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Posts Tagged ‘T-Bone-Burnett’

Quick Shot – Lisa Marie Presley – “You Ain’t Seen Nothin’ Yet

03 May

As a singer Lisa Marie Presley has a shadow cast across her longer than most.Being the offspring of the man that spearheaded an entire genre has got to be a daunting challenge even for the most daring soul.

When she’s not spending her time as a Humanitarian for child literacy and tabloid subject (cough,,..Micheal Jackson..cough) she occasionally makes music much of which has been forgettable pop-rock fluff.

Presley’s upcoming effort, “Storm & Grace” is being touted as “…album she was born to make – a raw, powerful country, folk and blues collection that finds her embracing her Southern roots and family name,” ( Rolling Stone) Well, with T Bone Burnett producing she certainly hired the right man to shepherd her into this land of pastoral rebirth.

You Ain’t Seen Nothin’ Yet” is the first single from the album and like a “haven’t we seen this movie before” moment. With it’s moody swamp-guitar reverb vibe the song bears a striking resemblance to the cover of Li’l Millet and his Creoles’ “Rich Woman” by a disciple of Presley’s daddy, Robert Plant, on 2007′s Raising Sand. As readers know this was also a T Bone Burnett production.

Presley sounds confident with her husky if limited delivery and the song is good , if not groundbreaking.  That said, I look forward to hearing the rest of the album and ushering in another member of the Americana music family.

 

Twang Nation Podcast Episode 4

16 Jan
Here it is folks, the first Twang Nation Podcast for 2012. This episode features cuts from upcoming albums by Justin Townes Earle,  Shooter Jennings, The White Buffalo, James Low Western Front, Darrell Scott as well as excellent cuts from current releases by Charlie Parr, Mississippi Live & The Dirty Dirty and Liz Frame And The Kickers. On the occasion of his birthday I have included a song by the man that amounts to the patron saint of the Americana genre T. Bone Burnett conclude the episode.
I hope you all enjoy the music featured in this and all the podcasts I bring you and hope you seek out the musicians and buy their music, merch and , most importantly, take all your friends and see them live. Remember you can leave requests or feedback below or email me at baron(at)twangnation(dot)com.
1. Justin Townes Earle – Song:  Nothing’s Gonna Change The Way You Feel About Me Now – Album: Nothing’s Gonna Change The Way You Feel About Me Now  (Bloodshot Records)
2. Charlie Parr – Song: God Moves on the Water – Album: Keep Your Hands On The plow (Independent)
3. The White Buffalo – Song:  How the West Was Won  Album: Victims, Enemies, & Old Friends  (Unison Music Group)
4. Lincoln Durham – Song:  Love Letters –  Album: The Shovel vs. The Howling Bones (Independent)
5 Shooter Jennings – Song: The Deed and the Dollar Album: Family Man (Entertainment One)
6. James Low Western Front – Song: Thinkin’ California – Album: Whiskey Farmer  ( Union made Records)
7. Mississippi Live & The Dirty Dirty  – Song: The Devil Lives In The T.V.  – Album: Way Down Here (Independent )
8. Liz Frame And The Kickers – Song: God Doesn’t Like His Women Left Alone  – Album: first full-length “Sooner” (Air Age Sound Records)
9. Darrell Scott  - Song: Hopskinville – Album: Long Ride Home (Full Light)
10. T. Bone Burnett - Song: Primitives - Album: Criminal Under My Own Hat (Sony)

 

Worlds Collide – Taylor Swift with The Civil Wars “Safe & Sound” from The Hunger Games Soundtrack

27 Dec

Though her discography to date isn’t my shot of hooch I do respect Taylor Swift’s work ethic and spirit for her craft. I moved closer to the Taylor camp when I came across her heartfelt cover of Mumford & Sons White Blank Page Cover for the BBC Radio 1 Live Lounge. This morning while perusing the Interwebs I came across Swift’s cut for the upcoming The Hunger Games Soundtrack. Safe & Sound has Swift engaging one of her favorite bands, The Civil Wars, to tap into her inner Tori Amos covering what sounds like an outtake from the Civil War’s Grammy nominated Barton Hollow. Yes, that’s a a compliment. With T Bone Burnett producing the track we have full Music City/Americana worlds colliding.

