Listen Up! – The Felice Brothers “Inferno”

The Felice Brothers Release New Single "Inferno"

Whenever the topic of great bands you’ve probably never heard of comes up The Felice Brothers have to be near the top of ant roots music list. For 15 years the upstate New York band has delivered their
brand of DIY ramshackle roots music to adoring fans over 16 albums and delivering dynamic live performances that feel more like a tent revival than a rock show.

The band’s last release, “Undress” was in the pandemic halcyon days of 2019 and now thy’ve released a new single “Inferno.” The title is from the the third of Tom Hanks’ Dan Brown films 2016 film. The song continues like a kaleidoscopic memories of pop culture – Fight Club, Claude Van Damm, Kurt Cobain – all filtered in the bands sepia bittersweet melody.

Ian Felice.says concerning the song “This song, more than anything, is about the persistence of certain mundane memories, and how they take on hidden meaning and significance, how their symbols become part of our inner lives, and how they are transformed in our minds, “It’s also about youth and growth and transformation. Memories of the film are obscured through the lens of time. Does Jean Claude Van Damm actually ride a motorcycle along the banks of the Rio Grande? I don’t recall, but still I have this image in my mind. I just remember how horrible the movie was. The two characters in the song are transformed into swans in the final verse, in a dream, as they are swept into the fire of another, more frightening reality.”

“Inferno” is the first single of the band’s untitled album to be released later this year. It was produced by The Felice Brothers, engineered by James Felice and Nate Wood, and mixed by Mike Mogis (Bright Eyes, Phoebe Bridgers). The song also sees the continuation of the new lineup of the band that debuted with Undress, consisting of Ian Felice, who shares songwriting and vocal duties in the band with his brother James Felice, bassist Jesske Hume (Conor Oberst, Jade Bird) and drummer Will Lawrence.

The Felice Brothers Announce New Album ‘Undress.’ Hear the Title Cut

The Felice Brothers  - Undress

Few contemporary bands embody what Greil Marcus coined as “Old. weird America” as well as The Felice Brothers and a new release by this Upstate New York rustic-core collective is always welcome news.

The new album, “Undress,” the follow-up to 2016’s “Life in rhe Dark,” will be released on May 3rd from Yep Roc Records.

Cut live to tape with very little overdubbing, Undress was recorded in the late summer of 2018 in Germantown, New York. Band members Ian Felice, James Felice, Will Lawrence (drums) and Jesske Hume (bass) teamed up with producer Jeremy Backofen to record their most personal and reflective album to date.
 
“Many of the songs on the new album are motivated by a shift from private to public concerns,” says songwriter Ian Felice. “It isn’t hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives.  The hard part is finding simple and direct ways to address them.”
 
Since the band’s last 2016 album release the group in a very different place. Between personnel changes, families growing and the political landscape, the result is a tighter, more-paired down release. “Every song is a story,” said James Felice. “On this album everything was a bit more thoughtful, including the arrangements, the sonic quality and the harmonies.”

Listen to title cut “Undress”

Pre-order “Undress” Here
 
Ian and James Felice grew up in the Hudson valley of upstate NY. Self taught musicians, inspired as much by Hart Crane and Whitman as by Guthrie and Chuck Berry, they began in 2006 by playing subway platforms and sidewalks in NYC and have gone on to release nine albums of original songs and to tour extensively throughout the world. Following the release of Life in the Dark, The Felice Brothers served as the backing band for Conor Oberst’s 2017 release Salutations and the subsequent tour. 

The band kicks off a US tour starting on April 27 in Albany. Tickets go on sale on February 12 at www.thefelicebrothers.com.
 
Tour Dates:           
4/27: Albany, NY – TBA                                   
4/28: Syracuse, NY – The Westcott Theater            
4/29: Buffalo, NY – The 9th Ward at Babeville           
4/30: Toronto, ON – Legendary Horseshoe Tavern           
5/2: Chicago, IL – Sleeping Village                       
5/3: Lexington, KY – On The Rail Roots Festival                       
5/4: Columbus, OH – Rumba Cafe                                   
5/6: Pittsburgh, PA – Club Cafe                                   
5/7: Lancaster, PA – Tellus 360                                   
5/9: Philadelphia, PA – Johnny Brenda’s                       
5/10: Brooklyn, NY – The Bell House                       
5/12: Hopewell, NJ – Hopewell Theater                       
5/15: Portsmouth, NH – 3S Artspace                                   
5/16: Providence, RI – Columbus Theatre                       
5/18: Cambridge, MA – The Sinclair 
5/23: Virginia Beach, VA – Elevation 27 
5/24: Richmond, VA – Richmond Music Hall                               
5/25: Vienna, VA – Wolf Trap – with The Avett Brothers                              
6/6: Asheville, NC – Grey Eagle Tavern                       
6/7: Decatur, GA – Eddie’s Attic                                   
6/8: Nashville, TN – Exit/In
6/9: Birmingham, AL – Avondale Brewery
6/10: New Orleans -Gasa Gasa
6/12: Austin, TX – Barracuda
6/14: Santa Fe, NM – Tumbleroot
6/15: Tucson, AZ – 191 Toole
6/16: San Diego, CA – The Casbah
6/17: Los Angeles, CA – Bootleg Theater
6/19: San Francisco, CA – The Chapel
6/21: Portland, OR – Doug Fir Lounge
6/22: Seattle, WA – Tractor Tavern
6/24: Garden City, ID – Visual Arts Collective
6/25: Salt Lake City, UT – Urban Lounge
6/27: Denver, CO – Bluebird Theater

Wanted! – Notable Americana and Roots Music Releases for 2016

Ghosts of Highway 20 - Lucinda Williams

2015 was another bumper crop year for Americana and roots music, and 2016 show vast signs that the great music will continue to come. As our Cream of the Crop favorites from 2015 makes plain we might be experiencing a new golden age of roots music as a growing influence on our contemporary culture and as a sustainable , and viable, business for young and old artists alike.

