• The Country Music Museum and Hall of Fame plans to update their main exhibit space to devote an area to Americana and contemporary bluegrass music. The new exhibit will feature artifacts from Alison Krauss, Jim Lauderdale, Dell McCoury and Buddy Miller. Also to be included  in the the second floor gallery’s theatre (in front of the Hee Haw exhibit)  a new video exhibit will be featured showing about how topical events and social political issues are reflected and country music. The exhibit will feature examples like Merle Haggard’s “The Fightin’ Side of Me,” Loretta Lynn’s “The Pill,” the Dixie Chicks’ “Goodbye Earl,” and Toby Keith’s “Courtesy of the Red White and Blue (The Angry American).”

• For that Americana rock lover you need a gift for Billy Reid has offers a hand-made and -finished wooden box from Ross LeBlanc containing rare t-shirts inspired by the roots artists Old Crow Medicine Show, Justin Townes Earle, Jason Isbell and The 400 Unit, and the Drive-by Truckers, and also includes a DVD of Old Crow Medicine Show’s live performance at the Tennessee Theater.

• T Bone Burnett discusses his personal story of singer/songwriter Stephen Bruton. Thier collaboration and friendship led to the music selections for the upcoming Jeff Bridge’s movie about a down but not quite out country singer Crazy Heart. Burnett also mentions upcoming production duties with Jakob Dylan, Willie Nelson, Gregg Allman, Robert Randolph and John Mellencamp, and overseeing an all-star recording of music written by Mellencamp and horror-writer, and Americana music fan, Stephen King for “Ghost Brothers of Darkland County,” a play with music. And then there’s “Tough Trade,” a new series about three generations of country music stars, for which he’s serving as executive music producer. It’s set to premiere next year for EPIX, Viacom’s new multiplatform entertainment service. (LA Times)

• Paramount Pictures has begun an open casting call to find a Caucasian girl between the ages of 12 and 16 to play the lead role of Mattie Ross in the upcoming Joel and Ethan Coen’s remake of True Grit. (Cowboys and Indians blog)

• Austin singer-songwriter Rusty Weir died October 9, after two years of struggling with cancer. Wier was considered a country legend and he was inducted into the Austin Songwriters Hall of Fame in 2002.

• The New York Times reviews the Jamey Johnson show at the Music Hall of Williamsburg in Brooklyn. Johnson played two new songs, Back to Macon and Nothing Is Better Than You from hos upcoming release.

• The New York Times also features a review of the Roseanne Cash’s sold-out concert at St. Ann’s Warehouse in Brooklyn. Cash performed many songs from her stellar career as well as from her newest album, The List.

• Peter Cooper at the Tennessean celebrates geezerdom by detailing the steller and ongoing careers of country music legends Kris Kris Kristofferson, Bobby Bare, Loretta Lynn, Bill Anderson, Tom T. Hall, Willie Nelson and Merle Haggard. What other genre  has artists over 70 making some of the best music of their careers? I mean besides Blues, R&B, Gospel and Jazz that is

• As you can see there have been some changes here at Ranch Twang. Not all the kinks are ironed out so I will be working on them this week. Let us know what you think of the new look and , as the sign says, pardon our mess.

• PopMatters.com has Juli Thanki’s newest Torch & Twang post (Louisiana Woman, Texas Troubadour)  Thanki bypasses the standard view that Loretta Lynn’s best duet partner was Conway Twitty and makes her case for Ernest Tubb.
  

• Best Buy is offering an exclusive EP from Miranda Lambert today which  includes her new single “ Dead Flowers” from her upcoming album Revolution. The EP includes three bonus tracks from her prior album, Crazy Ex-Girlfriend. The cost of the EP is $1.99, or you can pre-order Revolution and get the EP free. (via My Kind of Country and the 9513.com)

• Kris Kristofferson, Ray Price, Bobby Bare Jr. and My Morning Jacket are some that will pay tribute to writer, artists , country music songwriter and Playboy mansion resident Shel Silverstein on Turnable, Twistable Man which is produced by Silverstein ’s friend Bobby Bare.
  

