Wanted! – Notable Americana and Roots Music Releases for 2018

2017 was another great year for Americana and roots music, and 2018 so far shows no signs that the great music is waning. As our Cream of the Crop favorites from last year makes plain we continue to experience a golden age of roots and Americana music. From Sturgill Simpson winning the Grammy for the best Country album of the Year (for his least country album no less) to the increased numbers of roots artists in media and festival line-ups the genre continues to represent and deliver on great music.

As I’ve said before, this is important not only because as fans, there’s abundant choices for our entertainment but because it continues to lay a foundation for future ‘Cream of the Crop’ recipients.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like American Aquarium and Kacey Musgraves have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year. Follow me on Twitter to stay current on changes to the list.

If you know of an actual release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be another great year for roots music folks.

January 12th –
Brooks Dixon – White Roses EP
Ryan Bingham – ‘Live’
Cindy Alexander – ‘Nowhere To Hide’
Seth Lakeman – ‘Ballads Of The Broken Few’
Cassidy Best – ‘Same Old Sins’

January 19th –
First Aid Kit – ‘Ruins’
Lanco – ‘Hallelujah Nights
’
R. Finn (aka Chris Rondinella) – ‘Collecting Trip
Calexico, The Thread That Keeps Us
Steep Canyon Rangers, Out in the Open
Kalie Shorr, Awake EP
Mary Gauthier, Rifles and Rosary Beads
Devin Dawson – ‘Dark Horse’
Caitlyn Smith -‘Starfire’
Van William – ‘Countries’
Alice DiMicele – “One With The Tide”
Grace Basement – ‘Mississippi Nights’
Glen Hansard – ‘Between Two Shores’
John Gorka – ‘True In Time’

January 26th –
The Ben Miller Band – ‘Choke Cherry Tree’
Laura Benitez and The Heartache’s – ‘With All Its Thorns’
Sara Morgan – ‘Average Jane’
The Fugitives – ‘The Promise of Strangers’
Ron Pope – ‘Worktapes EP’

February 2nd –
Mike and the Moonpies – ‘Steak Night at the Prairie Rose’
The Wood Brothers – ‘One Drop of Truth’
John Oates – ‘Arkansas’
Sunny War – ‘With the Sun’

February 9th –
Wade Bowen – ‘Solid Ground
’
Jim White – ‘Waffles, Triangles & Jesus’

February 16th –
Matthew McNeal – ‘Good Luck’
Brandi Carlile – ‘By the Way, I Forgive You’
Courtney Patton – ‘What It’s Like to Fly Alone’
I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) – ‘See You Around’

February 23rd –
Jeff Hyde – ‘Norman Rockwell World’
3hattrio – ‘Lord of the Desert’
Doby Watson – “Family Mattress Deluxe”

March 2nd –
Vivian Leva – ‘Time is Everything’
Chip Taylor – ‘Fix Your Words’
Haley Heynderickx – ‘I Need To Start A Garden’
Son of the Chief – ‘Needless Road’
Savannah Conley – “Twenty-Twenty.”

March 9th –
Ashley Campbell – ‘The Lonely One’
Ross Cooper – “Another Mile”

March 16th –
Trailhead – “Keep Walking”

March 23rd –
The Price Sisters – ‘A Heart Never Knows’
Paul Thorn – ‘Album Don’t Let The Devil Ride’

March 30th –
Caitlin Canty – ‘Motel Bouquet’
Lindi Ortega -‘Liberty’
Kim Richey – ‘Edgeland’
Ashley McBryde – ‘Girl Going Nowhere’
Great Peacock – ‘Gran Pavo Real’
Sam Morrow – ‘Concrete and Mud’

April 6th –
Blackberry Smoke – ‘Find A Light’
Sarah Shook & the Disarmers – ‘Years’
Jodee Lewis – ‘Buzzard’s Bluff’
Kacey Musgraves – ‘Golden Hour’

April 10th –
Rita Hosking – ‘For Real’

April 13th –
John Prine – ‘Tree of Forgiveness’
Simone Felice – ‘The Projector’

April 20th –
Old Crow Medicine Show – ‘Volunteer’
Joshua Hedley – “Mr. Jukebox”
Charley Crockett – ‘Lonesome As a Shadow’
Ashley Monroe – ‘Sparrow’

April 27th –
Band of Heathens – “Live Via Satellite” On April 27th

May 4th
Scott Mickelson – ‘A Wondrous Life’
Parker Millsap – ‘Other Arrangements’
Trampled by Turtles – ‘Life Is Good On The Open Road’
Daniel Daniel – ‘Lonesome Hollow’
Rita Coolidge – ‘Safe in the Arms of Time’

May 11th
Ry Cooder – ‘The Prodigal Son’

May 18th
Kelly Willis – “Back Being Blue”
The Dead Tongues – ‘Unsung Passage’

June 1st
Dave Alvin and Jimmie Dale Gilmore – “Downey to Lubbock”
American Aquarium – ‘Things Change’

June 8th
Erin Rae – ‘Putting On Airs”

June 22nd
Jeffrey Foucault – ‘ Blood Brothers’
Paul Cauthon – ‘Have Mercy’
Lera Lynn – ‘Plays Well With Others’
Adam Wright – ‘Dust’
Roanoke – ‘Where I Roam’

June 29th
The Milk Carton Kids – ‘All The Things That I Did And All The Things That I Didn’t Do’

July 13th
Carolina Story – ‘Lay Your Head Down’ – buy

July 15th
The Brothers Comatose – ‘Ink, Dust, and Luck’ buy

July 20th
Lori McKenna – “The Tree”

July 27th
Andrew Combs – 5 Covers & A Song’ EP
The Hollow Ends – ‘Bears In Mind’

August 2nd
Kevin Galloway – “The Change”

August 3rd
Jim Lauderdale – ‘Time Flies” and “Jim Lauderdale and Roland White’

August 10th
Dawn Landes – ‘Meet Me at the River’
Robbie Fulks & Linda Gail Lewis – ‘Wild! Wild! Wild!’