It’ll be interesting to see how the imagined Americana gate-keepers welcome this collaboration from one of their chosen and an outsider trespassing in sacred ground. I wonder if they will heap scorn on this crass, commercial interloper or if they are just saving of of their venom for Linda Chorney.

 

News Round Up: Jimmie Dale Gilmore Premiers Heirloom Music

10 Mar
  • Jimmie Dale Gilmore and Hardly Strictly Bluegrass fans take note! Texas’ Americana music legend  Jimmie Dale Gilmore waxes philosophic on what is wrong with country music today. Gilmore’s upcoming release was done with Hardly Strictly Bluegrass benefactor Warren Hellman, and his band the Wronglers. The album is a collection of vintage Nashville classics entitled Heirloom Music, which they’ll be premiering at Slim’s in San Francisco on Sunday3/10/11  afternoon.
  • On March 17 “Americana @ The Bluebird Cafe” show will focus on the rock side of Americana, with performances from Webb Wilder, Brad Jones and Hans Rotenberry. Tickets for the 9 p.m. show are $20, available through bluebirdcafe.com beginning at 8 a.m. on March 10, and all proceeds will go to the Americana Music Association. Also planned for this month are two more “Americana @ The Bluebird Cafe” shows: Shelby Lynne and Allison Moorer will perform on March 22, and there’ll be a Jerry Douglas & Friends concert March 24th.
  • In support of his latest solo effort, the T Bone Burnett produced Low Country Blues, Gregg Allman has announced a solo tour that will launch April 19th in North Charleston, SC. For the first handful of dates, Allman will be joined by the Steve Miller Band. Allman will also be performing at several festivals this summer, including Bonnaroo and Nateva Music Festival. Press for Allman also indicates that he’ll be “back doing shows in late summer into the fall” as well.

 

GRAMMYs Night One – T. Bone Burnett

10 Feb

Of all the events I am covering for the GRAMMYS, this is the one I most looked forward to. Great time at the Producers & Engineer’s Wing 10th Anniversary Honoring T. Bone Burnett took place at the historic Village Recording Studio which since opening in the late 60’s has worked with The Allman Brothers, The Beach Boys, Johnny Cash, Ray Charles, Eric Clapton,Elvis Costello, The Doors, Bob Dylan, The Eagles, George Harrison, Elton John, Tom Jones, B.B. King, John Lennon, Little Richard, Ringo Starr, and many others. Built by the Freemasons in the 1920s, the building was originally a Masonic temple, then in the early 60s the building was used by Maharishi Mahesh Yogi.

This was , for an entertainment industry event, a relaxed one. The focus of the guests wasn’t on image or attitude, these were people focused on the sound. the board geeks that make the good sound great, the great sound timeless and the lame…well…there’s little hope even for these wizards. Making my way through the crowd I ran into Robbie Robertson (The Band), Ray LaMontagne (nominated for 3 GRAMMYS – Song Of The Year – “Beg Steal Or Borrow”, Best Contemporary Folk Album – God Willin’ & The Creek Don’t Rise and Best Engineered Album, Non-Classical)

The event to celebrate Burnett was christened “Shaken Rattled & Rolled” and the slide shows around the event showed how extensive his career has been as a producer, engineer and a musician. After brief comments by Senior Executive Director Maureen Droney and Co-Chair James McKinney there was a film celebrating the Producers & Engineer’s Wing of the GRAMMYS and their commitment to documenting and preserving historic and contemporary recorded media.

Then after a recording introduction by Elton John (“greatest producer working today, run away with me!”) and Leon Russell (“I’m not sure what this award is for be this man deserves it!”) Burnett hit the stage to loving applause. The gist of his speech was that the sound he’s famous for championing, warm analog, has a a place in current recording as well as a future. And  that “the recording industry made a mistake when they started making music for people that don’t like music. ” Burnett then introduced his latest proteges, The Secret Sisters and they serenaded the happy crowd late into the night. Thanks to my companion GRAMMYs Country Music blogger Meesa from 365 Days of Country Music.

