Jim Lauderdale To Release Two Records This Summer

The legend that is ‘Mr. Americana” Jim Lauderdale is set to release not one, but TWO releases. the albums are entitled ‘Time Flies” and “Jim Lauderdale and Roland White’ and both will be released Friday, August 3rd Yep Roc Records.

These 30th and 31st studio albums respectively will be followed by upcoming live dates, including headline shows and festival performances such as this Saturday’s Appalachia Rising event at the Carter Family Fold in Hiltons, VA (May 19) with additional dates to come.

“Time Flies” (cover above) sees Lauderdale doing what he does best, writing and performing classic Americana distinctively infused with striking notes of country and soul. Produced by Lauderdale and Jay Weaver at Nashville’s Blackbird Studio and House of Blues Studios, the album is among the most striking works of this one-of-a-kind artist’s three decade career, once again demonstrating his remarkable lyrical gifts and genre-agnostic musical approach. Songs like the stirring title track offer able evidence that Lauderdale’s creative mission continues unabated, his ability to rejuvenate his sound indomitable.

“Jim Lauderdale and Roland White’ is Lauderdale’s previously unreleased first full-length record, a collection of classic bluegrass recorded in the basement of Earl and Louise Scruggs’ Nashville home in the summer of 1979 and then lost for nearly four decades. Lauderdale was new to town at the time, while White was already a true bluegrass legend, known for his mastery of the mandolin and foundation of such iconic groups as The Kentucky Colonels and Country Gazette. Sadly the master tapes went missing for 39 years and were only recently rediscovered at the bottom of a box by White’s wife. As remarkable, energetic, and original today as it was when initially recorded, JIM LAUDERDALE AND ROLAND WHITE provides an intimate look into the nascent beginnings of a truly extraordinary American artist.

Hear the wonderfully wistful title cut from “Time Flies” below.

“Time Flies” (Yep Roc) Release Date: Friday, August 3

Tracklist

1. Time Flies
2. The Road is a River
3. Violet
4. Slow As Molasses
5. Where the Cars Go By Fast
6. When I Held The Cards
7. Wearing Out Your Cool
8. Wild On Me Fast
9. While You’re Hoping
10. It Blows My Mind
11. If the World’s Still Here Tomorrow

“Jim Lauderdale and Roland White’ (Yep Roc) Release Date: Friday, August 3

Tracklist

1. Forgive and Forget
2. Gold and Silver
3. (Stone Must Be The) Walls Built Around Your Heart
4. Six White Horses
5. I Might Take You Back Again
6. Try and Catch the Wind
7. Don’t Laugh
8. Regrets and Mistakes
9. February Snow
10. (That’s What You Get) For Loving Me
11. Gonna Lay Down My Old Guitar
12. Nashville Blues

Jim Lauderdale Tour Dates

MAY
19 – Hiltons, VA – Appalachia Rising @ The Carter Family Fold
26 – Lafayette, LA – Warehouse 535
29 – Nashville, TN – Honky Tonk Tuesday Nights @ The American Legion
31 – Nashville, TN – The Station Inn

JUNE
29 – Chicago, IL – The Hideout
30 – Chicago, IL – The Hideout

JULY
19 – Buffalo, NY – Sportsman Tavern
20 – Trumansburg, NY – Trumansburg Fairgrounds
29 – White Sulphur Springs, MT – Jackson Ranch

AUGUST
25 – Black Mountain, NC – Pisgah Brewing Company

Wanted! – Notable Americana and Roots Music Releases for 2018

2017 was another great year for Americana and roots music, and 2018 so far shows no signs that the great music is waning. As our Cream of the Crop favorites from last year makes plain we continue to experience a golden age of roots and Americana music. From Sturgill Simpson winning the Grammy for the best Country album of the Year (for his least country album no less) to the increased numbers of roots artists in media and festival line-ups the genre continues to represent and deliver on great music.

As I’ve said before, this is important not only because as fans, there’s abundant choices for our entertainment but because it continues to lay a foundation for future ‘Cream of the Crop’ recipients.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like American Aquarium and Kacey Musgraves have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year. Follow me on Twitter to stay current on changes to the list.

If you know of an actual release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be another great year for roots music folks.

January 12th –
Brooks Dixon – White Roses EP
Ryan Bingham – ‘Live’
Cindy Alexander – ‘Nowhere To Hide’
Seth Lakeman – ‘Ballads Of The Broken Few’
Cassidy Best – ‘Same Old Sins’

January 19th –
First Aid Kit – ‘Ruins’
Lanco – ‘Hallelujah Nights
’
R. Finn (aka Chris Rondinella) – ‘Collecting Trip
Calexico, The Thread That Keeps Us
Steep Canyon Rangers, Out in the Open
Kalie Shorr, Awake EP
Mary Gauthier, Rifles and Rosary Beads
Devin Dawson – ‘Dark Horse’
Caitlyn Smith -‘Starfire’
Van William – ‘Countries’
Alice DiMicele – “One With The Tide”
Grace Basement – ‘Mississippi Nights’
Glen Hansard – ‘Between Two Shores’
John Gorka – ‘True In Time’

January 26th –
The Ben Miller Band – ‘Choke Cherry Tree’
Laura Benitez and The Heartache’s – ‘With All Its Thorns’
Sara Morgan – ‘Average Jane’
The Fugitives – ‘The Promise of Strangers’
Ron Pope – ‘Worktapes EP’

