Music Review: “Divided & United: The Songs of The Civil War” – Various Artists [ATO Records]

Divided & United: Songs of the Civil War

One of he bloodiest periods in American history, the Civil War (or the War of Northern Aggression as it’s often referred to south of the Mason/Dixon,) left deep and lingering cultural wounds in the nation’s psyche. These scare are often picked at by the ignorant, the malicious and those depraved enough to exploit them for power.

It’s said that music as a healing and uniting force. I believe it can be. Like Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken, Movie soundtrack producer Randall Poster’s “Divided and United – Songs of the American Civil War” beings together generations of country and roots musicians to interpret’s songs from both sides of the conflict.

Legends abound on “Divided and United.” Loretta Lynn’s take on “Take Your Gun and Go, John” is a stark with Lynn’s accompanied by banjo and fiddle. Her Southern lilt put an odd twist on this popular Union call to arms.

Del McCoury and Ricky Skaggs conjure bluegrass magic on the lost love lament “Lorena” and the bloody tale of brothers-in-arms “Two Soldiers,” respectively.

New blood represents the past equal aplomb. Sam Amidon’s gives a spirited performance on Joseph Philbrick Webster’s 1860 composition “Wildwood Flower” and new Opry inductees Old Crow Medicine Show give passionate performance on the globally popular “Marching Through Georgia,” though their double-time conclusion would have troops marching right past their destination.

Dirk Powell and Steve Earle trade off dutifully on the “Just Before the Battle, Mother Farewell, Mother” and makes me wish that Earle would tackle more music in this vein. Vince Gill’s expressive voice brings out the innate melancholy of a drummer boy fatally wounded at the Battle of Gettysburg on “For The Dear Old Flag, I Die.”

Charleston duo Shovels & Rope give a woozy ramshackle rendition of, naturally, “The Fall of Charleston.” John Doe’s cajun flair to “Tenting on the Old Camp Ground” and it’s ground-level account of loss and battle.

A collection like this wouldn’t be complete without the presence off T Bone Burnett, But instead of his usual shepherding of the effort he lends his halting voice to recounting the single bloodiest event in American history on “The Battle of Antietam.”

In many ways “Divided and United” tills the same ground as Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken.” Ages-old, deeply rooted, American music draws together generations in common reverence and celebration. This wonderful collection has the added dimension of addressing past scars and bringing just a little humility, understanding and empathy.

Buy

Steve Earle, Loretta Lynn, Shovels & Rope, Dolly Parton and Others Featured On Commemorative Civil War Tribute Album

ATO Records

Now this is something special.

This fall, ATO Records, and music supervisor Randall Poster (‘Moonrise Kingdom,’ ‘Boardwalk Empire,’ ‘Rave On Buddy Holly’) will release ‘Divided & United,’ a two-disc set of Civil War songs freshly interpreted by lends and newcomers of country, bluegrass, folk and Americana like Contributions from Old Crow Medicine Show, A.A. Bondy, Taj Mahal, T. Bone Burnett, Ashley Monroe, Steve Earle, Shovels & Rope, Dolly Parton, Cowboy Jack Clement and others (No, The Civil Wars oddly not represented)

The collection celebrates music deeply rooted in American history in tribute to the 150th anniversary of the Civil War. Fresh interpretations of period parlor songs, spirituals, abolition and minstrel numbers. the songs hold a mirror to the past and explores themes of race, identity and reconciliation while reflecting contemporary issues.

Loretta Lynn’s rendition of “Take Your Guns and Go, John,” (below) is a beautifully spare, earnest version of the traditional detailing a man off to war.

“I had such a great time recording this song for this album,” Lynn tells Rolling Stone. “I loved the song and sound of that banjo, played by Bryan Sutton, made me feel I was back on the front porch in Kentucky where I came from. Glad to be a part of this record.”

‘Divided & United’ also features an essay by noted musician, filmmaker and historian John Cohen, who writes: “This record aspires to erase the legacy of segregation and through music seeks reconciliation instead, in order to celebrate a great musical heritage of America, born in pain, war and prejudice.”

