One of the forebearers of the old school alt.country work ethic of play hard, play often, and play well.

The Bottle Rockets still contain the DNA of thier earlier incarnation of Chicken Truck, a straight up honky-tonk band that preceded the Rockets, and from their relationship with Uncle Tupelo in the 90’s. But while many of thier contemporaries  have either crashed and burned or abandoned the alt.country genre altogether for indy-rock cross-market gold (I’m  looking at you Tweedy!), guitarist/singer Brian Henneman,  guitarist John Horton, drummer Mark Ortmann and bassist Keith Voegele found their groove and honed their craft from years together and miles on the road.

Lean Forward is really two records in one. If you give it a casual spin it’s a tight and powerful rock and roll record that belies the craftsmanship by hitting you in the gut. On closer inspection the deceptively straightforward songs tell of everyday troubles while displaying a smart silver lining.

Wrong turns on tour are serendipitous events (The Long Way), Rolling-Stoned swaggering blues embrace inevitability in the face of good intentions (Shame On Me) and a Bo Diddley stomp-rocker about either a repo-man or a car thief (Nothin’ But A Driver) takes pride in his work.

Hard Times serves up a tasty slice of Southern funk and strikes a working-class Zen view of life – “Hard times, that’s nothin’. Hard times pass” and ending in resolve “I’m not broke down. I’m just out of gas.” Kid Next Door goes up with the Drive By Truckers’ Dress Blues and the Dixie Chicks Traveling Soldier as great slice-of-life songs that show the cost of war from a main street view.

The Bottle Rockets have been a criminally overlooked American rock band for seventeen years now and judging by Lean Forward it hasn’t bothered or slowed them down one bit

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Portland Oregon’s Michael Dean Damron, or Mike D. as he was known when fronting his former hell-raising roots-rock band I Can Lick Any Sonofabitch in the House, isn’t your garden variety sensitive, market tested, conveyor belt type of singer/songwriter. The emotion, fear and anger is laid out on his third solo release Father’s Day for all to feel. He’s not just singing, he’s testifying.

The youthful flame-thrower intensity of ICLASOBITH has been condensed into a focused,  welding torch constructing a dark and twisted terrain of one mans life and soul.

The lost love songs here – Dead Days, Boy With A Car and the provocatively titled I Hope Your New Boyfriend Gives You Aids (do NOT judge the album based on the title of this song, it doesn’t show up once in this beautifully heart wrenching cut.) display just as much defiance as they do remorse. Love songs are welcome, whining is not.

The specter of the Damron family patriarch is summoned and exorcised in the title track. The song tells of Damron’s father’s life as a hard, violent, and lonely one. The song is both a celebration and an unflinchingly cautionary tale. The excellent Angels Fly Up carries on the divisional theme, devils and angels, suicide and celebration- that seems to run through Fathers Day.

Tornado Song is a chugging blues-Gospel number veined with wailing harmonica and I’m A Bastard has Damron unmitigated affirmation of his place among the best of the worst in the troubadour trade.

As if the original songs weren’t enough to make this a fine album the three covers Damron has chosen to include speak volumes, fit nicely and are done with deftness and deference. Drag the River’s Beautiful And Damned is a solemn pedal-steel laced number and a ’round the campfire treatment of Thin Lizzy’s Dancing In The Moonlight are wonderful. The real courage, as with anyone willing to cover the Late Great Townes Van Zandt, comes with the inclusion of an accomplished rendition of Towne’s bleak tale of perseverance Waiting Around To Die.

Damron’s whiskey-and-dust vocals  brings to mind modern day contemporaries like Ryan Bingham, Drive By Truckers’ Patterson Hood, William Elliot Whitmore and Lucero’s Ben Nichols. The worn nature of the delivery adds another depth of ragged beauty to each of these gems. Damron sites Steve Earle, Alejandro Escovedo, Townes Van Zant and Waylon Jennings as heroes. But I believe that the true Patron Saint to his unique style of edgy storytelling, with a penchant for tenderness might well be David Allen Coe.

Sure Father’s Day is not a sunny Summer party album, who cares. It’s a great example of a  mature and excellent singer/songwriter venting his own private Winter.

Official Site | MySpace | Facebook | Buy

Father’s Day mp3

Drive By Truckers – Daddy Needs a Drink

Over their 13 years performing together the Drive By Truckers have produced a mess of great music, but not all of it made it onto their final 7 studio albums. The mighty DBT and their soon to be ex-label New West Records dug into the vaults and with guidance from longtime producer Dave Barbe, put finishing touches on a selection of songs that were never quite completed. “For me, it’s been a fun stroll through memory lane and a chance to tie up some loose ends” says Patterson Hood.

