Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2015

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Another year has passed and the amount of quality music being created continues seemingly unabated in spite of the economic conditions surrounding those creators. More great Americana and roots music is being cerated than possibly any time in history. And along with the awards and resulting sales for artists like Jason Isbell and Chris Stapleton the music is becoming more prominent in popular culture which assures its ongoing economic viability and influence in the future for more creative endeavors.

And as a fan it’s just plain badass.

But the picture is not all rosy. The golden goose rule applies in few areas more than it does in the music industry. Without the creators output the delivery channels offer nothing. No creator no business. The blame for the pitiful state of revenue sharing gets murky in the finger pointing. Pirating is the most obvious offender (stealing is stealing) But obtuse and outdated licensing laws and artists with little or no sense of their business worth plays into the overwhelming problems that plague the music industry. Some would like to blame technology for the current sorry state of the music economic environment, but the history of delivery – sheet music, radio, TV, movies or streaming, pays the fees they are legally bound to pay. It’s that legally mandated equitable distribution that needs to be seriously addressed if fans, and musicians, values the fruits of that labor.

And speaking of streaming, the digital access to music has blurred the concept of genres in the perception of an entire generation. Without the absolute geographic boundary of the record store bluegrass and thrash metal are served effortlessly from the same pipe allowing music in the mind of a young fans to be evaluated into good or bad. Will genres disappear altogether? I don’t think so. Human decision processes rely too much of distinctions and connections for it to melt into a mass of mono-genre . But these distinctions will matter less as a badge of personal culture separation and division. Music is becoming a format that brings us together in live events and online conversation.

But for every rules there are exceptions. I love the craft beer boom that is growing here in Texas and all over the nation. The creativity and ingenuity displayed by creates that love their craft is a treat to anyone with consideration to what they imbibe. But in that culture grows a geekdom that can verge on snobbery. A subgroup that use their love of quality as a self-appoineted status used as a license to condemn those that don’t align with their gospel. Music fandom falls into these same human patterns. I’ve done it myself. Nothing is more tedious then someone droning on ad nauseum about the inferiority of Budweiser or Florida Georgia Line. But I’ve never been a fan of barrel fish.

But when the industry, beer or music, systematically excludes selection (http://www.twangnation.com/2015/05/31/an-americana-response-to-saladgate/) based on some demographic studies to keep them rich and us without choices that needs to be addressed.

I resolve in the new year to try and refrain from wasting time on obviously contrived product, focus on the beauty and care taken on the rare, good stuff and the ways we can get more of the latter to our speakers.

No radio station, label, industry group or hell, blogger for that matter, has a monopoly on great music. It can come from anywhere at anytime. Let’s find it together.

Criteria – Calendar year 2015. No EPs, live, covers or re-release albums no matter how awesome.

Don’t see your favorite represented? Leave it in the comments, and here’s to a new year of twang!

14. Matthew McNeal – ‘Compadre’
McNeal creates music well beyond his 22-years on this planet. The rollicking road tale opener of loneliness and doubt “Alonely” sits comfortably with lonely introspective ballads like ‘A Losing Hand’ – ‘It’s a shame, my dear, the way the cards were dealt Not a diamond on the table to make it alright Two hearts laid down, Two spades to bury them I’ll be playing at a club out of town tonight’ – build into an impressive if rough around the edges offering of Texas roots rock and soul.

13. Aaron Lee Tasjan – ‘‘In The Blazes’
Country and folk can often feel weighted down by earnestness. It takes a deft hand of someone like Roger Miller or Bobby Bare Jr. to bring levity to the style without trading in attention and respect to the craft. Wry just short of snark lyrics in the“E.N.S.A.A.T.” (East Nashville Song about a Train) is a Heartbreakers-esque send up of the Ohio natives current residence and it’s movement toward bohemian homogenization. “Judee is a Punk,” a bittersweet ballad that namechecks Jesus and the Ramones and ‘Bitch Can Sing’ is a buzzed-out number that sound like what might have happened if the Stooges had cut a track in Muscle Shoals studios.

12. Sam Outlaw – ‘Angeleno’
Between the “Outlaw” surname (from his mom’s side), his past life as an ad-sales director to his SoCal zip code there’s much to warn you off Sam Outlaw’s Ry Cooder-produced second full-length ‘Angeleno.’ Like many on this list Outlaw well reflects a golden era of country and roots music without being weighed down by copping a nostalgic novelty routine. The opener “Who Do You Think You Are” is a smooth danzón-mambo number punctuated with mariachi-style horns that brings the tropical heat. ‘I’m Not Jealous’ is a smart honky-tonk send up of the ‘Walking the Floor Over You’ that turns the tables on the lady painting the town. Ignore all the surface and dive in and you too will be a believer.

11. Daniel Romano – ‘If I’ve Only One Time Askin’
Canada’s contribution to roots music is significant. From Hank Snow to all but one member of The Band it’s safe to say without or northern neighbor our favorite music wouldn’t be where it is today. Enter Daniel Romano , an ex-punker turned neo-traditionalist is taking classic forms and tropes na turning them on their ear. The string soaked opener ‘I’m Gonna Teach You” and the honky-tonk weeper “All The Way Under The Hill’ shows he can play it straight but the funk outro of ‘The One That GoT aWAY (Came Back Today)” and biting lyrics show there more there under the countrypoliton sheen.