February 2nd –
Mike and the Moonpies – ‘Steak Night at the Prairie Rose’
The Wood Brothers – ‘One Drop of Truth’
John Oates – ‘Arkansas’
Sunny War – ‘With the Sun’

February 9th –
Wade Bowen – ‘Solid Ground
’
Jim White – ‘Waffles, Triangles & Jesus’

February 16th –
Matthew McNeal – ‘Good Luck’
Brandi Carlile – ‘By the Way, I Forgive You’
Courtney Patton – ‘What It’s Like to Fly Alone’
I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) – ‘See You Around’

February 23rd –
Jeff Hyde – ‘Norman Rockwell World’
3hattrio – ‘Lord of the Desert’
Doby Watson – “Family Mattress Deluxe”

March 2nd –
Vivian Leva – ‘Time is Everything’
Chip Taylor – ‘Fix Your Words’
Haley Heynderickx – ‘I Need To Start A Garden’
Son of the Chief – ‘Needless Road’
Savannah Conley – “Twenty-Twenty.”

March 9th –
Ashley Campbell – ‘The Lonely One’
Ross Cooper – “Another Mile”

March 16th –
Trailhead – “Keep Walking”

March 23rd –
The Price Sisters – ‘A Heart Never Knows’
Paul Thorn – ‘Album Don’t Let The Devil Ride’

March 30th –
Caitlin Canty – ‘Motel Bouquet’
Lindi Ortega -‘Liberty’
Kim Richey – ‘Edgeland’
Ashley McBryde – ‘Girl Going Nowhere’
Great Peacock – ‘Gran Pavo Real’
Sam Morrow – ‘Concrete and Mud’

April 6th –
Blackberry Smoke – ‘Find A Light’
Sarah Shook & the Disarmers – ‘Years’
Jodee Lewis – ‘Buzzard’s Bluff’
Kacey Musgraves – ‘Golden Hour’

April 10th –
Rita Hosking – ‘For Real’

April 13th –
John Prine – ‘Tree of Forgiveness’
Simone Felice – ‘The Projector’

April 20th –
Old Crow Medicine Show – ‘Volunteer’
Joshua Hedley – “Mr. Jukebox”
Charley Crockett – ‘Lonesome As a Shadow’
Ashley Monroe – ‘Sparrow’

April 27th –
Band of Heathens – “Live Via Satellite” On April 27th

May 4th
Scott Mickelson – ‘A Wondrous Life’
Parker Millsap – ‘Other Arrangements’
Trampled by Turtles – ‘Life Is Good On The Open Road’
Daniel Daniel – ‘Lonesome Hollow’
Rita Coolidge – ‘Safe in the Arms of Time’

May 11th
Ry Cooder – ‘The Prodigal Son’

May 18th
Kelly Willis – “Back Being Blue”
The Dead Tongues – ‘Unsung Passage’

June 1st
Dave Alvin and Jimmie Dale Gilmore – “Downey to Lubbock”
American Aquarium – ‘Things Change’

June 8th
Erin Rae – ‘Putting On Airs”

June 22nd
Jeffrey Foucault – ‘ Blood Brothers’
Paul Cauthon – ‘Have Mercy’
Lera Lynn – ‘Plays Well With Others’
Adam Wright – ‘Dust’
Roanoke – ‘Where I Roam’

June 29th
The Milk Carton Kids – ‘All The Things That I Did And All The Things That I Didn’t Do’

July 13th
Carolina Story – ‘Lay Your Head Down’ – buy

July 15th
The Brothers Comatose – ‘Ink, Dust, and Luck’ buy

July 20th
Lori McKenna – “The Tree”

July 27th
Andrew Combs – 5 Covers & A Song’ EP
The Hollow Ends – ‘Bears In Mind’

August 2nd
Kevin Galloway – “The Change”

August 3rd
Jim Lauderdale – ‘Time Flies” and “Jim Lauderdale and Roland White’

August 10th
Dawn Landes – ‘Meet Me at the River’
Robbie Fulks & Linda Gail Lewis – ‘Wild! Wild! Wild!’

August 24th
Devil Makes Three – ‘Chains Are Broken’
Ryan Culwell – “The Last American”
Murder By Death – ‘The Other Shore’

August 31st
Aaron Lee Tasjan – ‘Karma for Cheap’ buy

September 7th
Roscoe & Etta – ‘Roscoe & Etta’
Mike Farris – “Silver & Stone”
William Elliott Whitmore – ‘Kilonova’
Kathy Mattea – ‘Pretty Bird’

October 12th
Colter Wall – ‘Songs of the Plains’

October 14th
Asleep at the Wheel – “New Routes”

October 26th
Whitey Morgan and the 78s – ‘Hard Times and White Lines’

News Roundup – Jim Lauderdale, Sunny Sweeney, Jamie Lin Wilson, Courtney Patton, Brennen Leigh, Loretta Lynn

Lynn’s original handwritten lyrics to “Coal Miner’s Daughter,”
Loretta Lynn’s original handwritten lyrics to “Coal Miner’s Daughter,”

– Sure it’s still Summer, but it’s not too soon to think about Christmas when you know that Sunny Sweeney, Jamie Lin Wilson, Courtney Patton and Brennen Leigh will be reuniting for their Hard Candy Christmas Tour for the 2017 season. Tickets for most of the shows are on sale now and the more will be on sale soon. Check out all the dates and tickets right here.