That last part is crucial as it provides seed corn for the future of this music we truly love.

The list below is a collection of 2016 notable Americana / roots releases. Some anticipated releases from artists like Sturgill Simpson, Elizabeth Cook, Robbie Fulks, Lydia Loveless, Al Scorch and Brandy Clark have no release dates yet, but when I’m aware of them and others I will be updating the list through the year and will send word through my twitter account

If you know of a release not listed leave it in the comments and I might add it.

Look for new things coming in the 2016 at Twang Nation. With your help it’s going to be a great year folks.

January 11th
Keegan McInroe – “Uncouth Pilgrims”

January 15th
Dylan LeBlanc – ‘Cautionary Tale’
Randy Rogers Band – “Nothing Shines Like Neon”
Hank Williams Jr. – “It’s About Time”
Dawn Landes And Piers Faccini – ‘Desert Songs’

January 22nd
The Cactus Blossoms – ‘You’re Dreaming’
Simon Linsteadt – Self-Titled
Aoife O’Donovan – “In the Magic Hour”

January 24th
Michael Chapman – ‘Fish”

January 26th
Brad Armstrong – “Empire”

January 29th
Buddy Miller and Friends – ‘Cayamo Sessions at Sea’
Sierra Hull – ‘Weighted Mind’
Aubrie Sellers – ‘City Blues’
Miranda Lee Richards – “First Light of Winter”

February 5th
Lucinda Williams – “The Ghosts of Highway 20”
Dori Freeman – ‘Dori Freeman’
Luther Dickinson – ‘Blues & Ballads (A Folksinger’s Songbook: Volumes I & II)’
The Infamous Stringdusters – ‘Ladies & Gentleman’
Freakwater – ‘Scheherazade’
The O’s – ‘Honeycomb’

February 12th
Vince Gill – “Down to My Last Bad Habit”
Wynonna Judd – “Wynonna & the Big Noise”
Lorrie Morgan – ‘Letting Go … Slow’
Joey + Rory – “Hymns That Are Important To Us”
Malcolm Holcombe – ‘Another Black Hole’
Wheeler Walker Jr. ‘Redneck Shit’
Alex Dezen – ‘Alex Dezen’
Matt Patershuk – ‘I Was So Fond of You”
Applewood Road (Emily Barker, Amber Rebirth and Amy Speace) – ‘Applewood Road’

February 19th
Lake Street Dive – ‘Side Pony’
Austin Lucas – ‘Between The Moon and the Midwest”
Mike June – ‘Poor Man’s Bible’

February 26th
Shooter Jennings – ‘Countach (For Giorgio)’
Waco Brothers – ‘Going Down in History’
Kathryn Legendre – ‘Don’t Give A Damn’
Michael Daves – ‘Orchids and Violence’
Jane Kramer – ‘Carnival of Hopes’
Paul Burch – ‘Meredian Rising’
Bonnie Raitt – ‎’Dig In Deep’‬
Caleb Caudle – ‘Carolina Ghost”
Jen Lane – ‘This Life of Mine’
Ashley Monroe – ‘Live At Third Man Records”

March 4th
Loretta Lynne – ‘Full Circle’
Chris King – ‘Animal’
Anielle Reid – ‘Love Song’
Dead Tongues – ‘Montana’

March 11th
Lukas Nelson & Promise of the Real – ‘Something Real’
Waylon Jennings – ‘Return of the Outlaw: The Abbott, Texas, Broadcast 1973’

March 18th
Various – Dave Cobb’s ‘Southern Family
Grant Lee Phillips – ‘The Narrows’
Sean Watkins – “What To Fear”
The Roosevelts – ”The Greatest Thing You’ll Ever Learn’

March 25th
Parker Millsap – ‘The Very Last Day’
Margo Price – ‘Midwest Farmer’s Daughter’

April 1st
Elephant Revival – ‘Petals’
Robbie Fulks – ‘Upland Stories’
Teddy Thompson and Kelly Jones – ‘Little Windows’
Left Arm Tan – ‘Lorene’

April 8th
Hayes Carll – “Lovers and Leavers”
Tim McNary – ‘Above the Trees’ EP

April 15th
Hackensaw Boys – “Charismo”
Pauline Andres – “The Heart Breaks”
The Lowest Pair – ‘Fern Girl and Ice Man’ / ‘Uncertain As It Is Uneven’

April 19th
Crow Moses – “Nightshades”

April 22nd
Nate Leavitt – “Someone Send a Signal”
Derek Hoke – ‘Southern Moon’

April 29th
Larry Hooper – ‘No Turning Back’

May 3rd
Robert Ellis – ‘Robert Ellis’
Jeremy Nail – ‘My Mountain’

May 6th
Mary Chapin Carpenter – ‘The Things That We Are Made Of”
Jimbo Mathus – ‘Band of Storms’ EP
Vaudeville Etiquette – ‘Aura Vista Motel’

May 20th
Crystal Yates – ‘The Other Side’

May 27th
The Lowest Pair – ‘Fern Girl and Ice Man’ and ‘Uncertain As It Is Uneven’
Bonnie Bishop – ‘Ain’t Who I Was’