Disc 1
1. Take Your Gun and Go, John – Loretta Lynn
2. Lorena – Del McCoury
3. Wildwood Flower – Sam Amidon
4. Hell’s Broke Loose In Georgia – Bryan Sutton
5. Two Soldiers – Ricky Skaggs
6. Marching Through Georgia – Old Crow Medicine Show
7. Dear Old Flag – Vince Gill
8. Just Before the Battle, Mother/ Farewell, Mother – Steve Earle and Dirk Powell
9. The Fall Of Charleston – Shovels & Rope
10. Tenting on the Old Campground – John Doe
11. Day Of Liberty – Carolina Chocolate Drops
12. Richmond Is a Hard Road to Travel – Chris Thile and Michael Daves
13. Two Brothers – Chris Stapleton
14. The Faded Coat Of Blue – Norman Blake, Nancy Blake and James Bryan
15. Listen to the Mockingbird – Stuart Duncan feat. Dolly Parton
16. Kingdom Come – Pokey Lafarge

Disc 2
1. Rebel Soldier – Jamey Johnson
2. The Legend of the Rebel Soldier – Lee Ann Womack
3. The Mermaid Song – Jorma Kaukonen
4. Dixie – Karen Elson with Secret Sisters
5. The Vacant Chair – Ralph Stanley
6. Hard Times – Chris Hillman
7. Down By the Riverside – Taj Mahal
8. Old Folks at Home/ The Girl I Left Behind Me – Noam Pikelny & David Grisman
9. Secesh – The Tennessee Mafia Jug Band
10. The Battle of Antietam – T Bone Burnett
11. Pretty Saro – Ashley Monroe
12. Aura Lee – Joe Henry
13. Johnny Has Gone for a Soldier – AA Bondy
14. When Johnny Comes Marching Home – Angel Snow
15. Battle Cry of Freedom – Bryan Sutton
16. Beautiful Dreamer – Cowboy Jack Clement

Hardly Strictly Bluegrass Festival 2012 Lineup

The upcoming Hardly Strictly Bluegrass Festival, the 12th annual and the first after the passing of benefactor and spiritual leader Warren Hellman, continues a practice it began last year by teasing us with audio hints to reveal it’s roster.

It’s a fun undertaking that social media helps to uncover the more obscure performers. Once the audio mystery has been solved you find HSB 12, as as it has in recent years, offers a stellar roster of roots and Americana performers with the occasional current rock favorites (Heartless Bastards) and baby boom indy darlings (Patti Smith, Nick Lowe.)

These latter, I’m assured when bemoaning the Americana acts that could have filled the slots, put the “Hardly Strictly” in Hardly Strictly Bluegrass. Personally I’d put The White Buffalo (The White Buffalo is now on the bill!) or Corb Lund in any of their places.

As mentioned HSB 12 is the first Hardly Strictly since the festival benefactor Warren Hellman passed away December of last year. Hellman made his bones in private equity investing and, in the truest form of benevolence and love of music (that I share) funded the free festival out of his own pocket every year since its inception, I’ve been told that his will has provided for the event’s continued funding for at least a decade after his death.

The beautiful stretch of Golden Gate Park where the festival’s 5 stages are erected had it’s name changed from Speedway Meadow to Hellman Hollow in tribute.

The festival’s being a free event has led to serious overcrowding the last few years to the point where moving from stage to stage has become a chore and, on hotter days, a risky endeavor. Most of my my friends pick=jk a stage with the roster they most prefer and settle in with a blanket and cooler.

I spend the day braving the crowds and visiting these friends. After all, as an Americana music blogger it will not do to lay in the grass while Ralph Stanley or Buddy Miller echos from a distant stage.

Remember bring water, stay upwind from the weed, and leave your young children and pets at home, Especially on warmer days they don’t deserve the self-inflicted torture of the crowds.

Here’s to great music and here’s to Warren Hellman, a man I met briefly (and fittingly at the Ryman Theater in Nashville.) He was warm and gracious and his love for this music poured from him. Bless you Mr. Hellman and the legacy have left San Francisco. If you haven’t see it take a look at the archived Hellman tribute concert from Ocean Beach,

Here’s my best guess at the bill so far; Emmylou Harris has not been mentioned yet but as the sole performer that has been on the bill since the first HSB look for her addition.

