Record Store Day Black Friday 2019 Releases – Roots & Americana Picks

Luckily for vinyl fans, Record Store Day is now two separate events. The original big daddy event in April and it’s smaller Black Friday.

The latter happens on 11/29, just in time for some early Christmas shopping for your own stocking. Below find some choice selections from the list that roots and Americana fans feen need a place on their turntable.

Descriptions are from RSD.com. See the full release list here.

Patsy Cline – Sweet Dreams: The Complete Decca Masters 1960-1963 – more details on this release
An amazing 3xLP set including all of Patsy Cline’s Decca Studio master. This collection has never been released on vinyl and for Record Store Day Black Friday it’s available on pink, purple and yellow pastel vinyl in a tri-gatefold sleeve.

(1000 available)

Dr. John – “Babylon”
When Dr. John hit the studio in 1968 to record Babylon, America was in a very turbulent period. On top of that, Dr. John was being pursued by various Los Angeles authorities for a handful of criminal offenses. It was, in his own words: “a heavy time for me.”

This set the stage for Babylon being a reflection of the chaotic and tumultuous time that he was living in. He and his band dove deeper into the voodoo-inflected psychedelic rock and the R&B of Gris-Gris, while touching upon elements of free jazz and Captain Beefheart-style avant-garde. Babylon stands out as a psychedelic swamp of apocalyptic lyrical content, drunk, disorienting experimentation, and fascinating entry into Dr. John’s catalog well-worthy of his expansive legacy.

Out of print on vinyl for 40 years, Get On Down is all too eager to reissue this unique recording for RSD Black Friday. In keeping with the album’s hallucinogenic sound, it is presented on trippy never to be repeated splatter-colored vinyl and housed in a deluxe gatefold jacket.

A1. “Babylon” A2. “Glowin’” A3. “Black Window Spider” A4. “Barefoot Lady”
B1. “Twilight Zone” B2. “The Patriotic Flag-Waver” B3. “The Lonesome Guitar Strangler”

(2500 available)

Blind Willie Johnson – “Dark Was The Night, Cold Was The Ground/It’s Nobody’s Fault But Mine”

Blind Willie Johnson was the greatest and most popular guitar evangelist and influenced generations of musicians. His unique, intense, emotional and haunting gruff voice—coupled with some of the finest slide-guitar of any of his peers—firmly established Johnson’s status as one of the premier gospel-blues artists of all time.

Between 1927 and 1930, Johnson recorded 30 powerful, timeless, landmark songs for Columbia Records in five sessions in Dallas, New Orleans, and Atlanta, generating strong sales and national fame.

On December 3, 1927, in a temporary studio in the Deep Ellum district of Dallas, Johnson recorded six groundbreaking songs, including the iconic slide guitar classic, “Dark Was the Night, Cold Was the Ground.” Johnson’s haunting response to Christ’s crucifixion remains one of the masterpieces of American music. Ry Cooder described it as “the most soulful, transcendent piece in all American Music.”Jack White called it “the greatest example of slide guitar ever recorded.”

For RSD Black Friday 2019 Traffic Entertainment presents two of Johnson’s most iconic sides as a 78 RPM microgroove record housed in a glorious reproduction of the Columbia sleeve wrapped in a full color OBI with detailed liner notes.

(1500 available)

The Marshall Tucker Band – “New Year’s in New Orleans – Roll Up ’78 and Light Up ’79”

“Let’s show the people coast to coast that we here in New Orleans can party! Are you ready to roll ’78 and light up 79?!” announces the boisterous (and probably slightly buzzed) emcee introducing The Marshall Tucker Band to the tight-knit community of joint-passing, beer-cheersing rock ‘n’ rolling regulars at The Warehouse, New Orleans’ legendary 1970s music hall. Not only would the audience of 2,000+ longhairs enjoy the New Year’s Eve concert that night, but so would a huge audience of radio listeners rockin’ in simulcast nationwide. The emcee claimed that this was the largest radio audience ever to hear a broadcast and at the time, it probably was. The band elevated themselves to the occasion and delivered an absolutely smokin’ performance of what were already their most memorable and cherished hits.
• Sourced from the original 24-track tapes
• Mixed in Macon, Georgia in 2019 by Paul Hornsby, the original Capricorn Records producer who recorded and produced their first six gold and platinum albums.
• Featuring never before published photos by The Warehouse’s photographer, Sidney Smith, plus images of archival documents form the recording engineers.
• Double LP, gatefold