August 24th
Devil Makes Three – ‘Chains Are Broken’
Ryan Culwell – “The Last American”
Murder By Death – ‘The Other Shore’

August 31st
Aaron Lee Tasjan – ‘Karma for Cheap’ buy

September 7th
Roscoe & Etta – ‘Roscoe & Etta’
Mike Farris – “Silver & Stone”
William Elliott Whitmore – ‘Kilonova’
Kathy Mattea – ‘Pretty Bird’

October 12th
Colter Wall – ‘Songs of the Plains’

October 14th
Asleep at the Wheel – “New Routes”

October 26th
Whitey Morgan and the 78s – ‘Hard Times and White Lines’

Tonight we sail on a radio song – Tom Petty Tributes

Tom Petty’s music appealed to anyone who loved thoughtful and superbly performed songs, but he held a special place in the hearts of Americana and roots artists. In the wake of his untimely death of cardiac arrest last Monday, there was an outpouring of tributes from his contemporaries and acolytes. Here are some I’ve collected and will add more as I come across them.

Know one? Let me know in the comments below.

Walk off the Earth – ‘You Don’t Know How It Feels’ – Just happened across this brilliant cover by Canada’s Walk off the Earth. Sit back and enjoy.

One person that best exemplifies a contemporary version of roots rock Petty helped establish is Jason Isbell. Here’s Isbell and the 400 Unit tearing through “Refugee” on the first night of their 6-night sold-out run at The Ryman Auditorium. Auditorium – October 9th, 2017
https://youtu.be/nei56RLiFRc

Heres Jason Isbell and the 400 Unit performing “You Wreck Me” on the second night of their The Ryman Auditorium run. October 10th, 2017
https://www.youtube.com/watch?v=Qi9CG504Twg

Here is Jason Isbell and the 400 unit ripping through “American Girl” at Mempho Fest 2017 – October 7th, 2017

Margo Price gives ‘Last Dance with Mary Jane’ a badass spin – 10/7/17

Lukas Nelson and Promise of the Real – ‘American Girl’ at The Fonda Theater – Hollywood, Ca. – Willie’s son does this rocker justice.

Gov’t Mule – ‘Breakdown’ – Houston, October 2nd, 2017 – Gov’t Mule brings on the moody groove featuring searing guitar work by Warren Haynes.

Old Crow Medicine Show – ‘American Girl’ Sydney, Australia, October 6th, 2017 – A badass breakdown by Old Crow Medicine Show.

The Mavericks – ‘You don’t know how it feels’ – Humphrey’s – SD, CA – October 5, 2017 – The Mavericks put their unique spin on this classic.

Miley Cyrus and Billy Ray Cyrus – “Wildflowers” – Whatever Miley Cyrus does musically she proves time and again that she has a country heart. Cyrus finishes out her Tonight Show residency with a lovely tribute to Petty with accompaniment from her father Billy Ray Cyrus.

Marty Stuart and his Fabulous Superlatives- ‘Runnin’ Down A Dream’, April – Marty Stuart has long proclaimed in concert that he’s a Petty fan. This tribute was captured a few months before Petty’s death.

The Avett Brothers – “You Don’t Know How It Feels” Council Bluffs, IA October 5th, 2017 – The Avett Brothers h=get a lot of help from the audience in this heartfelt tribute.

Chris Stapleton – “Learning to Fly” – October 5th, 2017, Moline, Illinois – Chris Stapleton offers some memories of playing a show with Petty before performing a soulful solo acoustic version of “Learning to Fly.”

John Fogerty – “I Won’t Back Down” – October 4th, 2017, Encore Theatre at Wynn hotel, Las Vegas. Fogerty honors Tom Petty at his show at The Encore Theatre at Wynn Las Vegas. This was also the first show after the tragic events at Mandalay Bay

Wilco – ‘The Waiting,’ Toyota Pavilion, Irving, Texas, October 3, 2017 – I dare you not to get chills from this tribute.

Hanson – “Wildflowers” (rehearsal) – October 3rd, 2017 at the Corona Theatre in Montreal, Canada. – Say want you want about Hanson, this is a beautiful harmonic tribute.

Emmylou Harris, Steve Earle, Dave Matthews, Patty Griffin – “Refugee” by Tom Petty – Moore Theatre, Seattle October, 3rd 2017 – This performance was the opening song on the opening night of the 2017 edition of Lampedusa: Concerts for Refugees benefiting Jesuit Refugee Services USA.

Foo Fighters “Breakdown”- Played at a secret 2013 show in Moorpark, CA – Redballs Rock N Roll Pizza. Just badass.

Super Bowl XLII Halftime Show – Tom Petty & The Heartbreakers – An all American moment with the master himself.

Americana Honors Prince

Dixie Chicks - 'Nothing Compares 2 U'

“A strong spirit transcends rules.” Prince

Prince not only appeared to transcended mortality he transcended genre. So it’s not surprising that songwriters and musicians across styles took his sudden death as a call to perform reverent Prince covers to fill the void.

Roots music is no different. Though his music superficially differed from Americana and country music they saw in Prince a prolific songwriters and accomplished musician who’s entire being was defined by his art. Prince created music just as readily as the music created him. They were indistinguishable from each other.

Below I’ve collected a few live tributes in the aftermath as well as Cory Branan and Lydia Loveless superb Record Store Day 2015 purple vinyl split 7″. All are wonderful and you can feel the bittersweet joy in remembrance.

Also a video of Prince doing a Stones classic, because it’s awesome.

Bruce Springsteen – ‘Purple Rain’ – Multicam mix – Brooklyn – New York – http://youtu.be/ifNyqjHHCGw

Chris Stapleton – ‘Nothing Compares 2 U’ – Greek Theater, Berkeley, CA – http://youtu.be/dV_Wp4vVlB8

The Dixie Chicks – ‘Nothing Compares 2 U’ – Horsens Denmark – http://youtu.be/sHBFMjH9NFA

Avett Brothers “Pretty Girl From Annapolis w/ When Doves Cry Interlude” Chicago Theatre – http://youtu.be/DjgHfAtwMsg

Mumford & Sons – ‘Nothing Compares 2 U’ – St. Paul, MN – http://youtu.be/ay0edC0lOh4

Old Crow Medicine Show w/ Margo Price – Purple Rain – Huntsville, AL – http://youtu.be/B1JCj5EWvP4

Cory Branan – “Under the Cherry Moon” – http://youtu.be/zVtSiXiQRE4

Lydia Loveless – “I Would Die 4 U” – https://www.youtube.com/watch?v=BvYjXEiXujo

Prince – “Honky Tonk Woman” – http://youtu.be/MpHtwa8YGBU

Americana Music Association Announces 70 Additional AmericanaFest Acts

americana-fest

Building on an already stellar first-round lineup The Americana Music Association announced an additional 70 artists to perform at the 16th annual Americana Music Festival & Conference, which takes place in Nashville and runs September 15-20, 2015.

