Tag Archives: Hayes Carll

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2019

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2019 continued to be a stellar year for Americana and roots music, but with the genre’s growing popularity it’s getting harder to find off the beaten path talent. Since starting this blog finding great music has moved from rutting through a forest of the mundane to dig up occasional tasty sonic truffles to having mounds of music arrive in my inbox.

This is a good problem to have but it’s a growing concern that I’ve probably missed something great out on the fringes. I hope to continue to look for those artists in the upcoming new year.

Below are the albums that have stuck with me for a variety of reasons. Winnowing down to only 10 is getting harder each year for reasons outlined above and I’m sure my list will not reflect the subjective preferences of all.

Criteria – Calendar year 2019. No EPs, live, covers or re-release albums no matter how awesome.

Don’t see your favorite represented? Leave it in the comments and here’s to a new year of twang.

Mike and the Moonpies – Cheap Silver & Solid Country Gold [artist site | buy]
Kendell Marvel – Solid Gold Sounds [artist site | buy]
John Paul White – The Hurting Kind [artist site | buy]
Kelsey Waldon – White Noise/White Lines [artist site | buy]
Vandoliers – Forever [artist site | buy]
Molly Tuttle – When You’re Ready [artist site | buy]
Hayes Carll – What It Is [artist site | buy]
Cody Jinx – After the Fire and The Wanting [artist site | buy]
Boo Ray – Tennessee Alabama Fireworks [artist site | buy]
Chris Knight – Almost Daylight [artist site | buy]

Watch Out! Hayes Carll – Times Like These

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Hayes Carll - Times Like These

It seems these days people are going out of their way to find reasons to divide themselves. Like somehow looking for the common humanity in your neighbor that binds us together is out of style, and choosing identity can only happen in opposition against…well, anything! is the new rule.

Chips on the shoulder are all the rage (oftentimes with actual rage.)

Hayes Carll has the tonic for what ails our wounded soul! His new album ‘What It Is’ is pure Carll – that is heart, wit, a wry smile and brimming with hospitality.

The video starts with Carll laying on a longneck littered dance floor as he’s helped to his feet by a random two-stepper. As an excellent study on contrast Carll wonders the bar singing about division and strife as the camera cuts to joyful couples dancing to the fiddle-fueled boogie blissfully oblivious to the message.

Carll is both onstage and in the crowd trading lyrical duties with various bar patrons as they embody the simple beauty of a Saturday night distraction away from work, bills, life.

In this Age of Outrage, we need a reminder that things, and people, are generally good as long as we take the time away from our grievance fetish to celebrate that fact. ‘Times Like These’ brings perspective and brings us together.

And reminds us to dance.

Buy ‘What It Is’ here.

Let’s all sing along…

In times like these everyone could use a hand
Instead, we stand around losing ground
Fighting for the promised land
It’s so hard to tell if this is heaven or hell
And I could never measure by degrees
But it’s sure gettin’ warm ’round here in times like these
In times like these do I really need a billionaire
Just takin’ all my time tryin’ to tell me I was treated unfair?
Well then I got to pay, it’s the home of the brave
Gets divided into them and the weak
Oh I find I’m a-losing my mind in times like these

Yeah they come and they go
They’re in and then out
Every day I’m getting better at losing something I haven’t got
I just wanna do my labor, love my girl, and help my neighbor
While I keep a little hope for my dreams
But it’s sure getting hard, brother, in times like these

In times like these I wish someone was on my side
Instead of bringing it together we’re just widening the great divide
I hope and I pray at the end of the day
I can somehow get my troubles to ease
But I gotta say, it’s not looking good, not in times like these

Yeah they come and they go
They’re cold then they’re hot
I just try to keep the world from turning me to something I’m not
I’m gonna try to run until the whole thing’s done
And I just hope I don’t end up on my knees
But it’s sure getting hard to stand up in times like these

I just wanna do my labor, love my girl, and help my neighbor
While I’m keeping all my joie de vivre
But it’s sure getting hard, brother, in times like these
I could use just a little bit of help in times like these

Wanted! – Notable Americana and Roots Music Releases for 2019

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2018 is now in the pages of history and as America shifts (lurches?) into an uncertain future. Americana and roots music, unlike many other genres, continues to be true to its legacy and addresses our times with art that refuses to chase the charts and churn out reflexively commercial product and, lucky for us, refuses to treat the audience as mindless consumers.