– Check out Mr. Americana Jim Lauderdale performing “You Came To Get Me” off his new album “London Southern” on the Conan O’Brien show.

– Rolling Stone premiered ”If I Could Make You My Own’,’ the new song off Dori Freeman’s sophomore album Teddy Thompson-produced “Letters Never Read’ which will be released October 20th.

– The Legendary Shack Shakers, the band Stephen King described as dynamite and guitar legend Jeff Beck called “a cross between the Yard Birds and the Sex Pistols,” release their new album, ‘After You’ve Gone,’ on Last Chance Records. AllMusic premieres the exclusive stream of ‘After You’ve Gone’ here.

– Loretta Lynn is being honored by the Country Music Hall of Fame and Museum’s newest exhibit, “Loretta Lynn: Blue Kentucky Girl,” which opens to the public Friday and is scheduled to run through Aug. 5, 2018. The Hall of Fame hosted an invitation-only preview of the new exhibit on Tuesday (Aug. 22) that was accompanied by dinner and acoustic performances by Margo Price, Brandy Clark, (“Fist City” and “Coal Miner’s Daughter,” respectively) and featuring remarks by Kacey Musgraves, museum director Kyle Young and Lynn’s daughter Patsy Lynn. Unfortunately Loretta Lynn did not attend the exhibit Opening, but her family assures fans she’s making a strong recovery after Stroke

Americana Music Association Announces First Round of 2017 Americanafest Showcases

First Round of 2017 Americanafest Showcases

(L-R) Top: Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours
(L-R) Bottom: Charley Crockett, Deer Tick, Bettye LaVette

Continuing the stellar tradition of being the preeminent roots music event of the year, the Nashville-based Americana Music Association has released its first round of artists slated to perform at this year’s 18th annual Americana Music Festival & Conference, presented by Nissan, September 12 – 17, 2017.

The first 103 of more than 230 artists are made up of pioneers, icons, and upstarts like Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours, Lillie Mae, Alice Wallace, Mike and The Moonpies, Rodney Crowell, Paul Cauthen, John Paul White, The White Buffalo, Jason Eady, Bruce Robison, and much more.

With more acts still to be announced, the event promises to live up to its reputation as a must attend for roots music fans and industry alike.

Resister for the full conference here, or get festival showcase wristbands here.

AJ Hobbs
Allison Pierce
Aaron Lee Tasjan
Alice Wallace
All Our Exes Live in Texas
Ana Egge
Andrew Combs
Andy Golledge
Austin Plaine
Balkun Brothers
The Band of Heathens
The Barefoot Movement
Beaver Nelson
Becca Mancari
Bettye LaVette
Birds of Chicago
Blank Range
The Blind Boys of Alabama
Boomswagglers
Brandy Clark
Brent Cobb
Brent Cowles
Brian Wright
The Brother Brothers
Brothers Comatose
Bruce Robison
CALICO the band
Caamp
Caitlin Canty
Carl Anderson
Caroline Spence
Carsie Blanton
Casey James
Charley Crockett
Charlie Parr
Chastity Brown
Ciaran Lavery
Cordovas
Courtney Marie Andrews
Darlingside
David Childers
David Luning
David Starr
Deep Dark Woods
The Deer
Deer Tick
The Deslondes
Dirty River Boys
Don Bryant
Dori Freeman
Elise Davis
Eric Ambel
Erin Rae
Forlorn Strangers
Futurebirds
Haas Kowert Tice
Hiss Golden Messenger
The Honey Ants
Horseshoes and Hand Grenades
The Howlin Brothers
Hugh Masterson
Jason Eady
Jaime Wyatt
Jesse Terry
Jim Lauderdale
John Paul White
Julian Lage & Chris Eldridge
Kacy & Clayton
Kasey Chambers
Leeroy Stagger
Leslie Stevens
Lillie Mae
The Lil Smokies
Lindi Ortega
Little Bandit
Low Cut Connie
Luke Bulla
The McCrary Sisters
Micky and the Motorcars
Mike and The Moonpies
Mipso
Molly Tuttle
My Bubba
Patrick Sweany
Paul Cauthen
Paul Thorn
Pony Bradshaw
Quiet Life
Renn
Rev Sekou
Rodney Crowell
SUSTO
Shane Smith & The Saints
Them Rubies
Turnpike Troubadours
Tyler Childers
Wade Bowen
Walter Salas-Humara
We Banjo 3
The White Buffalo
Wildwood Kin
William Wild
Willie Watson

Wanted! – Notable Americana and Roots Music Releases for 2016

Ghosts of Highway 20 - Lucinda Williams

2015 was another bumper crop year for Americana and roots music, and 2016 show vast signs that the great music will continue to come. As our Cream of the Crop favorites from 2015 makes plain we might be experiencing a new golden age of roots music as a growing influence on our contemporary culture and as a sustainable , and viable, business for young and old artists alike.

That last part is crucial as it provides seed corn for the future of this music we truly love.

The list below is a collection of 2016 notable Americana / roots releases. Some anticipated releases from artists like Sturgill Simpson, Elizabeth Cook, Robbie Fulks, Lydia Loveless, Al Scorch and Brandy Clark have no release dates yet, but when I’m aware of them and others I will be updating the list through the year and will send word through my twitter account

If you know of a release not listed leave it in the comments and I might add it.