June 17
Sarah Jarosz – ‘Undercurrent’
Kris Kristofferson – ‘Cedar Creek Sessions’

June 24
The Felice Brothers – “Life in the Dark,”

July 1
Sara Watkins – ‘Young In All The Wrong Ways’

July 4
James Scott Bullard – “Box of Letters”

July 8
Mark Chesnutt – ‘Tradition Lives On’
Rob Ickes & Trey Hensley – ‘The Country Blues’

July 15
The Earls Of Leicester – ‘Rattle & Roar,’

July 22
High Bar Gang – ‘Someday the Heart Will Trouble the Mind’

August 5
Chelle Rose – ‘Blue Ridge Blood’
Summer Dean – ‘Unladylike’

August 12
Kelsey Waldon – ‘I’ve Got a Way on’
Boo Ray – ‘Sea of Lights’

August 19
Lydia Loveless – ‘Real’
John Paul White – ‘Belah’

August 26
The Devil Makes Three – ‘Redemption & Ruin”
Dietrich Strause – “How Cruel That Hunger Binds”
Waiting for Henry – ‘Town Called Patience’

September 9
Blue Highway – ‘Original Traditional’

September 16
Amanda Shires – “My Piece Of Land”
Jesse Dayton – ‘The Revealer’
The Buffalo Ruckus – ‘Peace & Cornbread’

September 30
Drive-By Truckers – ‘American Band’
Jim Lauderdale – ‘This Changes Everything’

October 7
Shovels and Rope – ‘Little Seeds’
Hiss Golden Messenger – ‘Heart Like a Levee’
The Dexateens – ‘Teenage Hallelujah’

October 28
Aaron Lee Tasjan – “Silver Tears”
Various Artists – ‘Highway Prayer – Tribute to Adam Carroll”
Jasmine Rodgers – ‘Blood Red Sun’

November 4
Kent Eugene Goolsby – ‘Temper Of The Times’

November 18
Miranda Lambert – “The Weight of These Wings”

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2014

TNCream2014

It defies all marketing logic.

Take thoughtful, and oftentimes uncomfortable, music built unapologetically (and more importantly, without irony) from instrumentation and melodies that reflect the past and drag it into the present.

Brazen sentimentality in the face of a blase world and lack of absolute style and ideological boundaries allows Americana to attract strange cultural bedfellows, Reminiscent of the 70’s when Saints Willie and Waylon brought the rednecks and hippies together under the tin roof of Austin’s Armadillo World Headquarters, this music hits us at the human core. Good music strips away the bullshit, shows our humanity, and can make us whole.

This is why it’s the greatest music being created today. That’s why it’ll last as fashions fall and technology and cultural isolation encroaches.

But it’s shit for mapping out a contemporary music career. So how does this great stuff keep happening?

With no apparent thought to charts, hit singles, karaoke reality shows or clutching at the greased pig of contemporary music taste people believe so deeply and completely that they sit in a van for 200 plus days a year, in freezing snow and burning summer heat, to play barely filled rooms at a level like they’re playing the Ryman or Beacon. Because that girl near the stage, with the band logo tattoo, is singing every word to every song. In spite of increasingly remote odds of economic sustainability they keeping lining up and enduring.

They have no choice, the spirit fills them. And we are moved by it. It affects us all.

And that extraordinary music is not just culturally and stylistically satisfying, there’s a viable market. Jason Isbell and Sturgill Simpson have gone from tight quarter vans and half-full seedy clubs to spacious buses and sold-out theatres. Movies and TV shows are using more and more roots music to set a mood. The genre is snowballing in fans and new music and the influence is felt everywhere. It’s no longer our little secret.

This is good, it’s evolution. It’s is growth. The risk of commercial popularity resulting in diminitionment of quality is assured. But just as Americana is not fed from one influence it is also not any one band. There is a wealth of choice. some of which I hope I’ve been able to list below.

2014 leaves us in turmoil and cultural upheaval. Roots music has historically been a cultural channel to discuss injustices from the point of view of those most affected. From Woody to Dylan to Alynda Lee Segarra roots music provides a poetic reflection of where society and humanity are and where we’d like to be.

But it’s not all topical earnestness. There’s plenty of toe-tapping tomfoolery and easy fun to melt away your troubles and woes and sing at the top of your lungs.

We cry, we laugh, we get drunk and do both simultaneously. No airs, no regrets, no AutoTune.

Lists are subjective, and no more so than my own. But each year I hope to place a loose marker around where I feel we are, and where we’re headed as disciples of this mongrel aesthetic.

This year we can be assured that country music has finally been saved, so enough of that. Roots music continues to make inroads in the mainstream without losing it’s way (or soul.) As happened so music last year, many mainstream media best of country music year-end lists to purloin from the rootsier side (like this and this – http://www.rollingstone.com/music/lists/40-best-country-albums-of-2014-20141210 ). I applaud this. Bro-country’s foe is not the same tepid, lazy style wrapped in a dress. It’s better music without boundaries and gatekeepers.

2015 shows no sign of waning in output or fan interest. New releases from Steve Earle, Allison Moorer, Ryan Bingham, James McMurtry, Caitlin Canty, American Aquarium, JD McPherson, another from Justin Townes Earle, Rhiannon Giddens, The Lone Bellow, Whitehorse, Robert Earl Keen’s bluegrass album, and possibly a new Emmylou Harris and Rodney Crowell collaboration has the new year is looking rosy.

Criteria – Calendar year 2014. No EPs, live, covers or re-release albums no matter how awesome.