That’s not to say that Americana and roots music is merely a barometer for political and social conditions and change. No sane person wants their favorite artists to be righteous yet starve. As the music industry continues to reflect changing consumer demands artists are also finding opportunities to reach audiences and generate revenue in movies and video games.

Some albums I’m  personally looking forward to because I’ve heard some cuts, or on my faith in the artist,  are Hayes Carll’s  â€œWhat It Is,” Feb. 15: Dale Watson’s Call Me Lucky and Ryan Bingham – “American Love Song” , all on February 15th,  Mandolin Orange’s “Tides of a Teardrop” on February 1st, and Joshua Ray Walker’s “Wish You Were Here” on January 25th as well as Son Volt’s “Union’ on March 29th.

As more dates come throughout the year I will be updating the list. If you know of an actual release not listed yet please leave it in the comments.

As always I appreciate your visiting the site and hope you join me in another great year for Americana and roots music.

January: Jan. 18th: Danny Burns – “North Country”
Jan. 25th: Lula Wiles – ‘What Will We Do’
Jan. 4th: Balsam Range – “Aeonic”
Jan. 18th: Alice Wallace – “ Into the Blue”
Jan. 18th: Ronnie Milsap – “Ronnie Milsap: The Duets”
Jan. 18th: Greensky Bluegrass – “All for Money”
Jan. 18th: The Steel Woods – “Old News”
Jan. 18th: Whitehorse – “The Northern South Vol. 2”
Feb. 22: Vandoliers – “Forever” 

February:
Feb. 1st: Mandolin Orange – “Tides of a Teardrop”
Feb. 1st: Abigail Lapelle – “Getaway”
Feb. 8th: Gurf Morlix – ‘Impossible Blue’
Feb. 15th: Hayes Carll – “What It Is”
Feb. 15th: Dale Watson – “Call Me Lucky”
Feb. 15th: Ryan Bingham – “American Love Song”
Feb. 15th: Joey McGee – “El Camino Real”
Feb. 15th: Kalyn Fay – “Good Company”
Feb. 22nd: Dearling – “Silver and Gold” (EP)
Feb. 22nd Vandoliers – “Forever”
Feb. 22nd – Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell – ‘Songs of Our Native Daughters’ March:
March 1st: Mary Bragg – “Diamonds as Camouflage”
March 1st: The Cactus Blossoms – “Easy Way”
March 1st: Dave Ernst – “Hickory Switch”
March 2nd: The Honey Dewdrops – “Anyone Can See”
March 7th: Townes Van Zandt – “Sky Blue”
March 8th: Patty Griffin – “Patty Griffin” March 8th: Clara Baker – “Things To Burn”
March 22nd: Allison de Groot & Tatiana March 22nd: Orville Peck – “Pony” March 22nd: Luther Dickinson and Sisters of the Strawberry Moon – “Solstice” March 29th: Son Volt – “Union”

April: April 2nd: John Paul White – ‘The Hurting Kind” April 5th: Molly Tuttle – “When You’re Ready.” April 5th: Megg Farrell -“Megg Farrell” April 12th: Shovels & Rope – “By Blood” April 12th: Taylor Alexander – “Good Old Fashioned Pain” April 19th: Daniel Norgren – “Wooh Dang” May:
May 3rd: Pete Seeger – ‘The Smithsonian Folkways Collection’ May 3rd: Caroline Spence – “Mint Condition” May 10th: The Shootouts – “Quick Draw” May 24th: Willard Gayheart – “At Home in the Blue Ridge”