The six-day, city-wide festival fills Music City with fans, legends, newcomers, and tilts the quest for glitz into the early direction of a quest for a great song. With over 150 artists and bands scheduled, the event continues to dominate as the premier showcase for roots music and culture.

In addition to previously announced acts such as Los Lobos, Patty Griffin, and Lee Ann Womack, AmericanaFest will feature Ry Cooder, performing with Sharon White and Ricky Skaggs, Donnie Fritts performing with former Civil War John Paul White, former Old Crow Medicine Show member Willie Watson, current member of Old Crow Medicine Show Gill Landry supporting his solo effort.

Also included are Cale Tyson, Lindi Ortega, Luther Dickinson, Kelsey Waldon, Buddy Miller, Jim Lauderdale, Gretchen Peters, American Aquarium, Legendary Shack Shakers and Madisen Ward and the Mama Bear who held a mesmerizing performance last year at Jack White’s Third Man performance space.

The list of the second round announcements is below, and a complete list can be found here.

Showcase wristbands ($50, increasing to $60 on August 15) allow admission into all showcase venues, some sanctioned parties and special events, and can be purchased here. Festival and Conference registrations ($365 for members/$465 for non-members) offer priority admission into all showcase venues, sanctioned parties and events, daytime educational panels, come with one ticket to the critically acclaimed Americana Honors & Awards show at the historic Ryman Auditorium, and can be purchased here.

List of Artists Added to AmericanaFest 2015:
Adam Faucett
American Aquarium
Amy LaVere
Andrew Leahey & The Homestead
Band of Heathens
Buddy Miller
Buxton
Cale Tyson
The Carmonas
Daniel Romano
Darrell Scott
David Wax Museum
Dirty River Boys
Donnie Fritts & John Paul White
Doug Seegers
Dreaming Spires
Dustbowl Revival
Eddie Berman
Eilen Jewell
The Fairfield Four
Gill Landry
The Good Lovelies
Great Peacock
Gretchen Peters
The Hillbenders
The Honeycutters
Humming House
JD & The Straight Shot
JD Souther
Jeffrey Foucault
Jim Lauderdale
Jonathan Tyler
Josh Rouse
JP Harris
Kacy & Clayton
Kelsey Waldon
Legendary Shack Shakers
Lewis and Leigh
Lindi Ortega
Los Colognes
Low Cut Connie
Luther Dickinson
Margo Price
The Mavericks
McCrary Sisters
Michaela Anne
Miss Tess & The Talkbacks
Nathaniel Rateliff & The Night Sweats
Paper Bird
Pine Hill Project (featuring Richard Shindell & Lucy Kaplansky)
Pony Boy
Porter
Possessed By Paul James
Raised By Eagles
Ron Pope & The Nighthawks
Ry Cooder/Sharon White/Ricky Skaggs
Ryan Culwell
Sam Outlaw
Spirit Family Reunion
The Suffers
T. Hardy Morris
T Sisters
Taarka
Those Pretty Wrongs
Town Mountain
Uncle Lucius
Whitney Rose
Willie Watson
The Wood Brothers

57th Annual Grammy Awards – Showing Our Roots

Brandy Clark & Dwight Yoakam 'Hold My Hand'

The cultural trade show known as the 57th Annual Grammy Awards is now history. 83 golden antiquated media playback device replicas were handed out to some of the most talented musicians in the world.

But the event is anything but antiquated. The Grammys have been pushing the boundaries of social and streaming media for some time, improving every year and rivaling events like The Oscars and The Superbowl for social activity. The Grammys know how to create, and amplify, buzz.

Though I did not take part in the excellent Grammy social program as I had the past 4 years, I was graciously asked by Entertainment Tonight to live blog the event for ETOnline.com. and I did cover the pre-telecast (rechristened the GRAMMY Awards Premiere Ceremony) at the Twang Nation twitter feed. That’s nearly 8 hours of tweeting, blogging, posting in all.

But this is not a social marketing site. Its about the music, and there was lot’s of it. Much of it great.

First , the winners.

The big winner in the Americana and roots category was Rosanne Cash. Cash, who had been an awards presenter earlier in the day, took home awards in all the categories she was nominated in. winning who won best American roots performance, American roots song for ‘A Feather’s Not A Bird’ and Americana album for “The River and The Thread.” “Reagan was president last time I won a Grammy,” Cash beamed, referring to her win for
“I just showed up for work for 35 years and this is what happened.” Cash’s last win was in 1985 for Best Female Country Vocal Performance for “I Don’t Know Why You Don’t Want Me.”

Other notable wins were Mike Farris’ first nomination turned into a win for win for Best Roots Gospel Album.

Bluegrass supergroup, The Earls Of Leicester – Jerry Douglas, Tim O’Brien, Shawn Camp, Johnny Warren, Charlie Cushman and Barry Bales – won for Best Bluegrass Album for The band’s self-titled release. “We’re very humbled by this,” Douglas said during his acceptance speech. “These guys worked with me — I’ve wanted to do an album like this since the first time I picked up a musical instrument … This is what it’s all about — Lester Flatt and Earl Scruggs.” “Proud to bring Flatt & Scruggs to a new audience. I think we now have a mandate to do more.”

Nickel Creek and Punch Brother founder Chris Thile and bassist Edgar Meyer won the Grammy Award for Best Contemporary Instrumental Album for their album, ‘Bass & Mandolin.’ The duo have been performing together sporadically for more than a decade. ‘Bass & Mandolin’ was also nominated for Best Instrumental Composition for the album track “Tarnation” and Best Engineered Album, Non-Classical.

After an ripping performance of 8 Dogs 8 Banjos on the Grammy Awards Premiere Ceremony stage, Old Crow Medicine Show encored with a win for Best Folk Album, for ‘Remedy.’

“We started our 18th year of making music together this year, and we want to thank Bob Dylan and Woody Guthrie for lighting the way,” singer/fiddler Ketch Secor said from the podium.