Side A: A1 “Fly Like An Eagle” A2 “Long Hard Ride” A3 “Fire On The Mountain” A4 “Heard It In A Love Song” A5 “Blue Ridge Mountain Skies”
Side B: B1 “Can’t You See” B2 “Ramblin’” B3 “This Ol’ Cowboy”
Side C: C1 “Desert Skies” C2 “24 Hours At A Time”
Side D: D1 “New Year’s Countdown/Auld Lang Syne” D2 “Searchin’ For A Rainbow” D3 “Will The Circle Be Unbroken”

(1500 available)

JD McPherson – “Red Bows For A Blue Girl” / “Holly, Carol, Candy and Joy”

This is a new 7″ of two Christmas songs. “Red Bows for A Blue Girl” is a brand new original record specifically for RSD Black Friday. “Holly, Carol, Candy and Joy” is a b-side from the album SOCKs which was released in November of 2018.

(1500 available)

Willie Nelson – “Sometimes Even I Can Get Too High” b/w “It’s All Going To Pot” (w/ Merle Haggard)

It’s said that legends aren’t born—they’re grown. Willie Nelson, an enduring American icon and tireless supporter of marijuana legalization, offers the latest hit from his stash, a humorous ode to the sweetest of leaves as only Willie can do it. “Sometimes Even I Can Get Too High,” a new song from the sessions for Willie’s latest album, Ride Me Back Home Is backed with “It’s All Going To Pot,” another 420 favorite from Django and Jimmie, Willie and Merle Haggard’s 2015 album.

(4000 available)

New Riders of the Purple Sage – “Thanksgiving in New York City (Live)”

Captured at the late show from November 23, 1972, at the Academy of Music, Thanksgiving In New York City features the band in the midst of an energetic and highly regarded tour. Along with Dawson classics like “Henry,” “Portland Woman,” and “Last Lonely Eagle,” lead guitarist David Nelson and bassist Dave Torbert also bring some Bluegrass (“She’s No Angel”) and R&B (“I Don’t Need No Doctor,” “Willie And The Hand Jive”) to the mix.

SIDE ONE: 1.“Leaving On Her Mind” 2. “Portland Woman” 3. “Hello Mary Lou” 4. “Sutter’s Mill” 5. “She’s No Angel”
SIDE TWO: 6. “Henry” 7. “Contract” 8. “Linda” 9. “Take A Letter Maria”
SIDE THREE: 10.” All I Ever Wanted” 11. “Groupie” 12. “Whiskey” 13. “Long Black Veil”
SIDE FOUR: 14. “Lochinvar” 15. “Truck Drivin’ Man” 16. “Rainbow” 17. “I Don’t Need No Doctor
SIDE FIVE: 18. “Louisiana Lady” 19. “Honky Tonk Women” 20. “Last Lonely Eagle”
SIDE SIX: 21. “Willie & The Hand Jive”

(1800 available)

J.S. Ondara – “Tales of America B Sides”

Born and raised in Nairobi, Kenya, J.S. Ondara fell in love with Bob Dylan and moved to Minneapolis when he was 20 to pursue a career as a singer-songwriter. His debut album, Tales of America, is an examination of the American Dream, but from the perspective of the outsider, the immigrant, the social commentator. This album made J.S. an NPR Slingshot Artist, a Rolling Stone Artist You Need To Know, and earned him a Best Emerging Act nomination from the Americana Music Association in 2019.

Tales of America: B Sides is a five-track LP packaged exclusively for Record Store Day, and features a previously unreleased track, a demo, a remix, and two cover songs.

“Milk + Honey” – previously unreleased
“Analog Man” – previously unreleased
“Jesus For President” – previously unreleased
“Torch Song” (Echo Park)
“Heart of Gold” (Neil Young cover)

(2000 available)

Elvis Presley – “American Sound 1969”
1969 was a pivotal year for Elvis Presley. Fresh from the success of the ’68 Comeback Special, a revitalized Elvis headed to American Sound Studios with producer Chips Moman and a crack group of local session musicians. From these sessions came From Elvis In Memphis, one of the most beloved LPs of his career, plus the seminal hits “Suspicious Minds” (his 18th and final No. 1 hit) and “In The Ghetto.” American Sound Sessions 1969, available for the first time on vinyl, features rare and unreleased outtakes from these legendary sessions.