June:
June 14th: Hank Williams – ‘Health & Happiness Show’ June 21st: Buddy and Julie Miller -‘Breakdown on 20th Ave. South’ June 28th: Chuck Mead – “Close To Home” August 16th The Messenger: A Tribute to Ray Wylie Hubbard August 23rd Esther Rose – ‘You Made It This Far’ Erin Enderlin – ‘Chapter Three: Whatever Gets You Through The Night’ Tanya Tucker – ‘While I’m Livin’ ‘ Vince Gill – ‘Okie’ Dalton Domino – ‘Songs From the Exile’ Jason Hawk Harris – Love & the Dark The Po’ Ramblin’ Boys – ‘Toil, Tears & Trouble’ Leslie Stevens – ‘Sinner’ Croy and the Boys – ‘Howdy High-Rise’ Seth James – Midland – ‘Let It Roll’ September 7th The Highwomen – Self-Titled’ Terri Hendrix – ‘Talk To A Human’ Jason Tyler Burton – ‘Kentuckian’ Paul Cauthen – ‘Room 41’ Cut Throat Francis – ‘This Garden’s Never Gonna Grow’ Ana Egge – ‘Is It the Kiss’ NRBQ – ‘Turn On, Tune In’ Amy Speace – ‘Me and the Ghosts of Charlemagne’ These Wild Plains – ‘Thrilled To Be Here’ Trailerpark Idlers – ‘Ghost Town Nights September 13th Jeremy Ivey – ‘The Dream And The Dreamer’ September 27th Hot Club of Cowtown – ‘Wild Kingdom’ October 4th The North Mississippi Allstars – “Up and Rolling” October 13th Cody Jinks – ‘After The Fire’ North Mississippi Allstars – ‘Up and Rolling’ Corb Lund – ‘Cover Your Tracks’ Jonah Tolchin – ‘Fires for the Cold’ Marti Brom – ‘Midnight Bus’ Ted Drozdowski – ‘Learn To Love The Moon’ Jeremy Ivey – ‘The Dream And The Dreamer; Janiva Magness – ‘Change In The Weather: Janiva Magness Sings John Fogerty’ October 18th The Milk Carton Kids – ‘The Only Ones’ Darin Aldridge & Brooke Aldridge – ‘Inner Journey’ Driftwood Soldier – ‘Stay Ahead Of The Wolf’ The Drunken Hearts – ‘Wheels of the City’ Rory Ellis – ‘Inner Outlaw’ EmiSunshine and The Rain – ‘Family Wars’ Jimmy “Duck” Holmes – ‘Cypress Grove’ Jake La Botz – ‘They’re Coming For Me’ New Copasetics – ‘Twang-Ucopia’ David Newbould – ‘Sin & Redemption’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Zachary Lucky – ‘Midwestern’ October 25th Allison Moorer – ‘Blood’ Neil Young & Crazy Horse – ‘Colorado’ Craig Cummings – ‘Absolute Surprise’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Van Morrison – ‘Three Chords and the Truth’ Jackson Stokes – ‘Jackson Stokes’ Zack Walther Band – ‘The Westerner’ November 20th Bill Scorzari – ‘Now I’m Free’ January 31st Dustbowl Revival – ‘Is It You, Is It Me?’

Listen Up! Steve Earle – “So You Wanne Be An Outlaw”

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Being a Steve Earle fan can be a rough road. In the beginning there was no denying the neo-trad ferocity of 1986’s ‘Guitar Town.’ Standing near traditional frameworks while pushing the boundaries continued in spite of mega-success, an epic downfall, years of addiction. Sonic experimentation songs that took a more overt politically left turn and a move to New York City had the Texas hillbilly hellraiser heading more toward Woody Guthrie/Bob Dylan territory that resulted much of Earles spotty 2000-era releases.

Sure there have uneven , head-scratching, moan inducing patches in his work. But when you have as long a body of work, have as restless a soul, and a passionate determination to use your art as a soapbox as Earle has been you’re bound to hit a stinker now and again.

But recently Earle appears to have rediscovered his musical muse (the inspirational kind, he’s proved to be unlucky with the female human kind.) Starting with a heartfelt ode to his brilliant if troubled mentor, 2009’s “Townes,” to his latest return to the majors, “So You Wanne Be An Outlaw” Earle appears to have remembered that he shines brightest when he’s less Woody and more Eddie Cochran. 

