Americana & Roots Music & Culture
Today, esteemed singer-songwriter John Moreland released a powerful video for his folk track “Gentle Violence.” Directed by Rahul Chakraborty, the video stars actors Jonah Lewis and Drew Pollock, who powerfully portray a son and father battling addiction and substance abuse. Alongside the video Moreland encourages fans to donate what they can to Tulsa’s Zen Recovery organization which helps people in recovery.
Watch the “Gentle Violence” video below.
alt-country stalwarts Old 97’s made their return to CBS Saturday Morning to perform three songs, “Falling Down,” “American Primitive” and “Where The Road Goes,” from their excellent 13th studio album ‘American Primitive,’ out now.
At the George Strait show at Lucas Oil Stadium in Indianapolis Saturday night (5/4) Strait not only confirmed a new album is on the way, he also debuted two new songs from it, including a cut with Chris Stapleton entitled “Honky Tonk Hall of Fame.”.
Strait said during the concert that, “We’ve got a new record that’s called ‘Cowboys and Dreamers. It’s gonna be coming out soon.” (See below)
So Strait fans, it looks like the cowboy won’t be riding away anytime soon, and thank goodness.
Hawthorne says she’s happily married and I’ll take her word for it.
But she’s done a dang good job portraying a troubled woman. Sure her newest cut, “Where Did I Go Wrong,” marks off many country music cliches – a broken heart, sitting in the bar pining on what went wrong – with her Miranda Lambert-belt meets Bonnie Raitt-bluesey swagger she sends the tune into another dimension.
She was obsessed with music since her childhood on the East Coast, Madeline planted roots in Bozeman, MT during college and never turned back. She honed her talents through countless backup and band gigs before going solo amid the Global Pandemic- which put her then band, Hawthorne Roots, on the skids. Balancing Americana, roots, folk, and rock, she introduced herself on the 2021 LP, Boots, co-produced by Brad Parsons and Tyler Thompson in Pittsburgh. In between, she shared the stage with everyone from Jason Isbell, Lukas Nelson, Josh Turner, and Kip Moore to Sierra Hull, John Craigie, and Nathaniel Rateliff.”
Hawthorne’s new album ‘Tales From Late Nights & Long Drives’ (which contains this single) is due out everywhere on June 14 and was produced by the famed Ryan Hadlock (Zach Bryan, The Lumineers, Vance Joy) and recorded at Bear Creek Studios near Seattle, WA.
At this point in country music history Randy Travis has been cast along with some of the greatest voices in the genre. Even now, as this track shows, Travis’ voice can still melt butter on a January morning. In 2013 Travis experienced a stroke in that left him unable to speak or move without assistance. He spent over 2 years in daily therapy to regain the abilities. As this song, first song in a decade, proves the man is back in fine form.
“You’ll hear much more about the special team of folks who came together to help make this magical moment in my career possible in the coming week.In the meantime, just know that when it comes to singing songs for you, there’s always more where that came from.” Travis posted on his Instagram.
The song is a bittersweet recollection of a love that has now gone, delivered in Travis’ signature baritone.
There appears to be some hoopla via AI filling in for much of Travis’ vocal issues. But not from me. As I type this on my laptop, who am I to point a finger and judge a legend. It sounds good and that’s enough for me.
Austin-based singer/songwriter Jesse Daniel releases the incisive duet “Tomorrow’s Good Ol’ Days” featuring Ben Haggard, son of country legend Merle Haggard.
A stomping piece of social commentary, the track comes from Daniel’s upcoming LP Countin’ The Miles, due out June 7 via Lightning Rod Records. It follows the raucous yet reflective first single “Comin’ Apart At The Seams,” which earned praise from Brooklyn Vegan, Holler, No Depression, Whiskey Riff, Country Central, Twang Nation and more. This month, Daniel will support Blackberry Smoke in Houston, TX before supporting Charles Wesley Godwin on a run of dates in July.
In a time of sobriety the alt-country Memphis rockers bring us a round and and takes us back to the rowdy old days.
There was a time, in the early 90s, when if you swung a cat youâ’d hit a country influenced rock band. Local hers Slobberbone and the Old 97s as well as the underground kings, Uncle Tupelo. The Drive-By Truckers developed in their wake and MTV brought Lone Justice, The Georgia Satellites and Jason and the Scorchers into unsuspecting suburban households. Dwight Yoakum moved from the L.A. underground to start a neo-trad movement as he and his skin tight jeans took off into stardom.
These days, unfortunately, alt.country bands are as rare as hen’s teeth. Well, good ones anyway.
Stalwarts of the genre Luceros dirty dozenth release blasts out of the shoot with Roy Berry beating his cowbell like a rented mule. Brian Venable rips into his guitar then pulls back into a tasteful melody and Rick Steff tickles the ivories with an E. Street wide throttle. Vocalist Ben Nichols has had enough of a bar fly buzzing around his whiskey. “It wasn’t like I came here thinking, ‘Man, this bar is great to drink in’,†Nichols declares in his familiar velvet-gravel voice, “It’s one more ‘fuck you,’ that’s it and I’m gone.â€
The redneck rave-up “Macon If We Make It†is about waiting out a gale force in some Florida bar while reminiscing about another Gail forcing herself into his mind.
