Vinyl Roots: The Allman Brothers Band – Eat A Peach (Capricorn Records)

Released in 1972, Eat A Peach stands as one of The Allman Brothers Band’s most cherished records. It captures a period of transformation and emotional depth that few albums in rock history have been able to encapsulate. It’s a poignant blend of blues, jazz, country, and rock, weaving an emotional tapestry through some of the band’s most memorable performances. The album was recorded amid a dark period of grief following the death of founding member and guitar prodigy Duane Allman, a loss that deeply impacted the band and its future performances and sound.

Following the success of At Fillmore East in 1971, which catapulted the band to stardom, the Allman Brothers returned to the studio to work on new material. However, their journey took a tragic turn when Duane Allman died in a motorcycle accident in October 1971. The band’s response was to honor his legacy by completing the album with a mix of new recordings and previously unreleased live performances featuring Allman. The title Eat A Peach reflects Duane’s statement in an interview about eating “a peach for peace,” embodying the free-spirited approach that the band held despite their tragedy.

Tracks:

1. “Ain’t Wastin’ Time No More”
The album opens with Gregg Allman’s introspective “Ain’t Wastin’ Time No More,” a song that addresses the inevitability of loss and the resolve to carry on. Gregg’s soulful, bluesy vocals and Dickey Betts’s slide guitar work create an anthem of resilience. It’s a powerful opener that establishes the band’s commitment to honor Duane’s memory by pushing forward, both musically and emotionally.

2. “Les Brers in A Minor”
This instrumental piece is a showcase of the band’s collective talents. Clocking in at nearly 9 minutes, it’s a dynamic journey through jazz-rock fusion, driven by bassist Berry Oakley and dual drummers Butch Trucks and Jaimoe. The track is experimental and free-form, encapsulating the jam-band ethos that The Allman Brothers helped pioneer.

3. “Melissa”
A tender ballad written by Gregg Allman, “Melissa” was one of Duane’s favorite songs. Its presence on the album gives it a sense of intimacy and nostalgia. Gregg’s vocals are hauntingly beautiful, accompanied by understated guitar work that creates a bittersweet reflection on love and memory. It has since become one of the band’s most enduring songs, cherished for its lyrical beauty and emotional resonance.

4.“Mountain Jam”
Spanning over 30 minutes, “Mountain Jam” is an epic instrumental recorded live at the Fillmore East and split between two album sides. The track, based on Donovan’s “There Is a Mountain,” is a masterclass in improvisational musicianship, with each member given space to shine. Duane’s soaring slide guitar and the fluid exchanges between the musicians illustrate the brotherly chemistry that defined the band’s sound. It’s a testament to Duane’s brilliance and showcases why he’s remembered as one of the greatest guitarists in rock history.

5. “One Way Out”
This live track, recorded at the Fillmore East, captures the raw energy of an Allman Brothers Band concert. Originally a Sonny Boy Williamson song, “One Way Out” is transformed into a blues-rock powerhouse, driven by the interplay between Duane and Dickey’s guitars and Gregg’s powerful vocals. The track has an infectious energy that makes it a staple in the band’s live performances.

6. “Trouble No More”
Another live recording, “Trouble No More” is the band’s rendition of a Muddy Waters classic. The blues-driven groove, led by Duane’s slide guitar, is an homage to the traditional blues that inspired much of the Allman Brothers’ music. It’s a track that highlights their blues roots while allowing each band member to contribute with passionate musicianship.

7. “Stand Back”
“Stand Back” blends blues and funk, with Gregg’s gritty vocals and organ work creating a soulful feel. The rhythm section is particularly tight, and Betts’s guitar work adds a touch of finesse. It’s a groove-laden track that showcases the band’s versatility and ability to incorporate diverse musical influences.

8. “Blue Sky”
One of Dickey Betts’s compositions, “Blue Sky” is a buoyant, country-inspired track that radiates warmth. Betts’s guitar solo, fluid and lyrical, is one of the album’s highlights. Written for his then-wife, the song feels like a hopeful tribute to love and optimism, capturing a brighter, more hopeful side of the band’s sound. It remains one of the Allman Brothers Band’s signature songs and is frequently played on classic rock radio.

‘Eat A Peach’ is a showcase of the Allman Brothers Band’s unique fusion of rock, blues, jazz, and country. The production, managed by Tom Dowd, allows each instrument to stand out while maintaining the integrity of the band’s collective sound. The guitar work, especially Duane’s, is central to the album, creating an emotionally charged atmosphere that reflects both the band’s technical skill and their emotional depth. The use of live recordings from the Fillmore East adds an authentic touch, capturing the spontaneous energy of their performances and preserving Duane’s contributions in an organic way.

Eat A Peach reached #4 on the Billboard charts and has since been certified platinum. Its influence on southern rock, jam bands, and blues-rock is undeniable, and it remains a cornerstone of The Allman Brothers Band’s discography. The album marked a turning point for the band, representing both the end of an era and the beginning of a new chapter. It’s a fitting tribute to Duane Allman, capturing the spirit of a musician who played with unparalleled passion and soul.

Eat A Peach is a tribute to resilience, memory, and the healing power of music. It reflects both the joy and sorrow that come with great loss, encapsulating a band determined to carry on while paying homage to one of rock’s greatest guitarists. For fans of the Allman Brothers and for newcomers alike, this album is a journey through profound grief, musical exploration, and, ultimately, celebration. It’s a timeless piece that continues to resonate, demonstrating the unique and enduring power of The Allman Brothers Band.

A must-have for any roots music fan.

Record Store Day Announces 2024 RSD Black Friday Exclusive Titles

Record Store Day has recently announced its list of exclusive titles for RSD Black Friday 2024, which happens on Friday, November 29. See here for the complete list.