The title track is a message to the next generation of troubadours. A tele-twang sits atop a classic 4/4 beat as Earle lays out a story of music and mythology he’s personally living in. Like Waylon’s “Don’t You Think This outlaw Bit’s Done Got Out of Hand” Earle exposes the bark underbelly of the romantic outlaw myth. The isolation of life on the road, broken relationshipsresulting in hard-learned wariness. Willie Nelson makes an appearance on the cut delivering original outlaw gravitas. As a pioneer that blazed the trail for Earle both men use the occasion to recount the landscape like a sonic Lewis and Clark warning other travelers sure to throw caution out the touring van window that these are trial and troubles ahead.
Earle is at his best when he’s peeling back his own story., this is never more true than “This Is How It Ends, ” a mid-tempo recount of the dissolution of a marriage. Earle recruits fellow divorcée , and accidental Earle plagiarist, Miranda Lambert as a duet partner. The bittersweet lyrics and the notable sadness left in the wake of each other’s absent partners makes the song that much more poignant.

‘Fixin’ To Die” is a sonic deluge of indedility, murder and resignation to ones demons with a melody snatched from “When The Levee Breaks” (the Led Zep bombast crunch version.) “Goodbye Michelangelo” is an elegant acoustic elegy to the legendary singer-songwriter, and early mentor of Earle’s, Guy Clark. The outlaw mojo runs even deeper on the deluxe version of “So You Wanna…” featuring a rousing boot-stomping version of Billy Joe Shaver’s “Ain’t No God In Mexico” which Waylon Jennings popularized as well as Earle’s versions of Willie Nelson’s “Sister’s Coming Home/Down At The Corner Beer Joint” and “The Local Memory.” The deluxe version is fittingly bookended by Waylon’s wryly defiant “Are You Sure Hank Done It This Way?”

This is the best Steve Earle album in over a decade, but he’s apparently not content to enjoy the piling accolades and resulting success. He also appears to want to settle scores and raise dust. This has included complimenting up-and-coming talent (yay!) while then trashing two other artists (granted one of the targets is Hayes Carll, who did end up with Allison Moore- Earle’s wife #6)

The question that comes to mind is why?

Earle has an undeniable musical legacy and has help shape an entire genre.He traveled the road blazed, stylistically and tactically, by the likes of Willie and Waylon that shook the establishment and drew an audience hungry for something real. Even his songs covered and receiving significant radio play by more mainstream artists, like Travis Tritt, still maintained a dignity and humanity.

Now that he’s found his way back to a sort of return to form, it might be wiser to focus on the music and enjoy his legacy with a bit more grace and dignity asefitting an elder statesman. 

But dignity and grace didn’t get Earle here he is. It was rebellion to the bone.

Some have suggested that Earle is crassly cashing in at a time that the young guns – Sturgill Simpson, Jason Isbell, Margo Price, Nikki Lane – are hitting their popular stride. I call bullshit. If anyone has a right to look back to move forward it’s Earle and his stellar body of work.

I’ll wager that Earle, in true Texan onryness, could give a damn what anyone expects of him. His next album could be a collaboration with a rapper or a Tejano band if that’s where his muse leads him. Like many artists with an ear to thier own drumbeat you must take the occasional codgy comment with brilliance that accompanies it.

buy

8.5/10

Hayes Carll To Release New Album “Lovers and Leavers” on April 8

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Hayes Carll To Release New Album “Lovers and Leavers”

Hayes Carll fans have been waiting 5 long years for a new album. Well, the wait is over!

Over four albums Carll has carried in a Tecas songwriting tradition of heart-on-sleeve and sung with a wry smile also reflected in the works of Guy Clark , Townes Van Zandt, Lyle Lovett and Kelly Willis. His newest release ‘Lovers and Leavers,’ (April 8th through Thirty Tigers) was recorded late last year in Los Angeles with producer Joe Henry, appears to have a darker edge.

From the press release “I’m a singer-songwriter, [and] I think Lovers and Leavers comes closer to reflecting that than any other record I’ve made.”

“I didn’t have one song that I knew would be a sing along or would make people dance,” Carll reflects. “I felt vulnerable in a way that I hadn’t in a long time. But I got what I wanted — a record with space, nuance, and room to breathe. It felt right for my art. It felt right for my life.

“Lovers and Leavers isn’t funny or raucous,” he continues. “There are very few hoots and almost no hollers. But it’s joyous, and it makes me smile. No, it’s not my Blood on the Tracks, nor is it any kind of opus. It’s my fifth record — a reflection of a specific time and place. It is quiet, like I wanted it to be.”

