Love)” (Best Country Collaboration with Vocals)
  • Ryan Bingham & T. Bone Burnett – “The Weary Kind” from Crazy Heart (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Johnny Cash – “Ain’t No Grave”/ The Johnny Cash Project (Best Short Form Music Video)
  • Crazy Heart (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Steve Earle – “I See You” from Treme (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Patty Griffin – Downtown Church (Best Traditional Gospel Album)
  • Buddy Holly – Not Fade Away: The Complete Studio Recordings and More (Best Historical Album)
  • Elton John & Leon Russell – “If It Wasn’t for Bad” (Best Pop Collaboration with Vocals)
  • Jamey Johnson – “Macon” (Best Male Country Vocal Performance, Best Country Album for The Guitar Song)
  • Miranda Lambert – “The House That Built Me” (Best Female Country Vocal Performance, Best Country Song, Best Country Album for Revolution)
  • Ray LaMontagne – “Beg, Steal, or Borrow” (Song of the Year)
  • Los Lobos – “Do the Murray” (Best Rock Instrumental Performance)
  • Mumford & Sons – “Little Lion Man” (Best Rock Song, Best New Artist)
  • Tom Petty & the Heartbreakers – Mojo (Best Rock Album)*The Steeldrivers – “Where Rainbows Never Die” (Best Country Performance by a Duo or Group with Vocals)
  • Robert Plant – “Silver Rider” (Best Solo Rock Vocal Performance)
  • Pete Seeger with the Rivertown Kids and Friends – Tomorrow’s Children (Best Musical Album for Children)
  • Ricky Skaggs – Mosaic (Best Pop/Contemporary Gospel Album)
  • George Strait – “The Breath You Take” (Best Country Song)
  • Marty Stuart & Connie Smith – “I Run to You” (Best Country Collaboration with Vocals)
  • Treme (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Hank Williams – The Complete Mother’s Best Recordings…Plus! (Best Historical Album)
  • Lucinda Williams & Elvis Costello – “Kiss Like Your Kiss” from True Blood (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Neil Young – “Angry World” (Best Solo Rock Vocal Performance, Best Rock Song, Best Rock Album for Le Noise)
 

News Round Up: Miranda Lambert Gets Her Due

07 Sep
  • In a rare alignment of planets the Country Music Awards are actually in agreement. the pride of Texas, Miranda Lambert has been nominated for a record-breaking nine Country Music Association Awards, the most for any female country music artist in the history of the awards program. This almost makes up for the years that the CMA has been celebrating glitter and hairspray bull dung. I predict that Miranda will no longer be known as the blond country music singer that’s not Taylor or Carrie. Let’s hope the CMA carries through with this stumble into excellence and give her 9 wins.
  • In case you missed it, all last week NPR’s Fresh Air dug through their extensive interview archives for their excellent Country Music Week special. Terri Gross’ interviews and spotlights legends like Waylon Jennings, George Jones, Merle Haggard, Willie Nelson, Charlie Louvin, John Doe and more. Check it out.
  • On of my most anticipated releases next month is The Union, the T-Bone Burnett produced collaboration between Elton John and Leon Russell. The album also features Hohn’s long-time lyricist Bernie Taupin who had a hand in writing  songs and Elton and Russell playing piano simultaneously. You can listen to two of the 14 songs from the album, If It Wasn’t for the Bad (the disc’s first single which is on sale digitally now) and I Should Have Sent Roses (don’t let the cheesy opening music in the videos for the logo fool you.) Russell and John are scheduled to perform together on November 3, at the Hollywood Palladium. The Union will be released on October 19.
  • It has been a been a long time coming but it looks like The Last Rights of Ransom Pride,  the Ray Wylie Hubbard co-written dark Western, starring Kris Kristofferson, Dwight Yoakam, is finally having some premier showings. The Los Angeles Premiere will be at 12am on Friday, September 10 and Saturday, September 11 with upcoming releases in Dallas, TX, Ft. Worth, TX, Denton, TX and Phoenix, AZ. Check the film’s web site to leearn more, buy tickets and bring the film to your town.

[youtube]http://www.youtube.com/watch?v=6j-kXAz5DQ0[/youtube]

— On Thu, 9/2/10, the dwarf <whokilledthedwarf@gmail.com> wrote:

From: the dwarf <whokilledthedwarf@gmail.com>
Subject: LAST RITES OF RANSOM PRIDE IN THEATRES
To: “scotty wilson” <scotty2fly@gmail.com>
Received: Thursday, September 2, 2010, 7:02 PM

The wait is over… The Dwarf is here…

The Last Rites of Ransom Pride is coming to theaters. Thanks to you.

Come to The Los Angeles Premiere
12:00 AM Friday, September 10
12:00 AM Saturday, September 11

Laemmle Sunset 5

8000 Sunset Blvd.
West Hollywood, 90046

Get tickets now… http://www.laemmle.com/viewmovie.php?mid=6595

Upcoming Theatrical Screenings

Dallas, TX – September 16

Studio Movie Grill Royal Lane

11170 N. Central Expressway
Dallas, TX 75243

Ft. Worth, TX – September 17

Fort Worth, TX

7th Street Movie Tavern

2872 Crockett Street

Fort Worth, TX 76107
(682) 503-8100

Denton, TX – September 18

Denton Movie Tavern

916 West University Dr

Denton, TX 76201
(940) 566-FILM(3456)

Phoenix – Thursday, September 24
Fox Theater
Arizona Underground Film Festival

http://www.azundergroundfilmfest.com/home/

Tucson – Friday, September 25
Arizona Underground Film Festival

http://www.azundergroundfilmfest.com/home/

Calgary – Landmark Theater Dates and Times TBD

Raleigh  — Dates and Times TBD

Asheville – Dates and Times TBD

Seeking Street Team to put up flyers and stickers in the cities listed above. Join the street team, get three free tickets to a city premiere and a signed movie poster.