10. Sarah Gayle Meech – ‘Tennessee Love Song’
If you think the outlaw spirit resides only in the YX chromosome Sarah Gayle Meech’s sophomore release,’Tennessee Love Song’ will set you straight. Meech takes us on a grand tour of country music’s genres and themes over the years. From the title cuts 70’s era Countrypolitan to the slinky, greasy groove of ‘No Mess,’ Tennessee Love Song,’is a amalgamation of styles forged into an extraordinary body of work.

9. Mike and the Moonpies – ‘Mockingbird’
So often we are sold a product with a ‘country music’ pasted on it’s exhilarating to hear a release that needs no outward claim. From the moseying pace of the barstool confessional of ‘One Is The Whiskey’ or the boot-scooting twin-fiddle driven shuffle of ‘Say It Simply’ there’s no denying Mike and the Moonpies’ third studio album bona fides. This is a shot of pure, great country music with no crossover dilution. God bless country music and god bless Texas.

8. Chris Stapleton – ‘Traveller’
Anointed the new savior of country music Stapleton is no overnight story. He cut his teeth on Music Row for over a decade penning hits for the likes of Kenny Chesney and Darius Rucker. He took a turn in the spotlight being the original power house lead singer, guitarist and songwriter of the The SteelDrivers. He was so good at that gig he inspired Adele to cover one of their songs. On his solo debut ‘Traveller’ Stapleton lends his soulful rasp to sparkling originals and breathing life into the George Jones and David Allan Coe chestnut”Tennessee Whiskey.” Stapleton wife, singer/songwriter Morgane Stapleton provides a welcoming warm countering harmony on many of the songs. Will ‘Traveller’ change the ways of Music Row? No and who cares?

7. Andrew Combs – ‘All These Dreams’
“Pop” music get’s a bad rap these days. But Andrew Combs sophomore release shows that the Texas-bred, Nashville-based singer/songwriter is an astute disciple of ’70s countrypolitan/folk rock in the vein of Glen Campbell, Mickey Newbury, Gordon Lightfoot, and Harry Nilsson that reminds us that pop can be inspired instead of just insipid. The album’s first single, “Foolin’” features a Jeff Lynne-style driving beat sliding up against Tejano-inspired break reminiscent of Doug Sahm era Texas Tornados.

6. Gretchen Peters – ‘Blackbirds’
Gretchen Peters knows a thing and more about song craft. A member of the esteemed Nashville Songwriters Hall of Fame she enlisted a roster of contemporary American roots music luminaries like Jerry Douglas, Jason Isbell, Jimmy LaFave, Will Kimbrough, Kim Richey, Suzy Bogguss to help create her latest dark jewel. Pretty Things rides a “Only Women Bleed” melody and builds an atmospheric ode to to life’s ashes and rust. “Black Ribbons” is a moral tale on that BP disaster that isn’t cheapened by tin-ear moralizing.

5. Ryan Culwell – ‘Flatlands’
Though this is his third album I am a newcomer to Ryan Culwell. But I’m a believe now. His sound and hardscrabble tales bare the mark of country and rock found in much of the Texas troubadours like as early Steve Earle, Ryan Bingham and Rodney Crowell, whose voice he sometimes eerily suggests. The title ‘Flatlands’ refers to the Texas panhandle where he grew up and he and his family worked the oil fields. “Red River” is a chillingly sparse stroll through a muddled morality and quiet strength of the everyday.

4. Jamie Lin Wilson – “Holidays & Wedding Rings”
A familiar face on the Texas music scene, Jamie Lin Wilson’s wonderful full length debut, Holidays and Wedding Rings, is a collection of songs that pulse with authenticity. Her voice is comforting familiar and so uncompromisingly real. It’s the perfect vehicle to deliver these tales of hope, love, heartache and mortality. These are roadhouse confessionals and bar and small town testaments wrenched from the personal and identifiable roads we all travel. The pain and regret is palpable on “Just Some Things” Wilson’s duet with Wade Bowen follow both down an intersection of regret and quiet desperation. “It’s like running for the edge and thinking you’ll fly/Knowing damn well that it’s suicide.” Cheating is a staple of country music an the ballad “Roses by The Dozen” brings a contemporary sound and slant to this murder ballad featuring Texas singer/songwriter, Courtney Patton on harmonies and the sparse arrangement and placid vocals on “Whisper On My Skin” will deliver a chill to the skin and bring a tear to your eye.

3. John Moreland – “High on Tulsa Heat”
Texas born / Tulsa, Oklahoma-based singer-songwriter has only three records chalked in his discography but he’s already drawing comparisons to John Prine and Guy Clark. These are not names to evoke in a trifle, but this is more than hot air. Moreland digs deep beneath the surface and drags up the hope, pain and heartbreak that binds us in our shared humanity. In “Heart’s Too Heavy” his own humanity is on display “Well these angels in my eardrums / They can’t tell bad from good / I lived inside these melodies / Just to make sure I still could.” In a field where sincerity and songcraft are the stock-in-trade John Moreland has the goods to earn a place with the greats.

2. James McMurtry – “Complicated Game”
“Honey don’t you be yelling at me while I’m cleaning my gun. I’ll wash the blood off the tailgate when deer season’s done.” In the hands of a lesser songwriter hands this exchange between a shop owner looking down at his retirement and his wife might come off hackneyed. But Texas songwriter James McMurtry trained eye , honed over twelve records , the trailer park scenarios and lonesome road characters ring full and true. “Complicated Game” finds McMurtry uncharacteristically hopeful and romantic. It suits him, but these textures are kept short of cloying by his usual sardonic humor. One thing stands true, his stories crackle with his usual empathetic intelligence with a literary eye.