Hear the song, “The Love That We Need” below. The song is co-written by Carll, Jack Ingram, and Allison Moorer.

Hayes Carll’s song “Chances Are” is nominated for the “Best Country Song” Grammy. The song is an outstanding cut from Lee Ann Womack’s latest ‘The Way I’m Livin’.

Lovers and Leavers track list:

“Drive”
“Sake of the Song”
“Good While It Lasted”
“You Leave Alone”
“My Friends”
“The Love That We Need”
“Love Don’t Let Me Down”
“The Magic Kid”
“Love Is So Easy”
“Jealous”

Wanted! – Notable Americana and Roots Music Releases for 2016

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Ghosts of Highway 20 - Lucinda Williams

2015 was another bumper crop year for Americana and roots music, and 2016 show vast signs that the great music will continue to come. As our Cream of the Crop favorites from 2015 makes plain we might be experiencing a new golden age of roots music as a growing influence on our contemporary culture and as a sustainable , and viable, business for young and old artists alike.

That last part is crucial as it provides seed corn for the future of this music we truly love.

The list below is a collection of 2016 notable Americana / roots releases. Some anticipated releases from artists like Sturgill Simpson, Elizabeth Cook, Robbie Fulks, Lydia Loveless, Al Scorch and Brandy Clark have no release dates yet, but when I’m aware of them and others I will be updating the list through the year and will send word through my twitter account

If you know of a release not listed leave it in the comments and I might add it.

Look for new things coming in the 2016 at Twang Nation. With your help it’s going to be a great year folks.

January 11th
Keegan McInroe – “Uncouth Pilgrims”

January 15th
Dylan LeBlanc – ‘Cautionary Tale’
Randy Rogers Band – “Nothing Shines Like Neon”
Hank Williams Jr. – “It’s About Time”
Dawn Landes And Piers Faccini – ‘Desert Songs’

January 22nd
The Cactus Blossoms – ‘You’re Dreaming’
Simon Linsteadt – Self-Titled
Aoife O’Donovan – “In the Magic Hour”

January 24th
Michael Chapman – ‘Fish”

January 26th
Brad Armstrong – “Empire”

January 29th
Buddy Miller and Friends – ‘Cayamo Sessions at Sea’
Sierra Hull – ‘Weighted Mind’
Aubrie Sellers – ‘City Blues’
Miranda Lee Richards – “First Light of Winter”

February 5th
Lucinda Williams – “The Ghosts of Highway 20”
Dori Freeman – ‘Dori Freeman’
Luther Dickinson – ‘Blues & Ballads (A Folksinger’s Songbook: Volumes I & II)’
The Infamous Stringdusters – ‘Ladies & Gentleman’
Freakwater – ‘Scheherazade’
The O’s – ‘Honeycomb’

February 12th
Vince Gill – “Down to My Last Bad Habit”
Wynonna Judd – “Wynonna & the Big Noise”
Lorrie Morgan – ‘Letting Go … Slow’
Joey + Rory – “Hymns That Are Important To Us”
Malcolm Holcombe – ‘Another Black Hole’
Wheeler Walker Jr. ‘Redneck Shit’
Alex Dezen – ‘Alex Dezen’
Matt Patershuk – ‘I Was So Fond of You”
Applewood Road (Emily Barker, Amber Rebirth and Amy Speace) – ‘Applewood Road’

February 19th
Lake Street Dive – ‘Side Pony’
Austin Lucas – ‘Between The Moon and the Midwest”
Mike June – ‘Poor Man’s Bible’

February 26th
Shooter Jennings – ‘Countach (For Giorgio)’
Waco Brothers – ‘Going Down in History’
Kathryn Legendre – ‘Don’t Give A Damn’
Michael Daves – ‘Orchids and Violence’
Jane Kramer – ‘Carnival of Hopes’
Paul Burch – ‘Meredian Rising’
Bonnie Raitt – ‎’Dig In Deep’‬
Caleb Caudle – ‘Carolina Ghost”
Jen Lane – ‘This Life of Mine’
Ashley Monroe – ‘Live At Third Man Records”

March 4th
Loretta Lynne – ‘Full Circle’
Chris King – ‘Animal’
Anielle Reid – ‘Love Song’
Dead Tongues – ‘Montana’