Don’t see your favorite represented? Leave it in the comments and here’s to a new year of twang

26. Mary Gauthier – ‘Trouble & Love’
The only way to best your demons is to look them in the eye. Gauthier does just that on ‘Trouble & Love’ With her wonderfully roughewn voice to inner struggle in the wake of love lost (or, more appropriately, taken) Misery loves company and Gauthier keeps some of
Nashville’s finest – Guthrie Trapp, Viktor Krauss, Lynn Williams, Beth Nielsen Chapman, The McCrary Sisters, Darrell Scott, Ashley Cleveland. Catharsis rarely sounds this good.

25. Old 97s – ‘Most Messed Up’
Remember alt.country? I sure do. And so does Rhett Miller. The Dorian Gray of roots rock and his faithful compadres Ken Bethea, Philip Peeples and Murry Hammond still bring the heat to their blend of Tex-power pop in even the most road-weary, blase’ moments. This is a work of fury, fun and not giving a damn. here’s to that!

24. Angaleena Presley – ‘American Middle Class’
Presley steps out of the shadow of her super group Pistol Annies and digs deep into her history to deliver an album deeply steeped in country music traditions. Presley writes songs of hardship that rings true and is too busy making a living to sing hands and despair.

23. Sunny Sweeney – ‘Provoked’
Who needs bro-country when you have Sunny Sweeney. Her voice is your afternoon sweet sun tea but her wit is the bourbon you stir in. ‘Provoked’ is Sweeney’s true voice and it twangs true and kicks some serious ass.

22. Billy Joe Shaver – ‘Long in the Tooth’
Billy Joe Shaver is not about to sit on his long and prestigious laurels. No sir, not if Todd Snider has anything to say about it (Todd prodded Shave into this) Shaver takes aim at Music Row ( ‘Hard To Be An Outlaw’) love (“I’ll Love You as Much as I Can”) and teh absurdity of life ( “The Git Go”) God bless Billy Joe Shaver and everything he represents!

21. Rodney Crowell – Tarpaper Sky
Following his Grammy-winning collaboration with Emmylou Harris ‘Tarpaper Sky’ finds Crowell relaxin into a zone of a craft he’s spent 40 years refining. Songs from the rearview (“The Long Journey Home”, “The Flyboy & the Kid”) , heart-busters sit beside cajun frolick (“Fever on the Bayou”) to create a satisfying release.

20. Kelsey Waldon – ‘The Goldmine’
Great country music is rooted in the blood, sweat, and the threadbare hope of those just out of the reach of the American Dream. Kelsey Waldo’s songs richly reflects a lives hobbled by hard decisions and opportunities never given. While ‘The Goldmine’ reflects a hard realism, Waldon smartly ensures that it is never devoid of hope.

19. Doug Seegers – ‘ Going Down to the River’
A story too absurd to be true. Swedish documentary features homeless Nashville busker leading to a number 1 single on Swedish iTunes Charts for 12 consecutive days and a Will Kimbrough produced full-length featuring collaborations with Emmylou Harris and ex-tour mate Buddy Miller. But it’s true, and ‘ Going Down to the River’ is deep with truth.

18. Robert Ellis – ‘The Lights From the Chemical Plant’
Ellis moved to and works in Nashville. But he’s still got the heart if a Texas musician, wandering and unbridled. His love for George Jones is as much a part of him as his love for Jimmy Webb. ‘The Lights From the Chemical Plant’ reflects not only his versatility on the fretboard but his command of the songwriting craft. He reflects multiple styles, sometimes within the same song, and makes it behave. And across it all his voice glides across each with its own high lonesome.

17. The Bones of J.R. Jones – ‘Dark was the Yearling’
Brooklynite J.R. Jones, aka Jonathon Linaberry travels even further down his moody roots road with his second effort ‘Dark was the Yearling.’ Fitting comfortably with with moody-folkies like Lincoln Durham and Possessed By Paul James, sparse production ‘s soulful croon, haunting blues picking and percussive stomp make Darkness Was the Yearling is a galvanization of Linaberry both as a songwriter and a producer.

16. Marah – ‘Mountain Minstrelsy of Pennsylvania’
Pennsylvanian folklorist Henry Shoemaker long-ago cache of American song lyrics are discovered and interpreted by Marah’s David Bielanko and Christine Smith performing live around a single microphone in a ready-made studio set up in an old church, doors open to allow local performers and the generally curious to gather and join along. The result is a startlingly cohesive work driven by a ramshackle spirit. ‘Mountain Minstrelsy of Pennsylvania’ opens a contemporary channel to the restless, rustic ghosts of Big Pink more authentically than the recent T Bone Burnett helmed effort.

15. The Secret Sisters – ‘Put Your Needle Down’
Shedding the gingham shell that encased their debut The Secret Sisters , Lydia and Laura Rogers, apply their exquisite sibling harmony to push their songwriting chops and build a testament to contemporary roots music. I’m looking forward to riding along with the Rogers as they take us from the past toward a brave musical adventure.

14. Lee Ann Womack – ‘The Way I’m Livin’ ‘
Music Row superstar hangs out with motley Americana crew and ends up making a spectacular roots album? ANd it’s up for the Country Album of the Year Grammy?! Bask in genre confusion and the beauty of great songs performed by a master.

13. Hurray for the Riff Raff – ‘Small Town Heroes’
Few bands have the roots chops of Alynda Lee Segarra and her Hurray for the Riff Raff. Social-minded tunes performed with poetry over preachiness strikes a delicate balance most of the Guthrie-inspired falter. Segarra and crew prove you win hearts and minds my tapping toes and shaking asses on the dancefloor.