Look for new things coming in the 2016 at Twang Nation. With your help it’s going to be a great year folks.

January 11th
Keegan McInroe – “Uncouth Pilgrims”

January 15th
Dylan LeBlanc – ‘Cautionary Tale’
Randy Rogers Band – “Nothing Shines Like Neon”
Hank Williams Jr. – “It’s About Time”
Dawn Landes And Piers Faccini – ‘Desert Songs’

January 22nd
The Cactus Blossoms – ‘You’re Dreaming’
Simon Linsteadt – Self-Titled
Aoife O’Donovan – “In the Magic Hour”

January 24th
Michael Chapman – ‘Fish”

January 26th
Brad Armstrong – “Empire”

January 29th
Buddy Miller and Friends – ‘Cayamo Sessions at Sea’
Sierra Hull – ‘Weighted Mind’
Aubrie Sellers – ‘City Blues’
Miranda Lee Richards – “First Light of Winter”

February 5th
Lucinda Williams – “The Ghosts of Highway 20”
Dori Freeman – ‘Dori Freeman’
Luther Dickinson – ‘Blues & Ballads (A Folksinger’s Songbook: Volumes I & II)’
The Infamous Stringdusters – ‘Ladies & Gentleman’
Freakwater – ‘Scheherazade’
The O’s – ‘Honeycomb’

February 12th
Vince Gill – “Down to My Last Bad Habit”
Wynonna Judd – “Wynonna & the Big Noise”
Lorrie Morgan – ‘Letting Go … Slow’
Joey + Rory – “Hymns That Are Important To Us”
Malcolm Holcombe – ‘Another Black Hole’
Wheeler Walker Jr. ‘Redneck Shit’
Alex Dezen – ‘Alex Dezen’
Matt Patershuk – ‘I Was So Fond of You”
Applewood Road (Emily Barker, Amber Rebirth and Amy Speace) – ‘Applewood Road’

February 19th
Lake Street Dive – ‘Side Pony’
Austin Lucas – ‘Between The Moon and the Midwest”
Mike June – ‘Poor Man’s Bible’

February 26th
Shooter Jennings – ‘Countach (For Giorgio)’
Waco Brothers – ‘Going Down in History’
Kathryn Legendre – ‘Don’t Give A Damn’
Michael Daves – ‘Orchids and Violence’
Jane Kramer – ‘Carnival of Hopes’
Paul Burch – ‘Meredian Rising’
Bonnie Raitt – ‎’Dig In Deep’‬
Caleb Caudle – ‘Carolina Ghost”
Jen Lane – ‘This Life of Mine’
Ashley Monroe – ‘Live At Third Man Records”

March 4th
Loretta Lynne – ‘Full Circle’
Chris King – ‘Animal’
Anielle Reid – ‘Love Song’
Dead Tongues – ‘Montana’

March 11th
Lukas Nelson & Promise of the Real – ‘Something Real’
Waylon Jennings – ‘Return of the Outlaw: The Abbott, Texas, Broadcast 1973’

March 18th
Various – Dave Cobb’s ‘Southern Family
Grant Lee Phillips – ‘The Narrows’
Sean Watkins – “What To Fear”
The Roosevelts – ”The Greatest Thing You’ll Ever Learn’

March 25th
Parker Millsap – ‘The Very Last Day’
Margo Price – ‘Midwest Farmer’s Daughter’

April 1st
Elephant Revival – ‘Petals’
Robbie Fulks – ‘Upland Stories’
Teddy Thompson and Kelly Jones – ‘Little Windows’
Left Arm Tan – ‘Lorene’

April 8th
Hayes Carll – “Lovers and Leavers”
Tim McNary – ‘Above the Trees’ EP

April 15th
Hackensaw Boys – “Charismo”
Pauline Andres – “The Heart Breaks”
The Lowest Pair – ‘Fern Girl and Ice Man’ / ‘Uncertain As It Is Uneven’

April 19th
Crow Moses – “Nightshades”

April 22nd
Nate Leavitt – “Someone Send a Signal”
Derek Hoke – ‘Southern Moon’

April 29th
Larry Hooper – ‘No Turning Back’

May 3rd
Robert Ellis – ‘Robert Ellis’
Jeremy Nail – ‘My Mountain’

May 6th
Mary Chapin Carpenter – ‘The Things That We Are Made Of”
Jimbo Mathus – ‘Band of Storms’ EP
Vaudeville Etiquette – ‘Aura Vista Motel’

May 20th
Crystal Yates – ‘The Other Side’

May 27th
The Lowest Pair – ‘Fern Girl and Ice Man’ and ‘Uncertain As It Is Uneven’
Bonnie Bishop – ‘Ain’t Who I Was’

June 17
Sarah Jarosz – ‘Undercurrent’
Kris Kristofferson – ‘Cedar Creek Sessions’

June 24
The Felice Brothers – “Life in the Dark,”

July 1
Sara Watkins – ‘Young In All The Wrong Ways’

July 4
James Scott Bullard – “Box of Letters”

July 8
Mark Chesnutt – ‘Tradition Lives On’
Rob Ickes & Trey Hensley – ‘The Country Blues’

July 15
The Earls Of Leicester – ‘Rattle & Roar,’