“The bar starts to sink
And all my ears do is ring
I heard you crying
All I hear’s wind howling nowâ€
“At the Show,†is Nichols reflecting back on life as well as the audience as he puts himself in their boots. All the while hoping that a certain young lady will come around and hear his song he’s written just for her.
“Nothing’s Alright†is an epic heart buster that could easily bring a tear to even the hardest soul.
“But I don’t think about her anymore
The way she looked when she walked through the door
We all fell hopelessly in love
Now I don’t think about her muchâ€
Lucero has dicked around with horns and blues scales recently, which I’d all fine and good. But this is the band at their best. Lean songs for troubled times. Simple love and a fistfight between friends.
And whiskey all around. God bless alt.country and Lucero.
Summer Dean embodies the spirit of country music in a way that is difficult to find nowadays. And she’s been delivering her brand of solid gold country from local Texas stages for so long I’m surprised that this is her first full-length release.
Her full-length debut album Bad Romantic, out August 27th, struts out of the speakers, but also finds balances moments of tenderness and vulnerability. The album stakes a claim for Dean in the same genre that first captivated her attention as a girl in rural Texas. Her grandfather raised cattle and her father worked in land conservation. Dean developed a connection not only to the soil she stood on, but also to the music that sound tracked her small-town experience, steadily building the foundation for the traditionally minded sound that would fill her songs.
After sharing bills with likeminded artists including Mike and the Moonpies, Asleep at the Wheel, Marty Stuart, Colter Wall and Nikki Lane, Dean’s album seems like somewhat of a victory lap for a self-made artist who’s earned her spot in country music’s hip inner circle. On Bad Romantic, Wall for the first time co-writes and duets with another musician, creating the album’s waltzing, pedal steel-filled centerpiece “You’re Lucky She’s Lonely†with Dean. Whitney Rose and Bonnie Montgomery sing harmonies on various songs, and Robert Ellis plays piano on “Dear Caroline,” a song about the Dust Bowl and the dangers of overworking the land.
Watch the video for “You’re Lucky She’s Lonely†featuring Colter Wall below.
Bad Romantic was recorded at Niles City Sound, notable Fort Worth-area analog studio. Encouraged by the reception of 2016’s Unladylike — a critically-acclaimed EP that introduced her mix of vintage influences and modern muscle — Dean recorded the album to tape and made a conscious decision to fully invest herself in country music.
“I taught elementary school for 10 years,” Dean says. “That’s what small-town Texas girls do. We teach school, work at the bank, or at the courthouse. Then we get married and have babies and a few dogs and die happy, buried next to our husbands. But here I am, age 40, quitting my stable job, cashing in the wedding money my momma put aside for me, and making this album.â€
It’s been a couple of years since Alt.country stalwarts Son Volt last release, Union and Jay Farrar and company have not been idle in these pandemic times. Their tenth studio album will be released July 30th and will feature Son Volt’s current lineup of Mark Spencer, Chris Fame, Mark Patterson and Andrew DuPlantis..
The title, Electro Melodier, is taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, and will feature more intimate and socio-political musings from Farrar, who originally set out to make a nostalgic record that paid tribute to the music of his youth.
“I wanted to concentrate on the melodies which got me into music in the first place,†Farrar said in a statement. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.â€
The first cut from Electro Melodier is “Reverie,†(below) a song of hope and sepia memories laced with organ swells and chiming guitar.
The follow-up to 2019’s acclaimed release Union, Electro Melodier finds band founder Jay Farrar’s unparalleled songwriting as poignant and intelligent as ever. Electro Melodier touches on the thought-provoking issues that impact us all, including the pandemic, love, and the inevitable passing of time. The current political divide makes its appearance on the album as well. “I wanted to concentrate on the melodies which got me into music in the first place,†says Farrar. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.â€
“Livin’ in the USA†echoes protest songs of old, highlighting both the breakdown of our culture and planet. “Share a little truth with your neighbor down the block, We’ve all got fossil fuel lungs while we run out the clock,” Farrar sings. “The Globe†reverberates with the tensions that arise with the fight for equality. “People climbing skyward stairs, Deciders of their fate, You can see it everywhere, Change is in the air…†The sentimental “Diamonds and Cigarettes,†featuring vocals by country singer Laura Cantrell, lovingly pays homage to his wife, while “Lucky Ones†is a weary tale of gratitude.
Electro Melodier features band members Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), Chris Frame (guitar) Mark Patterson (drums, percussion). Son Volt will take Electro Melodier on the road with select tour date in summer and fall. See below and for tickets go to https://sonvolt.net/.
Farrar started Son Volt in 1994 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. Son Volt’s debut Trace was heavily lauded and remains a defining document of the ’90s alt-country movement. Two decades later, the group continue to decidedly capture the times while breaking new musical ground on Electro Melodier.
Folk Alliance International commissioned ten musical collaborations between U.S.-based and global artists, applying their exceptional talent to address this moment in history, presented in partnership with Chris Thile.
The first is out today, featuring John Paul White and Rose Cousins (below) Each will be available via the FAI YouTube channel every two weeks. The whole project also asks folk fans to contribute to FAI’s COVID-relief Village Fund and each video features Thile speaking on its importance at the close of each video. Fans can donate to the Village Fund.