Glen Campbell won his sixth Grammy of his extraordinary career for Best Country Song. The ailing country legend won for “I’m Not Gonna Miss You,” the bittersweet song Campbell penned with Julian Raymond for the 2014 documentary ‘Glen Campbell: I’ll Be Me,’ won against songs by Kenny Chesney, Eric Church, Miranda Lambert and Tim McGraw with Faith Hill.

Best Historical Album went to the excellent Hank Williams The Garden Spot Programs, 1950. Colin Escott & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer.

One of the most talked about surprises of the evening was Beck’s win for Album of the Year for his 12th album ‘Morning Phase.’ Though I could quibble about Beck’s moody-folk/pop masterpiece
winning a Best Rock Album award earlier in the evening (rock?) there’s no arguing that Beck is a musician with an artistic vision, with little apparent care for the charts and industry. A rare vision richly deserving the honor of a high-profile award.

Apparently after the win twitter spiked with ‘Who is Beck?’ Supposedly by people genuinely unaware of the artist. The rest was Kanye West.

The stand out performance was Best New Artist nominee Brandy Clark sharing the stage with her idol and recent tour mate Dwight Yoakam. The two performed a lovely rendition of “Hold My Hand” from the Best Country Album nominated ’12 Stories.’ Perched on a round stage with no extravagant light show, two simple guitars and two warm voices. It was the most low-key performance of the 2015 Grammys and the one that best personified what most matters, and is often lost, in theses events.

https://www.youtube.com/watch?v=Zu9-3yC012g

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2014

TNCream2014

It defies all marketing logic.

Take thoughtful, and oftentimes uncomfortable, music built unapologetically (and more importantly, without irony) from instrumentation and melodies that reflect the past and drag it into the present.

Brazen sentimentality in the face of a blase world and lack of absolute style and ideological boundaries allows Americana to attract strange cultural bedfellows, Reminiscent of the 70’s when Saints Willie and Waylon brought the rednecks and hippies together under the tin roof of Austin’s Armadillo World Headquarters, this music hits us at the human core. Good music strips away the bullshit, shows our humanity, and can make us whole.

This is why it’s the greatest music being created today. That’s why it’ll last as fashions fall and technology and cultural isolation encroaches.

But it’s shit for mapping out a contemporary music career. So how does this great stuff keep happening?

With no apparent thought to charts, hit singles, karaoke reality shows or clutching at the greased pig of contemporary music taste people believe so deeply and completely that they sit in a van for 200 plus days a year, in freezing snow and burning summer heat, to play barely filled rooms at a level like they’re playing the Ryman or Beacon. Because that girl near the stage, with the band logo tattoo, is singing every word to every song. In spite of increasingly remote odds of economic sustainability they keeping lining up and enduring.

They have no choice, the spirit fills them. And we are moved by it. It affects us all.

And that extraordinary music is not just culturally and stylistically satisfying, there’s a viable market. Jason Isbell and Sturgill Simpson have gone from tight quarter vans and half-full seedy clubs to spacious buses and sold-out theatres. Movies and TV shows are using more and more roots music to set a mood. The genre is snowballing in fans and new music and the influence is felt everywhere. It’s no longer our little secret.

This is good, it’s evolution. It’s is growth. The risk of commercial popularity resulting in diminitionment of quality is assured. But just as Americana is not fed from one influence it is also not any one band. There is a wealth of choice. some of which I hope I’ve been able to list below.

2014 leaves us in turmoil and cultural upheaval. Roots music has historically been a cultural channel to discuss injustices from the point of view of those most affected. From Woody to Dylan to Alynda Lee Segarra roots music provides a poetic reflection of where society and humanity are and where we’d like to be.

But it’s not all topical earnestness. There’s plenty of toe-tapping tomfoolery and easy fun to melt away your troubles and woes and sing at the top of your lungs.

We cry, we laugh, we get drunk and do both simultaneously. No airs, no regrets, no AutoTune.

Lists are subjective, and no more so than my own. But each year I hope to place a loose marker around where I feel we are, and where we’re headed as disciples of this mongrel aesthetic.

This year we can be assured that country music has finally been saved, so enough of that. Roots music continues to make inroads in the mainstream without losing it’s way (or soul.) As happened so music last year, many mainstream media best of country music year-end lists to purloin from the rootsier side (like this and this – http://www.rollingstone.com/music/lists/40-best-country-albums-of-2014-20141210 ). I applaud this. Bro-country’s foe is not the same tepid, lazy style wrapped in a dress. It’s better music without boundaries and gatekeepers.

2015 shows no sign of waning in output or fan interest. New releases from Steve Earle, Allison Moorer, Ryan Bingham, James McMurtry, Caitlin Canty, American Aquarium, JD McPherson, another from Justin Townes Earle, Rhiannon Giddens, The Lone Bellow, Whitehorse, Robert Earl Keen’s bluegrass album, and possibly a new Emmylou Harris and Rodney Crowell collaboration has the new year is looking rosy.

Criteria – Calendar year 2014. No EPs, live, covers or re-release albums no matter how awesome.

Don’t see your favorite represented? Leave it in the comments and here’s to a new year of twang

26. Mary Gauthier – ‘Trouble & Love’
The only way to best your demons is to look them in the eye. Gauthier does just that on ‘Trouble & Love’ With her wonderfully roughewn voice to inner struggle in the wake of love lost (or, more appropriately, taken) Misery loves company and Gauthier keeps some of
Nashville’s finest – Guthrie Trapp, Viktor Krauss, Lynn Williams, Beth Nielsen Chapman, The McCrary Sisters, Darrell Scott, Ashley Cleveland. Catharsis rarely sounds this good.

25. Old 97s – ‘Most Messed Up’
Remember alt.country? I sure do. And so does Rhett Miller. The Dorian Gray of roots rock and his faithful compadres Ken Bethea, Philip Peeples and Murry Hammond still bring the heat to their blend of Tex-power pop in even the most road-weary, blase’ moments. This is a work of fury, fun and not giving a damn. here’s to that!

24. Angaleena Presley – ‘American Middle Class’
Presley steps out of the shadow of her super group Pistol Annies and digs deep into her history to deliver an album deeply steeped in country music traditions. Presley writes songs of hardship that rings true and is too busy making a living to sing hands and despair.

23. Sunny Sweeney – ‘Provoked’
Who needs bro-country when you have Sunny Sweeney. Her voice is your afternoon sweet sun tea but her wit is the bourbon you stir in. ‘Provoked’ is Sweeney’s true voice and it twangs true and kicks some serious ass.