July 22
High Bar Gang – ‘Someday the Heart Will Trouble the Mind’

August 5
Chelle Rose – ‘Blue Ridge Blood’
Summer Dean – ‘Unladylike’

August 12
Kelsey Waldon – ‘I’ve Got a Way on’
Boo Ray – ‘Sea of Lights’

August 19
Lydia Loveless – ‘Real’
John Paul White – ‘Belah’

August 26
The Devil Makes Three – ‘Redemption & Ruin”
Dietrich Strause – “How Cruel That Hunger Binds”
Waiting for Henry – ‘Town Called Patience’

September 9
Blue Highway – ‘Original Traditional’

September 16
Amanda Shires – “My Piece Of Land”
Jesse Dayton – ‘The Revealer’
The Buffalo Ruckus – ‘Peace & Cornbread’

September 30
Drive-By Truckers – ‘American Band’
Jim Lauderdale – ‘This Changes Everything’

October 7
Shovels and Rope – ‘Little Seeds’
Hiss Golden Messenger – ‘Heart Like a Levee’
The Dexateens – ‘Teenage Hallelujah’

October 28
Aaron Lee Tasjan – “Silver Tears”
Various Artists – ‘Highway Prayer – Tribute to Adam Carroll”
Jasmine Rodgers – ‘Blood Red Sun’

November 4
Kent Eugene Goolsby – ‘Temper Of The Times’

November 18
Miranda Lambert – “The Weight of These Wings”

Sony Music Nashville CEO Gary Overton is Right (And So What?)

GaryOverton

When Sony Music Nashville CEO Gary Overton told the Tennessean, “If you’re not on country radio, you don’t exist.” it caused a minor kerfuffle between country music bloggers and country artists, like Aaron Watson and Charlie Robison, that felt they , and country msuic’s integrity, were in his contemptuous crosshairs.

I even took it apon myself to decry Overton’s statement on Twitter and retweet links to essays taking him to task.

But after some reflection, I am willing to concede that Overton is correct in his statement.

First context.

Overton made his incendiary remarks while attending the annual Country Radio Seminar in Nashville, where 2,424 attendees, exhibitors, panelists and sponsors came to discuss the future of the industry. That’s the Country Radio industry. Not the roots americana industry. Not the historical preservation of country music.

As with any trade convention quality was not the focus, unless there is a direct line between it and profits.

It’s about return on investment. Period.

No more clear symbol of this was the surprise appearance of Garth Brooks to announced the year’s Country Radio Hall of Fame inductees in both the Radio and On-Air categories.

Whether you like Brooks’ music, or believe he’s the beginning of genre cross-over hell and the end of everything that was good about country music (he wasn’t), with 8 Academy of Country Music awards and a RIAA (Recording Industry Association of America) listing of as the best-selling solo album artist of all-time (surpassing Elvis Presley) with 135 million units sold, he is the the gold standard by which radio play, record sales and concert attendance is measured.

Jimmy Rodgers mights be the father of country music, but Garth is it’s first superstar.

This is the ontological existence of which Overton refers. The world made possible by Garth.

When your music is no longer a nuanced craft and becomes a replicable commodity, you exist. If your personality and looks are a marketers dream, you exist. If your income far exceeds the label’s output, you exist. If you’re willing to run that gilded hamster wheel ad infinitum until the end of your short days, you exist.

If you’re willing to use your talents to grease the music row production machine, to achieve potential fame and admiration of millions, you exist.

Short of that piss off.

It’s not all gloom. When an industry behemoth refuses to adapt to customer tastes and industry trends alternatives spring up.

The Nashville Sound led to Buck, Merle , Willie and Waylon. The Urban Cowboy fab resulted in Dwight Yoakam, Steve Earle, Lyle Lovett and kd Lang.

Though these rebels were never fully integrated into the machine itself they did send waves into record sales and radio execs had take notice.

Now the so-called Bro-Country fad has Kacey Musgraves, Brandy Clark, Sturgill Simpson and Jason Isbell rocking the mainstream country boat.

But like McDonalds facing a healthier eating public, or Budweiser facing a less people willing to swill their sun-par product, Music Row can only partially assimilate. The assimilation will also lead to the application of the Garth standard of success, of existence, so songs will be optioned and the same flavorless production sauce will be slathered over extraordinary songs rendering them worthy of mainstream radio play and consumptions of an always shifting, faceless and fickle demographic.

So Overton is correct. By the Garth standard of rendering cultural artifacts into mass consumption radio fodder, most musicians don’t matter. Thier work or image doesn’t fit into the already prefabbed sonic and stylized containers.

But luckily the Garth standard is not the only one that counts.

There the already mentioned Bakersfield /Outlaw standard of creatively seeing untapped opportunities and bucking (hehe) conventional (and played out) trends.

There’s the model of artists like Buddy Miller, Jim Lauderdale, Gretchen Peters, Vince Gill, Chris Knight, Guy Clark and others that straddle the commercial and artistry territories without compromise.

There’s the vibrant and thriving Americana model that cultivates and champions the best of country music, and country music sourced genres , new and older talents. And has created a thriving , and lucrative, community.

And then there’s the Hank III model of giving the finger to Music Row and bringing in a whole new demographic from the ground up, to build a loyal, enthusiastic and sustainable fan base.