Side A: 1. “Long Black Limousine (Take 6)” 2. “Wearin’ That Loved On Look (Takes 12, 13 & 14)” 3. “You’ll Think Of Me (Take 16)” 4. “I’m Movin’ On (Take 2 – with vocal replacements and steel guitar overdub)” 5. “A Little Bit Of Green (Take 1)”
Side B: 1. “In The Ghetto (Take 1)” 2. “From A Jack To A King (Takes 1-3)” 3. “Without Love (There Is Nothing)(Take 1” 4. “I’ll Be There (Takes 1-3)” 5. “Suspicious Minds (Take 8)(undubbed master)”
Side C: 1. “Stranger In My Hometown – Jam (undubbed)” 2. “It’s My Way/This Time/I Can’t Stop Loving You – Jam” 3. “True Love Travels On A Gravel Road (Take 2)” 4. “Power Of My Love (Take 1)” 5. “After Loving You (Take 2)”
Side D: 1. “Do You Know Who I Am? (Take 4)” 2. “Kentucky Rain (Take 8)” 3. “Only The Strong Survive (Take 29)” 4. “It Keeps Right On A Hurtin’ (Takes 1 & 2)” 5. “Any Day Now (Takes 1 & 2)”

(4000 available)

Leon Redbone – “Strings And Jokes, Live in Bremen 1977”

Wanderer between the worlds. No other words can describe the musical work of Leon Redborne. His first official stage appearance took place in 1971 at the Mariposa Folk Festival in Orillia, Ontario, and soon after he began performing in local clubs where he became famous with his unique style. His trademarks were a perfect suit (white jacket, black trousers), dark sunglasses, a mustache, and a white fedora. Best known for his interpretations of music from the Depression Era–Blues, Ragtime, Folk and Tin Pan Alley—laying on top his remarkable singing style. Influenced by the music of Fats Waller, Jelly Roll Morton, Jimmy Rodgers or Irving Berlin, his interpretations are legendary.

Both concerts on this RSD Black Friday release took place in Bremen, Northern Germany, in 1977 and show two different sides of Leon Redbone. At the first concert, at the “Glocke”, he was accompanied by tuba player Jonathan Dorn, and the second, at the “Post-Aula” was a solo concert, pure and simple. Both are electrifying because of his unique performance and the combination of Blues and influences from Folk-Jazz. He sings, yodels, murmurs, and hums and knows to fascinate his fans with his warm and outstanding voice. A must-have for every fan of traditional and not commonplace music.

(300 available)

Steep Canyon Rangers – “North Carolina Songbook”

GRAMMY-Award winning bluegrass outfit Steep Canyon Rangers brought a special surprise to attendees of their performance at Merlefest 2019. To honor their home state, the Rangers performed a selection of songs from the artists of North Carolina. Featuring unsung Carolinian heroes like Ola Belle Reed and Elizabeth Cotten to world-renowned performers like Thelonious Monk, Doc Watson, James Taylor and Ben E. King, the Rangers’ live North Carolina Songbook performance shows why the Tar Heel State continues to celebrate their legacy of musical excellence and influence that dates back over a century.

1. “Stand By Me [Ben E King]” 2. “Don’t Let Your Deal Go Down [Earl Scruggs/Charlie Poole]” 3. “Blue Monk [Thelonious Monk]” 4. “Jack of Diamonds [Tommy Jerrell]” 5. “Shake Sugaree [Elizabeth Cotten]” 6. “Sweet Baby James [James Taylor]” 7. “I’ve Endured [Ola Belle Reed]” 8. “Your Lone Journey [Doc Watson]”

(1500 available)

Richard Thompson – “The Cold Blue: Original Motion Picture Score”
The Cold Blue is a 2019 documentary that focuses on footage shot directly from bomber planes during WWII with narration from surviving members of the 8th infantry. Richard Thompson wrote and arranged the score to the movie, and its released on vinyl for the first time everas a double blue 180g vinyl set, with a worldwide pressing of 1500.