The result of the collaboration is The Fine Print (A Collection Of Oddities and Rarities 2003-2008) featuring songs written by band members past and present, including Patterson Hood, Mike Cooley and Jason Isbell. 7 of the twelve songs come from The Dirty South era… a highly creative time for DBT. Hood explains “That was an especially fertile period for the band, as we more or less wrote that album and the one before it, Decoration Day, as well as my first solo album all in a three year period as we were recording and touring behind Southern Rock Opera.”

The record also contains four covers including “Rebels” by Tom Petty, which the band recorded originally for the TV show “King Of The Hill” and “Like A Rolling Stone” by Bob Dylan which provided Shonna Tucker with her first ever lead vocal performance on a DBT recording. The Fine Print  will be available September 1, 2009.

This summer New West will also release Drive-By Trucker’s entire Austin City Limits performance as a CD / DVD combination pack as a part of the Live From Austin, TX line. The Drive-By Truckers graced the Austin City Limits stage on September 26, 2008 while touring for their last studio album Brighter Than Creation’s Dark.

A CD/DVD combination package featuring the entire performance will be available on July 7th, 2009. The 13 songs, which were filmed in Hi-Def and recorded in 5.1 Surround Sound for the critically acclaimed PBS show, include a mix of new songs from Brighter Than Creation’s Dark alongside the classics “Let There Be Rock” and “18 Wheels Of Love” (off their second album Gangstabilly) and “Marry Me” (from Decoration Day). The band line-up featured is Patterson Hood, Mike Cooley, Shonna Tucker, John Neff, Brad Morgan and Jay Gonzalez.

The DBT are currently in the studio working on the next album for an early 2010 release.

THE FINE PRINT TRACK LIST:
1. George Jones Talkin’ Cell Phone Blues
2. Rebels
3. Uncle Frank (alternate version)
4. TVA
5. Goode’s Field Road (alternate version)
6. The Great Car Dealer War
7. Mama Bake A Pie (Daddy Kill A Chicken)
8. When The Well Runs Dry
9. Mrs. Claus’ Kimono
10. Play It All Night Long
11. Little Pony And The Great Big Horse
12. Like A Rolling Stone

LIVE FROM AUSTIN, TX Track List:
1. Perfect Timing
2. Heathens
3. A Ghost To Most
4. The Righteous Path
5. I’m Sorry Huston
6. 3 Dimes Down
7. Puttin’ People On The Moon
8. Space City
9. The Living Bubba
10. Zip City
11. 18 Wheels Of Love
12. Let There Be Rock
13. Marry Me

Remember those that gave all.

• The fine folks at the 9513 brought to my attention the sorry news that Kris Kristofferson’s longtime guitarist Stephen Bruton has succumbed to throat cancer.

• More details on Stephen Bruton at Billboard.com.

• More sad news, Lynyrd Skynyrd Bassist Donald “Ean” Evan dies At 48 after a battle with cancer.

• Country music legends Charley Pride and Marty Stuart and bluesman Pinetop Perkins will headline the third annual Mississippi Grammy gala.

• Recycle your cell phones to support Nuci’s Space and get free merch coupons from the Drive-By Truckers official Store!

• The New York Times has a piece on Steve Earle and his course in recording his trubute to his mentor Texas singer/songwriter Townes Van Zandt.

So how do you know you’ve arrived? When talentless, sweaty geeks manipulate plastic instruments to music you’ve worked your butt off to create and hope will be taken seriously. Wooo hooo!

Harmonix and MTV Games today announced the debut of five alternative country acts to the Rock Band Music Store catalog of downloadable content including artists Neko Case, Steve Earle, Lucinda Williams, Drive-By Truckers and Old 97’s.

“Alt Country 01” 5-pack features a signature mix of alternative country sounds from bluegrass and rockabilly to honky-tonk rock. The 5-pack includes “People Got A Lotta Nerve” from Neko Case’s soon-to-be released album Middle Cyclone (March 3, 2009), “Can’t Let Go” by Grammy winning singer/songwriter Lucinda Williams from her album Car Wheels On A Gravel Road (1998) and Steve Earl’s “Satellite Radio” from his album Washington Square Serenade (2007). The 5-pack also features “Three Dimes Down” from southern rock band Drive-By Truckers featured on the Brighter Than Creation’s Dark (2008) album and the Old 97’s live recording “Timebomb” from the band’s Alive & Wired (2005) album.

Release Date: Tuesday, February 24, 2009 (Xbox LIVE Marketplace for Xbox 360®)
Thursday, February 26, 2009 (PlayStation®Store)

** Dates for Rock Band game tracks are tentative and subject to change **

If you will indulge me a half-cocked theory that the genre lineage represented by the forefathers of swaggering, guitar-driven Southern Rock Lynyrd Skynyrd and of roots-reverent, punk-drunk alt.country Uncle Tupelo beget the fierce, dark Faulknerian beast, The Drive By Truckers. Jason Isbell was a key element in that propagation when he replaced Rob Malone on guitar and vocals during the Southern Rock Opera tour in 2001, a time many see as the start of their golden era.