March 11th
Lukas Nelson & Promise of the Real – ‘Something Real’
Waylon Jennings – ‘Return of the Outlaw: The Abbott, Texas, Broadcast 1973’

March 18th
Various – Dave Cobb’s ‘Southern Family
Grant Lee Phillips – ‘The Narrows’
Sean Watkins – “What To Fear”
The Roosevelts – ”The Greatest Thing You’ll Ever Learn’

March 25th
Parker Millsap – ‘The Very Last Day’
Margo Price – ‘Midwest Farmer’s Daughter’

April 1st
Elephant Revival – ‘Petals’
Robbie Fulks – ‘Upland Stories’
Teddy Thompson and Kelly Jones – ‘Little Windows’
Left Arm Tan – ‘Lorene’

April 8th
Hayes Carll – “Lovers and Leavers”
Tim McNary – ‘Above the Trees’ EP

April 15th
Hackensaw Boys – “Charismo”
Pauline Andres – “The Heart Breaks”
The Lowest Pair – ‘Fern Girl and Ice Man’ / ‘Uncertain As It Is Uneven’

April 19th
Crow Moses – “Nightshades”

April 22nd
Nate Leavitt – “Someone Send a Signal”
Derek Hoke – ‘Southern Moon’

April 29th
Larry Hooper – ‘No Turning Back’

May 3rd
Robert Ellis – ‘Robert Ellis’
Jeremy Nail – ‘My Mountain’

May 6th
Mary Chapin Carpenter – ‘The Things That We Are Made Of”
Jimbo Mathus – ‘Band of Storms’ EP
Vaudeville Etiquette – ‘Aura Vista Motel’

May 20th
Crystal Yates – ‘The Other Side’

May 27th
The Lowest Pair – ‘Fern Girl and Ice Man’ and ‘Uncertain As It Is Uneven’
Bonnie Bishop – ‘Ain’t Who I Was’

June 17
Sarah Jarosz – ‘Undercurrent’
Kris Kristofferson – ‘Cedar Creek Sessions’

June 24
The Felice Brothers – “Life in the Dark,”

July 1
Sara Watkins – ‘Young In All The Wrong Ways’

July 4
James Scott Bullard – “Box of Letters”

July 8
Mark Chesnutt – ‘Tradition Lives On’
Rob Ickes & Trey Hensley – ‘The Country Blues’

July 15
The Earls Of Leicester – ‘Rattle & Roar,’

July 22
High Bar Gang – ‘Someday the Heart Will Trouble the Mind’

August 5
Chelle Rose – ‘Blue Ridge Blood’
Summer Dean – ‘Unladylike’

August 12
Kelsey Waldon – ‘I’ve Got a Way on’
Boo Ray – ‘Sea of Lights’

August 19
Lydia Loveless – ‘Real’
John Paul White – ‘Belah’

August 26
The Devil Makes Three – ‘Redemption & Ruin”
Dietrich Strause – “How Cruel That Hunger Binds”
Waiting for Henry – ‘Town Called Patience’

September 9
Blue Highway – ‘Original Traditional’

September 16
Amanda Shires – “My Piece Of Land”
Jesse Dayton – ‘The Revealer’
The Buffalo Ruckus – ‘Peace & Cornbread’

September 30
Drive-By Truckers – ‘American Band’
Jim Lauderdale – ‘This Changes Everything’

October 7
Shovels and Rope – ‘Little Seeds’
Hiss Golden Messenger – ‘Heart Like a Levee’
The Dexateens – ‘Teenage Hallelujah’

October 28
Aaron Lee Tasjan – “Silver Tears”
Various Artists – ‘Highway Prayer – Tribute to Adam Carroll”
Jasmine Rodgers – ‘Blood Red Sun’

November 4
Kent Eugene Goolsby – ‘Temper Of The Times’

November 18
Miranda Lambert – “The Weight of These Wings”

Music Review : Lee Ann Womack – “The Way I’m Livin’ “ [Sugar Hill Records]

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Lee Ann Womack - “The Way I’m Livin’

I knew when Lee Ann Womack was up to something great when she was hanging around Americanafest in 2012. Appearing in a all-request showcase with Buddy Miller she held the Mercy Lounge stage as she has all those packed arenas shows she played not not long ago.

