Country and blues music has always mined the life’s mundane moments and extracted nuggets of domestic mythology shimmering with love, lust, booze, blood, tears, asphalt and diesel fuel.  With these elements masters like Hank Williams Sr., Neil Young, Townes Van Zandt and Bob Dylan – and latter day troubadours like Bruce Springsteen, Steve Earle and Chris Knight – transcend whatever genre they are bridled with and forge minor pedestrian masterpieces.

This second solo release from Sioux City, IA’s Mat D (Mat deRiso) draws from the same humanistic sources. Assuming a more Americana tone than the country-rock his Profane Saints offers, Plank Road Drag works a well-worn sonic landscape but still manages to uncover many dusty gems.

Resurrection Cadillac, the album opener is bathed in the sanctified blues of Leadbelly and Lightnin’ Hopkins as it lurches forward like a revved-up version of Led Zeppelin’s back-porch stomper Black Country Woman.

Street souls collide in Ford Marriage. Mat D colorfully throws his Born to Run-style tramps toward a ramshackle wedding  – “I’ll trade a fan belt and a hub cap for a suit-coat and a tie, we’ll use her panties a a veil and wrap an old rag around her thigh and make a bouquet out of tumbleweeds and hold on ‘til we die, my my.” – until passion’s heat burns away all that’s left is matrimonial ash – ”Turns out a house of love don’t run on truck-stop grease and gasoline.”

Doomed romance continues with Cannonball as family plight and hardship runs as rough as their path toward Texas. Three A.M. refuels the dirt-floor romance, gliding like a fever-dream vision of trailer-part trysts. 40 Watt Moon is the fever aftermath recounting beautiful memories and empty bottles.

Ribbon of Dirt uses the hard-bluegrass of Steve Earle’s Copperhead Road to tell another hard tale of the road’s siren call and Motorbelle is a beautiful, moody white-trash serenade “she was silver and gold from the trailer, she was sequins and jewels from the trash, she was flesh, she was blood,she was lonely, spilling out of old strapless dress with her big hair all pinned up and perfect all that Tammy Faye make-up a mess.”

The album closes with the bluegrass-tinted title song, where Mat d uses hillbilly poetry that could easily be inspired by watching the Coen brothers’ O Brother, Where Art Thou? with the sound down and Guy Clark on the turntable turned way up high.

Mat D’s Plank Road Drag is an ambitious record that hits on all cylinders to set a high water mark for any other contender for this year’s album of the year.

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• The Austin Chronicle’s Audra Schroeder reviews Texas’ own honky angel  Rosie Flores  new Bloodshot Records release Girl of the Century. Rosie is backed by the Pine Valley Cosmonauts led by the Mekons and Waco Brothers’ front man Jon Langford. Rosie and the Pine Valley Cosmonauts recently performed at San Francisco’s Hardly Strictly Bluegrass festival, and they sounded great!

• Te lineup for Doc Watson’s annual MerleFest has been released. The 23rd year of the excellent Americana and roots festival will again take place in Wilkesboro, NC, on the campus of Wilkes Community College. Some of the performers will be The Avett Brothers (and their dad Jim Avett), Bearfoot, Dallas’ Brave Combo, Elvis Costello, Jim Lauderdale, Little Feat and many more.

• Miss Leslie at the 9513.com gives us a fan’s point of  view of social media and discovering new music.

• Tom Russell’s newest blog post discusses taping Letterman during the “controversy” and the ongoing tour supporting his newest excellent release, Blood and Candle Smoke.

• Speaking of excellent albums , PopMatters.com’s Andrew Gilstrap reviews the recent release by Chris Knight, Trailer II.