1. Jason Isbell – “Something More Than Free’
It’s satisfying to see someone with a dedication and passion for music evolve and gain confidence in their craft to become truly exceptional. “Something More Than Free,’ Isbell’s follow-up to 2013’s ‘Southeastern,’ has all the markings of that growth, maturity and focus. Songs like “If It Takes a Lifetime,” with it’s shuffling ragtime-tinged rearview (I thought the highway loved me but she beat me like a drum) whole also looking ahead with hopeful determination to a better future (I keep my spirits high / find happiness by and by) and the title cut, with it’s soulful ode to pride in purpose and the study on the folly of planning that is “24 Frames” are all perfect examples of Isbell’s instinct for storytelling. With one boot in coffee shop folk and the other in the roadside honky-tonk he was just the man to straddle the Americana music divide and bust to the top of the Billboard Country, Folk and Rock charts. Isbell has become an artisan of life sketches that feel genuine in their detail and reverence. That’s what makes these songs exceptional.

Americana Music Association Announces 70 Additional AmericanaFest Acts

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Building on an already stellar first-round lineup The Americana Music Association announced an additional 70 artists to perform at the 16th annual Americana Music Festival & Conference, which takes place in Nashville and runs September 15-20, 2015.

The six-day, city-wide festival fills Music City with fans, legends, newcomers, and tilts the quest for glitz into the early direction of a quest for a great song. With over 150 artists and bands scheduled, the event continues to dominate as the premier showcase for roots music and culture.

In addition to previously announced acts such as Los Lobos, Patty Griffin, and Lee Ann Womack, AmericanaFest will feature Ry Cooder, performing with Sharon White and Ricky Skaggs, Donnie Fritts performing with former Civil War John Paul White, former Old Crow Medicine Show member Willie Watson, current member of Old Crow Medicine Show Gill Landry supporting his solo effort.

Also included are Cale Tyson, Lindi Ortega, Luther Dickinson, Kelsey Waldon, Buddy Miller, Jim Lauderdale, Gretchen Peters, American Aquarium, Legendary Shack Shakers and Madisen Ward and the Mama Bear who held a mesmerizing performance last year at Jack White’s Third Man performance space.

The list of the second round announcements is below, and a complete list can be found here.

Showcase wristbands ($50, increasing to $60 on August 15) allow admission into all showcase venues, some sanctioned parties and special events, and can be purchased here. Festival and Conference registrations ($365 for members/$465 for non-members) offer priority admission into all showcase venues, sanctioned parties and events, daytime educational panels, come with one ticket to the critically acclaimed Americana Honors & Awards show at the historic Ryman Auditorium, and can be purchased here.

List of Artists Added to AmericanaFest 2015:
Adam Faucett
American Aquarium
Amy LaVere
Andrew Leahey & The Homestead
Band of Heathens
Buddy Miller
Buxton
Cale Tyson
The Carmonas
Daniel Romano
Darrell Scott
David Wax Museum
Dirty River Boys
Donnie Fritts & John Paul White
Doug Seegers
Dreaming Spires
Dustbowl Revival
Eddie Berman
Eilen Jewell
The Fairfield Four
Gill Landry
The Good Lovelies
Great Peacock
Gretchen Peters
The Hillbenders
The Honeycutters
Humming House
JD & The Straight Shot
JD Souther
Jeffrey Foucault
Jim Lauderdale
Jonathan Tyler
Josh Rouse
JP Harris
Kacy & Clayton
Kelsey Waldon
Legendary Shack Shakers
Lewis and Leigh
Lindi Ortega
Los Colognes
Low Cut Connie
Luther Dickinson
Margo Price
The Mavericks
McCrary Sisters
Michaela Anne
Miss Tess & The Talkbacks
Nathaniel Rateliff & The Night Sweats
Paper Bird
Pine Hill Project (featuring Richard Shindell & Lucy Kaplansky)
Pony Boy
Porter
Possessed By Paul James
Raised By Eagles
Ron Pope & The Nighthawks
Ry Cooder/Sharon White/Ricky Skaggs
Ryan Culwell
Sam Outlaw
Spirit Family Reunion
The Suffers
T. Hardy Morris
T Sisters
Taarka
Those Pretty Wrongs
Town Mountain
Uncle Lucius
Whitney Rose
Willie Watson
The Wood Brothers

Sony Music Nashville CEO Gary Overton is Right (And So What?)

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When Sony Music Nashville CEO Gary Overton told the Tennessean, “If you’re not on country radio, you don’t exist.” it caused a minor kerfuffle between country music bloggers and country artists, like Aaron Watson and Charlie Robison, that felt they , and country msuic’s integrity, were in his contemptuous crosshairs.

I even took it apon myself to decry Overton’s statement on Twitter and retweet links to essays taking him to task.

But after some reflection, I am willing to concede that Overton is correct in his statement.

First context.

Overton made his incendiary remarks while attending the annual Country Radio Seminar in Nashville, where 2,424 attendees, exhibitors, panelists and sponsors came to discuss the future of the industry. That’s the Country Radio industry. Not the roots americana industry. Not the historical preservation of country music.

As with any trade convention quality was not the focus, unless there is a direct line between it and profits.

It’s about return on investment. Period.

No more clear symbol of this was the surprise appearance of Garth Brooks to announced the year’s Country Radio Hall of Fame inductees in both the Radio and On-Air categories.