But playing arena shows means playing by a narrow set of rules that (hopefully) lands you on mainstream country radio. Womack has worked the system like a pro, resulting in having four of her six studio albums reach Gold and selling over 6 million albums worldwide

I hope her new release “The Way I’m Livin’ “ hits the charts and makes her gobs of money. But if it does it’ll do so by breaking the current rules of country music, and without compromise.

Womack’s seventh studio album, produced by her husband Frank Liddell (Miranda Lambert, Chris Knight, Pistol Annies) and her first effort for stalwart Americana label Sugar Hill Records, was recording live in the studio with the band. The 13 tracks has her wrapping Her warm-honey vocals around classic country themes of hardship, temptation and salvation, and she’s keeping mighty fine company on the journey.

Her version of Hayes Carll’s jukebox weeper “Chances Are” is pure jukebox greatness. Womack really brings out a new and longing characteristic of the song’s melancholy soul. The title song is a gospel stomper of swampy guitars and sonic salvation that heats up and leaves you wondering if your being taken to the Pearly Gates or Dark Underworld. Either way, the soundtrack’s excellent.

“Send It on Down” is a the other side of the salvation coin. No brashness in this last-ditch plea for mercy and a bus ticket written by Chris Knight. Bruce Robison is represented in a coupe of cuts, “Nightwind” is a beautiful bluegrass-style call to an nocturnal call to a lost love. Lost love is also the theme of “Not Forgotten You” though the up-tempo accompaniment might through you off it’s heart-broken trail.

Womack retains Roger Miller’s rollicking tempo on “Tomorrow Night in Baltimore” but turns it up slightly to a humps it up a bit with blazing electric and steel guitar. Lost love and regret is given emotional gravity as Womack breaths life into Brennen Leigh’s lovely honky-tonk lament “Sleeping with the Devil.”

There’s a sense of freedom and love of music throughout “The Way I’m Livin’ “ Womack, Liddell and the extraordinary supporting musicians have produced a contemporary version of a country gold.

I don’t know what challenges that might have been awaiting Womack had she chosen to mount the gilded running-wheel of Music Row instead of jumping the Americana fence. But I’m certain had she done so “The Way I’m Livin’ “ would have been a very different album. Thanks goodness she didn’t as the freedom to pursue her heart and vision has resulted in one of the best, and most honest, albums of her career.

Official Site | Buy

five_rate

Americanafest Video Round-Up

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Americana Awards Finale

There’s just way too much to see when visiting Americanafest. That’s why God created smart phones. Here’s some great videos that fans uploaded.

I heard that Robert Ellis held an epic classic country rich performance at the legendary Robert’s Western Wear. Of course I heard about it the day after it happened. Good thing somebody tipped off Hayes Carll, J.P. Harris, Shelly Colvin, Josh Hedley, Johnny Fritz and Jim Lauderdale.

Sam Outlaw proved that classic country can still thrive in L.A.

The Avett Brothers show you never can get so big that you can’t bring it back to the basics.

Sturgill Simpson’s performance at the not quite opened City Winery was a hard get with a capacity RSVP list.
https://www.youtube.com/watch?v=pUvE-GTiKiY

Plant and Griffin reunite (well, musically) for the Americana Awards.

It was Loretta Lynn’s night (rightly so) as he swept his categories.

Loretta Lynn. Nuff said.
https://www.youtube.com/watch?v=QoA0y9aCgxU

The closing of the Americana Awards with Ry Cooder, Rosanne Cash, Jason Isbell, Jim Lauderdale, Buddy Miller and others.

Americana Music Association Releases First Half of 15th Annual AmericanaFest Bill

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Americanafest

The Americana Music Association continues its tradition of showcasing some of the best in Americana and roots music by it’s partial roster of Americanfest performers released today.