22. Billy Joe Shaver – ‘Long in the Tooth’
Billy Joe Shaver is not about to sit on his long and prestigious laurels. No sir, not if Todd Snider has anything to say about it (Todd prodded Shave into this) Shaver takes aim at Music Row ( ‘Hard To Be An Outlaw’) love (“I’ll Love You as Much as I Can”) and teh absurdity of life ( “The Git Go”) God bless Billy Joe Shaver and everything he represents!

21. Rodney Crowell – Tarpaper Sky
Following his Grammy-winning collaboration with Emmylou Harris ‘Tarpaper Sky’ finds Crowell relaxin into a zone of a craft he’s spent 40 years refining. Songs from the rearview (“The Long Journey Home”, “The Flyboy & the Kid”) , heart-busters sit beside cajun frolick (“Fever on the Bayou”) to create a satisfying release.

20. Kelsey Waldon – ‘The Goldmine’
Great country music is rooted in the blood, sweat, and the threadbare hope of those just out of the reach of the American Dream. Kelsey Waldo’s songs richly reflects a lives hobbled by hard decisions and opportunities never given. While ‘The Goldmine’ reflects a hard realism, Waldon smartly ensures that it is never devoid of hope.

19. Doug Seegers – ‘ Going Down to the River’
A story too absurd to be true. Swedish documentary features homeless Nashville busker leading to a number 1 single on Swedish iTunes Charts for 12 consecutive days and a Will Kimbrough produced full-length featuring collaborations with Emmylou Harris and ex-tour mate Buddy Miller. But it’s true, and ‘ Going Down to the River’ is deep with truth.

18. Robert Ellis – ‘The Lights From the Chemical Plant’
Ellis moved to and works in Nashville. But he’s still got the heart if a Texas musician, wandering and unbridled. His love for George Jones is as much a part of him as his love for Jimmy Webb. ‘The Lights From the Chemical Plant’ reflects not only his versatility on the fretboard but his command of the songwriting craft. He reflects multiple styles, sometimes within the same song, and makes it behave. And across it all his voice glides across each with its own high lonesome.

17. The Bones of J.R. Jones – ‘Dark was the Yearling’
Brooklynite J.R. Jones, aka Jonathon Linaberry travels even further down his moody roots road with his second effort ‘Dark was the Yearling.’ Fitting comfortably with with moody-folkies like Lincoln Durham and Possessed By Paul James, sparse production ‘s soulful croon, haunting blues picking and percussive stomp make Darkness Was the Yearling is a galvanization of Linaberry both as a songwriter and a producer.

16. Marah – ‘Mountain Minstrelsy of Pennsylvania’
Pennsylvanian folklorist Henry Shoemaker long-ago cache of American song lyrics are discovered and interpreted by Marah’s David Bielanko and Christine Smith performing live around a single microphone in a ready-made studio set up in an old church, doors open to allow local performers and the generally curious to gather and join along. The result is a startlingly cohesive work driven by a ramshackle spirit. ‘Mountain Minstrelsy of Pennsylvania’ opens a contemporary channel to the restless, rustic ghosts of Big Pink more authentically than the recent T Bone Burnett helmed effort.

15. The Secret Sisters – ‘Put Your Needle Down’
Shedding the gingham shell that encased their debut The Secret Sisters , Lydia and Laura Rogers, apply their exquisite sibling harmony to push their songwriting chops and build a testament to contemporary roots music. I’m looking forward to riding along with the Rogers as they take us from the past toward a brave musical adventure.

14. Lee Ann Womack – ‘The Way I’m Livin’ ‘
Music Row superstar hangs out with motley Americana crew and ends up making a spectacular roots album? ANd it’s up for the Country Album of the Year Grammy?! Bask in genre confusion and the beauty of great songs performed by a master.

13. Hurray for the Riff Raff – ‘Small Town Heroes’
Few bands have the roots chops of Alynda Lee Segarra and her Hurray for the Riff Raff. Social-minded tunes performed with poetry over preachiness strikes a delicate balance most of the Guthrie-inspired falter. Segarra and crew prove you win hearts and minds my tapping toes and shaking asses on the dancefloor.

12. Lera Lynn – ‘The Avenues’
Lynn’s warm honey voice might lure you like a Siren, but the smart songwriting will truly wreck your ship. No, no this is a good thing! Stripped down guitar, drums and doghouse bass and cause you to sit on shore amongst the wreckage and let bask in ‘The Avenues’ glint and shimmer.

11. Cory Branan – ‘No Hit Wonder’
I defy you to find a better contemporary songwriter that is as deft and studied at the craft as Cory Branan (DEFY YOU!!) As evidence I submit to you “The No-Hit Wonder.” a work expansive yet grounded in the classic folk and country styles. That’s a fancy way of saying it’s badass.

10. Shovels & Rope – ‘Swimmin’ Time’
This follow-up to their 2012 acclaimed ‘O’ Be Joyful,’ has Michael Trent and Cary Ann Hearst has a tighter focus and arrangement of songs. This can sometimes come off as too eager to please. But when their indy-rock-meets-Carter-Family spirit overtakes, like in “Mary Ann and One Eyed Dan,” it hits on all cylinders and transcend crowd-pleasing.

9. Karen Jonas – ‘Oklahoma Lottery’
Small town character studies have always been a staple of country music. Karen Jonas builds scenes with her breathy drawl that make you feel like you lived through the desperation, danger and loneliness and litters the landscape of this excellent release.

8. Nikki Lane – ‘All Or Nothin’ ‘
Every night is Saturday night on Nikki Lane’s ‘All Or Nothin’ ‘ The Black Key’s Auerbach sets the mood and get’s out of the way as Lane fuses SMART SONGS, 60’s B-movie pop and country music gold to make her mark. So hang on, hold on and have the time of your life. But bring bail money and, be assured, there’ll be a broken heart…and a scar.

7. Hiss Golden Messenger – ‘Lateness of Dancers’
M.C. Taylor is a wandering soul. His fourth full-length as the moniker Hiss Golden Messenger continues his (hiss) quest across a troubling yet hopeful human landscape. This time the pat taken is in the form of his usual folk and country traditions with scenic asides in rock and R&B resulting in his best so far.