If these cities are not in your area please visit LastRitesFilm.com and request the movie in your area. Click on Hold Your City for Ransom.

 

The Best of 2009

18 Dec

best-09

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging generation used to genre defying music now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their 30s. A generation that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick, and the success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand brings older performers and songs to a new audience and shows that the music is not only interesting and exciting, and in a culture steeped in hipster irony something emotionally authentic, but it can make money as well.

Maybe part of the boom was the newly added Americana Grammy category (yeah, I don’t buy that either), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70′s, is a response to this environment of mediocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks) and wielding the power of social media that does much of the jobs the big labels used to do a generation ago. Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyor of all the goods, and I hope some of you readers find some of this stuff interesting as well.

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of the best music blogger compadres around in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide nobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates -Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Wrinkle Neck Mules – Let The Lead Fly (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road (Roots/Rock sweetheart with a folk sense of cultural activism)
15. Willie Nelson & Asleep at the Wheel – Willie and the Wheel (perfect union channels the spirit of Bob Wills)
16. Todd Snider – Excitement Plan (Steve Earle should study this release, social commentary doesn’t have to suck)
17. Justin Townes Earle – Midnight At The Movies (the younger Earle continues to make his mark by reaching into country music’s past)
18. The Felice Brothers – Yonder is the Clock (The Basement Tapes run through a dark prism)
19. Guy Clark – Somedays The Song Writes You (A Texas treasure that can do no wrong)
20. Deer Tick – Born on Flag Day (Indy spirit that uses twang as a strong driver)
21. Those Darlins – Self-titled (Riot Grrrl spunk with a Carter Sisters trad reverence)

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging
generation of people used genre defying music but now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their
30s. Kids that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick.
The success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand shows that the music is not only interesting and exciting but can make money as well.

Maybe it was the newly added Americana Grammy category (yeah, I don’t buy that neither), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70′s, is a response to this environment of medicocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks.) Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyer of all the goods, and I hope some of you readers find some of this stuff interesting as well.

http://www.thebirdlist.org/

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of my music blogger compadres in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide tobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates -Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Let The Lead Fly – Wrinkle Neck Mules (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road
15. Rita Hosking – Come Sunrise
16. Todd Snider’s Excitement Plan
17. Justin Townes Earle – Midnight At The Movies
18. The Felice Brothers – Yonder is the Clock
19. Guy Clark – Somedays The Song Writes You
20. Deer Tick – Born on Flag Day
21. The Builders & The Butchers – Salvation is a Deep Dark Well

 
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News Round Up: Emmylou Harris , Miranda Lambert and Brandi Carlile Join Lilith Fair Line-Up

11 Dec
  • Longtime member of Ralph Stanley’s Clinch Mountain Boys passed away at the age of 72. (Billboard)
  • The End Times Opry stops into New York City’s Lower East Side cozy Living Room on December 20th 7-10PM. The End Times Opry is a result of a group of artists who performed at the Pumpkintown Opry, in Pumpkintown South Carolina, for aging church groups. The End Times Opry fuses comedy, spoken word, and music for a collective entertainment experience. Performers include singer/songwriter Alexa Woodward , sonwriter/puppeteer Phoebe Kreutz, singer/songwriter Annie Crane , singer/songwriter Dan Costello, the band BoomChick, singer/songwriter Jack Hardy, singer/songwriter Frank Hoier and comic relief by Michael Robinette and Charles Massey of No Expectations Comedy.
  • Emmylou Harris , Miranda Lambert and Brandi Carlile will join Sugarland, Indigo Girls and Sheryl Crow performing with the newly reestablished Lilith Fair created by Sarah McLachlan. Some of first-round 18 cities already announced for this traveling tour are Atlanta, New York, Dallas, Seattle, Portland, Ore., Denver, San Francisco, Montreal and London.
  • Ranch Twang favorite, The Mighty Drive By Truckers, have left New West records and signed with Dave Matthew’s ATO Records (yes, THAT Dave Matthews.) Thier ATO Records debut record and the band’s 10th, The Big To-Do, is scheduled to be released March 16, 2010. The Big To-Do features thirteen new tracks from the Drive-By Truckers and was produced by their long time producer, David Barbe (Sugar, Bettye LaVette). “It’s very much a rock album,” says Patterson Hood of the Trucker’s upcoming release. “Very melodic and more rocking than anything we’ve done since disc 2 of Southern Rock Opera.” The Drive-By Truckers will be hitting the road at the beginning of the new year and a full tour supporting The Big To-Do will be announced in early 2010.
  • St. Luis based root-rock stalwarts The Bottle Rockets will release a new live 7-inch single through Euclid Records store on Dec. 15. Recorded during the band’s in-store performance on Record Store Day this past April 18, the release will be strictly limited to 300 copies. The 45s are sold exclusively at Euclid Records (www.euclidrecords.com) for $9.99. For each sold a dollar will be donated to the New Orleans Musicians Relief Fund (NOMRF) to benefit musicians displaced or suffering loss of equipment in the aftermath of Hurricane Katrina. Euclid Records is located at 601 East Lockwood in Webster Groves, Mo. (Country Standard Time)
  • Fox Searchlight’s fading country singer comeback move, Crazy Heart,starring Jeff Bridges, Robert Duvall, Maggie Gyllenhaal and Lost Highway’s Texas singer/songwriter Ryan Bingham, looks like a great movie. It seems that it was lucky to make it to the theaters at all.