 

News Round Up: Steve Earle Talks “I’ll Never Get Out Of This World Alive”

24 Jan
  • Steve Earle talks to Billboard about his upcoming T Bone Burnett produced album I’ll Never Get Out Of This World Alive (titled from Hank Williams’ posthumous single) featuring Nickel Creek’s Sara Watkins and, his novel of the same name and working on HBO’s ‘Treme.
  • Punk honky-tonk sweethearts Those Darlins are set to release their sophomore album, Screws Get Loose, on March 29. Ahead of that they are releasing a vinyl 7-inch featuring album tracks Be Your Bro and Let U Down on Feb 1st. The Murfreesboro-bred band will be test-driving  songs from the album on a long run of dates that keeps them busy into June, performing alongside Dallas alt-country rockers Old 97′s and rising blues-rock outfit Black Joe Lewis & the Honeybears.
  • Country music  legends George Jones, Oak Ridge Boys, Charlie Daniels, Josh Turner, Heidi Newfield, Chuck Wicks, Jack Ingram and many more are participating on The Boot Campaign to help Americans give back and say thanks you to the armed forces.
  • The New York Times talks to Wanda Jackson about her storied career as the queen of rockabilly and her new Jack White produced album The Party Ain’t Over.

[youtube]http://www.youtube.com/watch?v=HoAQz4KLa2g&feature=fvst[/youtube]

 

News Round Up: T Bone Burnett Produced Steve Earle Album Forthcoming

09 Jan
  • I was on the fence about seeing the upcoming Gwyneth Paltrow movie Country Strong but after reading that Hayes Carll was tapped for some of the music (SFGate) for the soundtrack I might have to know. Or at least listen to the soundtrack…(btw, Happy Birthday to Hayes Carll!) UPDATE – Neal Casal (Ryan Adams and the Cardinals) is also in Country Strong. The Americana mojo is strong in such a Music City flick.
  • T Bone Burnett produced the Steve Earle song “This City, ” which plays during the closing credits tune for HBO’s Treme, a drama set in the Treme district of New Orleans which in which Earle plays the character of Harley, a local folk musician who is forming a Cajun band to back him on a tour. The song will appear on Earle’s upcoming album which will be also be produced Burnett, and has been described by Earle as his “most country album to date.”
  • This video was sent to me and when I saw it the singer looked and sounded familiar to me. Then it hit me, It’e Kendel Carson. I met her in Nashville when she was doing work with Chip Taylor. This is a Canadian band Belle Starr, a band Carson is now a member of, along with Stephanie Cadman & Miranda Mulholland, covering a fellow Canadian Fred Eaglesmith.

[youtube]http://www.youtube.com/watch?v=jFkYk3kh0HY&feature=player_embedded[/youtube]

Hayes Carll

 

No More Kings

19 Dec

The other day I     saw a tweet from  the American Songwriter site a story title that caught my eye, like many of the tweets from excellent @AmerSongwriter. Writer Austin L. Ray story on Robert Plant and his new musical venture Band of Joy “The Unlikely King Of Americana.” It’s an excellent take on how a once rock-god followed his muse from the amped-up Blues side of the tracks to where the American genre flourishes wild.

Though it is a great story of a learned musical journeyman I take exception to the title of the piece. Please allow be to indulge the petty grievance of a genre blogger.

My first quibble is with the method of Americana regal ascendancy. Plant was not born into a legacy of Americana lineage, like say Rosanne Cash or Justin Townes Earle, that would align him in a place in whatever a genre monarchy we might imagine. So his crown must be earned.  Putting aside the concept of a violent coup I will focus on the work to goal.

Granted Plant has released two excellent Americana albums, Raising Sand and the current Band of Joy, and Led Zeppelin sometimes infused their sound with an Americana  spice (Black Country Woman and Bron-Y-Aur Stomp are great examples of this) his body of original Americana material is scant. Aside from the few Zeppelin pieces, Raising Sand and Band of Joy are comprised primarily of covers. Though excellently interpreted; these covers do not mount an argument toward an Americana crown
.
If we weigh personal legacy and quality, original material a list to regal ascendancy would be long – Johnny Cash, Steve Earle, Marty Stuart, John Mellencamp, Gram Parsons, Townes Van Zandt etc. And why not a queen? Emmylou and Lucinda come to mind. And it’s not a Nativism issue. I believe Plant’s fellow English countrymen Elvis Costello and Richard Thompson have more of a right to any imagined throne.