Some say the Garth standard of mega sales, and celebrity status, is dead, or dying, in a music industry in transition.

I certainly have no crystal ball telling me where all this is headed. But I take comfort is knowing that Overton and his ilk are on their heels as their concept of existence crumbles beneath them.

Or as singer/songwriter, and one-time potential Voice contestant, Jason Isbell so eloquently tweeted:

“Of course major-label execs are saying crazy things these days. Have you ever heard the kinds of things people say when they’re dying? ”

2014 Americana Album of the Year Grammys Predictions

grammy

Grammy nominations are a few months away but the topic of performers that might be up for an Americana Album of the year nomination – meaning releases between Oct. 1, 2013 and September 30, 2014 to be awarded on Feb. 8, 201 – has been a topic on my twitter feed lately. So I’ve decided to bring the speculation here.

First thing is not to get too nuts. Yes Sturgill Simpson and The Drive-By Truckers came out with excellent releases within the qualifying dates, but they are not known names in the mainstream, therefore not on a typical GRAMMY voters radar.Sure there have been some new artists that have broken through the national media consciousness, most notably The Civil Wars and Mumford and Sons, but these are the exceptions.

Granted there have been Americana AOTY nominees that have been welcome surprises. But nods towards promising new blood like John Fullbright (2013) or out-of-nowhere nominee like Linda Chorney are rare and , so far, have yet to snag the big prize.

No, the Recording Academy Voting Members like their Americana artists like their nominees they like they like their pre-awards restaurant, known and well-respected . Risk is a four-letter word in business and the GRAMMYS are about the business of music. Sure the organization does great work in the periphery to ensure music grows and is protected as a national treasure and heritage. The GRAMMYs telecast is a cultural trade show. Only the best are on display. And in the subjective world of music “best” means “sales.”

Of course sales in the Americana world is a rain drop compared to something like a Taylor Swift deluge, but there are charts for sales and airplay available if you dig a little. And for those not willing to dig the “best” defaults to “well known.” this is not a dig, it’s the artist’s responsibility to break through the din of music sameness to gain the attention of the voter if a GRAMMY is something they desire. And really, in the world of unit sales doesn’t “known” almost always results in ‘best?”

But sometimes the “best” in our little world doesn’t make it up to the big boys. Consider the lack of a nomination for Jason Isbell’s “Southeastern.” An album that made all the Americana, and many mainstream country, year-end lists last year. I was still hearing about that major oversight at Americanafest last month.

Luckily the known entities of Americana are still a cut above most genres and therefore often have some of the best music of the year.

Below are my picks for the 5 potential nominees with my pick for winner. There are a few dark horses I believe deserve to be in the running. Again, I do not vote for the GRAMMYS, just cover the event. I have no insider knowledge and will know the nominees and winners as you do.

Rodney Crowell – ‘Tarpaper Sky’ – This is the easiest pick of the bunch, As a 2013 Americana AOTY co-winner, along with Emmylou, Harris, Crowell already has the hearts and, more importantly, the attention of the Recording Academy Voting Members.

Carlene Carter – ‘Carter Girl’ – Nominated once in 1991 for the Best Female Country Vocal Performance GRAMMY for her throwback rendition of “I Fell in Love.” Carter has recently been working hard in support of her latest including a well-received stop at a GRAMMY Museum showcase.

Willie Nelson – ‘Band Of Brothers’ – It’s hard to ignore one of Willie’s best, and best selling, releases in years. With 11 GRAMMYs under his belt and a 2010 nomination for this category, alongside Asleep at the Wheel for ‘Willie and the Wheel,’ Willie has the gravitas and the goods to snag a nomination.

Jim Lauderdale – ‘I’m A Song’ – Lauderdale personifies Americana it it’s popular form as a representative of the Americana Music Association and as the acclaimed MC of their awards ceremony. He along with his musical and SiriusXM Outlaw Country co-host Buddy Miller, were nominated for this category last year for their collective release ‘ Buddy and Jim.’ He’s won 2 GRAMMYs first in 2002 with Dr. Ralph Stanley for “Lost in the Lonesome Pines” and his second for his “The Bluegrass Diaries” –

Rosanne Cash – ‘The River & The Thread’ – Cash released, what I consider, is the finest record of her career and was instantly heralded as a genre favorite. Critics from USA Today to this blog loved it. Radio loved it and, more importantly, fans loved it. Twelve GRAMMY nomination and one win for Best Female Country Vocal Performance for “I Don’t Know Why You Don’t Want Me” (1985) She’s well-known and respected in the hearts of the voters. Look for this one to win.

https://www.youtube.com/watch?v=bjMzrMeLJxw

DARK HORSE PICK

Sturgill Simpson – ‘Metamodern Sounds in Country Music’ – If there were a Nobel Prize for talent and genuineness in music Sturgill Simpson would get it for his latest. It’s a favorite across the Americana community and has perked up the ears of mainstream country music fans and blogs as well. Ideally ‘Metamodern Sounds in Country Music’ should win the GRAMMY for Country Album OTY. Hell, if Kacey Musgraves can do it why not?

Parker Millsap – ‘Parker Millsap’ – There’s no denying the buzz around this young Oklahoman. His performance at Americanafest resulted in a waiting line to squeeze in to a packed room and screaming on a Beatlemania level. And the hype lives up to the talent. Let;s hear it for the young bloods with old souls!