6. Old Crow Medicine Show – ‘Remedy’
From buskers to roots music ambassadors Old Crow Medicine Show has shown great songs and keen instrumentation does have a place in the mainstream. The band faces their newfound fame by doing what they know best, Delivering a solid ‘Remedy’ that appeals to long-times fans and garners new ones that wouldn’t be caught dead at a bluegrass festival.

5. Ben Miller Band – ‘Any Way, Shape Or Form’
If you’re looking for a band that mashes old forms with new look no further than Ben Miller Band’s latest ‘Any Way, Shape Or Form.’ The traditional folk chestnut “The Cuckoo” is taken to a tribal-drum psychedelic level. “Any Way, Shape or Form” pushes the Ben Miller Band form just another string band toward something vibrant and a forceful.

4. The Felice Brothers – ‘Favorite Waitress’
On their new release the Felice Brothers have returned from their sonic diversion in “Celebration, Florida” to their usual rustic terrain where Big Pink meets Brooklyn (with a little Velvet Underground thrown in) Gliding nimbly from ramshackle folk to smokey piano ballads to unbridled zydeco ‘Favorite Waitress’ is a fine stylistically homecoming to their splayed and gangly jams.

3. Marty Stuart & His Fabulous Superlatives – ‘Saturday Night/Sunday Morning’
Country music. like life, has always been steeped in the struggle between the light and the darkness, sin and salvation. This double album takes us on a boxcar across the dark
(‘Jailhouse, ‘Geraldine’) and the light (‘Uncloudy Day,’ ‘Boogie Woogie Down the Jericho Road’) Stuart was there when Country and Americana music was the same thing. Thank goodness he’s still on his game and cares to remind us.

2. Caroline Rose – ‘Will Not Be Afraid’
This sonic offspring of Chrissie Hynde and Wanda Jackson debut release is everything that’s great about music. It grabs you by the throat immediately with ‘Blood on your Bootheels,’ a cut on racism and violence void of sanctimony that hits like a topical bomb. ‘Tightrope Walker’ is a jaunty roots-rocker with spooky organ line as Rose lyrically juxtaposes two Americas and exposes us to be without a without net. Rose bends, shapes and fires words in a way that would make Dylan envious. This is a daring debut is the kind of record that will make you remember where you were when you heard it.

1. Sturgill Simpson – ‘Metamodern Sounds in Country Music’
Shocking, right? But sometimes the hype does reflect reality. Simpson will surely be all over Americana and mainstream country best of lists (the latter showed a tendency to reach over the fence last year when Jason Isbell sat alongside Tim McGraw and Band Perry), and rightly so. The Kentuckian’s success is more than a bro-country backlash. The praise from NPR Music to UK’S Telegraph speaks to than a more than a mere clerance of Music Row’s current low bar. Simpson channels 70’s hard outlaw country, spiked with bluegrass dexterity into songs that feel genuine. His topics are a contemporary a Kristoffersonion introspection of spirituality, identity and mind-altering substances. Simpson isn’t saving country music, he’s just reminding a us all that there’s a hunger for vibrant music that is vibrant, thriving, and unrepentantly ornery.

Asleep at the Wheel To Release ‘Still The King: Celebrating the Music of Bob Wills and His Texas Playboys’ 3/3/2015

Still The King: Celebrating the Music of Bob Wills and His Texas Playboys,

“I think the…Western swing, or whatever you want to call it, will slack off for a little while and then I think some of these younger boys will come out here one of these days with a golden voice and it’ll build again.”—Bob Wills

After attending the Bob Wills Festival and Fiddle contest in Greenville, TX over the winter I developed a deep love for the Western Swing genre and for it’s creator, Bob Wills.

But I’m ready for more.

Luckily early in the new year Ray Benson & Asleep at the Wheel will again honor the legendary Bob Wills with ‘Still The King: Celebrating the Music of Bob Wills and His Texas Playboys,’ out March 3 on Bismeaux Records.

Exemplary Americana and country artists like The Avett Brothers, Old Crow Medicine Show, Buddy Miller, Elizabeth Cook, Lyle Lovett, Shooter Jennings, Brad Paisley and George Strait join the band on new interpretations on classics on, what looks like, a release that will best the previous two Will’s tributes from the band.

For over 40 years, Ray Benson & Asleep at the Wheel have been the deft practitioners and caretakers of Western swing craft, carrying Wills’ traditions across generations and the into the 21st century.

This release will be band’s third full-length Bob Wills tribute following 1998’s ‘Ride with Bob’ and 1993’s ‘A Tribute to the Music of Bob Wills,’ with four GRAMMY awards and over half a million copies sold collectively.

From the press release:

“The new album features genre-spanning collaborations with critically acclaimed artists, old friends and new favorites including Willie Nelson, Brad Paisley, Jamey Johnson, Merle Haggard, George Strait, The Avett Brothers, Amos Lee, Old Crow Medicine Show, Lyle Lovett, Kat Edmonson, Robert Earl Keen and Tommy Emmanuel, among many others. The album is available for pre-order via PledgeMusic and iTunes with the track “Tiger Rag,” featuring Old Crow Medicine Show, delivered in advance of the release date as an immediate download. Asleep at the Wheel will be performing at the New York Society for Ethical Culture on March 4 with spring tour dates to be announced. Watch the exclusive video teaser HERE. Please see the full track listing below.

Widely considered “The King of Western Swing,” Bob Wills (1905-1975) and his Texas Playboys performed thousands of shows across the United Sates for nearly six decades and recorded prolifically in the late ‘30s and early ‘40s. Early stars of American country music, Bob Wills and His Texas Playboys were a dance band with a country string section that played pop songs as if they were jazz numbers. “After 45 years of traveling and playing, it still amazes me how well this music, born in the 1920s and ‘30s, thrives in the present day,” says Benson. “The artists playing and singing on this collection range in age from folks in their 20s to former Texas Playboys 92-year-old Billy Briggs and 86-year-old Leon Rausch…certain evidence that Western swing music is alive and well as it cruises through the next millennium.” Bob Wills was inducted into the Country Music Hall of Fame in 1968, the Nashville Songwriters Hall of Fame in 1970, the Rock & Roll Hall of Fame in 1999 and the National Fiddler Hall of Fame in 2007.