• Murfreesboro, Tennessee-based quirky indy Southern rock band the Glossary is giving their new 2007 album, The Better Angles of Our Nature, free from their official site and in different quality formats.  I’ll review it soon, but after a couple of passes on the iPod it’s a great one.

• The Americana Music Conference & Festival is next week. It’s shaping up to be one of the best one yet. Keep up with the latest from the AMA event on their Twitter posts. If you see me there buy me a beer!

• Happy birthday Patsy Cline  (Sept 8 1932)

• Another use for texting? Apparently looking for the country crooner that stopped in your town and might have knocked you up is now on that list.  A certain lady with a Wisconsin phone number is currently looking for this Rodeo Romeo. (via NashvilleScene)

• See the entire Loretta Lynn – Honky Tonk Girl documentary on YouTube!

• Patterson Hood and the Screwtopians stopped by the Daytrotter Sessions to lay down some Southern fried goodness.

• The Texas Country Music Hall of Fame have inducted Texas natives Neal McCoy, Michael Martin Murphey and Linda Davis to be added to the previous years members that includes Willie Nelson, Tanya Tucker and Jimmy Dean.
• Producer and musician and Jim Rooney will be honored by the Americana Music Association with the Lifetime Achievement for Producer/Engineer award at the 8th Annual Americana Honors & Awards ceremony, scheduled for Thurs., Sept. 17 at the Ryman Auditorium in Nashville. Rooney has worked with John Prine, Iris DeMent, Tom Paxton and Peter Rowan – as well as his work on Nanci Griffith’s Grammy-winning “Other Voices Other Rooms. Rooney’s contributions as an engineer, musician, producer and songwriter has reached almost 150 albums to date.

• Alluding to  Charlie Rich’s moniker The Silver Fox, The Scene designates Dale Watson the The titanium fox in this great interview featting classic exchanged like this:

SCENE: You write about the trucking life in the spirit of Dave Dudley and Red Sovine with maybe a touch of Cledus Maggard. What is the allure of that subject matter?

DW: I grew up when CB was king. There was an appreciation of the open road and the usefulness of the citizens band radio. Cell phones are great to keep in touch with the ones you love, but the CB is a useful tool to avoid some hazardous situations. Back then, Conway Twitty was big, the movie Convoy was popular, and the show BJ & the Bear was on TV.

SCENE: What the hell was happening on BJ & the Bear? At the end of each show the monkey would walk away with chicks in hot pants. What was supposed to happen between a monkey and human women?

DW: (laughing) I don’t want to think about it.

Unfortunately Dale is still raising his goofy Ameripolitan flag to describe his throwback honky-tonk sound.

Hardly a day goes by that we hear about another performer leaving their chosen career trajectory and taking a swing at country music.Some of these travelers deeply feel the need to honor the history, the tradition, of the genre. They also bring something new and interesting to the sound. Then there are the carpetbaggers. The ones who’s career have a justly stalled and are looking to find a new audience in a genre they mistakenly see as an easy get. They carry with them the foul stench of mediocrity they cultivated from whence they came.

The latter category is too painful to detail here but a prime example of the former is Elvis Costello. A singer/songwriter so accustomed to straddling, hopping and distorting genres that people are surprised when he returns to his earlier literate pop-punk roots. Costello’s love of American Southern music is well documented. The established Angry Young (British) Man takes a sharp turn from edgy punk-pop to head to Nashville and cut 1981’s Almost Blue which featured songs by Hank Williams, Merle Haggard, George Jones and Gram Parsons. The post-divorce roots-folk of 1986’s T. Bone Burnett produced King of America. 2004’s The Delivery Man featuring duets with  Emmylou Harris and Lucinda Williams – who he also performed with in a CMT Crossroads. There is the Costello T. Bone Burnett penned Scarlet Tide was used in the film Cold Mountain, nominated for a 2004 Academy Award and performed by Costello it at the awards ceremony with Alison Krauss, who also sang the song on the official soundtrack. Point being his newest Americana release Secret, Profane & Sugarcane is not a hard diversion nor a lark for Mr. MacManus.

