• Lucinda Williams took to Twitter to announce the title of her forthcoming album. Continuing her recent theme of happiness and matrimonial bliss the title will be Blessed. I guess Lou got her Joy back.

• Ms. Lucinda and other notable Americana music folks, Drive By Truckers, Todd Snider, Gillian Welch, David Rawlings, Rhett Miller, Jimmie Dale Gilmore and Hayes Carll, became animated to appear in a special musical episode of Cartoon Network’s cartoon centered on hillbilly cephalopods -  Squidbillies.

• Folk singer-songwriter Ana Egge has tapped Steve Earle as producer for her seventh solo album. The album will be recorded in Woodstock, New York in the fall to record at Levon Helm Studio.

• Moody-Old time Americana band Black Prairie (a side project for three members of the Decemberists and other notable Portland, OR. musicians) has recently released two new songs they are giving away for free.

The Blackest Crow

Turn It Into Gold

Country and blues music has always mined the life’s mundane moments and extracted nuggets of domestic mythology shimmering with love, lust, booze, blood, tears, asphalt and diesel fuel.  With these elements masters like Hank Williams Sr., Neil Young, Townes Van Zandt and Bob Dylan – and latter day troubadours like Bruce Springsteen, Steve Earle and Chris Knight – transcend whatever genre they are bridled with and forge minor pedestrian masterpieces.

This second solo release from Sioux City, IA’s Mat D (Mat deRiso) draws from the same humanistic sources. Assuming a more Americana tone than the country-rock his Profane Saints offers, Plank Road Drag works a well-worn sonic landscape but still manages to uncover many dusty gems.

Resurrection Cadillac, the album opener is bathed in the sanctified blues of Leadbelly and Lightnin’ Hopkins as it lurches forward like a revved-up version of Led Zeppelin’s back-porch stomper Black Country Woman.

Street souls collide in Ford Marriage. Mat D colorfully throws his Born to Run-style tramps toward a ramshackle wedding  – “I’ll trade a fan belt and a hub cap for a suit-coat and a tie, we’ll use her panties a a veil and wrap an old rag around her thigh and make a bouquet out of tumbleweeds and hold on ‘til we die, my my.” – until passion’s heat burns away all that’s left is matrimonial ash – ”Turns out a house of love don’t run on truck-stop grease and gasoline.”

Doomed romance continues with Cannonball as family plight and hardship runs as rough as their path toward Texas. Three A.M. refuels the dirt-floor romance, gliding like a fever-dream vision of trailer-part trysts. 40 Watt Moon is the fever aftermath recounting beautiful memories and empty bottles.

Ribbon of Dirt uses the hard-bluegrass of Steve Earle’s Copperhead Road to tell another hard tale of the road’s siren call and Motorbelle is a beautiful, moody white-trash serenade “she was silver and gold from the trailer, she was sequins and jewels from the trash, she was flesh, she was blood,she was lonely, spilling out of old strapless dress with her big hair all pinned up and perfect all that Tammy Faye make-up a mess.”

The album closes with the bluegrass-tinted title song, where Mat d uses hillbilly poetry that could easily be inspired by watching the Coen brothers’ O Brother, Where Art Thou? with the sound down and Guy Clark on the turntable turned way up high.

Mat D’s Plank Road Drag is an ambitious record that hits on all cylinders to set a high water mark for any other contender for this year’s album of the year.

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• In true DIY fashion The Johnny Cash Project is a “global collective art project” that allows fans from all over the world to contribute to a arrogated, user-generated video for the title track from the latest Johnny Cash recording American VI: Ain’t No Grave. The single images are then threaded together into a one-of-a-kind labor of love. I only wish the Man in Black has lived to see this.