Based in Austin, Asleep at the Wheel formed in Paw Paw, West Virginia in 1970. Since their inception, the band has won nine GRAMMY awards, released more than 20 studio albums and charted more than 20 singles on the Billboard country charts. In 1971, the band signed their first record deal after Van Morrison mentioned they “play great country music” in an interview in Rolling Stone. Their debut record, Comin’ Right At Ya, was released in 1973 on United Artists. The release of Texas Gold in 1975 brought the band national recognition, with the single “The Letter That Johnny Walker Read” becoming a top-ten country hit. The band has been awarded “Touring Band of the Year” (CMAs, 1976) and the “Lifetime Achievement in Performance” (Americana Music Awards 2009). In 2010, they earned a GRAMMY nomination in the newly minted Best Americana Album category for their critically acclaimed Willie & The Wheel, on Bismeaux Records.

Owned by Ray Benson, Bismeaux Records has won “Best Local Record Label” three years consecutively in the Austin Music Awards. Between 2005 and 2012, Ray Benson wrote, produced and starred in the Bob Wills musical A Ride With Bob. The production sold 70,000 tickets in 18 cities nationwide including the Kennedy Center in 2006. In 2007, Benson performed with Carrie Underwood & Johnny Gimble on the GRAMMY Awards Telecast in a special GRAMMY Salute to Bob Wills.”

Pre-order here

‘Still The King: Celebrating the Music of Bob Wills and His Texas Playboys’ tracklist:

1. Intro—Texas Playboy Theme (with Leon Rausch)
2. I Hear Ya Talkin’ (with Amos Lee)
3. The Girl I Left Behind (with The Avett Brothers)
4. Trouble In Mind (with Lyle Lovett)
5. Keeper Of My Heart (with Merle Haggard and Emily Gimble)
6. I Can’t Give You Anything But Love (with Kat Edmonson)
7. Tiger Rag (with Old Crow Medicine Show)
8. What’s The Matter With The Mill (with Pokey LaFarge)
9. Navajo Trail (with Willie Nelson and The Quebe Sisters)
10. Silver Dew On The Bluegrass Tonight (with The Del McCoury Band)
11. Faded Love (with The Time Jumpers)
12. South Of The Border (Down Mexico Way) (with George Strait)
13. I Had Someone Else Before I Had You (with Elizabeth Cook)
14. My Window Faces The South (with Brad Paisley)
15. Time Changes Everything (with Buddy Miller)
16. A Good Man Is Hard To Fine (with Carrie Rodriguez and Emily Gimble)
17. Ding Dong Daddy From Dumas (with Robert Earl Keen and Ray Benson)
18. Brain Cloudy Blues (with Jamey Johnson and Ray Benson)
19. Bubbles In My Beer (with The Devil Makes Three)
20. It’s All Your Fault (with Katie Shore)
21. Three Guitar Special (with Tommy Emmanuel, Brent Mason and Billy Briggs)
22. Bob Wills Is Still The King (with Shooter Jennings, Randy Rogers and Reckless Kelly)

Music Review: Old Crow Medicine Show – Dallas, TX – House Of Blues 7/11

Old Crow Medicine Show - Dallas, TX - House Of Blues 7/11

Like Willie did in the 70’s with the rednecks and hippies, Old Crow Medicine Show brought Affliction shirt bro-country fans and amply bearded roots-music hipsters together. Except on this sizzling Friday evening in Dallas it wasn’t the burgeoning Outlaw sound the crowd came to hear, it was a reflection of yesteryear served up with contemporary punch. Perhaps a new Outlaw sound.

The band hit the stage running promptly at 9. The moseying tale of incarcerated delight, “Brushy Mountain Conjugal Trailer,” kicked off the evening resulting in joyous hoots and hollers from the capacity House of Blues crowd.

New tunes selected from their excellent recent release “Remedy” meshed seamlessly with road tested classics from their extensive repertoire. Like the medley mash-up of Bootlegger’s Boy/8 Dogs/White Face, it all fit like a hand-made quilt albeit from your crazy Aunt Betty.

New selections also set the occasion, front-man Ketch Secor to inform the crowd that “Sweet Amarillo,” the latest collaboration between OCMS and Bob Dylan, was to be played live for the first time in the Lone Star State. This being a song about a Texas city being played in Texas that went over with great appreciation.

Many selections came from the band’s 2009 release “Tennessee Pusher.” Crowd favorites like Caroline, Alabama High-Test, , the double entendre toe-tapper Mary’s Kitchen and trailer-park party anthem “Humdinger” had the crowd singing along to every drawled syllable at lung-splitting levels. “If you’re not a folk singer we’re going to have a humdinger.” We were!

In the style of their namesake Old Crow live taps the showmanship of the crowd-beckoning horse and wagon snake oil entertainers. Except once enticed to gather, the miracle elixir the band dispenses soothes the soul and quenches the need for elusive authenticity, a characteristic most recently tied to punk rock. We hear in themes of struggle of poverty, the corrosion of war, and lure of temptation and the celebration of a good time as a live example of the twisted roots in of the common arts of punk, folk and country in all it’s DIY glory.

Showmanship didn’t mask a lack of masterful instrumentation. In true bluegrass style (except for the dreaded drum kit) of breakneck virtuoso playing and solo trade-offs did abound. There’s is no slacking in the band, no coasting. Each song is tight, even the loose ones, and executed with a rambunctiousness that makes it appear to be ready to swerve off a cliff and bust into moonshine-fueled flames.

Live the Old Crow Medicine Show makes their better-known acolytes Mumford & Sons, The Avett Brothers and The Lumineers look like greenhorns. Their recent success with Darius Rucker covering Wagon Wheel, joining the Grand ‘Ol Opry and becoming recipients of the Trailblazer Award at the Americana Honors & Awards Show makes this tour even sweeter.

And on this night Old Crow Medicine Show does what they do best. Remind is what great music sounds and looks like. And proves there’s a little hillbilly in all of us.

Set list:

Brushy Mountain Conjugal Trailer
Alabama High-Test
Caroline
Tennessee Bound
Firewater
Bootlegger’s Boy/8 Dogs/White Face
Sweet Amarillo
Mary’s Kitchen
Shit Creek
Humdinger
Ol’ Hairy Mole/Ruckus
Cumberland River
Saginaw, Michigan
C.C. Rider
People Get Ready
Tell That Woman
Warden
Dearly Departed
Carry Me Back To Virginia
Fall On My Knees/Tear It Down
Wagon Wheel
Cocaine Habit/Tell It To Me
Encore:
Long As I Can See The Light
Wreck of the Edmund Fitzgerald

2013 The Year in Americana and Roots Music

Jason Isbell

2013 will go in the books as the year that Americana and roots settled comfortably into the mainstream. Kids are wearing dust-bowl duds and there is a brisk trade in acoustic guitars and banjos. Bands are taking a page from the Mumford, Avetts and Lumineers book of hand-crafted songs with rousing melodies just begging to be sung at live shows. It’s no longer a rustic throwback fad.