Whether you like Brooks’ music, or believe he’s the beginning of genre cross-over hell and the end of everything that was good about country music (he wasn’t), with 8 Academy of Country Music awards and a RIAA (Recording Industry Association of America) listing of as the best-selling solo album artist of all-time (surpassing Elvis Presley) with 135 million units sold, he is the the gold standard by which radio play, record sales and concert attendance is measured.

Jimmy Rodgers mights be the father of country music, but Garth is it’s first superstar.

This is the ontological existence of which Overton refers. The world made possible by Garth.

When your music is no longer a nuanced craft and becomes a replicable commodity, you exist. If your personality and looks are a marketers dream, you exist. If your income far exceeds the label’s output, you exist. If you’re willing to run that gilded hamster wheel ad infinitum until the end of your short days, you exist.

If you’re willing to use your talents to grease the music row production machine, to achieve potential fame and admiration of millions, you exist.

Short of that piss off.

It’s not all gloom. When an industry behemoth refuses to adapt to customer tastes and industry trends alternatives spring up.

The Nashville Sound led to Buck, Merle , Willie and Waylon. The Urban Cowboy fab resulted in Dwight Yoakam, Steve Earle, Lyle Lovett and kd Lang.

Though these rebels were never fully integrated into the machine itself they did send waves into record sales and radio execs had take notice.

Now the so-called Bro-Country fad has Kacey Musgraves, Brandy Clark, Sturgill Simpson and Jason Isbell rocking the mainstream country boat.

But like McDonalds facing a healthier eating public, or Budweiser facing a less people willing to swill their sun-par product, Music Row can only partially assimilate. The assimilation will also lead to the application of the Garth standard of success, of existence, so songs will be optioned and the same flavorless production sauce will be slathered over extraordinary songs rendering them worthy of mainstream radio play and consumptions of an always shifting, faceless and fickle demographic.

So Overton is correct. By the Garth standard of rendering cultural artifacts into mass consumption radio fodder, most musicians don’t matter. Thier work or image doesn’t fit into the already prefabbed sonic and stylized containers.

But luckily the Garth standard is not the only one that counts.

There the already mentioned Bakersfield /Outlaw standard of creatively seeing untapped opportunities and bucking (hehe) conventional (and played out) trends.

There’s the model of artists like Buddy Miller, Jim Lauderdale, Gretchen Peters, Vince Gill, Chris Knight, Guy Clark and others that straddle the commercial and artistry territories without compromise.

There’s the vibrant and thriving Americana model that cultivates and champions the best of country music, and country music sourced genres , new and older talents. And has created a thriving , and lucrative, community.

And then there’s the Hank III model of giving the finger to Music Row and bringing in a whole new demographic from the ground up, to build a loyal, enthusiastic and sustainable fan base.

Some say the Garth standard of mega sales, and celebrity status, is dead, or dying, in a music industry in transition.

I certainly have no crystal ball telling me where all this is headed. But I take comfort is knowing that Overton and his ilk are on their heels as their concept of existence crumbles beneath them.

Or as singer/songwriter, and one-time potential Voice contestant, Jason Isbell so eloquently tweeted:

“Of course major-label execs are saying crazy things these days. Have you ever heard the kinds of things people say when they’re dying? ”

New Americana and Roots Music Releases for 2015

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2014 was another bumper crop year for Americana and roots music. We shared our favorites and you weighed in with more. 2015 shows no signs of easing up as stalwarts like Steve Earle and James McMurtry and young guns like The Lone Bellow and American Aquarium are planning releases.

The list below is not a definitive 2015 Americana release list, it’s all early months. But it’s as close as I can get with the information available at year’s close. The list is in chronological order based on release date, which mostly occurs on an planned Tuesday target which for some reason (none good) persists.

See one missing? Leave it in the comments.

Look for new things coming in the New Year at Twang Nation. It’s going to be a great year.

Have a happy, and safe, New Years. See you on the other side.

January 13TH
Justin Townes Earle – ‘Absent Fathers’
Cody Jinks – ‘The Adobe sessions’
Cody Canada & the Departed “Hippie Love Punk”

January 20th
The Waterboys – ‘Modern Blues’
Ryan Bingham – ‘Fear and Saturday Night’
Haley Cole – ‘Illusions’
Caitlin Canty – ‘Reckless Skyline’

January 27th
The Lone Bellow – ‘Then Came The Morning’
Paul Kelly – ‘The Merry Soul Session’
Punch Brothers – ‘The Phosphorescent Blues’

February 3rd
Bob Dylan – ‘Shadows in the Night’
Murder by Death – ‘Big Dark Love’
Hiss Golden Messenger – ‘Southern Grammar EP’
Gurf Morlix – ‘Eatin’ At Me’

February 10th
Father John Misty – ‘I Love You, Honeybear’
Robert Earl Keen – ‘Happy Prisoner’
Gretchen Peters – ‘Blackbirds’
Rhiannon Giddens – ‘Tomorrow Is My Turn’
Blackberry Smoke – ‘Holding All the Roses’
Owl Country – ‘Owl Country’
6 String Drag – ‘Roots Rock ‘N’ Roll’

February 17th
Phosphorescent – ‘Live at the Music Hall’
Steve Earle & The Dukes- ‘Terraplane’
Whitehorse – ‘Leave No Bridge Unburned’
Rev. Peyton’s Big Damn Band – ‘So Delicious’
Wrinkle Neck Mules – ‘I Never Thought It Would Go This Far’
The Mavericks – ‘Mono’