It doesn’t help that you’re sound is so distinctive that people start to harp on it like it’s a curse. Secret, Profane & Sugarcane like it’s spiritual cousins Bob Dylan’s Nashville Skyline, Neil Young’s Harvest and the Rolling Stones’ Exile on Main Street seems to lose points some detractors because the work reflects the unique characteristics the artists brings with them when they cross the Americana tracks. If you prefer your music by outsiders to be cleansed of all traces of the performers unique earlier style, well, Secret, Profane & Sugarcane is not for you.

The album took three days to create in a Nashville studio (March 31 to April 2, 2008)  thus beating out the usually fleet Bob Dylan’s Nashville Skyline, which took 9 days (February 12, 1969 – February 21, 1969) is with producer T Bone Burnett- whos is becoming the go-to-guy when you want to do Americana – and focuses on Costello’s own work rearranged for a crack band featuring Stuart Duncan on banjo and fiddle, Jerry Douglas on Dobro, , Dennis Crouch on bass, Mike Compton on mandolin and Mr. Americana himself Jim Lauderdale lending honey harmony vocals to counter Costello’s (in)famous keen.

Things get off to a nice starts with Down Among The Wines And Spirits, originally written for Ms. Loretta Lynn, is a lolling down-and-out drinking song featuring the kind of wordplay Costello has become famous for (there’s that uniqueness again!) Complicated Shadows, first recorded for 1996’s All This Useless Beauty and originally written for Johnny Cash, gets the amped-up greasy blues treatment that would make Tony Joe White smile.

The beautifully sad I Felt the Chill Before the Winter Came was penned by Costello and aforementioned Loretta Lynn is lovely but brings to mind the coldness suggested in the title. My All Time Doll is a hillbilly cabaret number featuring the excellent accordion work by Jeff Taylor and a demo from All This Useless Beauty Rhino reissue Hidden Shame gets a great rousing makeover.

How Deep Is the Red?, She Was No Good,”She Handed Me a Mirror, and Red Cotton are  from Costello’s unfinished Hans Christian Andersen chamber opera The Secret Songs (did I mention that man was eclectic?) As prolific as Costello is, he is known to rework his own songs for different occasions, and although these songs do carry trace elements of their classical origins they sound right at home here.

Sulphur to Sugarcane was written by Costello & T Bone Burnett for (but not used)  in the Sean Penn 2006 film All The King’s Men. The song sounds like a bawdy ragtime-jazz response to Johnny Cash’s I’ve Been Everywhere as imagined by Leon Redbone. The Crooked line is rumored to have been an unused song for the Johnny Cash biopic Walk The Line and Costello is reported to have said that it’s “…the only song I’ve ever written about fidelity that is without any irony.” Here the song is a Cajun-flavored duet with Emmylou Harris with Emmylou way too far down in the mix, or just right, depending on your feeling about Ms. Emmylou’s disctinctive style. Changing Partners is a more-or-less faithful rendition of a the ubber-crooner Bing Crosby’ classic  number of lost love.

Is Secret, Profane & Sugarcane a great country or Americana album as you might expect from a seasoned vet? No. Is it a great Elvis Costello record? No, it hits just about in the mid-range of his canon. But with the likes of Jewel, Miley Cyrus and Kid Rock paraded as examples of roots and country music’s future Costello has given us a lovely, lively work to brace us out of that nightmare.

Official Site | Buy

• Tapes of George Jones, Dolly Parton, Hank Williams Jr., Loretta Lynn, Johnny Cash, Roy Acuff, Tammy Wynette, Buck Owens, Charley Pride, and other country greats were among some of the hundreds of tapes that were discovered in a barn in southern Pennsylvania. This long-rumored treasure of lost recordings were made at high schools, dances, fairs, festivals, and auditoriums in Pennsylvania, West Virginia, Maryland, and elsewhere were made in the late 1960s and early 1970s, with a few in the 1940s. (Tristram Lozaw  at The Boston Globe)

• Lucero front man Ben Nichols says his new solo EP, Last Pale Light in the West, was inspired by Cormac McCarthy’s Western gothic novel Blood Meridian. Nichols played cuts from the EP and honored Lucero requests Friday night at SXSW.