The genre grows more diverse, from folk-pop, Laurel Canyon rock, psych folk, hard-sore honky-tonk and everything that doesn’t neatly fit in other buckets. As genre defying as the music can be it all comes down to the only tis that matters, Great songwriting, evocative, absorbing narratives and memorable melodies that endures the ages.

But first you must find an audience.

ABC music row drama Nashville has done a fine job in highlighting great roots music, under the guidance T Bone Burnett , and now Buddy Miller, as well as classic country references and Americana and roots performer cameos. The show’s cutest stars (and real-life sisters,) Lennon and Maisy Stella, performed the Lumineers omnipresent top-40 hit hit “Hey Ho.” This gave the song an already bigger audience then it originally had. Is that possible?

This July Americana stalwarts Old Crow Medicine Show backed ex-Hootie & the Blowfish front man, and current country music star, Darius Rucker on Old Crow’s version of Bob Dylan’s “Wagon Wheel” at the Grand Ole Opry. The song was recorded with the band and included on his latest album resulting in one of his most popular singles as a solo artist and reaching number one on Billboard Hot Country Songs in its 12th week.

Old Crow Medicine Show then had the honor to be inducted into the Grand Ole Opry this fall by Opry members Dierks Bentley and Marty Stuart.

That’s not the only example of music row looking to Americana for material and a shot of inspiration. GRAMMY-winning singer Leann Rimes reached into the Americana well, and beyond her music row comfort zone, on her latest “ Spitfire.” She lends her extraordinary pipes to a searing version of Buddy Miler’s “Gasoline and Matches” in a duet with Rob Thomas. Country music chanteuse and Pistol Annie Ashley Monroe tapped legendary Texas singer-songwriter Guy Clark to collaborate on the title song on her latest “Like a Rose.”

If your looking for evidence of Americana’s mainstream presence you need go no further than SPIN’s list of 20 Best Country Albums of 2013 had Blake Shelton and Brad Paisley mixed with The Civil Wars (12), Jason Isbell (11) and Emmylou Harris and Rodney Crowell (9) Holly Williams (8) Sturgill Simpson (6) Cailtlin Rose (2).

Entertainment Weekly, the beacon of popular taste, counted a majority of Americana artists on their list of top country releases of 2013 with Jason Isbell and Lindi Ortega taking the number 1 and 2 spot respectively.

As in recent years I even had a hard time limiting myself to a top 10,15, 20+ on my Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013.

T Bone Burnett again joins forces with the Coen Brothers to contribute soundtrack stewardship to thier new 60’s neo-folk focused film. The soundtrack features old folk songs performed by Marcus Mumford , The Punch Brothers along with the film’s actors Oscar Isaac, Carey Mulligan , Adam Driver and Justin Timberlake, who might use his his work here to jump dart his desired foray into country music.

As the music advances it’s important that a music that celebrate the past honors those that came before. George Jones, the greatest voice in country music and the innovator, Ray Price were both lost to use this year.

We also lost “Cowboy” Jack Clement, As a record and movie producer, songwriter, performing and recording performer and studio engineer, Clement was responsible for for shaping American music in the 20th century.

Premier rock and country journalist Flippo, who documented much of the major changes in country music including the Outlaw movement and one of the original Outlaws Tompall Glaser, both left us in 2013.

Though gone they will boot be forgotten for their contribution to the rich and progressive music we love.

Here’s to the music we love and the performers that endure much to offer their craft to make this world just a little bit better, kinder and more interesting. Here’s to a community that still buys albums, t-shirts and packs local shows and helps these talented folks make music a career.

Here’s to the New Year.

Music Review: “Divided & United: The Songs of The Civil War” – Various Artists [ATO Records]

Divided & United: Songs of the Civil War

One of he bloodiest periods in American history, the Civil War (or the War of Northern Aggression as it’s often referred to south of the Mason/Dixon,) left deep and lingering cultural wounds in the nation’s psyche. These scare are often picked at by the ignorant, the malicious and those depraved enough to exploit them for power.

It’s said that music as a healing and uniting force. I believe it can be. Like Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken, Movie soundtrack producer Randall Poster’s “Divided and United – Songs of the American Civil War” beings together generations of country and roots musicians to interpret’s songs from both sides of the conflict.

Legends abound on “Divided and United.” Loretta Lynn’s take on “Take Your Gun and Go, John” is a stark with Lynn’s accompanied by banjo and fiddle. Her Southern lilt put an odd twist on this popular Union call to arms.

Del McCoury and Ricky Skaggs conjure bluegrass magic on the lost love lament “Lorena” and the bloody tale of brothers-in-arms “Two Soldiers,” respectively.

New blood represents the past equal aplomb. Sam Amidon’s gives a spirited performance on Joseph Philbrick Webster’s 1860 composition “Wildwood Flower” and new Opry inductees Old Crow Medicine Show give passionate performance on the globally popular “Marching Through Georgia,” though their double-time conclusion would have troops marching right past their destination.

Dirk Powell and Steve Earle trade off dutifully on the “Just Before the Battle, Mother Farewell, Mother” and makes me wish that Earle would tackle more music in this vein. Vince Gill’s expressive voice brings out the innate melancholy of a drummer boy fatally wounded at the Battle of Gettysburg on “For The Dear Old Flag, I Die.”

Charleston duo Shovels & Rope give a woozy ramshackle rendition of, naturally, “The Fall of Charleston.” John Doe’s cajun flair to “Tenting on the Old Camp Ground” and it’s ground-level account of loss and battle.

A collection like this wouldn’t be complete without the presence off T Bone Burnett, But instead of his usual shepherding of the effort he lends his halting voice to recounting the single bloodiest event in American history on “The Battle of Antietam.”

In many ways “Divided and United” tills the same ground as Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken.” Ages-old, deeply rooted, American music draws together generations in common reverence and celebration. This wonderful collection has the added dimension of addressing past scars and bringing just a little humility, understanding and empathy.

Buy