February 24th
Elvis Perkins- ‘I Aubade’
James McMurtry – ‘Complicated Game’
Steve Gunn & Black Twig Pickers – ‘Seasonal Hire’
Nora Jane Struthers – ‘Wake’
The Lowest Pair – ‘The Sacred Heart Sessions’
Elana James – ‘Black Beauty’

March 3rd
Ryan Culwell – ‘Flatlands’
Brandi Carlile – ‘Firewatcher’s Daughter’
Gill Landry – ‘Gill Landry’
Andrew Combs – ‘All These Dreams’
Caroline Spence – ‘Somehow’
Dorthia Cottrell – ‘Dorthia Cottrell’

March 10th
Joe Pug’s – ‘Windfall’
Tom Paxton – ‘Redemption Road’
Porter – ‘This Red Mountain’

March 13th
The Coal Creek Boys – ‘Out West’

March 17th
Liz Longley – ‘Liz Longley’
Stone Jack Jones – ‘Love & Torture’

March 24
Humming House – ‘Revelries’
Gabrielle Papillon – ‘The Tempest of Old’
Doc Watson, Bill Monroe + – Classic American Ballads from Smithsonian Folkways

March 27th
Allison Moorer – ‘Down To Believing’

March 31st
William Elliott Whitmore – ‘Radium Death’
Sarah Gayle Meech – ‘Tennessee Love Song’
Simon Joyner – ‘Grass, Branch & Bone’

April 1st
The Devil’s Cut – ‘Antium’

April 7th
Delta Rae – ‘After It All’
Folk Family Revival – ‘Water Walker’
Carl Anderson – ‘Risk of Loss’
Pokey LaFarge – ‘Something in The Water’
Ray Wylie Hubbard – ‘The Ruffian’s Misfortune’

April 14th
Dwight Yoakam – ‘Second Hand Heart’
Lowland Hum – ‘Lowland Hum’
Shinyribs – “Okra Candy”

April 15th
Lucia Comnes – “Love, Hope & Tyranny”
The Damnwells – ‘The Damnwells’

April 21st
John Moreland – ‘High On Tulsa Heat’
Nicki Bluhm and The Gramblers – ‘ Loved Wild Lost’
Jimbo Mathus – ‘Blue Healer’
Ryan Adams – “Live at Carnegie Hall’

April 27TH
Lewis & Leigh – ‘Missing Year EP’

April 28th
Charlie Parr -‘Stumpjumper’
Odessa – ‘Odessa’

May 4th
Shelby Lynne – ‘I Can’t Imagine’

May 5th
Mandolin Orange – ‘Such Jubilee’
Hannah Miller – ‘Hannah Miller’

May 12th
Jimmy LaFave – ‘The Night Tribe’
Eilen Jewell – ‘Sundown over Ghost Town’
Emmylou Harris and Rodney Crowell – ‘The Traveling Kind’
Della Mae – ‘Della Mae’

May 19th
Darrell Scott – “10 – Songs of Ben Bullington”
Jamie Lin Wilson – ‘Holidays & Wedding Rings’

June 2nd
The Mike + Ruthy Band – “Bright As You Can”
Dawes – “All Your Favorite Bands”

June 9th
Sam Outlaw – “Angeleno”
The Deslondes – “The Deslondes”
Dale Watson – “Call Me Insane”
Courtney Patton – “So This Is Life”
Uncle Lucius – “The Light”
Chris Hennessee – “Greeting from Hennessee”
Sammy Kershaw – “I Won’t Back Down”

June 23rd
Beth Bombara – ‘Beth Bombara’
Larry Campbell and Teresa Williams – ‘Larry Campbell and Teresa Williams’
Richard Thompson – “Still”
Kacey Musgraves – “Pageant Material’

July 17th
Jason Isbell – ‘Something More Than Free’

July 31st
Daniel Romano – ‘If I’ve Only One Time Askin’ ‘

August 7th
Lindi Ortega – “Faded Gloryville”

August 11th
Angela Easterling – “Common Law Wife”

August 14
Rod Picott – “Fortune’
The Waifs – ‘Beautiful You’

August 21st
The White Buffalo – ‘Love and the Death of Damnation’

September 18th
Turnpike Troubadours – “Turnpike Troubadours”

September 25th
Patty Griffin – ‘Servant Of Love’

October 30th
The Yawpers – ‘American Man’
Steve Martin and Edie Brickell – “So Familiar”

Grammy Award for Best Americana Album – Predictions

Live on CBS this Wednesday the Grammy organization will announce it’s nominees for all categories at The Grammy Nominations Concert Live!! concert from Bridgestone Arena in Nashville.

The Music City event will be the first time the Grammys have hosted an official awards programs since the 1973 Awards was held there. Wednesday’s eclectic offering of Pop, rappers, rockers and country singers will reflect the Nashville Grammys that brought together Johnny Cash, Aretha Franklin, Ringo Starr, Curtis Mayfield at the former Tennessee Theatre on Church Street.

The event will also feature a tribute to the legendary Johnny Cash. So far The Band Perry and Dierks Bentley also have been confirmed to take part in the tribute, though I argue that the manner in which Cash was treated by Music City late in his career a more fitting tribute would be populated by those on the Americana side of the fence. Hank III and Shooter Jennings anyone?

Though not reflected in performers on the stage that day (boo!) the Grammys nominees for the Best Americana Album of the Year will be announced. Personally I have no inside knowledge of who’s names will be called, but am willing to use what I can from over all three years of the the category’s existence. There are two obvious patterns that emerge, the nominees are well-known veterans in the music industry and all have been nominated for or won Grammys in the past.