• Austin American-Statesman’s Austin360 writer Brian T. Atkinson  posts an interview with Langhorne Slim just before his final SXSW appearance at Purevolume.com.

Elvis lives! Elvis Costello, that is. Costello will again join with T Bone Burnett as producer for “Secret, Profane & Sugarcane,” (Hear Music, June 2nd) his first acoustic American roots album since 1986’s “King of America” (also a Costello/ Burnett collaberation.) The album was recorded during a three-day session at Nashville’s Sound Emporium Studio.

The band arranged for Sugarcane includes such Bluegrass and traditional country musicians as Jerry Douglas (dobro), Stuart Duncan (fiddle), Mike Compton (mandolin), Jeff Taylor (accordion) and Dennis Crouch (double bass).  Emmylou Harris sings on one song, and Burnett adds his Kay electric guitar sound to several songs, which is the only amplified instrument on the album.

Ten of the album’s 13 tracks are new Costello compositions, including two written in collaboration with Burnett.  One song, ” I Felt The Chill,” was written by Costello and Loretta Lynn, while two of the album’s tracks — “Hidden Same” and “Boom Chicka Boom — were originally written by Costello for Johnny Cash.

The vinyl version of the album will feature two additional songs:  an acoustic arrangement of Lou Reed’s “Femme Fatale” and Costello’s sequel to an old Appalachian murder ballad entitled, “What Lewis Did Last”.

Costello will do select tour dates with “The Sugarcanes,” a band featuring musicians who played on the album, in June and August.

“Secret, Profane Sugarcane” track list:

1. Down Among the Wine and Spirits
2. Complicated Shadows
3. I Felt the Chill
4. My All Time Doll
5. Hidden Shame
6. She Handed Me a Mirror
7. I Dreamed of My Old Lover
8. How Deep is the Red
9. She Was No Good
10. Sulfur to Sugarcane
11. Red Cotton
12. The Crooked Line
13. Changing Partners

• Paste Magazine used to trend more toward No Depression Americana coverage than Spin-style indy-pop coverage that they’ve moved toward over the last couple of years. This may explain what they’re still in print and No Depression isn’t. But Paste has not forsaken the twang altogether.  Paste’s  Andy Whitman does a round-up of three alt.country releases to check out – The Believers — Lucky You, Dallas’ The Von Ehrics — Loaded and Jason Heath and the Greedy Souls – The Vain Hope of Horse.

• REM made a surprise appearance at a Carnegie Hall tribute show last night featuring Calexico, Bob Mould, Rhett Miller, Vic Chesnutt And Elf Power, Dar Williams, olie Holland, Patti Smith and Darius Rucker (!)

• It appears Ryan Adams married actress Mandy Moore in Savanah, Georgia, yesterday. Adams will also be releasing two books this year.

• New-Grass supergroup Nickel Creek’s singer-songwriter and fiddler Sara Watkins is preparing self-titled debut of  songs penned during her time spent in L.A. Watkins’ self-titled solo debut features a wide range of collaborators for its 14 tracks, among them Elvis Costello drummer Pete Thomas, Tom Petty keyboardist Benmont Tench, Gillian Welch and Davod Rawlings, as well as her old NC bandmates Thile and Watkins. Led Zep’s John Paul Jones (who beat his bandmate Plant down the Americana path when he produced Uncle Earl’s 2007 Waterloo, TN) produced the album in studio sessions in L.A. and Nashville. Sara Watkins hits stores April 7 on Nonesuch, with a national tour to follow. Nickel Creek went on “indefinite hiatus” in 2007.