Elvis Costello, Patti Smith, The Head and the Heart, Glen Hansard, Patty Griffin, Dwight Yoakam, The Lumineers, Nick Lowe, Heartless Bastards, Robert Earl Keen, Son Volt, Ralph Stanley, Lloyd Cole, Les Claypool, Todd Snider, Dirty Three, Dave Alvin, Rubblebucket, Sara Watkins, Buddy Miller, Jerry Douglas, The Milk Carton Kids, Del Mccoury, Soul Rebels Brass Band, Peter Rowan, The Chris Robinson Brotherhood, Laurie Lewis, Red Baraat, Giant Giant Sand, Little Green Cars, Chuck Prophet & The Mission Express, Tiny Television, The Wandering, Laurie Lewis And The Right Hands, Amanda Shaw & The Cute Guys, Mike Farris and the Roseland Rhythm Revue, Chuck Mead & His Grassy Knoll Boys, Tim O’brien Party of Seven, Time Jumper, Steve Earle and the Dukes (and Duchesses), The Go to Hell Man Clan, Patterson Hood & the Downtown Rumblers, Old Crow Medicine Show

Americana and Roots 54th Grammy Awards Nominees – 2012

The National Academy of Recording Arts and Sciences (NARAS) announced its nominees for the 54rd Annual Grammy Awards. I was pleased to see Americana and roots performers being nominated for some of the more prestigious awards like Record of the Year and Song of the Year. Below are nominees that fall into the Americana and roots category and other artists in other categories that might be of interest to readers of Twang Nation.

Best Americana Album
Emotional Jukebox – Linda Chorney
Pull Up Some Dust And Sit Down – Ry Cooder
Hard Bargain – Emmylou Harris
Ramble At The Ryman – Levon Helm
Blessed – Lucinda Williams

Best Folk Album
Barton Hollow – The Civil Wars
I’ll Never Get Out Of This World Alive – Steve Earle
Helplessness Blues – Fleet Foxes
Ukulele Songs- Eddie Vedder
The Harrow & The Harvest – Gillian Welch

Best Bluegrass Album
Paper Airplane – Alison Krauss & Union Station
Reason And Rhyme  – Jim Lauderdale
Rare Bird Alert – Steve Martin And The Steep Canyon Rangers
Old Memories: The Songs Of Bill Monroe – The Del McCoury Band
A Mother’s Prayer- Ralph Stanley
Sleep With One Eye Open- Chris Thile & Michael Daves

Best Country Album
“Here For A Good Time” — George Strait

Best Children’s Album
I Love: Tom T. Hall’s Songs of Fox Hollow (various artists collection)

Best Historical Album and Best Album Notes
The Bristol Sessions, 1927-1928: The Big Bang of Country Music (various artists collection)

Record Of The Year
Rolling In The Deep – Adele
Holocene – Bon Iver
The Cave – Mumford & Sons

Album Of The Year
21 – Adele

Song Of The Year
The Cave – Mumford & Sons
Holocene – Bon Iver
Rolling In The Deep – Adele

Best New Artist
Bon Iver

Best Pop Solo Performance
Someone Like You – Adele

Best Pop Instrumental Album
The Road From Memphis – Booker T. Jones
Setzer Goes Instru-Mental! – Brian Setzer

Best Pop Vocal Album
21 – Adele

Best Rock Performance
Down By The Water – The Decemberists
The Cave – Mumford & Sons

Best Rock Song
The Cave – Mumford & Sons
Down By The Water- The Decemberists

Best Rock Album
Wilco  – The Whole Love

Best Alternative Music Album
Bon Iver – Bon Iver
My Morning Jacket – Circuital

Best Country Duo/Group Performance
Barton Hollow – The Civil Wars

Best Country Song
Threaten Me With Heaven – Vince Gill

Best Instrumental Composition
Life In Eleven РB̩la Fleck & Howard Levy, composers (B̩la Fleck & The Flecktones)