Nickel Creek – ‘A Dotted Line’ – Okay, Nickel Creek isn’t much of a dark horse. But after a seven-year hiatus (as a band, not as individual performers) will voters still recall their obvious greatness as they did when tehy received 4 GRAMMY nominations and won for Best Contemporary Folk Album for 2003’s ‘This Side?’

Roots Run Strong for 56th Grammy Award Nominees

Grammy Noms Americana

The National Academy of Recording Arts and Science held their big to-do to announce a few of the nominees for the next round of the 56th Annual GRAMMY Awards. The choices in the Americana and roots categories again display an appreciation of some of the veterans of the genre and the roots they represent.

Collaborations reigned in the Best Americana Album category. Emmylou Harris may add another trophy to the 12 GRAMMYS she a lead has on her mantel with “Old Yellow Moon,” her duet collaboration Hot Band guitarist and legendary singer-songwriter , Rodney Crowell. Steve Martin & Edie Brickell are nominated for “Love Has Come For You,” their first joint effort and Americana stalwarts Buddy Miller And Jim Lauderdale are up for their “Buddy And Jim.” Mavis Staples , who won for Best Americana Album in 2011 is up for “One True Vine.” Legendary composer, producer, performer Allen Toussaint intimate and live deliberation of his new New York City home “Songbook” rounds out the list

Nominees for Best American Roots Song include another new New York resident (By way of Texas) Sarah Jarosz for the title cut of her third studio release, “Build Me Up From Bones.” Steve Earle snagged a spot for “Invisible,” his song focused on the homeless and indigent, from his latest “The Low Highway.” Old partners reconvene to gain a spot with Tim O’Brien & Darrell Scott’s “Keep Your Dirty Lights On” from their Memories and Moments. Best Americana Album nominees Edie Brickell & Steve Martin is nominated for the title cut “Love Has Come For You” and Allen Toussaint for “Shrimp Po-Boy, Dressed.”

There are no slackers in a bluegrass band, and Best Bluegrass Album nominees are some of the best in the field. A nice surprise was the choice for newcomers Della Mae’s nomination for their sophomore release “This World Oft Can Be” Members of The Boxcars have collected numerous IBMA and GRAMMY Awards and have shared the stage with legends so it’s no surprise that their third album “It’s Just A Road” was nominated. Though Harlan Howard was referring to country music when he coined the term “…three chords and the truth.” James King and his cracker-Jack band adopted it as the title for their first GRAMMY-nominated album. Veterans Dailey & Vincent (Jamie Dailey (guitar, bass, vocals), Darrin Vincent (mandolin, guitar, bass, vocals)) are up for their 3rd GRAMMY Award nomination for their sixth release “Brothers Of The Highway” and the Del McCoury Band nabbed a nomination for their 14th release “The Streets Of Baltimore.” Del and the band won in the category in 2006 for “The Company We Keep.”

Roots music greatness continued with the Best Folk Album category, whose boundaries blur so much with Best Americana Album category that any performer from either side could swap with a perfumer from the other and few people would notice. Patriarch singer/songwriter Guy Clark grabbed his 6th nomination for his latest “My Favorite Picture Of You.” The Greencards received their 3rd GRAMMY nomination for their sixth studio album “Sweetheart Of The Sun” and Sarah Jarosz is up for her 2nd nomination for “Build Me Up From Bones.” Newcomer favorites The Milk Carton Kids are on the list for their current “The Ash & Clay.” “They All Played For Us: Arhoolie Records 50th Anniversary Celebration,” the roots-rich benefit
in tribute to the Arhoolie Foundation, and the 50th anniversary of Arhoolie Records, is also included.

Music Row continues to show some interest in Americana-leaning performers with country newcomer
Kacey Musgraves up for Best New Artist, Best Country album (Same Trailer, Different Park) andBest Country Snog (“Merry Go ‘Round”.) Best Country Duo/Group Performance category features The Civil Wars for “From This Valley, ” Kelly Clarkson Featuring Vince Gill for “Don’t Rush” and Kenny Rogers With Dolly Parton for “You Can’t Make Old Friends.”

Other nominations honoring Americana and roots artists are the soundtrack for “Muscle Shoals”, nominated for Best Compilation Soundtrack for Visual Media.

Root-rock pioneer Neil Young, with his band Crazy Horse, is looking to garner this third GRAMMY win with “Psychedelic Pill” for Best Rock Album

Multiple GRAMMY winner, and a member of the Rock and Roll Hall of Fame, folksinger Pete Seeger received a GRAMMY nomination for “The Storm King,” in the category of Best Spoken Word Album.

Uncle Tupelo / Wilco front man Jeff Tweedy is up for Producer of the Year, Non-Classical for his work with Mavis Staples, Low and Sarah Lee Guthrie And Johnny Irion.

Alabama Shakes is up for Best Rock Performance (“Always Alright”) Jack White for Best Rock Performance (“I’m Shakin'”) Neko Case for Best Alternative Music Album (The Worse Things Get, The Harder I Fight…) and Mumford & Sons are nominated for Best Boxed or Special Edition Limited Package, Best Music Film (The Road to Red Rocks)

After the nominations were announced twitter was abuzz with folks pointing out a glaring oversight of Jason Isbell’s “Southeastern” for Best Americana Album. The album is on all Americana and roots music end of year lists.