12. Lera Lynn – ‘The Avenues’
Lynn’s warm honey voice might lure you like a Siren, but the smart songwriting will truly wreck your ship. No, no this is a good thing! Stripped down guitar, drums and doghouse bass and cause you to sit on shore amongst the wreckage and let bask in ‘The Avenues’ glint and shimmer.

11. Cory Branan – ‘No Hit Wonder’
I defy you to find a better contemporary songwriter that is as deft and studied at the craft as Cory Branan (DEFY YOU!!) As evidence I submit to you “The No-Hit Wonder.” a work expansive yet grounded in the classic folk and country styles. That’s a fancy way of saying it’s badass.

10. Shovels & Rope – ‘Swimmin’ Time’
This follow-up to their 2012 acclaimed ‘O’ Be Joyful,’ has Michael Trent and Cary Ann Hearst has a tighter focus and arrangement of songs. This can sometimes come off as too eager to please. But when their indy-rock-meets-Carter-Family spirit overtakes, like in “Mary Ann and One Eyed Dan,” it hits on all cylinders and transcend crowd-pleasing.

9. Karen Jonas – ‘Oklahoma Lottery’
Small town character studies have always been a staple of country music. Karen Jonas builds scenes with her breathy drawl that make you feel like you lived through the desperation, danger and loneliness and litters the landscape of this excellent release.

8. Nikki Lane – ‘All Or Nothin’ ‘
Every night is Saturday night on Nikki Lane’s ‘All Or Nothin’ ‘ The Black Key’s Auerbach sets the mood and get’s out of the way as Lane fuses SMART SONGS, 60’s B-movie pop and country music gold to make her mark. So hang on, hold on and have the time of your life. But bring bail money and, be assured, there’ll be a broken heart…and a scar.

7. Hiss Golden Messenger – ‘Lateness of Dancers’
M.C. Taylor is a wandering soul. His fourth full-length as the moniker Hiss Golden Messenger continues his (hiss) quest across a troubling yet hopeful human landscape. This time the pat taken is in the form of his usual folk and country traditions with scenic asides in rock and R&B resulting in his best so far.

6. Old Crow Medicine Show – ‘Remedy’
From buskers to roots music ambassadors Old Crow Medicine Show has shown great songs and keen instrumentation does have a place in the mainstream. The band faces their newfound fame by doing what they know best, Delivering a solid ‘Remedy’ that appeals to long-times fans and garners new ones that wouldn’t be caught dead at a bluegrass festival.

5. Ben Miller Band – ‘Any Way, Shape Or Form’
If you’re looking for a band that mashes old forms with new look no further than Ben Miller Band’s latest ‘Any Way, Shape Or Form.’ The traditional folk chestnut “The Cuckoo” is taken to a tribal-drum psychedelic level. “Any Way, Shape or Form” pushes the Ben Miller Band form just another string band toward something vibrant and a forceful.

4. The Felice Brothers – ‘Favorite Waitress’
On their new release the Felice Brothers have returned from their sonic diversion in “Celebration, Florida” to their usual rustic terrain where Big Pink meets Brooklyn (with a little Velvet Underground thrown in) Gliding nimbly from ramshackle folk to smokey piano ballads to unbridled zydeco ‘Favorite Waitress’ is a fine stylistically homecoming to their splayed and gangly jams.

3. Marty Stuart & His Fabulous Superlatives – ‘Saturday Night/Sunday Morning’
Country music. like life, has always been steeped in the struggle between the light and the darkness, sin and salvation. This double album takes us on a boxcar across the dark
(‘Jailhouse, ‘Geraldine’) and the light (‘Uncloudy Day,’ ‘Boogie Woogie Down the Jericho Road’) Stuart was there when Country and Americana music was the same thing. Thank goodness he’s still on his game and cares to remind us.

2. Caroline Rose – ‘Will Not Be Afraid’
This sonic offspring of Chrissie Hynde and Wanda Jackson debut release is everything that’s great about music. It grabs you by the throat immediately with ‘Blood on your Bootheels,’ a cut on racism and violence void of sanctimony that hits like a topical bomb. ‘Tightrope Walker’ is a jaunty roots-rocker with spooky organ line as Rose lyrically juxtaposes two Americas and exposes us to be without a without net. Rose bends, shapes and fires words in a way that would make Dylan envious. This is a daring debut is the kind of record that will make you remember where you were when you heard it.

1. Sturgill Simpson – ‘Metamodern Sounds in Country Music’
Shocking, right? But sometimes the hype does reflect reality. Simpson will surely be all over Americana and mainstream country best of lists (the latter showed a tendency to reach over the fence last year when Jason Isbell sat alongside Tim McGraw and Band Perry), and rightly so. The Kentuckian’s success is more than a bro-country backlash. The praise from NPR Music to UK’S Telegraph speaks to than a more than a mere clerance of Music Row’s current low bar. Simpson channels 70’s hard outlaw country, spiked with bluegrass dexterity into songs that feel genuine. His topics are a contemporary a Kristoffersonion introspection of spirituality, identity and mind-altering substances. Simpson isn’t saving country music, he’s just reminding a us all that there’s a hunger for vibrant music that is vibrant, thriving, and unrepentantly ornery.

Hardly Strictly Bluegrass: 11 Must-See Acts

Hardly Strictly Bluegrass 13

There’s no denying the amount and quality of talent on the bill every year at the Hardly Strictly Bluegrass festival. Act-for-act no other festival only event can touch it for some of the finest Americana and roots. Then there’s the breathtaking backdrop of Hellman Hollow in San Francisco’sGolden Gate Park. Oh, and it’s free.