1. “The Cold Blue” 2. “The Cold Blue Part 2” 3. “No Tomorrow” 4. “Fresh Eggs” 5. “A Sudden Boom” 6. “Family” 7. “Tremendous Workers” 8. “Beautiful Sight” 9. “Beautiful Ship” 10. “Cold Air” 11. “Over There” 12. “Big Thunderstorm” 13. “Superstitious” 14. “Kill a Human” 15. “Red Flare” 16. “Just Germans” 17. “I’ll Be Seeing You” 18. “Family (Guitar Version)” 19. “The Cold Blue (Guitar Version)”

(1250 available)

Desperado: The Soundtrack

Like his buddy and occasional collaborator Quentin Tarantino, Robert Rodriguez is one of those film directors whose movies always come with incredible soundtracks. But it’s tough to top the array of music he assembled for his gun ‘n’ guitar-slinging western Desperado, the 1995 sequel to his breakthrough debut El Mariachi. Not only was the Desperado score composed and performed by the L.A. bands Los Lobos (whose performance of “Mariachi Suite” won a Grammy for Best Pop Instrumental Performance) and Tito and Tarantula (memorably seen the following year as the house band at the Titty Twister in Rodriguez’s From Dusk Till Dawn), but it also boasted contributions from Dire Straits, Link Wray, Carlos Santana, and the Latin Playboys among other artists. A blend of ranchera, Chicano, and garage rock, it’s the perfect accompaniment for the blood-soaked imagery of the film…and for this, the first vinyl release of the soundtrack, we at Real Gone Music have created the perfect visual accompaniment as well. For the gatefold jacket housing our 2 X LP set, we commissioned Illustrator Matt Ryan Tobin to create one-of-a-kind, never-to-be-reprinted illustrated artwork, a lyrical yet lurid tableau that was approved not just by Robert Rodriguez but also by all four actors depicted (Antonio Banderas, Salma Hayek, Steve Buscemi, and Joaquim de Almeida). Inside the gatefold, we designed two 4-color inner sleeves offering production stills from the film and pressed up 2500 copies in sultry “Blood & Gunpowder” vinyl. This pressing is exclusive for RSD Black Friday, and, again, both the jacket and the colored vinyl will never be reprinted…this might be the most collectible release we have ever created!

1. Los Lobos with Antonio Banderas “Canción Del Mariachi (Morena De Mi Corazón” 2. Dire Straits “Six Blade Knife” 3. Link Wray & His Ray “Jack the Ripper” 4. Latin Playboys “Manifold De Amour” 5. Latin Playboys “Forever Night Shade Mary” 6. Roger & The Gypsies “Pass the Hatchet” 7. Los Lobos “Bar Fight” 8. Tito & Tarantula “Strange Face of Love” 9. Los Lobos “Bucho’s Gracias/Navajas Attacks” 10. Los Lobos “Bulletproof” 11. Carlos Santana “Bella” 12. Salma Hayek “Quédate Aqui” 13. Los Lobos “Rooftop Action” 14. Los Lobos “Phone Call” 15. Tito & Tarantula “White Train (Showdown)” 16. Tito & Tarantula “Back to the House That Love Built” 17. Los Lobos “Let Love Reign” 18. Los Lobos “Mariachi Suite”

(1800 available)

Joni 75 A Joni Mitchell Birthday Celebration

On Joni’s 75th birthday, last November 7, a star-studded roster of musicians gathered to pay tribute to the legendary singer-songwriter. The evening was recorded and this vinyl release features performances by Brandi Carlile, Glen Hansard, Emmylou Harris, Norah Jones, Chaka Khan, Diana Krall, Kris Kristofferson, Los Lobos with La Marisoul, Cesar Castro & Xochi Flores, Graham Nash, James Taylor, Seal, Rufus Wainwright and more.

1. “Dreamland” –Performed by Los Lobos with La Marisoul, Xochi Flores & Cesar Castro
2. “Help Me” –Performed by Chaka Khan
3. “Amelia” –Performed by Diana Krall
4. “All I Want” –Performed by Rufus Wainwright
5. “Coyote” –Performed by Glen Hansard
6. “River” –Performed by James Taylor
7. “Both Sides Now” –Performed by Seal
8. “Our House” –Performed by Graham Nash
9. “A Case Of You” –Performed by Kris Kristofferson & Brandi Carlile
10. “Down to You” –Performed by Brandi Carlile
11. “Blue” –Performed by Rufus Wainwright
12. “Court And Spark” –Performed by Norah Jones
13. “Nothing Can Be Done” –Performed by Los Loboswith La Marisoul, Xochi Flores &Cesar Castro
14. “The Magdalene Laundries” –Performed by Emmylou Harris
15. “Woodstock” –Performed by James Taylor
16. “Big Yellow Taxi” –Performed by La Marisoul, James Taylor, Chaka Khan, and Brandi Carlile

(3000 available)

Tony Joe White – “That On The Road Look “Live”