But then there’s the Linda Chorney wild card from last year that blows away the first two patterns. So what do I know?

Set those DVRs for Dec. 5 at 10 p.m. ET on CBS. Then tune back in on Feb. 10, 8 p.m. ET (CBS) for the 55th annual Grammy awards show.

Let’s address the obvious two choices first. Mumford and Sons are the indisputable kings of contemporary roots-based music. Sure they were beat out by Adele for the coveted Record Of The Year Grammy last year but their prime-time performance with roots cohorts The Avett Brothers and vet Bob Dylan significantly raised their awareness. This higher-profile status has resulted in impressive sales for their sophomore offering, Babel.

The Avett Brothers have enjoyed an expanded fan base for all the reasons detailed above, as well as benefiting from being around longer and having their latest, The Carpenter, being their second to be produced by Rick Rubin.

Gretchen Peters is no stranger to the Grammys. In 1995 Peters received both a Grammy nomination and a Country Music Association Song of the Year award, for Martina McBride’s version of her song “Independence Day.” Her latest “Hello Cruel World’ is arguably some of her best work and has a great chance of catching the Grammy voters attention.

Dwight Yoakam has said that he doesn’t just want to appeal only to the smaller audience from his superstar heyday, I’m certain these days Nashville has little room for his signature Bakersfield sound. though I’m sure he won’t balk at his current perch at #1 on the current Americana charts. Yoakam won the Grammy Award for “Best Male Country Vocal Performance” in 1993 for the song “Ain’t That Lonely Yet”.

Willie Nelson has been nominated in this category before, in 2011 for the T Bone Burnett produced Country Music. Hos latest, Heroes, is a wonderful if uneven body of work that could find no better home than here. Personally, this is my favorite dark horse.

ON EDIT:

After a day of reflection I’m compelled to add a couple of more contenders that had slipped past me while writing this post.

Marty Stuart’s collection of country memorabilia is legendary, but his songs are his greatest contribution to the legacy.Stuart snagged his 5th Grammy at last year’s 54th annual event for Best Country Instrumental Performance for his”Hummingbyrd,” a musical tribute to the Byrds’ guitarist Clarence White, Stuart and his Fabulous Superlatives came out with the excellent release Nashville, Volume 1: Tear the Woodpile Down.

Chris Thile was a national mandolin champion at 12, a Grammy winner at 16 and one of this year’s MacArthur “genius grant” recipients. He can really screw up the bell curve for other musicians. His newest venture, The Punch Brothers, which I consider like Mumford and Sons with more depth and better chops, were nominated at the 54th Grammys for Best Country Instrumental Performance on the tune “New Chance Blues,” a bonus track on their second record Antifogmatic. They were also nominated for Best Country Collaboration with Vocals for the song “Pride” with Dierks Bentley and Del McCoury.

Americana Music Conference & Festival Picks

Below you’ll find my picks for the 2012 Americana Music Conference showcases. This was one of the the toughest  years to winnow down the performances I’m going to attend. And I still did a poor job! There is too many great acts playing at the same time. Such an embarrassment of riches!

But there is hope! Unlike the misery of traversing the stages at Hardly Strictly Bluegrass where you’re lucky to catch parts of shows at more than one stage, and or even to make it alive in some cases, the Americana Festival has buses to get us to the venues.

Of course I can’t make all the shows unless am able top perfect that time bending and beer making contraption I’ve been working on (SOON!) but you van catch any of these performances and not go wrong.

 

 

 

 

 

 

 

Tuesday, September 11

The 5 Spot
$2 TUESDAYS /Twang Nation Social Club -  Hosted by Derek Hoke : feat.Melody WalkerAlanna ,
Royale Joshua Black Wilkins, Marsha & The Martians (Angel Snow & Robby Hecht) Late Night with Los Colones9pm
$2 cover/$2 Yazoo pints #UnofficialAMA

Mercy Lounge
Somebody’s Darling w/ Buffalo Clover – The High Watt #UnofficialAMA
The Billy Block Show featuring Yo Ma Ma, Erica Nicole, Chelle Rose, Allie Farris, Caroline Rose and The Cumberland Collective  #UnofficialAMA

Two Old Hippies 401 12th Ave. South
The Alternate Root Presents a Pre-AMA Triple-Play of Music with Amelia White, Julie Christensen and Tommy  Womack & The Rush To Judgment #UnofficialAMA
Showtime: 6:00-8:00 pm
No Cover ~ Special Treats
615-254-7999

Wednesday, September 12

Puckett’sGrocery, 5th & Church

5pm & 7pm Allen Thompson Band CD Release Party,
Dinner & show before the AMA Awards at 5 . Later show 7 #UnofficialAMA

The Basement
11:00 Blue Mountain
12:00 Shovels and Rope

The Station Inn
11:30 Kasey Chambers & Shane Nicholson

The Rutledge
10:00 Gretchen Peters
12:00 Delta Rae

Mercy Lounge
10:00 Corb Lund
11:00 This Wheel’s On Fire: A Tribute to Levon Helm

The High Watt
10:30 Whitehorse

Cannery Ballroom
10:00 Star Anna
Thursday, September 13

The Basement
8:00 Lydia Loveless
9:00 Angel Snow
10:00 Sons of Fathers
11:00 The Deep Dark Woods
12:00 Black Lillies

The Station Inn
10:00 Mary Gauthier
11:00 Richard Thompson

Mercy Lounge
8:00 Turnpike Troubadours
9:00 Billy Joe Shaver
10:00 Steve Forbert
11:00 John Fullbright
12:00 Jason Boland & The Stragglers

The High Watt
10:30 Eilen Jewell
11:30 Julie Lee
Cannery Ballroom
8:00 Blue Highway
9:00 Sara Watkins
10:00 Paul Thorn
11:00 Punch Brothers (with a Sara Watkins cameo?)