• John Prine fans are about to hit pay-dirt. On May 25th, 2010, Oh Boy Records (founded in 1981 by Prine and manager Al Bunetta) will release the live In Person & On Stage, which will draw from performances spanning the past several years and covering songs from as far back as Prine’s 1971 debut and as recently as 2005′s acclaimed Fair & Square. Then Broken Hearts & Dirty Windows: Songs of John Prine will be released on on June 22nd (Oh Boy) and will feature Prine compositions interpreted by devotees such as My Morning Jacket, Bon Iver’s Justin Vernon, The Avett Brothers, Conor Oberst and The Mystic Valley Band, Old Crow Medicine Show, Lambchop, Drive-By Truckers, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and, reprising their respective tracks from In Person & On Stage, Nickel Creek’s Sara Watkins and Josh Ritter. Oh Boy will begin a pre-sale for In Person & On Stage on April 20thand for Broken Hearts & Dirty Windows on April 27th at www.musicfansdirect.com.

• The Country Music Hall of Fame and Museum has announced it will pay tribute to the legendary Tammy Wynette with an exhibit titled Tammy Wynette: First Lady of Country Music. Presented by Great American Country (GAC) the exhibit will open in the Museum’s East Gallery on August 20, 2010, and run through June 2011.

• More news from the The Country Music Hall of Fame and Museum. An upgrade to the Hall’s core collection, Sing Me Back Home: A Journey Through Country Music, are expected to be completed next month. The updates, which focus on country music’s last five decades, will bring the story of country music forward in time and conclude with a glimpse of the future. They will highlight the country-rock, pop-country, southern rock, full-strength classic country and the “Urban Cowboy” craze. The upgrade includes new oversized portraits, video clips and artifacts such as Dolly Parton’s handwritten lyrics to Jolene, Tom T. Hall’s acoustic guitar he purchased from songwriter Merle Kilgore, and items from Ronnie Milsap, Kenny Rogers, Mel Tillis, and Tanya Tucker. Other updates focus on the mid-1980s arrival of artists like Dwight Yoakam, Rosanne Cash, Rodney Crowell, Randy Travis and Steve Earle. New exhibits celebrate contemporary bluegrass and Americana artists, ranging from Alison Krauss and Del McCoury to Buddy Miller and Jim Lauderdale.

• The winners of the 20th annual International Bluegrass Music Awards went to: Dailey & Vincent : Entertainer of the Year and Vocal Group of the Year, Michael Cleveland & Flamekeeper : Instrumental Group of the Year, Dan Tyminski – Male Vocalist of the Year, Dale Ann Bradley – Female Vocalist of the Year, Wheels : Dan Tyminski, (artist/producer) Album of the Year, Don’t Throw Mama’s Flowers Away : Danny Paisley & The Southern Grass (artist) – Song of the Year (via BlueGrassJournal.com) See photos from the award show, held at the historic Ryman Auditorium in Nashville, Tenn (The Bluegrass Blog)

• The 9513 sits down with a Q&A with Canadian Country Music artist Corb Lund.

• London-based Americana (Euro-Americana?) band The Dog Roses have a new EP, Just Another Saturday, scheduled for release next month. It is discribed as “foot tapping country-bluegrass mix with hints of celtic thrown in for good measure.” Download Let the Bottle Take the Heartache from the forthcoming EP: Let The Bottle Take The Heartache Away.mp3

• Go pick up the new podcast from NineBullets.net featuring tracks from upcoming cds by Lucero,  Strawfoot and Micah Schnabel (Two Cow Garage) as well as new material from Drivin’ & Cryin’ and Chuck Ragan.

• Sounds Country takes a look back at Jerry Jeff Walker’s 1975 release Ridin’ High

• Hardly Strictly Bluegrass begins today and goea on until Sunday in San Francisco’s Golden Gate Park Speedway Meadow. The 9th year of this free annual Americana and roots festival features 5 stages featuring John Prine, Lyle Lovett, Ricky Skaggs, Gillian Welch, Steve Earle, Billy Joe Shaver, Elizabeth Cook, Buddy Miller and many, many more. You can follow HSB on twitter. And you can follow Twang Nation tweets from the festival all weekend.

• Vince Vaughn is not only hilarious, and tall, but he loves country music. Or is it Americana music…hell I can’ keep up.