Isbell took to twitter to address with humor the snub,”Don’t worry guys, I’ll get plenty of noms. There’s a Chipotle right across the street from the hotel! #NOM”

“Don’t worry guys, I’ll get plenty of noms. There’s a Chipotle right across the street from the hotel! #NOM”

Congratulations to them all the nominees. Keep an eye on GRAMMY.com and on CBS at 8 p.m. ET/P on on January 26, 2014 to see who wins.

56th Annual Grammy Award Nominees in Americana and Related Categories

Grammy Noms Americana

Here’s a list of the Country, Americana and roots and related categories from the 56th Annual GRAMMY Award Nominees. Look for a more in-depth post soon.

You can get the full list of all nominees here.

Best Americana Album:
Old Yellow Moon — Emmylou Harris & Rodney Crowell
Love Has Come For You — Steve Martin & Edie Brickell
Buddy And Jim — Buddy Miller And Jim Lauderdale
One True Vine — Mavis Staples
Songbook — Allen Toussaint

Best American Roots Song
“Build Me Up From Bones” Sarah Jarosz, songwriter (Sarah Jarosz) Label: Sugar Hill Records
“Invisible” – Steve Earle, songwriter (Steve Earle & The Dukes (& Duchesses)) Label: New West Records
“Keep Your Dirty Lights On” Tim O’Brien & Darrell Scott, songwriters (Tim O’Brien And Darrell Scott) Label: Full Skies Records
“Love Has Come For You” – Edie Brickell & Steve Martin, songwriters (Steve Martin & Edie Brickell) Label: Rounder; Publishers: LA Films Music/Brick Elephant Music
“Shrimp Po-Boy, Dressed” Allen Toussaint, songwriter (Allen Toussaint) Label: Rounder; Publishers: Screen Gems-EMI Music Inc/Marsaint Music, Inc.

Best Bluegrass Album
“It’s Just A Road” — The Boxcars
“Brothers Of The Highway” — Dailey & Vincent
“This World Oft Can Be” — Della Mae
“Three Chords And The Truth” — James King
“The Streets Of Baltimore” — Del McCoury Band

Best Folk Album
“My Favorite Picture Of You” — Guy Clark
“Sweetheart Of The Sun” — The Greencards
“Build Me Up From Bones” — Sarah Jarosz
“The Ash & Clay” — The Milk Carton Kids
“They All Played For Us: Arhoolie Records 50th Anniversary Celebration” — (Various Artists) Chris Strachwitz, producer

Best Country Duo/Group Performance
“From This Valley” — The Civil Wars
“Don’t Rush” — Kelly Clarkson Featuring Vince Gill
“You Can’t Make Old Friends” — Kenny Rogers With Dolly Parton

Artists/albums of interest to the Americana community, nominated in other categories:

Neil Young With Crazy Horse – Best Rock Album (“Psychedelic Pill”)
Pete Seeger – “The Storm King” (Best Spoken Word Album)
Muscle Shoals – Best Compilation Soundtrack For Visual Media
Jeff Tweedy – Producer of the Year, Non-Classical (Invisible Way (Low) • One True Vine (Mavis Staples) (A) • Wassaic Way (Sarah Lee Guthrie And Johnny Irion))
Kacey Musgraves – Best New Artist, Best Country Artist (Same Trailer, Different Park), Best Country Snog (“Merry Go ‘Round”)
Alabama Shakes – Best Rock Performance (“Always Alright”)
Jack White – Best Rock Performance (“I’m Shakin'”)
Neko Case – Best Alternative Music Album (The Worse Things Get, The Harder I Fight…)
Elizabeth Mitchell & You Are My Flower – Best Children’s Album (Blue Clouds)
Mumford & Sons – Best Boxed or Special Edition Limited Package, Best Music Film (The Road to Red Rocks)
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NASHVILLE 2.0: The Rise of Americana to Air on PBS This November

Nashville 2.0

NASHVILLE 2.0 kicks off the “PBS Americana Music Weekend,” which pairs this documentary with an Americana music concert from PBS’ iconic Austin City Limits (ACL) series. In a special episode, ACL travels to Nashville to capture performance highlights from the 2013 Americana Music Association Honors & Awards. ACL PRESENTS: AMERICANA MUSIC FESTIVAL 2013 airs November 23rd on PBS in select markets (check local listings for broadcast dates and times)

The hour-long film was co-directed by Carol Stein and Susan Wittenberg (the duo behind 2011‘s Women Who Rock) and will feature a lineup of some of the best rising and veteran country, folk, rock and multi-genre artists prominent in building the Americana movement.

The special will incluse includes performances by, and interviews with, Alabama Shakes, The Avett Brothers, Billy Bragg, Laura Cantrell, Carolina Chocolate Drops, Rosanne Cash, The Civil Wars, Elizabeth Cook, Rodney Crowell, Dawes, Jerry Douglas, John Fullbright, Shakey Graves, Emmylou Harris, The James Hunter Six, Jason Isbell , Amanda Shires, Jim Lauderdale, The Lone Bellow, The Mavericks, The Milk Carton Kids, Buddy Miller, Mumford & Sons, Shovels and Rope*, Richard Thompson, and Dwight Yoakam.

This is hardly an exhaustive list, and not all of these artists are from, or reside, in Nashville. Buy Music City has become the de-facto hub of the Americana Music industry.

For now.