Making his mark on the band’s fourth studio album, Decoration Day, Isbell did something awe-inspiring – he stood toe-to-toe with great songwriters Patterson Hood and Mike Cooley and penned the title track for the album
in a reported three days after joining the band. If that weren’t enough he also wrote the outstanding Outfit, a song about Southern pride, familial loyalty and not “Gettin’ Above Your Raisin’” that is still part of his live set. He was 22 at the time.

Isbell’s first solo release after divorcing his wife, Trucker’s bass player – and in the wake if Isbell’s departure vocalist – Shonna Tucker, and leaving (or getting pushed) by the band was 2007’s Sirens of the Ditch was a strong but wobbly sound of a young man finding his feet as a solo artist but offered a jewel in the reverent requiem Dress Blues.The new self-titled release seems even more unsure and scattered and offers nothing close to Dress Blues.

Now 30, Isbell’s silky baritone makes him a kind of rougher Ray Price raised on rock and he sounds great here. His exceptional band, the 400 Unit (this being his first release with his touring band) do what they can with the material given to them.  Steady beats and searing guitars give what little cohesion and fuel is felt in the album.

The sweeping Seven-Mile Island begins the album with dobro and driving drums which start out strong but stay so far up in the mix that they become distracting over the duration. But the story is of haggard drifters torn between family and freedom is there gleaming brightly under all the noise.

Isbell can still melt you heart; Sunstroke, and the dusty Steve Earle-style weeper Cigarettes and Wine, or melt your eardrums;  Good, but for the most part this release is, and it pains me to admit this, forgettable.

Many strong songwriers that start in the alt.country fold find that the genre is constricting sanf strike out toward other horizons and though Jason Isbell and the 400 Unit is not as far off the reservation as Neko Case or Jeff Tweedy have wondered but there is a level of experimentation here that is less then the sum of its parts. Many of the sings like Streetlights and The Last Song I Will Write take a middling mid-tempo arrangement and render any veins of storytelling gold into lead. I’ve seen Jason Isbell and the 400 Unit do some of these songs live and they come off much better in concert,  but that just puts a finer point on what these might have been if approached with a little more care and a lot more fire.

I wish Isbell would take his own advice as he laid it out ” real nice and slow” in his Drive By Trucker’s era gem Outfit; “…don’t try to change who you are boy, and don’t try to be who you ain’t.”

Official Site |  MySpace |  Buy

Ah, love is in the air -  But if you’re a fan of country music then you know dysfunction litters the alleyways in the heart of classic narratives. Cheating, lying , drinking, throwing heavy objects, crying, more drinking – some of the best country songs contain some, if not all, of these elements. Alt.country/roots rock…whatever takes things in more interesting places but many of the same themes remain from the source. In celebration, and protest, to Valentines day here is the official Twang Nation list of best Alt.Country love songs.

In no particular order:

Gram Parsons – A Song For You
Caitlin Cary & Thad Cockrell – Please Break My Heart
Lucinda Williams – Still I Long For Your Kiss
Steve Earle – Valentine’s Day
Steve Earle – Goodbye
Townes Van Zandt – I’ll Be Here in the Morning
Neko Case – Favorite
Son Volt – Tear Stained Eye
Ryan Adams – Come Pick Me Up
Drive By Truckers- Marry Me
Old 97s – Big Brown Eyes
Bottle Rockets – I’ll Be Coming Around

Disagree? Add your own!

Caitlin Cary Thad Cockrell -  “Please Break My Heart”

The Drive By Truckers are just off their start to 2009 with 3 sold-out shows for their Athens GA 40 Watt Club Homecoming, they next will be playing this weekend,  with opener Bloodkin, in Knoxville at the Valarium (Thurs Jan 29) and two nights at Asheville’s historic Orange Peel (Fri Jan 30 and Sat Jan 31). Next month they have a few more dates including a two night stand in DC at 9:30 Club and a few dates with Texas’ Hayes Carll.

On Feb. 5th Drive By Truckers Front Man Patterson Hood will play an annual benefit for Athens, GA’S The Robert Osborne Classic Film Festival.

On Feb 7th, PBS will be airing the episode of Austin City Limits starring Drive By Truckers and Ryan Bingham. Check local listings for exact time and date of airing.

April will see the DBTs backing the legendary R&B and soul and funk pioneer Booker T. Jones ANTI- Records debut Potato Hole. The band will be backing Booker T. in some dates including thier first ever New Orleans Jazz and Heritage Festival appearance on Friday April 24th.

The Drive-By Truckers with Kelly Hogan – I’m Your Puppet