Best Engineered Album (Non Classical)
Follow Me Down-  Brandon Bell & Gary Paczosa, engineers; Sangwook “Sunny” Nam & Doug Sax, mastering engineers (Sarah Jarosz)
The Harrow & The Harvest – Matt Andrews, engineer; Stephen Marcussen, mastering engineer (Gillian Welch)
Paper Airplane – Mike Shipley, engineer; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)

Hardly Strictly Bluegrass Festival – Friday 9/30 Recommendations

Hardly Strictly Bluegrass Festival is trying something new for #11.  Friday is a full-day and not half-day event, and the additional acts are not just filler.

Bill Kirchen & The Hammer of the Honky-Tonk Gods – Bill Kirchen – Ann Arbor native and “The Titan of The Telecaster” Kirchen was a guitarist with the original Commander Cody and His Lost Planet Airmen from 1967 to the mid 1970s. Come see Kirchen bring the twang and show why he’s toured or recorded with Nick Lowe, Elvis Costello, Doug Sahm and Emmylou Harris. (Banjo Stage – 11:00am)

Blame Sally – Bay Area Americana is represented on Friday is the all female quartet Blame Sally. Known for their rollicking show and instrumental expertise the genre is great hands. (12:55 – Arrow Stage)

South Memphis String Band -  ON EDIT-  After I posted my Friday picks I was contacted about the South Memphis String Band and asked to reconsider. I did and I have. Go see ’em, they’re great! (Star Stage – 1:20)

The Mekons – This veteran punk band is headed by sometime Chicago-based Brit-expat cowpunk Jon Langford (The Waco Brothers.) They are currently supporting their new release Ancient and Modern. (2:10 pm – Arrow Stage)

Jolie Holland – Like Gillan Welch Texan Jolie Holland has a vocal quality, and reflects subject matter,  from another time. A distant, dusty and dark past. Her soulful roots and dreamy Ragtime sound is the reason she can count Tom Waits as a fan. (Star Stage –  2:50)

Del McCoury & The Preservation Hall Jazz Band –  Legendary New Orleans Jazz and Bluegrass together? Like jambalaya and moonshine baby. (2:35 – Banjo Stage)

Southern Culture on the Skids – Formed in 1983 in Chapel Hill, North Carolina SCOTS shows what happens when you mix top-notch musical chops and white trash aesthetic. Namely a hootin’ hollerin’ time. ( Arrow Stage – 3:30)

The Felice Brothers – I have likened them to being the anti- Avett Brothers. From the Catskill Mountains to the New York City subways The Felice Brothers offer a brand of gritty junkyard Americana that is as engaging and sinister as a classic Scorsese movie. Their new release Celebration, Florida might be the first (or at least the best) example of techo-Americana.  (Rooster Stage – 3:30 pm)

John Prine – A veteran on the country/folk scene since the early 70s when he was burdened with the “the next Dylan.” Dylan once even appeared at one of Prine’s first New York City club appearances unannounced and backed him on harmonica. Kris Kristofferson once remarked that Prine wrote songs so good that “we’ll have to break his thumbs” (Banjo Stage – 4:05pm)

Robert Plant & The Band of Joy –  Years ago when I got wind that Plant was sniffing around Nashvile I expectedthe worse. Rock singers in Music City typically results in mediocrity. Then I heard he was in the studio with T. Bone Burnett and Alison Krauss and was intrigued that at least he was keeping good company. A zillion sales and awards with the resulting Raising Sand led Plant back to the promised land with band conductor and guitarist Buddy Miller and came back with more premium Americana performers Patty Griffin and Darrell Scott. (Banjo Stage – 5:45pm)

If you have kids or just want to set up a stationary spot your best best bang for your buck (for FREE!) would be the Banjo Stage. The recommendations for Saturday and Sunday are larger so there will be only a list and no description. You’ll just have to trust me, I’m a (semi) professional.