Some of the notable country and roots-rock releases include:

Allman Brothers Band – Manley Field House, Syracuse NY April 7 , 1972 – 3 x LP – The complete live recording of the Allman Brothers Band’s April 7, 1972 performance at Manley Field House at Syracuse University in Syracuse NY. The two disc set is pressed on Syracuse colors of orange and blue, and numbered for RSD Black Friday.

Dickey Betts & Great Southern – Southern Jam New York 1978 – 3 x LP – This 110-minute concert performance from the legendary Allman Brothers Band guitarist was recorded at the Calderone Concert Hall on Long Island, New York on August 11, 1978. The show features thirteen tracks including the ABB classics “Jessica”, Southbound”, “In Memory of Elizabeth Reed”, “Blue Sky” and “Ramblin Man” along with tracks from the 1977 album from his band, Great Southern. The live performance was previously released digitally and on CD in 2017, but this triple LP set will be packaged in a gatefold sleeve with new liner notes and photos.

The Blasters – Over There: Live at The Venue London 1982, The Complete Concert – 2X LP – On their first international tour, in May of 1982, Americana music legends The Blasters were recorded at the Venue in London England. Six of those tracks were released on Slash Records as a 12” EP later that year. Four more tracks were uncovered and included on the Rhino/Warner Bros anthology album Testament in 1997. As part of a new catalog deal for the Blasters recordings with Liberation Hall, the label has uncovered the thirteen remaining tracks and is releasing the complete concert.
The show found The Blasters firing on all cylinders as they were taking off in London, after Shakin Stevens’ version of the Dave Alvin-written “Marie Marie” hit the top 20 of the UK charts. It is quintessential listening, and a magical music moment uncovered for any fan of the band. The RSD Black Friday classic black vinyl double LP exclusive is housed in a gatefold sleeve with new liner notes, rare photos and memorabilia images.

The Byrds/Buffalo Springfield – Live at the Monterey International Pop Festival – 2X Lp – The two most important American rock bands performing at the Monterey International Pop Festival—Buffalo Springfield and The Byrds—had one thing in common: David Crosby. These sets mark a pivotal moment in Crosby’s career: One of his final performances before leaving The Byrds and, sitting in with Buffalo Springfield at the request of Stephen Stills, the beginnings of the partnership that would become Crosby, Stills, and Nash. While the sets by Otis, The Who, Janis Joplin, and Jimi Hendrix were revolutionary moments, these sets by The Byrds and Buffalo Springfield tell a different story, of one artist’s evolution that in turn changed rock music itself.

Buck Owens – I’ve Got A Tiger By The Tail – LP – Out of print on vinyl since the ’70s, this prime slab of ’65 Buck is Buck at his best. Topping the country charts and being named the Billboard Country Album Of The Year, the interest in this album never waned. This is THE Buck Owens album to own, as it is the apex of his career with the Buckaroos. Don Rich never sounded tighter (and even throws a guest vocal with “Wham Bam”). There has never been a more distinctive nor instantly recognizable sound in country music than Buck Owens, and this album is reflective of that. There are a handful of hits on this one, including the title track, “Cryin’ Time,” and “Memphis.” If you only have room for one Buck Owens album, well, this is it! Cut all analog and pressed on orange vinyl for RSD Black Friday
2024.

Leon Russell – Hymns Of Christmas – Lp – For the first time on vinyl, Dark Horse Records reissues Leon Russell’s 1995 instrumental album Hymns of Christmas, offering a unique and reflective take on traditional holiday music. Featuring Russell’s masterful piano playing as the centerpiece alongside intricate orchestral arrangements, the album features ten holiday classics including “O Holy Night,” “Silent Night,” and “Away in a Manger. Hymns of Christmas stands as a testament to Leon Russell’s versatility and his gift for creating deeply moving recordings.

“I’ll Love You till I Die” – Top 30 Country/Roots Love Songs

George+Jones++Tammy+Wynette

Sure most genres deal with topic of love but few can work all the angles like country and roots music. Courting, marriage, sex, cheating, fighting, break-ups, shooting, disposing of bodies… it’s all there in all its heart-wrenching glory.

Some old, some new, all guaranteed to get to you some when mixed with tequila and memories.

I’m sure I let some beauties sip so feel free to add your own.

1. He Stopped Loving Her Today – George Jones
2. I Walk The Line – Johnny Cash
3. Angel Flying Too Close the Ground – Willie Nelson
4. Blue Eyes Crying In The Rain – Willie Nelson
5. Always On My Mind – Willie Nelson
6. Valentine’s Day – Steve Earle
7. Still I Long For Kiss – Lucinda Williams
8. Marry Me – Drive By Truckers
9. Arlington – Ridley Bent
10. Dale Watson – Every Song I Write For You
11. Before The Next Teardrop Falls – Freddy Fender
12. Behind Closed Doors – Charlie Rich
13. Oh My Sweet Carolina – Ryan Adams
14. Carrying Your Love With Me – George Strait
15. Cowboy Take Me Away – Dixie Chicks
16. Crazy – Patsy Cline
17. Gentle on My Mind – Glen Campbell
18. Lovin You Against My Will – Gary Allan
19. Golden Ring – George Jones and Tammy Wynette
20. He’ll Have To Go – Jim Reeves
21. Hello Darlin – Conway Twitty
22. Melissa – Allman Brothers Band
23. Hello Walls – Faron Young
24. Help Me Make It Through the Night – Sammi Smith
25. I Cross My Heart – George Strait
26. Kiss An Angel Good Mornin’ – Charley Pride
27. It Only Hurts When I Cry – Dwight Yoakam
28. Please Break My Heart – Thad Cockrell and Caitlin Cary
29. Lovesick Blues – Hank Williams
30. I’m So Lonesome, I Could Cry – Hank Williams