The only live album recorded at Tony Joe White’s peak…and it’s never been available at retail before. Recorded in the fall of 1971 while TJW was opening for Creedence Clearwater Revival, this show became the proverbial “legendary lost live album,” and for good reason: Warner Bros. recorded the concert on multitrack tape, fully intending it to be released. But for some reason lost to the mists of time, the album never came out until Rhino Handmade released it on CD in 2010 via their website. Which means it never went to regular retail at all in any format, and that’s a real shame, because you could make a good argument that it’s the best Tony Joe White album of ’em all, with a set list to die for, a great band (featuring Duck Dunn on bass), pristine fidelity, and plenty of Swamp Fox attitude. This exclusive RSD Black Friday white vinyl pressing comes inside a gatefold jacket featuring a front cover cut-out displaying the art on one of two inner sleeves, with great liner notes by Ben Vaughn.

1. “Roosevelt and Ira Lee” 2.” A Night in the Life of a Swamp Fox” 3. “Rainy Night in Georgia” 4. “Mississippi River” 5. “Lustful Earl and the Married Woman” 6. “Willie and Laura Mae Jones” 7. “Back to the Country” 8. “Band Introduction” 9. “Traveling Bone” 10. “Stormy Monday” 11. “My Kind of Woman” 12. “Polk Salad Annie” 13. “That on the Road Look”

(1000 available)

Hank Williams – “The 1940 Recordings”

The songs featured on this RSD Black Friday 45 RPM 7” single catch Williams at age 18 on homemade recordings. Coupled with last year’s 7” release The First Recordings 1938, these two 7’s represent the earliest known recordings of Hank Williams. Newly restored and remastered by the Grammy-Award winning Hank Williams team!

A1) “Freight Train Blues” A2) “New San Antonio Rose”
B1)” St. Louis Blues” B2) “Greenback Dollar”

(2500 available)

Americana For All

carolina chocolate drops

I’ve been kicking around the ideas to address Giovanni Russonello’s “Why Is a Music Genre Called ‘Americana’ So Overwhelmingly White and Male?” i heard my mom’s advice in m mind,
“just walk away from the stupid.” Part of it was my dad’s voice “Teach ’em a lesson.” i’ve decided to go with dad on this one.

Russonello’s piece frames the recent six-week “Americanarama” tour to argue that the tour’s roster, which included Bob Dylan, Wilco, My Morning Jacket and Ryan Bingham – represents a larger cultural exclusion rampant in the genre.

Setting aside the argument that the “Americanarama” bill does not really represent the contemporary Americana genres, let’s address the premise of “Overwhelmingly White and Male”

Early country, folk and bluegrass have generally appealed to a predominantly anglo audience. Partly because many of the songs are from European source material performed by mostly white people. The trend in these genres have mapped closely to the trends in American society in general and, as opportunities have arisen, woman and people of color have stepped up to represent their unique take on the music.

The difference is that Americana proper (and it’s cousin alt.country) have never been exclusionary.

It’s introduction into popular culture came in the 80’s as MTV gave us the L.A. cow punk band Lone Justice , featuring the gritty soul of Maria McKee, and their “Ways to be Wicked” and “Sheltered videos in rotation with Jason and the Scorchers and The Georgia Satellites on the 24- hour feed.

At the same time kd Lang and Roseanne Cash joined Steve Earle, Dwight Yoakam and Lyle Lovett in shaking up Nashville.

Soon after bands like The Meat Purveyoyers, Freakwater , Neko Case, Gillian Welch, the Cowboy Junkies, Hem, Tarnation – all bands prominently featuring female artists – laid the groundwork for Americana.

An allum of the watershed “O Brother where art thou” roster, Alison Krauss, has the enviable honor of having won the most Grammys by a female artist with twenty-seven (!)

Hardly the good-old boys club that article paints for the genre.

Then there’s this:

“… if an art form is going to name itself after this country, it should probably stop weatherproofing itself against America’s present-day developments. And it hardly seems like enough to say you’re carrying on the legacies of black gospel and blues if the performers and listeners venerating them are almost all white.”

The claim that Americana is “carrying on the legacies of black gospel and blues” is specious. True, some artist incorporate gospel and blues within their style, to say that Americana is carrying on the legacy of those sage musical genres is insulting to these thriving genres and their decades of practitioners.

And the argument that since the genre appeals to a particular segments of the population signifies that genre exclusion of others is ridiculous. Much of music is self-identity. If a segment of society don’t see themselves in the performers and their stories it follows that they wouldn’t be compelled to buy the music or attend the shows. Early hip-hop was a primarily African -American cultural phenomenon which has now transcended. As for as I know on one was accusing hip-hop of excluding anglos.