This combination is both good and bad. The quality is high and music plentiful, but the free access brings in droves of folks, and they increase every year.

This 13th year of the free festival does it’s benefactor, the late, great Warren Hellman, proud. I imagine him sitting in heaven, his lanky legs hanging off a cloud, strumming with his banjo with the bands playing below.

With 6 stages many folks choose to pay a blanket at a single stage and stay put. Some, like me, travel through the ocean of humanity to catch key acts and serendipitous discoveries.

With 6 stages brimming with greatness you really can’t go wrong setting up a blanket with refreshments at a single stage. Some (like me) prefer wandering stage to stage through the ocean of humanity sampling the ample musical ware and happening upon serendipitous discoveries.. The full bill really is a bounty to satisfy any roots music vet or for greenhorns looking for an crash introductory course.

Here re some well-known and less well-known acts I’ve circled on my must-see list.

Friday:

The Felice Brothers: The grittier, and more literate, alternative to Mumford and The Lumineers. Sometimes woozy, oftentimes chaotic, their performances are always passionate and their songs of common desperation and love is reminiscent of The Boss. 2:10pm – Rooster Stage

First Aid Kit: I’m not typically a fan of winsome singers, I’m more of a belter fan. But this Swedish indie-folk duo has won me over Sisters Johanna and Klara Soderberg, are winning over U.S. fans with their brand of breezy pop-Americana. 4:30pm – Rooster Stage.

Father John Misty: This ex-Fleet Fox first appeared on Bay Areas musical map after his exhilarating performance at last year’s Outside Lands. Roots stamped with psychedelic overtones and general weirdness. No telling where this could lead. 4:15pm – Arrow Stage

Bonnie Raitt: Is blues Americana? i have my opinion, bit there’s no denying the legendary talent of last year’s Grammys for Americana Album of the year. Expect catchy blues-rock with spicy guitar chops sprinkled. 5:45pm – Banjo Stage

Saturday:

Patty Griffin: This Austin, Texas treasure is touring behind her extraordinary “American Kid” and just before the proper release of her lost gem “Silver Bell.” Show up to hear cuts from these, and her extensive catalog. Also Buddy and “Percy” might show up. 4:05pm – Rooster Stage.

Robert Earl Keen: Many HSB faithful arrive just to see this Aggie put on one of the best truckless tailgate parties ever. Prepare to drink and sing at the top of your lungs. 5:30pm – Rooster Stage

Sturgill Simpson: Simpson is a reluctant contemporary agent of the Outlaw Country aesthetic. This is what makes him perfect for the role. Come hear him and his hot-brand band single-handedly put Music Row to shame. 6:05pm – Porch Stage

Sunday:

Shovels & Rope: The Charleston, South Carolina duo Cary Ann Hearst and Michael Trent of Shovels & Rope won the song of the year for “Birmingham” and emerging artist of the year at the recent Americana Awards. Come to see why their brand of gritty soul , ramshackle performance and engaging stage banter make them a fan favorite. 11:00am – Arrow Stage

Mike Farris & the Roseland Rhythm Revue: Like soul? Like Gospel? This is where you need to be. Ferris’
heavely vocals matched with the McCrary Sisters will assure a toe-tapping and booty shaking great time. 11:00am – Banjo Stage

Tim O’Brien & Darrell Scott: A decade after their first collaboration these master craftsmen are back with their latest “Memories & Moments.” Come gather around children and sit at the feet of lends and take note at how it is done. – 3:05pm – Banjo Stage

Della Mae: Sure their a band of hotties. But what’s hotter is their chops. Come for a heavy does of strictly bluegrass hold the hardly.

Hardly Strictly Bluegrass 13 Line-Up Announced

Hardly Strictly Bluegrass 13

The good people at Hardly Strictly Bluegrass have released the roster for this years event and it’s another winner.

For those uninitiated, HSB is one of the premier Americana and roots music festivals in the world.
The annual event is held on the first Friday, Saturday and Sunday in October on 5 stages stretching across a location in Golden Gate Park formerly named Speedway Meadows but renamed Hellman Hollow in 2012, to pay homage to the late HSB benefactor, private equity investor and banjo enthusiast, Warren Hellman.

The 13th version of the festival does not disappoint as there is few Americana and roots festivals with this number of quality acts. it also has the benefit of being free. Well, it’s benefit in one sense, but the swelling os not always pleasant crowds in recent years does take a toll.

The 41 confirmed acts offers exciting newcomers like Sturgill Simpson, Trampled By Turtles, Della Mae, First Aid Kit, Sallie Ford & The Sound Outside and local favorites Nicki Bluhm & The Gramblers and The Devil Makes. Americana and roots stalwarts like Buddy Miller, Joe Ely, Jimmie Dale Gilmore & Butch Hancock (aka The Flatlanders), Jon Langford, Patty Griffin, Tim O’Brien & Darrell Scott.

The folk-rock pioneers The Waterboys will be appearing as well as the legendary Ralph Stanley & The Clinch Mountain Boys. The whole thing wraps up in traditional fashion with the woman that has closed the event since it’s beginning and embodies the spirit of the event, the extraordinary Emmylou Harris.

Find below the full line-up. The per-day stage schedules will be announced soon and I will update his post with the information.

When: Fri Oct 4th, Sat Oct 5th (11am – 7pm), and Sun Oct 6th, 2013 (11am – 7pm).
Where: Hellman Hollow (formerly Speedway Meadows), Lindley & Marx meadows in Golden Gate Park, San Francisco, CA.