David Onley & Sergio Webb – House Concert – San Francisco, CA – 10/5/10

I’ve heard about house concerts, intimate performances, usually acoustic performed for a limited number of people at someones residence, but until now had never had the opportunity to attend one. Then on Monday morning I received a tweet (a message on twitter for the uninitiated) from David Olney, who along with his side man Sergio Webb had recently played the Hardly Strictly Bluegrass festival, would be performing a house party. Olney and his side man Sergio Webb had recently played the Hardly Strictly Bluegrass festival. I emailed the organizer (for whom this was a first-time endeavor) and I was in.

As instructed by the email I received from the organizer I arrived at 7 PM at the a high-end apartment building in the tony Ashbury Heights section of the city. I paid the $15. “donation” (one reason they like these gigs is that often 100% of the entrance fee goes to the performers) the small crowd milled in the make-do bar and buffet eating crackers and cheese and drinking wine and beer. After some conversations I surmised that I was probably the only one there that didn’t have a direct association with the host or the performers. I was the only outsider. Being a Texan in San Francisco, I was comfortable in this role.

Olney and his side-kick guitarist/singer Sergio Webb, set up in the living room in front of a large bay window, a grand piano (unused at this performance) and flanked by what I can only assume were large oil paintings of the relatives. Davis Olney is an artist whose name you might not recognize, but you would recognize the people who’ve worked with him or covered his songs – Emmylou Harris, Linda Ronstadt, Del McCoury, Lonnie Brooks, Steve Earle, Slaid Cleaves, Dale Ann Bradley, Tom Rozum, Ann Rabson, Keiran Kane/Kevin Welch/Fats Kaplin and others.  An old friend, Townes Vant Zandt, when asked who his favorite music writers are stated “Mozart, Lightnin’ Hopkins, Bob Dylan, and David Olney.” Onley is the most famous men you’ve never heard of.

Decked in a formal Nudie-style Western jacket, dark fedora and coolly playing his ‘44 Gibson hollow body Olney cuts a dapper figure. Sergio Webb is his unkempt opposite in a wide-brimmed straw cowboy hat and think, braided beard, western shirt with playing cards embroidered on summons rockabilly heat and pedal-steel sounds from his vintage Telecaster.

Relying on no set list Olney channeled performers from the past, sprinkling dark and wry early 2oth-century  America tales with humorous anecdotes and self-depreciating asides like “These guys are great, how come i don’t know about them?!” Using a mashup of rock/blues/folk/country as a framework appearances were made by John Dillinger (Dillinger),  “Dizzy” Dean
(Heaven’s Game), Socrates (Sweet Poison) and the subject of Johannes Vermeer’s “The Girl with a Pearl Earring” (Mister Vermeer.) A few covers were added (“We’re not a cover band, really.” stated Olney after their third.)  With all their 70’s gaudiness I now realize how great a band the Bee Gees since hearing Olney’s cover of their New York Mining Disaster 1941 (the miners’ isolation given added poignancy from an experience Onley had a year in a New York City jail cell.) There was also a heartfelt rendition of Townes Van Zandt’s Snowin On Raton Lyrics

Besides providing musicians a new channel to make a few bucks between gigs on the road house concerts are attended by people are there to see the music instead of to be seen or to yammer. The audience watched the intimate show attentively and reacted passionately at a clever phrase by Olney or an especially hot solo by Sergio Webb. All in all I think for the kind of music I love I think house concerts are something I’m going to seek out more often.