Just as people of color have taken different roads to Americana, and have contributed to it’s evolution. Los Lobos and Alejandro Escovedo bring a uniquely chicano take to the music. The Carolina Chocolate Drops and newcomer Valarie June have infused the genre with African-American string-band and folk-soul influences receptively.

Russonello places Dylan as the “the father of Americana” (I would argue Gram Parsons or Townes Van Zandt) and then points to the current shining light, Jason Isbell, as not heading the lessons of Dylan and providing anything “new.” The argument could be made that Dylan at the beginning of his career, as Isabell still is, brought nothing that hadn’t already been done by Guthrie and Seeger. Russonello then makes the case that “Music gets its power from a keen, contemporary perspective” and then “it feels facile to let this one strain of yellow-page nostalgia represent it.”

This is just lazy. Though the form, the music and singing styles harken back to a yesteryear , topics are either contemporary, like Isbell, Todd Snider and Steve Earle or dealing with the great human truths – love, hate, death – that transcend any time period.

Though the article does a serviceable job of tracing roots music’s trajectory thorough time, the conclusion shows a bias of the writer. Anything this white and male met be a conspiracy..

Americana does reflect an idealized notion of the the past (as Americans are prone to do,) but to confuse the predilections of subjective taste enjoyed by some as a kind of organized Jim Crow-style musical segregation insults a music and musicians that I celebrate daily. It also, ironically, displays a type of bigotry that all cultural forms must undergo some forced, artificial desegregation toward some imagined moral purity.

Let freedom twang!

Americana Association Music Awards 2012


It was another night when the disciples of roots music congregated within the hallowed walls of the Mother Church of Country Music, and the Ryman Auditorium, to homage to that which ties us together and makes us whole. Music.

The evening got off to a funk – soul start as Buddy Miller and the house band turned up the heat on Lifetime Achievement Award for Instrumentalist recipient Booker T Jones’ Green Onions. Drive-By Truckers front man Patterson Hood presented Jones with award recounting the DBT backing him on the Grammy winning “Potato Hole” and recognizing the legendary musician and producer for his contributions to the Stax Records and Memphis soul music sound.

“It means so much to me to receive this award, and it’s especially good to receive it from Patterson, I am so honored to accept this award in such great company. It really touches me.”

Bonnie Raitt presented the Lifetime Achievement Award for Songwriting and guitarist extraordinaire Richard Thompson. Thompson’s songs have been recorded by The Del McCoury Band, Robert Plant, Los Lobos, Elvis Costello, Blind Boys of Alabama, REM, Linda Ronstadt, Buddy & Julie Miller and Raitt herself.

Thompson, a Brit, said “I know we’ve had our differences, and especially that whole 1776 thing. But we do share a love of the folk music from the old country.” It Then broke into a sizzling version of his Vincent Black Lightning.

Raitt herself received the Lifetime Achievement for Performance, presented to her by by singer/songwriter John Hiatt who’s song “Thing Called Love” was a big hit for her when she covered it on her “Nick of Time” album.  “I am proud to have an umbrella like Americana. Who cares what kind of music it is, if it is great music. Tonight we are putting aside generations and genres to celebrate roots music.”

Peter Cooper and Lee Ann Womack ‘s performance of Song of the Year nominated ” I Love” – Album from the Songs of Fox Hollow children’s album – was rendered even more eventful by a surprise appearance by the 76 year-old icon.

The greatest moment for me was an appearance by the legendary Guy Clark. The tribute This One’s For Him: A Tribute to Guy Clark – produced by Tamara Saviano and Shawn Camp- won album of the Year. The noticeably frail Clark performed a song dedicated to his recently deceased wife Susanna, and “My Favorite Picture of You.”

Jason Isbell and the 400 Unit snagged Song of the Year honors for “Alabama Pines.” Gillian Welch was named Artist of the Year, while The Civil Wars took home Duo/Group honors (and I won another bottle of whiskey from John Paul White!) Alabama Shakes were presented the Emerging Artist award and David Rawlings was named Musician of the Year.

Jim Lauderdale again was the perfect MC for the televised live event which moved at a more clipped pace than past years.

Excellent performances by Justin Townes Earle, Robert Ellis, The Mavericks, the Punch Brothers, Casey Chambers, Shane Nicholson, Hayes Carll, Cary Ann Hurst and the Carolina Chocolate Drops drew from the historic surroundings and often brought the crowd to their feet.

