Portland Oregon’s Michael Dean Damron, or Mike D. as he was known when fronting his former hell-raising roots-rock band I Can Lick Any Sonofabitch in the House, isn’t your garden variety sensitive, market tested, conveyor belt type of singer/songwriter. The emotion, fear and anger is laid out on his third solo release Father’s Day for all to feel. He’s not just singing, he’s testifying.
The youthful flame-thrower intensity of ICLASOBITH has been condensed into a focused, welding torch constructing a dark and twisted terrain of one mans life and soul.
The lost love songs here – Dead Days, Boy With A Car and the provocatively titled I Hope Your New Boyfriend Gives You Aids (do NOT judge the album based on the title of this song, it doesn’t show up once in this beautifully heart wrenching cut.) display just as much defiance as they do remorse. Love songs are welcome, whining is not.
The specter of the Damron family patriarch is summoned and exorcised in the title track. The song tells of Damron’s father’s life as a hard, violent, and lonely one. The song is both a celebration and an unflinchingly cautionary tale. The excellent Angels Fly Up carries on the divisional theme, devils and angels, suicide and celebration- that seems to run through Fathers Day.
Tornado Song is a chugging blues-Gospel number veined with wailing harmonica and I’m A Bastard has Damron unmitigated affirmation of his place among the best of the worst in the troubadour trade.
As if the original songs weren’t enough to make this a fine album the three covers Damron has chosen to include speak volumes, fit nicely and are done with deftness and deference. Drag the River’s Beautiful And Damned is a solemn pedal-steel laced number and a ’round the campfire treatment of Thin Lizzy’s Dancing In The Moonlight are wonderful. The real courage, as with anyone willing to cover the Late Great Townes Van Zandt, comes with the inclusion of an accomplished rendition of Towne’s bleak tale of perseverance Waiting Around To Die.
Damron’s whiskey-and-dust vocals brings to mind modern day contemporaries like Ryan Bingham, Drive By Truckers’ Patterson Hood, William Elliot Whitmore and Lucero’s Ben Nichols. The worn nature of the delivery adds another depth of ragged beauty to each of these gems. Damron sites Steve Earle, Alejandro Escovedo, Townes Van Zant and Waylon Jennings as heroes. But I believe that the true Patron Saint to his unique style of edgy storytelling, with a penchant for tenderness might well be David Allen Coe.
Sure Father’s Day is not a sunny Summer party album, who cares. It’s a great example of a mature and excellent singer/songwriter venting his own private Winter.
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These are tough times for America. Wall Street and board room crooks, unnecessary wars, mounting national and personal debt, massive unemployment, terrorists threats.. These are not the toughest times we’ve faced in our history,I think the fisr depression and the civil war were much tougher, but they are hard relative to the lives most people have lived today.
The silver lining is that from hard times comes great music, and country music taps into the populist zeitgeist better than any other genre beside blues. Much has been made about John Rich’s Shuttin’ Detroit Down and Hank William Jr’s Red White and Pink Slip Blues but it’s hard for me to buy populist empathy from a guy that parades around in mink coats and a guy that puts hotel employees in a choke hold and demands a kiss.
Here is a list of songs that I believe exhibit the best of what it sounds like to live through the worst.
Ryan Bingham - Hard Times – A new artist with an old voice . The name says it all.
The Drive By Truckers - Puttin’ People on the Moon - A stiff shot of old-school Southern rock chased withed populist rage.
Jimmie Rodgers – Muleskinner Blues – A classic of down-on-your-luck and lookin’ for work poetry.
Johnny Cash - Busted – Harlan Howard’s 1962 penned song of working man’s woe was aa hit for Johnny Cash in 1962 on his classic At Folsom Prison live album and was an even bigger hit for Ray Charles the following year.
Merle Haggard – Workin’ Man Blues – Classic Bakersfield rocks this ode to the laborer.
Frankie Miller – Blackland Farmer – A paen to the 1958 farmers that were just starting to get a glipmpse of the industrial farms that were to change thier professions and lives forever.
Levon Helm – Poor Old Dirt Farmer - Helm, the only American in the Americana/rock group The Band, tells the story of his Dad’s farm inTurkey Scratch, a hamlet west of Helena, Arkansas.
Johnny Paycheck – Take This Job and Shove It – it’s not all hand-wringing and woe is me in country music. Paycheck’s cover of David Allan Coe’s song was a huge 70’s hit and a raised finger to The Man.
Fans of gritty, sun drenched tales from the road rejoice! Texas/New Mexico neo-trad troubadour Ryan Bingham and his band The Dead Horses (Corby Schaub – guitar, Matt Smith – drums, Elijah Ford – bass) are readying Roadhouse Sun his sophomore release from Lost Highway records to be released on May 5. Roadhouse Sun is a follow up to Bingham’s 2007 much lauded debut Lost Highway Mescalito.
Mescalito producer and former Black Crowes guitarist, Marc Ford returns as producer on Road House Sun. And the PR material states that” Bingham covers some new subject matter on Roadhouse Sun as he challenges political accountability in Endless Ways and notes eye-opening similarities to our dark past in Dylan’s Hard Rain. Bingham has established himself as a deeply personal songwriter with a knack for painting vivid pictures in his songs. These images come to life in everything from his bluesy roadhouse romps such as Hey Hey and Day Is Done, to the epic Change Is to the dustbowl hymns Rollin Highway Blues, Country Roads and Snake Eyes.”
I was a fan of Mescalito when it came out, it made my top 10 that year, and after seeing him and his great band several times in New York and once in Nashville I am even more of a fan.
Ryan Bingham-Snake Eyes
The Drive By Truckers are just off their start to 2009 with 3 sold-out shows for their Athens GA 40 Watt Club Homecoming, they next will be playing this weekend, with opener Bloodkin, in Knoxville at the Valarium (Thurs Jan 29) and two nights at Asheville’s historic Orange Peel (Fri Jan 30 and Sat Jan 31). Next month they have a few more dates including a two night stand in DC at 9:30 Club and a few dates with Texas’ Hayes Carll.
On Feb. 5th Drive By Truckers Front Man Patterson Hood will play an annual benefit for Athens, GA’S The Robert Osborne Classic Film Festival.
On Feb 7th, PBS will be airing the episode of Austin City Limits starring Drive By Truckers and Ryan Bingham. Check local listings for exact time and date of airing.
April will see the DBTs backing the legendary R&B and soul and funk pioneer Booker T. Jones ANTI- Records debut Potato Hole. The band will be backing Booker T. in some dates including thier first ever New Orleans Jazz and Heritage Festival appearance on Friday April 24th.
The Drive-By Truckers with Kelly Hogan – I’m Your Puppet