Like America itself the Americana genre is a work in progress. And like America many of the settlers in this new land are from another land – rock, country, folk, hip-hop – and the borders are porous and the genre is stronger for it. Not all of these emigres are going to be in simpatico.  Guy Clark fans may have very little in common with Hank Williams III fans, but the bloodline that ties them are there for those who take the time to look.

Jed Hilly, executive director of the Americana Music Association, when asked about Plant’s possible crowning is quoted as saying “Without question.” I have no argument with Hilly’s opinion on this. Hilly heads up a trade group who’s primary objective is to raise awareness. Plant, along with his well-chosen guides, Allison Krauss, T Bone Burnett and Buddy Miller and others as well as the excellent songwriters chosen to be included on his albums, has led to the addition of a an Americana GRAMMY (which I am fortunate to be covering this year) and brought significant awareness to the genre.

But as a blogger for the cause I take exception to this coronation, or in fact any coronation. Like America we serve under no crown but for the exceptional beauty of the music itself. But I do nominate Gram Parsons as it’s patron saint.

 

Nominations for the 53rd GRAMMY Awards

02 Dec

The National Academy of Recording Arts and Sciences (NARAS) announced the nominees for the 53rd Annual Grammy Awards (to be held February 13th, 2011.) Here listed are the nominees in the Americana, Roots categories as well as similar artists in other categories (for a full list of nominees ho the Grammy.com)  Any surprises? Who’s missing?

BEST AMERICANA ALBUM
Rosanne Cash – The List
Los Lobos – Tin Can Trust
Willie Nelson – Country Music
Robert Plant – Band of Joy
Mavis Staples – You Are Not Alone

BEST BLUEGRASS ALBUM
Sam Bush – Circles Around Me
Patty Loveless – Mountain Soul II
The Del McCoury Band – Family Circle
Peter Rowan Bluegrass Band – Legacy
The Steeldrivers – Reckless

BEST TRADITIONAL FOLK ALBUM
Carolina Chocolate Drops – Genuine Negro Jig
Luther Dickinson & the Sons of Mudboy – Onward and Upward
The John Hartford Stringband – Memories of John
Maria Muldaur – Maria Muldaur & Her Garden of Joy
Ricky Skaggs – Ricky Skaggs Solo: Songs My Dad Loved

BEST CONTEMPORARY FOLK ALBUM
Jackson Browne & David Lindley – Love Is Strange – En Vivo Con Tino
Mary Chapin Carpenter – The Age of Miracles
Guy Clark – Somedays the Song Writes You
Ray LaMontagne and the Pariah Dogs – God Willin’ & the Creek Don’t Rise
Richard Thompson – Dream Attic

BEST COUNTRY INSTRUMENTAL PERFORMANCE
Cherryholmes – “Tattoo of a Smudge”
The Infamous Stringdusters – “Magic #9″
Punch Brothers – “New Chance Blues”
Darrell Scott – “Willow Creek”
Marty Stuart – “Hummingbyrd”

Other Americana/roots/indie/alt/whatever artists nominated in assorted other categories:

  • Dailey & Vincent – “Elizabeth” (Best Country Performance by a Duo or Group with Vocals)
  • Dierks Bentley – Up on the Ridge (Best Country Album)
  • Dierks Bentley, Miranda Lambert & Jamey Johnson – “Bad Angel” (Best Country Collaboration with Vocals)
  • Dierks Bentley, Del McCoury & the Punch Brothers – “Pride (In the Name of Love)” (Best Country Collaboration with Vocals)
  • Ryan Bingham & T. Bone Burnett – “The Weary Kind” from Crazy Heart (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Johnny Cash – “Ain’t No Grave”/ The Johnny Cash Project (Best Short Form Music Video)
  • Crazy Heart (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Steve Earle – “I See You” from Treme (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Patty Griffin – Downtown Church (Best Traditional Gospel Album)
  • Buddy Holly – Not Fade Away: The Complete Studio Recordings and More (Best Historical Album)
  • Elton John & Leon Russell – “If It Wasn’t for Bad” (Best Pop Collaboration with Vocals)
  • Jamey Johnson – “Macon” (Best Male Country Vocal Performance, Best Country Album for The Guitar Song)
  • Miranda Lambert – “The House That Built Me” (Best Female Country Vocal Performance, Best Country Song, Best Country Album for Revolution)
  • Ray LaMontagne – “Beg, Steal, or Borrow” (Song of the Year)
  • Los Lobos – “Do the Murray” (Best Rock Instrumental Performance)
  • Mumford & Sons – “Little Lion Man” (Best Rock Song, Best New Artist)
  • Tom Petty & the Heartbreakers – Mojo (Best Rock Album)*The Steeldrivers – “Where Rainbows Never Die” (Best Country Performance by a Duo or Group with Vocals)
  • Robert Plant – “Silver Rider” (Best Solo Rock Vocal Performance)
  • Pete Seeger with the Rivertown Kids and Friends – Tomorrow’s Children (Best Musical Album for Children)
  • Ricky Skaggs – Mosaic (Best Pop/Contemporary Gospel Album)
  • George Strait – “The Breath You Take” (Best Country Song)
  • Marty Stuart & Connie Smith – “I Run to You” (Best Country Collaboration with Vocals)
  • Treme (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Hank Williams – The Complete Mother’s Best Recordings…Plus! (Best Historical Album)
  • Lucinda Williams & Elvis Costello – “Kiss Like Your Kiss” from True Blood (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Neil Young – “Angry World” (Best Solo Rock Vocal Performance, Best Rock Song, Best Rock Album for Le Noise)

 

Hardly Strictly Bluegrass – Friday Picks

01 Oct

If this years 10th annual Hardly Strictly Bluegrass is anything like last years it will be jammed with people. I guess the word got out that the best Americana and Roots music festival in the country was FREE!

As always there is no shortage of great live music to see, the only problem is getting from one of the 5stage to the other in time to see the. Sometimes an impossibility since performers like the Flatlanders, Steve Earle and Robert Earle Keen, are often playing opposite one another. What’s a Texan to do?!

Here’s my pass at who to see and when. There is some overlap or outright conflicts. i did this list believing that i could time travel and be at any stage at any time,blogger’s license. Look it up. Your mileage may vary so if this doesn’t lift your skirt head over to the Hardly Strictly Bluegrass and make your own damn list.

Fri Oct 1 (10:30am – Noon & 2pm – 7pm)

The early part of Friday on the Star stage PMW and MC Hammer will perform special educational program for local schools. My daughter is going to this. i hope she comes home singing “Can’t touch this.”

1:45 – Rooster Stage: Jerry Douglas w/ Omar Hakim & Viktor Krauss – A musician’s supergroup. Viktor Krauss (Lyle Lovett, Bill Frisell) on bass, Omar Hakim (Weather Report, Sting, Dire Straits) on drums and the man I consider the Jimi Hendrix on the Dobro Jerry Douglas (Ray Charles, Phish, Dolly Parton, Paul Simon, Ricky Skaggs, Elvis Costello, and Johnny Mathis, performed on the O Brother, Where Art Thou? soundtrack)
2:00pm – Banjo Stage: The Ebony Hillbillies – billed as the “Only New York City Black String Band.” Being Gotham-based may may not sound like a ringing endorsement for mountain music but this group delivers.
2:45pm – Rooster Stage: Patty Griffin – Fresh from Robert Plant’s Band of Joy where Griffen is pure joy to watch. Will Percy make an appearance?
3:00pm – Banjo Stage: Blue Highway – This band is one of the only real Bluegrass bands on the three-day bill. even though the band if based in East Tennessee heir hot-shot Dobro player,Rob Ickes, is from the Bay Area. Represent!
5:45pm – Arrow Stage: the subdudes – New Orleans’ R&B swamp boogie at its finest.
5:45pm – Rooster Stage: T Bone Burnett Feat. Punch Brothers & Special Guests Karen Elson and The Secret Sisters -  The reigning Americana producer brings a stripped-down version of his Talking Clock Review to the HSB stage.