Mark Lanegan, Bonnie Raitt, Patty Griffin, Conor Brings Friends For Friday Featuring: Whispertown, The Cave Singers, The Felice Brothers, The Evens, First Aid Kit, Conor Oberst, Pieta Brown, Joy Kills Sorrow, LP, The Handsome Family, Jesse Dee, Alison Brown, Gogol Bordello, Boz Scaggs, Paul Kelly, The Deep Dark Woods, Justin Townes Earle, Emmylou Harris, The Devil Makes Three, Calexico, Ralph Stanley & The Clinch Mountain Boys, Martha Wainwright, The Brothers Comatose, Elvin Bishop, Jon Langford & Skull Orchard acoustic / FREAKONS, Low, Tumbleweed Wanderers, Richard Thompson, Tim O’Brien with Bryan Sutton & Mike Bub, Moonalice, Chris Isaak, Buddy Miller, The Time Jumpers featuring Brad Albin, Larry Franklin, Paul Franklin, Vince Gill, “Ranger Doug” Green, Andy Reiss, Dawn Sears, Kenny Sears, Joe Spivey, Jeff Taylor & Billy Thomas, Kieran Kane, Kevin Welch & Fats Kaplin, The Flatlanders featuring Joe Ely, Jimmie Dale Gilmore & Butch Hancock, The String Cheese Incident, Nick Lowe, Mike Scott & Steve Wickham of The Waterboys, Steve Martin and Steep Canyon Rangers featuring Edie Brickell, Freakwater, The Go To Hell Man Clan, Tim O’Brien & Darrell Scott, Billy Bragg, Loudon Wainwright III, Dry Branch Fire Squad, Mike Farris & The Roseland Rhythm Revue, Steve Earle & The Dukes, Kate McGarrigle Tribute with Martha & Sloan Wainwright & Special Guests, Holler Down the Hollow: A Hardly Strictly Salute to the Masters, Sturgill Simpson, Peter Rowan Bluegrass Band featuring Yungchen Lhamo, Sallie Ford & The Sound Outside, Shovels & Rope, Seldom Scene, Natalie Maines, Dave Alvin with Greg Leisz, Evolfo Doofeht, Allah-Las, Buddy Miller & Jim Lauderdale, G. Love & Special Sauce, Robert Ellis, Spirit Family Reunion, Bettye LaVette, Supermule, MC Hammer (Friday morning middle school program), Trampled By Turtles, The Warren Hood Band, Della Mae, Los Lobos Disconnected, Father John Misty, Jesse DeNatale, The Wood Brothers, Ryan Bingham, Jerry Douglas, Sonny & The Sunsets, Nicki Bluhm & The Gramblers, Tift Merritt, Kat Edmonson, Laurie Lewis & The Right Hands, The Forest Rangers with Katey Sagal,
Manchester Orchestra, Poor Man’s Whiskey (Friday morning middle school program), Robert Earl Keen

Hardly Strictly Bluegrass Festival – Friday 9/30 Recommendations

Hardly Strictly Bluegrass Festival is trying something new for #11.  Friday is a full-day and not half-day event, and the additional acts are not just filler.

Bill Kirchen & The Hammer of the Honky-Tonk Gods – Bill Kirchen – Ann Arbor native and “The Titan of The Telecaster” Kirchen was a guitarist with the original Commander Cody and His Lost Planet Airmen from 1967 to the mid 1970s. Come see Kirchen bring the twang and show why he’s toured or recorded with Nick Lowe, Elvis Costello, Doug Sahm and Emmylou Harris. (Banjo Stage – 11:00am)

Blame Sally – Bay Area Americana is represented on Friday is the all female quartet Blame Sally. Known for their rollicking show and instrumental expertise the genre is great hands. (12:55 – Arrow Stage)

South Memphis String Band -  ON EDIT-  After I posted my Friday picks I was contacted about the South Memphis String Band and asked to reconsider. I did and I have. Go see ’em, they’re great! (Star Stage – 1:20)

The Mekons – This veteran punk band is headed by sometime Chicago-based Brit-expat cowpunk Jon Langford (The Waco Brothers.) They are currently supporting their new release Ancient and Modern. (2:10 pm – Arrow Stage)

Jolie Holland – Like Gillan Welch Texan Jolie Holland has a vocal quality, and reflects subject matter,  from another time. A distant, dusty and dark past. Her soulful roots and dreamy Ragtime sound is the reason she can count Tom Waits as a fan. (Star Stage –  2:50)

Del McCoury & The Preservation Hall Jazz Band –  Legendary New Orleans Jazz and Bluegrass together? Like jambalaya and moonshine baby. (2:35 – Banjo Stage)

Southern Culture on the Skids – Formed in 1983 in Chapel Hill, North Carolina SCOTS shows what happens when you mix top-notch musical chops and white trash aesthetic. Namely a hootin’ hollerin’ time. ( Arrow Stage – 3:30)

The Felice Brothers – I have likened them to being the anti- Avett Brothers. From the Catskill Mountains to the New York City subways The Felice Brothers offer a brand of gritty junkyard Americana that is as engaging and sinister as a classic Scorsese movie. Their new release Celebration, Florida might be the first (or at least the best) example of techo-Americana.  (Rooster Stage – 3:30 pm)

John Prine – A veteran on the country/folk scene since the early 70s when he was burdened with the “the next Dylan.” Dylan once even appeared at one of Prine’s first New York City club appearances unannounced and backed him on harmonica. Kris Kristofferson once remarked that Prine wrote songs so good that “we’ll have to break his thumbs” (Banjo Stage – 4:05pm)

Robert Plant & The Band of Joy –  Years ago when I got wind that Plant was sniffing around Nashvile I expectedthe worse. Rock singers in Music City typically results in mediocrity. Then I heard he was in the studio with T. Bone Burnett and Alison Krauss and was intrigued that at least he was keeping good company. A zillion sales and awards with the resulting Raising Sand led Plant back to the promised land with band conductor and guitarist Buddy Miller and came back with more premium Americana performers Patty Griffin and Darrell Scott. (Banjo Stage – 5:45pm)

If you have kids or just want to set up a stationary spot your best best bang for your buck (for FREE!) would be the Banjo Stage. The recommendations for Saturday and Sunday are larger so there will be only a list and no description. You’ll just have to trust me, I’m a (semi) professional.