Friday, September 14

Sheraton Hotel lobby – 623 Union St.
Wanda Jackson
12:30-1:10pm

Amy Black,  Susan Cattaneo, Rose Cousins and Rod Picott
2:00 pm – 3:30 pm

The Basement
9:00 American Aquarium
11:00 Chuck Mead and His Grassy Knoll Boys

The Station Inn
8:00 Red June
9:00 Della Mae
10:00 McCrary Sisters
11:00 Steep Canyon Rangers
12:00 Humming House

The Rutledge
8:00 Mandolin Orange
9:00 Mindy Smith
11:00 Belle Starr

Mercy Lounge
8:00 Jimbo Mathus & The Tri-State Coalition
9:00 Holy Ghost Tent Revival
10:00 Dylan LeBlanc
11:00 Darrell Scott
12:00 Reckless Kelly

The High Watt
9:30 Two Gallants

Cannery Ballroom
9:00  Amanda Shires
10:00 Robert Ellis
11:00 John Hiatt

Saturday, September 15

The Basement
9:00 Chastity Brown
11:00 The Pines
12:00 Chris Scruggs

The Station Inn
8:00 Brennen Leigh
9:00 Phoebe Hunt
10:00 Marvin Etzioni
11:00 Rodney Crowell

The Rutledge
8:00 Felicity Urquhart
9:00 The Wood Brothers
10:00 Kevin Gordon
12:00 The Trishas

Mercy Lounge
8:00 Lera Lynn
9:00 honeyhoney
10:00 Tift Merritt
11:00 Buddy Miller & Lee Ann Womack

The High Watt
8:00 Jill Andrews
9:00 Derek Hoke

Americana Music Festival Announces Confirmed First-Round Performers

Though we might not always see eye to eye the Americana Music Association know how to put on a party. The Americana Music Festival & Conference is annually held in Nashville and this year will mark it’s This 13th year. Each year it occurs in Fall and this year it will run September 12-15. The event has loads of the best Americana music, media and industry people you could ever care to meet. All that and somehow they keep letting me back in!

The AMA has just released an early list of performers a slated to appear. They are:

American Aquarium – Amy Helm – Andrew Combs – Angel Snow – Anthony da Costa – Bearfoot – Belle Starr – Bill Kirchen – Billy Joe Shaver – Black Lillies – Blue Highway – Blue Mountain – BoDeans – Brandi Carlile – Brennen Leigh – Buddy Miller – Buxton – Caitlin Harnett – Chastity Brown – Corb Lund – Cory Branan – Darrell Scott – The Deep Dark Woods – Della Mae – Derek Hoke – The Dunwells – Eilen Jewell – Felicity Urquhart – Fort Frances – Gretchen Peters – Holy Ghost Tent Revival – honeyhoney – Humming House – Immigrant Union – Jason Boland & The Stragglers – Jill Andrews – Jim Lauderdale – Jimbo Mathus & The Tri-State Coalition – John Fullbright – John Hiatt – Jordie Lane – Julie Lee – Kasey Anderson and the Honkies – Kasey Chambers & Shane Nicholson – Kevin Gordon – Lera Lynn – Lydia Loveless – Mandolin Orange – Mary Gauthier – The Mastersons – Max Gomez – McCrary Sisters – Mindy Smith – Nicki Bluhm & The Gramblers – Phoebe Hunt – Punch Brothers – Reckless Kelly – Richard Thompson – Robert Ellis – Rodney Crowell – Sallie Ford & The Sound Outside – Sara Watkins – Shovels & Rope – Sons of Bill – Sons of Fathers – Star and Micey – Starr Anna – Steep Canyon Rangers – Steve Forbert – Teresa Williams and Larry Campbell – Tift Merritt – Turnpike Troubadours – Two Gallants – Wheeler Brothers – Whitehorse – The Wood Brothers – The World Famous Headliners

Be sure to keep your eye on the Americana Music Association official site for more additions and information.

See you there (and bring $, beers are on you!)

Music Review: Gretchen Peters – Hello Cruel World [Scarlet Letter Records]

I became aware of Gretchen Peters when I heard One to the Heart, One to the Head , a covers album she released with one of my favorite singer/songwriters Tom Russell. I was impressed by their take on many great country-folk songs, from Bob Dylan to Townes Van Zandt, and Peters’ smoky vocals contrasting with Russell’s dusty growl.

While reviewing the album I became aware of Peters’ past life as a New York-born, Nashville-based songwriter for Music City country, pop and soul. Martina McBride, Trisha Yearwood, Patty Loveless, George Strait, Neil Diamond and the late Etta James She also won the 1995 Country Music Association Song Of The Year award and turned some heads with her unflinching view of a woman’s domestic abuse with McBride’s Independence Day.

These song-craft skills, and the courage that maturity affords you to speak fearlessly, have resulted in Gretchen Peters’New release of darkly engaging Americana-pop Hello Cruel World. Recent trials and revelations in her life provide fertile soil for an collection of songs that look into the abyss and dares to laugh. Dares to love.  What could have been a very bleak album transforms brutality, indifference and the absurdity of life into jagged gems that makes you want to sing along and occasionally tap a toe. Peters co-produces along with husband Barry Walsh and Doug Lancio. they use sparse arrangements and atmosphere that made One to the Heart, One to the Head such a pleasure.