• More Tod Snider news: Snider’s new release The Excitement Plan (out June 9th on Yep Roc) and will feature Grammy-winning producer Don Was (Bob Dyan, Rolling Stones, Bonnie Raitt) and  a guest appearance by Loretta Lynn. ‘The Excitement Plan’ is “an old gypsy term” Snider adopted from his father. He explains, “I know right now that times are hard for all of us and that new songs from a folk singer are not at the top of so many grocery lists but these twelve songs are different. These twelve songs can be part of your solution. Just give them a chance. Take them in. Use ‘em to help you appreciate your girl if you still got one, and/or your job if you still got one. Trust them, trust me and I promise you as god is my witness sometime here in the next sixty to ninety days we will be layin ‘em in the sweet peas.”

THE EXCITEMENT PLAN TRACK LIST
1. SLIM CHANCE
2. GREENCASTLE BLUES
3. AMERICA’S FAVORITE PASTIME
4. DOLL FACE
5. BRING ‘EM HOME
6. CORPUS CHRISTI BAY [by Robert Earl Keen]
7. THE LAST LAUGH
8. UNORGANIZED CRIME
9. BAREFOOT CHAMPAGNE
10. DON’T TEMPT ME featuring Loretta Lynn
11. MONEY, COMPLIMENTS, PUBLICITY (SONG NUMBER TEN)
12. GOOD FORTUNE

Snider will tour throughout the spring with highlights including June 11th at NYC’s The Bowery Ballroom (tickets on sale now), and his first performance at Bonnaroo Music & Arts Festival June 14th.

Country Music legend and Country Music Hall of Famer Loretta Lynn takes time off her busy touring schedule and -  recording new songs with Elvis Costello, Todd Snider and others, for a possible 2009 release – to spend this weekend performing on the Grand Ole Opry, where she has been a member since 1962.  (The Tennessean)

And speaking of Country Music legends, Dolly Parton has been slated to be inducted into the Gospel Music Association Hall Of Fame. The ceremony will take place at Nashville’s Richland Country Club on Feb. 2.  Dolly has most recently been involved in a three-CD project titled This Is America that features her among 56 artists and songwriters who’ve recorded songs that tell the story of the United States. (GAC)

Alison Bonaguro over at the CMT bog asks “When Is It Too Soon to Cover a Country Song?”

No Depression’s Kurt B. Reighley reviews a book on classic country photos Pure Country: The Leon Kagarise Archives, 1961-1971 which conatins candid shots of June Carter, Kitty Wells, Skeeter Davis, Bill Monroe, the Louvin Brothers, Porter and Dolly, Jim Reeves, Jeannie C. Riley, Ray Price and many more as they stppoed by to play in Rising Sun, Maryland, and West Grove, Pennsylvania. Looks like a must have to me!

HeadS up Twangers, “Johnny Cash’s America” premieres tonight, Thursday night, October 23, 2008, at 9PM ET/10PM PT on The Bio Channel.

The documentary explores the prominent themes of Cash’s life including love of the land, freedom, justice, family, faith and redemption through exclusive interviews, photos and unreleased music and footage. Interviews include Cash’s sister Joanne, son John Carter Cash and daughters Cindy Cash and Rosanne Cash, childhood friends and fellow band mates as well as Bob Dylan, John Mellencamp, Sheryl Crow, Al Gore, Tim Robbins, Loretta Lynn, Snoop Dogg, Vince Gill, Ozzy Ozborne, Steve Earle, Merle Haggard and Senator Lamar Alexander (R-Tenn) all of whom are connected to Cash in surprising ways.

The special features 27 of Cash’s songs as well as unreleased and never-before seen footage including the 1965 “Johnny Cash Show” featuring solo performance of “Five Feet High and Rising,” outtakes from the recording studio with Cash and Bob Dylan from his elusive Eat the Document documentary and rehearsal footage for a Highwaymen recording session. The Cash family – Johnny’s sister, son, and other relatives – take viewers to rural Dyess, Arkansas to Cash’s childhood home and visit brother Jack’s grave which elicits a moving, impromptu singing of “Will The Circle Be Unbroken.”