Though the lineup doesn’t show any groundbreaking direction, I’m fine with that. There are lots of folks on the list that have been busting their hump for years and deserve this recognition rather then inserting acts to placate outsider accusations of one thing or another. Personally I’m happy to see Casa Twang favorites Howlin’ Brothers, Jamestown Revival, John Moreland, Lera Lynn, Marah and Ben Miller Band on the bill. And Texas is well-represented by Billy Joe Shaver, Sarah Jarosz, Jason Eady and Hayes Carll

The event is celebrating its 15th as the premier Americana event by welcoming 160 performers taking the stage at 11 venues including 3rd & Lindsley, The Basement, City Winery, High Watt, Cannery, Mercy Lounge, The Rutledge, Station Inn, Music City Roots, Downtown Presbyterian Church and Musicians Corner.

Three-time Americana Group of the Year, The Avett Brothers, will headline the event at Riverfront Parl on Saturday Sept. 20. Americana’s Music Festival & Conference registrations will have access. Tickets for the general public will go on sale Friday, June 27 at 10AMat www.ticketfly.com.

Check out THE Americanafest 2014 Spotify playlist.

The first half of Americanafest’s performing artist list includes:

Allison Moorer
Amy Ray
Angaleena Presley
The Avett Brothers
The Barefoot Movement
Ben Miller Band
Billy Joe Shaver
Black Prairie
Brennen Leigh and Noel McKay
Buddy Miller
The Cactus Blossoms
Carlene Carter
Caroline Rose
Chatham County Line
Chuck Mead
Danny & The Champions of the World
The Deadly Gentleman
Del Barber
The Deslondes
Doug Seegers
The Duhks
The Dustbowl Revival
Emily Barker & the Red Clay Halo
Ethan Johns
The Fairfield Four
The Grahams
Grant-Lee Phillips
Green River Ordinance
Greensky Bluegrass
Gregory Alan Isakov
Greyhounds
The Harpoonist & the Axe Murderer
Hayes Carll
Howlin’ Brothers
Immigrant Union
Israel Nash
Jamestown Revival
Jason Eady
JD Wilkes & the Dirt Daubers
Joe Henry
Joe Pug
Joe Purdy
John Moreland
Jonah Tolchin
Jonny Two Bags
Josh Ritter
Joshua James
Lake Street Dive
Lee Ann Womack
Leo Welch
Lera Lynn
Marah Presents: Mountain Minstrelsy
Marty Stuart
Matthew Ryan
McCrary Sisters
Nathaniel Rateliff
New Country Rehab
Oh Susanna
Otis Gibbs
Parker Millsap
Paul Thorn
Pete Molinari
Quebe Sisters Band
Rhett Miller
Robbie Fulks
Robyn Hitchcock
Rodney Crowell
Ruthie Foster
Ryan Montbleau
Sam Outlaw
Sarah Jarosz
Sean Rowe
Shakey Graves
Suzy Bogguss
Todd Snider & Friends
Tom Freund
Tony Joe White
Trigger Hippy (feat. Jackie Greene, Joan Osbourne, Steve Gorman, Tom Bukovac & Nick Govrik)
Whiskey Shivers
Willie Watson

The 15th annual Americana Music Festival & Conference occurs September 17-21, 2014 in Nashville, Tenn. The 13th annual Americana Honors & Awards Show on Sept. 17 at the historic Ryman Auditorium.

Hayes Carll Kicks Off Weekly/Monthly Hangouts

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hayes Carll Hangout

I imagine Hayes Carll’s welcoming, laid-back style being perfect for hanging out on a Texas afternoon shooting the shit. Until that time Carll’s newly launched Google hangout event is the next best thing.

Conducted it from the Drunken Poet Studios in Austin, TX. the event will be weekly or monthly and is still getting the kinks out. But it’s cool to watch Carll and his crew work out the bugs while picking some tunes.

Carll talks up his upcoming Christmas tour and other upcoming gigs and togas. Takes questions from his Twitter account @HayesCarll . He also introduces the Drunken Poet’s Society fan club, that sounds pretty cool.

He also performs a new unfinished and untitled..er new song #7, song he wrote with Nashville based singer/songwriter Ruston Kelly Also performed is a song called “Magic Kid” hayes wrote with Darrell Scott.

Not sure if the event, like many Google hangouts, will be done as a live feed with audience participation during the live taping. but it’s a pretty cool way to kill a few minutes with a cool guy.

https://www.youtube.com/watch?feature=player_embedded&v=QoR_NMiVYuo#t=16