News Round Up: New releases coming from Emmylou Harris, Amanda Shires, The Felice Brothers and Caitlin Rose

For fans of great Americana music the early new year looks to be bringing a bounty of excellent choices.

  • Americana and Country music legend Emmylou Harris will release her 21st studio release Hard Bargain, on April 26 on Nonesuch Records.Hard Bargain features 11 new songs by Harris as well as two covers, was produced by Jay Joyce (Cage the Elephant, Patty Griffin). A deluxe edition of the album, which includes a DVD featuring six performances interspersed with interviews, will also be available. In celebration of the release, Harris will embark on a series of special performances including a showcase at the 2011 SXSW Music and Media Conference on Thursday, March 17, at the Americana Music night.
  • Up-state New York’s Felice Brothers will release Celebration, Florida on thier new label Fat Possum. The album was recorded in the library and theater of Beacon, NY’s old high school and is produced by Jeremy Backofen. I’m a huge fan of The Felice Brothers and the PR sheet about the new album sounds like it’s goig to be a good one, but one part gives me pause. “unexpected 808s, ambient synth lines.” I’m will to guess their screwing with me. They do offer a song on the new album entitled “Dallas” (my home town), so I may forgive much more than I would. The Felice Brothers will embark on a six-week spring headlining tour of the US, Australia, and New Zealand. The Felice Brothers are also set to perform at this year’s SXSW festival in Austin, TX, at Auditorium Shores on March 19th alongside Bright Eyes, Middle Brother, Man Man, and Kurt Vile, and will make their debut at the sold out Coachella festival in Indio, CA, on April 16th.
  • Nashville’s Caitlin Rose full-length debut, Own Side Now, will be released on March 15, 2011 on Theory 8 Records. Rose co-produced the record with Mark Nevers (Lambchop, Will Oldham & Andrew Bird) & Skylar Wilson (Justin Townes Earle).

[youtube]http://www.youtube.com/watch?v=qpHYYUZqX1A.[/youtube]

  • Texas’ own beguiling  Amanda Shires will release her new album Carrying Lightning, out May 3 on Silver Knife Records. She will tour soon-after.

 

[youtube]http://www.youtube.com/watch?v=N53rN5J24Tg[/youtube]

Hardly Strictly Bluegrass – Saturday Picks

this is a quick one; Sun Oct 3 (11am – 7pm)

Banjo Stage
•    12:35pm Hazel Dickens
•    1:45pm Earl Scruggs
•    3:00pm Doc Watson & David Holt
•    4:20pm The Del McCoury Band
•    5:45pm Emmylou Harris
Rooster Stage
•    11:00am Kevin Welch & Kieran Kane & Fats Kaplin
•    2:10pm Dave Alvin & The Guilty Women
•    3:25pm Rosanne Cash
•    5:55pm Sharon Jones & The Dap-Kings
Star Stage
•    11:40am Martin Sexton
•    3:05pm Elvis Costello and The Sugarcanes
Towers of Gold Stage
•    11:00am Lucero
•    12:25pm James McMurtry
•    2:05pm Randy Newman
Arrow Stage
•    11:00am The Felice Brothers
•    1:30pm Railroad Earth
•    4:20pm Yonder Mountain String Band
•    5:45pm The Avett Brothers
Porch Stage
•    11:50am Citigrass
•    12:40pm Heidi Clare & AtaGallop
•    1:40pm Shelby Lynne & Allison Moorer
•    4:35pm Kate Gaffney
•    5:35pm Wendy Bird
•    6:25pm Anderson Family Bluegrass

New Round Up: Hardly Strictly Line-up Announced, Old 97s Rip It Up

  • The Old 97s tore it up at Thursday’s free show to promote Texas travel. Under the Lone Star flag at San Francisco’s Justin Herman Plaza an enthusiastic crowd under sunny skies as the band worked through their extensive catalog,  played REM’s Driver 8 from a recent covers EP release, a song written especially for the event – A State of Texas. The band also played a new song, Champaign, Illinois, from an upcoming double album called The Grand Theatre.

[youtube]http://www.youtube.com/watch?v=AmPN9cnBfSQ[/youtube]

  • After much speculation on the line-up for this year’s Americana music ubber-festival, Hardly Strictly Bluegrass Festival the official list is out. There was speculation that the list was held longer this year to help cut down on the massive crowd that showed up last year. I don’t see how holding the list back a week or so will help – perhaps if it weren’t completely free might help, but then it would be a lot less great. Some highlights: Earl Scruggs, Gillian Welch, Kelly Willis, Justin Townes Earle, Kinky Friedman, Lucero, Patty Griffin, T Bone Burnett and Friends, The Felice Brothers, The Flatlanders , James McMurtry and Richard Thompson and much, much more. The festival runs October 1-3 in Golden Gate Park. And like I mentioned it’s all free, thanks to the generosity of founder/billionaire/amateur banjo picker Mr. Warren Hellman.