• The Americana extravaganza that is Hardly Strictly Bluegrass is next weekend people. John Prine, Lyle Lovett, Boz Scaggs, Steve Earle, Ricky Scaggs, Gillian Welch, Booker T and the Drive By Truckers as his backing band, Mavis Staples, Emmylou Harris, Doc Watson, Aimee Mann and Little Feat. And it’s FREE!

• Chet Flippo traces country’s heritage through new releases by Roseanne Cash, Kris Kristofferson and Lynyrd Skynyrd. (CMT.com)

• Taylor Swift showed up at the Ryman last night to watch Texas’ own Miranda Lambert play her new release Revolution (I wonder if she has to pay Steve Earle royalties on that too?) That’s right Taylor, that’s how it’s done! During her performance Lambert knelt down and kissed the historic wooden stage of the hallowed Mother Church of Country Music. No mics where taken from any performers as far as I know…

• Country Rapper, Colt Ford,tweeted (twittered?) that he “… sat down today with DMC from the Iconic Group RUN-DMC. We are gonna do a song together. He is in the Rock & Roll Hall of Fame. Wow.” I hope Colt Ford can do for country/rap what RUN-DMC and Aerosmith did for rock/rap…oh wait. (Twang Nation review of Colt Ford’s  Ride Through the Country)

• I’m a fan of Alabama native Allison Moorer (AKA sister of Shelby Lynne and better-half #6 for Texas legend Steve Earle as well as his opening act if you’ve been to any of his shows the last few years) and her earlier, more country flavored work. Moorer makes the song A Soft Place to Fall, off 1998′s Alabama Song a transcendental experience. The news that Moorer is coming back to Nashville at the end of the year to make a new album with producer R.S. Field is great news! Earle, how about you?

• Brad Paisley and Carrie Underwood returning as co-hosts of the Country Music Association Awards in Nashville this fall is not news. Call me when Caitlin Rose and Mojo Nixon are on the bill.

• Mainstream Country Music, and its technologically laggardly fans,  continue to put their favorite artists on the top of the charts.

I was directed to this great video of  Kim Deal (The Pixies/The Breeders) and Kelly Deal (The Breeders) doing a cover Hank Williams’ I Can’t Help It (if I’m still in love with you)

• Willie Nelson will join TheBoot.com for a live “Twitterview” next Tuesday, Aug. 25, the same day as the release of his newest album American Classic. You can watch the live chat with Willie, starting at 7:00 PM ET on Tuesday, if you follow Willie Nelson and theBoot.com  on Twitter.

• Speaking of the Texas Yoda, The L.A. Times has a nice piece on him (Willie Nelson in jazz country)

• Joe Pug will be joining Steve Earle on his upcoming European tour. Pug’s  debut LP “Messenger” will be released in early 2010.

• Austin’s jazz and western swing band Hot Club of Cowtown has released their new, Wishful Thinking.

• The New York Time reviews a show at Joe’s Pub by Works Progress Administration (WPA). the expandable collective, featuring core members Luke Bulla (Lyle Lovett), Sean Watkins (Nickel Creek) and Glen Phillips (Toad the Wet Sprocket) and on this night featuring Sara Watkins (Nickel Creek) pedal steel guitarist and multi-instrumentalist extraordinaire Greg Leisz (Bill Frisell, Dave Alvin, Lucinda Williams,  Emmylou Harris, Joni Mitchell, Whiskeytown, and Robert Plant and Alison Krauss and many more)

• Chet Flippo sees compelling storytelling in videos by Toby Keith and Brad Paisley in his newest Nashville Skyline post. I see trite, if mildly clever,  symbolism  mirroring the trite song they represent. For shear technical and style excellence I still have to go with this one.

• The Wall Street Journal has a great article on Alison Brown, Missy Raines and Dale Ann Bradley (The Sisterhood of Bluegrass.)