News Round Up: New Releases by John Prine, Johnny Cash Art Collective

  • In true DIY fashion The Johnny Cash Project is a “global collective art project” that allows fans from all over the world to contribute to a arrogated, user-generated video for the title track from the latest Johnny Cash recording American VI: Ain’t No Grave. The single images are then threaded together into a one-of-a-kind labor of love. I only wish the Man in Black has lived to see this.
  • John Prine fans are about to hit pay-dirt. On May 25th, 2010, Oh Boy Records (founded in 1981 by Prine and manager Al Bunetta) will release the live In Person & On Stage, which will draw from performances spanning the past several years and covering songs from as far back as Prine’s 1971 debut and as recently as 2005’s acclaimed Fair & Square. Then Broken Hearts & Dirty Windows: Songs of John Prine will be released on on June 22nd (Oh Boy) and will feature Prine compositions interpreted by devotees such as My Morning Jacket, Bon Iver’s Justin Vernon, The Avett Brothers, Conor Oberst and The Mystic Valley Band, Old Crow Medicine Show, Lambchop, Drive-By Truckers, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and, reprising their respective tracks from In Person & On Stage, Nickel Creek’s Sara Watkins and Josh Ritter. Oh Boy will begin a pre-sale for In Person & On Stage on April 20thand for Broken Hearts & Dirty Windows on April 27th at www.musicfansdirect.com.
  • The Country Music Hall of Fame and Museum has announced it will pay tribute to the legendary Tammy Wynette with an exhibit titled Tammy Wynette: First Lady of Country Music. Presented by Great American Country (GAC) the exhibit will open in the Museum’s East Gallery on August 20, 2010, and run through June 2011.
  • More news from the The Country Music Hall of Fame and Museum. An upgrade to the Hall’s core collection, Sing Me Back Home: A Journey Through Country Music, are expected to be completed next month. The updates, which focus on country music’s last five decades, will bring the story of country music forward in time and conclude with a glimpse of the future. They will highlight the country-rock, pop-country, southern rock, full-strength classic country and the “Urban Cowboy” craze. The upgrade includes new oversized portraits, video clips and artifacts such as Dolly Parton’s handwritten lyrics to Jolene, Tom T. Hall’s acoustic guitar he purchased from songwriter Merle Kilgore, and items from Ronnie Milsap, Kenny Rogers, Mel Tillis, and Tanya Tucker. Other updates focus on the mid-1980s arrival of artists like Dwight Yoakam, Rosanne Cash, Rodney Crowell, Randy Travis and Steve Earle. New exhibits celebrate contemporary bluegrass and Americana artists, ranging from Alison Krauss and Del McCoury to Buddy Miller and Jim Lauderdale.

DelFest and Pickathon News

  • The deadline for discounted tickets for DelFest has been extended until March 2nd at midnight. Some of Bluegrass’ best will be featured at the 3-day festival- Sam Bush, Old Crow Medicine Show, Leftover Salmon, JD Crowe & The New South, The Lee Boys as well as headliner legendary Del McCoury and more. The festival takes place Memorial Day Weekend, May 22-24th on the Allegany County Fairgrounds in Cumberland, Maryland.
  • The 11th annual Pickathon Indie Roots Music Festival, which takes place  just outside Portland, OR.,  has released their new website and festival line-up which includes Blitzen Trapper ,  The Sadies, Dale Watson, Justin Townes Earl, Those Darlins and Joe Pug.  Pickathon takes place July 31-August 2.
  • Now a little love for my old hood New York City.  The always excellent and lovely Joe Whyte will big show with his  band and will be featuring some new tunes. It’s on Monday, March 2 and it’s  free show at Rockwood Music Hall (196 Allen St., NYC) Go, you won’t be disappointed.

Del McCoury to Release “Moneyland”

  • Del McCoury’s new release,  Moneyland (7/8), wants to raise awareness of serious economic issues facing Americans today through a thoughtful selection of six new (or newly recorded) songs, mixed with eight neglected gems and classic favorites that offer a hard-hitting look at today’s economic injustice. In addition to songs from the Del McCoury Band, the album features songs from Marty Stuart, Merle Haggard, Emmylou Harris, Bruce Hornsby along with the Fairfield Four, Chris Knight and others.
  • The Dallas Morning News’ Mario Tarradell opines on the mixed success of several pop country crossovers.
  • PopMatters.com really digs Alejandro Escovedo’s new release “Real Animal” (Back Porch). They also dig (though a tad less so) a newly discovered treasure for me Slim Cessna’s Auto Club’s “Cipher” (Alternative Tentacles)
  • Kathy Mattea performed at the Roseburg’s Stewart Park Music on the Half Shell summer free concert series.
  • From Country HoundAfter an eight-year hiatus, Randy Travis is making his return to the Country Music industry with his new album, Around the Bend (7/15.)