The evening closed with many performers joining by Emmylou Harris to pay tribute to the late Levon Helm, led by his daughter Amy Helm, who in a rousing version of The Band’s “The Weight.”

Nominations for the 53rd GRAMMY Awards

The National Academy of Recording Arts and Sciences (NARAS) announced the nominees for the 53rd Annual Grammy Awards (to be held February 13th, 2011.) Here listed are the nominees in the Americana, Roots categories as well as similar artists in other categories (for a full list of nominees ho the Grammy.com)  Any surprises? Who’s missing?

BEST AMERICANA ALBUM
Rosanne Cash – The List
Los Lobos – Tin Can Trust
Willie Nelson – Country Music
Robert Plant – Band of Joy
Mavis Staples – You Are Not Alone

BEST BLUEGRASS ALBUM
Sam Bush – Circles Around Me
Patty Loveless – Mountain Soul II
The Del McCoury Band – Family Circle
Peter Rowan Bluegrass Band – Legacy
The Steeldrivers – Reckless

BEST TRADITIONAL FOLK ALBUM
Carolina Chocolate Drops – Genuine Negro Jig
Luther Dickinson & the Sons of Mudboy – Onward and Upward
The John Hartford Stringband – Memories of John
Maria Muldaur – Maria Muldaur & Her Garden of Joy
Ricky Skaggs – Ricky Skaggs Solo: Songs My Dad Loved

BEST CONTEMPORARY FOLK ALBUM
Jackson Browne & David Lindley – Love Is Strange – En Vivo Con Tino
Mary Chapin Carpenter – The Age of Miracles
Guy Clark – Somedays the Song Writes You
Ray LaMontagne and the Pariah Dogs – God Willin’ & the Creek Don’t Rise
Richard Thompson – Dream Attic

BEST COUNTRY INSTRUMENTAL PERFORMANCE
Cherryholmes – “Tattoo of a Smudge”
The Infamous Stringdusters – “Magic #9”
Punch Brothers – “New Chance Blues”
Darrell Scott – “Willow Creek”
Marty Stuart – “Hummingbyrd”

Other Americana/roots/indie/alt/whatever artists nominated in assorted other categories:

  • Dailey & Vincent – “Elizabeth” (Best Country Performance by a Duo or Group with Vocals)
  • Dierks Bentley – Up on the Ridge (Best Country Album)
  • Dierks Bentley, Miranda Lambert & Jamey Johnson – “Bad Angel” (Best Country Collaboration with Vocals)
  • Dierks Bentley, Del McCoury & the Punch Brothers – “Pride (In the Name of Love)” (Best Country Collaboration with Vocals)
  • Ryan Bingham & T. Bone Burnett – “The Weary Kind” from Crazy Heart (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Johnny Cash – “Ain’t No Grave”/ The Johnny Cash Project (Best Short Form Music Video)
  • Crazy Heart (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Steve Earle – “I See You” from Treme (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Patty Griffin – Downtown Church (Best Traditional Gospel Album)
  • Buddy Holly – Not Fade Away: The Complete Studio Recordings and More (Best Historical Album)
  • Elton John & Leon Russell – “If It Wasn’t for Bad” (Best Pop Collaboration with Vocals)
  • Jamey Johnson – “Macon” (Best Male Country Vocal Performance, Best Country Album for The Guitar Song)
  • Miranda Lambert – “The House That Built Me” (Best Female Country Vocal Performance, Best Country Song, Best Country Album for Revolution)
  • Ray LaMontagne – “Beg, Steal, or Borrow” (Song of the Year)
  • Los Lobos – “Do the Murray” (Best Rock Instrumental Performance)
  • Mumford & Sons – “Little Lion Man” (Best Rock Song, Best New Artist)
  • Tom Petty & the Heartbreakers – Mojo (Best Rock Album)*The Steeldrivers – “Where Rainbows Never Die” (Best Country Performance by a Duo or Group with Vocals)
  • Robert Plant – “Silver Rider” (Best Solo Rock Vocal Performance)
  • Pete Seeger with the Rivertown Kids and Friends – Tomorrow’s Children (Best Musical Album for Children)
  • Ricky Skaggs – Mosaic (Best Pop/Contemporary Gospel Album)
  • George Strait – “The Breath You Take” (Best Country Song)
  • Marty Stuart & Connie Smith – “I Run to You” (Best Country Collaboration with Vocals)
  • Treme (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Hank Williams – The Complete Mother’s Best Recordings…Plus! (Best Historical Album)
  • Lucinda Williams & Elvis Costello – “Kiss Like Your Kiss” from True Blood (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Neil Young – “Angry World” (Best Solo Rock Vocal Performance, Best Rock Song, Best Rock Album for Le Noise)