• Lyle Lovett will combine both originals and songs “by some of my favorite Texas singer-songwriters” on his next album, which is due out Oct. 20. (Billboard)

• And in more Texas legends news; Guy Clark’s new album, Sometimes the Song Writes You, will drop on Sept. 22 on Dualtone Music Group. Clark collaborats with Shawn Camp, Rodney Crowell, Joe Leathers, and more on the album . He also follows Steve Earle’s recent release and covers If I Needed You, written by his late friend, Townes Van Zandt. (CMT)

Portland Oregon’s Michael Dean Damron, or Mike D. as he was known when fronting his former hell-raising roots-rock band I Can Lick Any Sonofabitch in the House, isn’t your garden variety sensitive, market tested, conveyor belt type of singer/songwriter. The emotion, fear and anger is laid out on his third solo release Father’s Day for all to feel. He’s not just singing, he’s testifying.

The youthful flame-thrower intensity of ICLASOBITH has been condensed into a focused,  welding torch constructing a dark and twisted terrain of one mans life and soul.

The lost love songs here – Dead Days, Boy With A Car and the provocatively titled I Hope Your New Boyfriend Gives You Aids (do NOT judge the album based on the title of this song, it doesn’t show up once in this beautifully heart wrenching cut.) display just as much defiance as they do remorse. Love songs are welcome, whining is not.

The specter of the Damron family patriarch is summoned and exorcised in the title track. The song tells of Damron’s father’s life as a hard, violent, and lonely one. The song is both a celebration and an unflinchingly cautionary tale. The excellent Angels Fly Up carries on the divisional theme, devils and angels, suicide and celebration- that seems to run through Fathers Day.

Tornado Song is a chugging blues-Gospel number veined with wailing harmonica and I’m A Bastard has Damron unmitigated affirmation of his place among the best of the worst in the troubadour trade.

As if the original songs weren’t enough to make this a fine album the three covers Damron has chosen to include speak volumes, fit nicely and are done with deftness and deference. Drag the River’s Beautiful And Damned is a solemn pedal-steel laced number and a ’round the campfire treatment of Thin Lizzy’s Dancing In The Moonlight are wonderful. The real courage, as with anyone willing to cover the Late Great Townes Van Zandt, comes with the inclusion of an accomplished rendition of Towne’s bleak tale of perseverance Waiting Around To Die.

Damron’s whiskey-and-dust vocals  brings to mind modern day contemporaries like Ryan Bingham, Drive By Truckers’ Patterson Hood, William Elliot Whitmore and Lucero’s Ben Nichols. The worn nature of the delivery adds another depth of ragged beauty to each of these gems. Damron sites Steve Earle, Alejandro Escovedo, Townes Van Zant and Waylon Jennings as heroes. But I believe that the true Patron Saint to his unique style of edgy storytelling, with a penchant for tenderness might well be David Allen Coe.

Sure Father’s Day is not a sunny Summer party album, who cares. It’s a great example of a  mature and excellent singer/songwriter venting his own private Winter.

Official Site | MySpace | Facebook | Buy

Father’s Day mp3

The Canadian late night talk show the Hour has a great interview with Steve Earle.  Earle talks abut making his career and his newest release Townes, a tribute to his mentor Townes Van Zandt and recounts some great stories with his time with Townes. The snake wrangler story is worth the watch!

Jim Fusilli at the Wall Street Journal (wsj.com) reviews the Steve Martin Concert at the Rubin Museum of Art in New York City. Martin, Supported by the Steep Canyon Rangers, performed work from his latest bluegrass release “The Crow—New Songs for the Five-String Banjo” (Rounder)

John Jurgensen, also of the Wall Street Journal,  covers the upcoming Elvis Costello twang-tinged release Secret, Profane & Sugarcane, Costello’s varied career and his thoughts on the current state of the record industry. The album was cut in three day in Nashville and is produced by Americana-roots journeyman T-Bone Burnett (who Costello collaberted with on 1986′s King of America) and featured Grammy-winning singer/songwriter Jim Lauderdale.

Whitney Self  at the CMT.com blog reviews the recent Jamey Johnson show at Nashville’s legendary Ryman Auditorium and and states is the rowdiest (and drunkest)  he’s ever seen at the venue.

AamericanaRoots.com give sa listeds to the new Scott H. Biram Bloodshot release Something’s Wrong/Lost Forever.

Kevin Ransom at Ann Arbor’s Mlive.com interviews Austin’s guit-steel master Junior Brown.