The self-titled opener is a moody study of contrast and personal perseverance. “I’m not dead but I’m damaged goods, and it’s getting late.” Followed by a chorus of “I’m a very lucky girl” sung with beautifully weary resignation backed by minor-chord strings. St. Francis was  inspired by the Gulf oil spill and co-written by Tom Russell, who often employs Catholic symbols and analogies to make corporeal points. The song engages St. Francis of Assisi to show how the divine is often overlooked or, when recognized, taken for granted.

Torn allegiances dominate The Matador as the thrill and drama of a bull ring serves as a metaphor for passion and conflict. Ordained minister Rodney Corwell performed the matrimonial ceremony for Peters’ and Walsh in 2010, on Dark Angel, Corwell plays the foil of love in  a tale of dangerous attraction and certain demise. Camille shares co-writing credits with Peters’ “Wine, Women, and Song” members Matraca Berg and Suzy Bogguss, is smoky loneliness and sweet despair shepherded by trumpet and barroom piano. Paradise Found has a hot summer day simmer that references Steinbeck and a play on Milton where the song derives it’s title.

From the Stevie Nicks-like album cover Peters stares at you from the dusky cool-colored cover with an orb that looks like a globe or a crystal ball. It serves as both metaphors here. These are adult songs about adult situations that in lesser hands would result in a very dull listening. In Peter’s hands poetry and the profane is balanced in a way that reminds us we are not alone and that beauty and hope, as well as songwriting that engages instead of panders,  still exists.

Official Site | Buy

The Best of 2009

best-09

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging generation used to genre defying music now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their 30s. A generation that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick, and the success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand brings older performers and songs to a new audience and shows that the music is not only interesting and exciting, and in a culture steeped in hipster irony something emotionally authentic, but it can make money as well.

Maybe part of the boom was the newly added Americana Grammy category (yeah, I don’t buy that either), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70’s, is a response to this environment of mediocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks) and wielding the power of social media that does much of the jobs the big labels used to do a generation ago. Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyor of all the goods, and I hope some of you readers find some of this stuff interesting as well.

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of the best music blogger compadres around in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide nobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates –Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Wrinkle Neck Mules – Let The Lead Fly (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road (Roots/Rock sweetheart with a folk sense of cultural activism)
15. Willie Nelson & Asleep at the Wheel – Willie and the Wheel (perfect union channels the spirit of Bob Wills)
16. Todd Snider – Excitement Plan (Steve Earle should study this release, social commentary doesn’t have to suck)
17. Justin Townes Earle – Midnight At The Movies (the younger Earle continues to make his mark by reaching into country music’s past)
18. The Felice Brothers – Yonder is the Clock (The Basement Tapes run through a dark prism)
19. Guy Clark – Somedays The Song Writes You (A Texas treasure that can do no wrong)
20. Deer Tick – Born on Flag Day (Indy spirit that uses twang as a strong driver)
21. Those Darlins – Self-titled (Riot Grrrl spunk with a Carter Sisters trad reverence)

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging
generation of people used genre defying music but now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their
30s. Kids that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick.
The success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand shows that the music is not only interesting and exciting but can make money as well.

Maybe it was the newly added Americana Grammy category (yeah, I don’t buy that neither), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70’s, is a response to this environment of medicocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks.) Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyer of all the goods, and I hope some of you readers find some of this stuff interesting as well.

http://www.thebirdlist.org/

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of my music blogger compadres in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide tobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates -Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Let The Lead Fly – Wrinkle Neck Mules (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road
15. Rita Hosking – Come Sunrise
16. Todd Snider’s Excitement Plan
17. Justin Townes Earle – Midnight At The Movies
18. The Felice Brothers – Yonder is the Clock
19. Guy Clark – Somedays The Song Writes You
20. Deer Tick – Born on Flag Day
21. The Builders & The Butchers – Salvation is a Deep Dark Well

Tom Russell – Santa Ana Wind mp3 Giveaway

tom_russellAnyone who regularly reads this blog knows that I’m a huge fan of Tom Russell. L.A. born with a  degree in criminology from the U of California, Russell also taught school in Nigeria during the Biafran War. He began his musical career in the early 70’s in Vancouver BC playing strip bars. He later drove a cab in New York and met guitarist Andrew Hardin and Robert Hunter of the Grateful Dead and both heard his songs and convinced him to pursue his craft. Rusell currently reside in El Paso, Texas where the border town culture influnces his work as a songwriter and painter.

An anticipated ’09 release here at Ranch Twang is Russell’s upcoming Blood and Candle Smoke (Sept 15.) The album was recorded in Tucson, AZ at Wave Lab Studios with members of Calexico providing a Southwest/world music accompaniment to the songs.

Southwest and Spanish textures are finely represented in the song Santa Ana Wind. The song features Nashville-based singer/songwriter Gretchen Peters, who Russell collaborated with on the excellent One To The Heart, One To The Head, on backing vocals. The backing band is Joey Burns (Spanish guitars, bass), John Convertino (drums), Barry Walsh (Wurlitzer, piano), Craig Schumacher (percussion), Jacob Valenzuela (trumpets), Nick Luka (steel Guitar.)

The song employs Russell’s trademark literary narrative blending spiritual mystery and the corporal grit resulting in a song as expansive as the great Southwest itself.

tom_russell-santa_ana_wind.mp3