Neal McCoy, Linda Davis and Michael Martin Murphey are 2009 Texas Country Music Hall of Fame Inductees

  • Billboard.com posts on the South-By-Southwest tribute to Texas music legend Doug Sahm which featured performances by Jimmie Vaughan, the Gourds, Dave Alvin and Sarah Borges & the Broken Singles, Los Lobos, Delbert McClinton, Charlie Sexton, Little Willie G, Terry Allen and a collaboration between Joe “King” Carrasco and the Texas Tornados.
  • Two native East Texans are among three country music artists destined for the Texas Country Music Hall of Fame. Jacksonville native-turned-Longview resident Neal McCoy will join Panola County native Linda Davis and western singer-songwriter Michael Martin Murphey as 2009 inductees into the hall of fame. The hall of fame show is scheduled for 7 p.m. Aug. 15 at the Texas Country Music Hall of Fame facility, 300 W. Panola St. in Carthage.
  • From Country Standard Time:  Willie Nelson has postponed six tour dates due to illness, according to his web site. The illness was not specified.  Postponed dates were March 17 in Lake Buena Vista, Fla.; March 18 in Melbourne, Fla., March 19 in Panama City, Fla., March 20 in Choctaw, Miss., March 21 in Marksville, La. and March 22 in Springdale, Ark.
  • Famed moonshiner Marvin “Popcorn” Sutton died at the age of 61 at the his Parrotsville, Tennessee home. He allegedly committed suicide by inhaling carbon monoxide in an old Ford Fairlane he kept in a barn on his property  a few days before serving an 18-month sentence in Federal Prison for illegally brewing spirits and possessing a firearm as a felon. Read Johnny Knoxville’s fitting post here.

JD Wilkes Side Project – The Dirt Daubers

Jessica Cassyle Carr at Alibi.com holds a Q&A with Denver based former 16 Horsepower frontman and current Gothic Americana singer/songwriter David Eugene (aka Wovenhand.)

The Arizona Daily Star gives us a peak at the A-list alt.country artist packed tribute album for the Hacienda Brothers leader Chris Gaffney. Joe Ely, Los Lobos, Dave Alvin, Tom Russell, James McMurtry, Robbie Fulks, John Doe, Dave Gonzales and members Calexico and more  appear. The Hacienda Brothers‘ final album, “Arizona Motel,” came out last June, two months after Gaffney’s death.

I’m a huge fan of the Psychobilly/Gothic sideshow that is Th’ Legendary Shack Shakers so I was pleased that LeighAbsinthia over at the Hank III cussin’ board brought to my attention JD Wilkes roots music side project, along with his wife Layne Hendrickson. Ladies and gentleman I bring you The Dirt Daubers.

The Dirt Daubers – “Sugar Baby”

[youtube]http://www.youtube.com/watch?v=PFVy9R3UsCA[/youtube]

Yallwire Hank III Contest

  • Yallwire, Sidewalk Records, and Epiphone are giving fans a chance to win the Damn Right Rebel Proud Prize pack featuring an Epiphone Guitar, Custom III Sector 9 Skate Deck, New Album from Hank III Damn Right Rebel Proud on limited edition Vinyl & CD.
  • No Depression reports a March 24 release of Keep Your Soul: A Tribute To Doug Sahm on Vanguard Records. Some of the artists coerting the legendary Texas musician is Los Lobos, Alejandro Escovedo, Dave Alvin, Delbert McClinton, Charlie Sexton, the Gourds, Jimmie Vaughan, Terry Allen (with Joe Ely), Greg Dulli, Freda & the Firedogs, Joe “King” Carrasco with the Texas Tornados, and Doug’s son Shawn Sahm (teaming with Doug’s longtime bandmate Augie Meyers). The disc’s tracks cover all periods of Sahm’s career, from the heyday of the Sir Douglas Quartet to Sahm’s solo outings and up through his later tenure in the Texas Tornados.
  • The Americana Music Association now has an Amazon storefront featuring lots of alt.country, roots and yes, Americana goodies just in time for Christmas. stock up kids, those CDs won’t buy themselves!