Add this to your awesome festivals to attend list! The annul MusicFest (now approaching its 25th year) features some of the finest Americana and roots music to the world-class ski resort of Steamboat, Colorado for 6 days (January 4-11th) of snowy fun. Performers already booked for the next MusicFest are: Robert Earl Keen, Randy Rogers Band, Band of Heathens, Reckless Kelly, Charlie Robison, Kevin Welch, Cross Canadian Ragweed, Lee Ann Womack, Jamie Wilson, Todd Snider, Jason Eady and The Wayward Apostles, Billy Joe Shaver, Matt Skinner, Jack Ingram, Dean Dillion, Bonnie Bishop, Chris Knight, Walt Wilkins, Midnight River Choir, Jonathan Tyler and The Northern Lights, Kevin Fowler, Modern Day Drifters, Hayes Carll, Ben Smith, Jason Boland and The Stragglers, Josh Abbott, Cory Morrow, Ray Wylie Hubbard, The Trishas, Wade Bowen, The Doug Moreland Show, Stoney LaRue, Tina Wilkins, Roger Creager, Lucas Hubbard, Sean McConnell, Johnny and The Footlights…and more on the way!

It’s Labor Day and I just finished watching Billy Bob Thorton’s contemporary Southern Gothic film Slingblade, so I believe I’m in the perfect frame of mind to review a Chris Knight album.

Knight storytelling style reflects John Prine (who he studied when learning the craft of songwriting) and Steve Earle (who he’s most often inaccurately compared to.)  His narrative thumbnail sketches are small-towns inhabited by country folks swinging from grinding poverty, break-breaking work and menacing fun and lawlessness (and sometimes all in the same song.)

Knight is writing his life. Growing up in the western Kentucky mining town of Slaughters he was able to stay out of the mines by getting a degree in agriculture from Western Kentucky University. But he did end up spending time on the business side by working nearly ten years as a mine reclamation inspector and as a miner’s consultant.

The Trailer Tapes II is a 44 minute companion to 2007′s The Trailer Tapes. The full session was recorded as stripped down kitchen table demos in 1996 with just Knight and his acoustic guitar, two years before Knight’s Decca debut, by producer Frank Liddell in the singer/songwriter’s single-wide trailer in Kentucky. Unlike its predecessor Trailer Tapes II is mostly comprised of songs that later appeared on official Knight studio releases, but the similarities between the two is the like raw emotion of the performances by a man thta doesn’t need any fancy studio wizardry to spin gold.

Old Man, which turned up on 2006′s Enough Rope, is Knight’s version of Cats in the Cradle. A son’s life journey turns back toward his land as well as toward his checkered and violent heritage. It Ain’t Easy Being Me, later on 1998′s self-titled debut, has Knight crooning forcefully of   self-loathing but never self-pity.

Highway Junkie, later on 2001′s A Pretty Good Guy is a raucous road song and Knight spits gravel befitting the story. The excellent Love and a .45  sounds better stripped down then the already well performed verion on the self-titled debut.

Fans will be familiar with the rest of the cuts. Bring the Harvest Home, Summer of ’75, and The River’s Own from the self-titled debut. Send a Boat from A Pretty Good Guy, all benefit from the less-is-more approach, along with the unreleased I’ll Be There and Speeding Train and Till My Leavin’s Through.

The first time I saw Knight perform it was a cold December night and he played in the basement performance space of New York City’s Knitting Factory. A man with only his acoustic Gibson guitar, and one man backing on guitar, spun dark gems and kept the city crowd rapt in silence for nearly two hours. This is that man in all his brilliant, simple, glory. (release September 15)

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Chris Knight – Highway Junkie.mp3

Chris Knight -  Blame Me.mp3

• Chris Knight has posted a MySpace bulletin that he and his band will be playing a show to benefit the 8th grade class at Slaughters Elementary in his hometown of Slaughters, Kentucky.The show will take place this Saturday, March 7, 2009 @ Webster County High- 1922 US HWY 41 A South, Dixon, KY 7:00 PM — $20.00 – For tickets call (270) 635-5519 or (270) 871-2507

• Rachel Brooke has a posted a new demo on her MySpace page entitled City Of Shame. Brook writes that the song will most likely be on her upcoming new album.

• Our thoughts go out to Texas’ own ‘Dirty Old One Man Band’ Scott H Biram who after his last show in Europe suffered a compound fracture in the leg he uses on the his stomp board during performance. He is currently in a French hospital after surgery to implant yet another titanium rod in his leg (where another already exists due to a run in with a Semi a few years back.) It looks like he will be put on a plane home Saturday and can then heal in the good ole USA where its home but where insurance and reasonably priced medical care aren’t available to musicians. Go help the boy out and but some of his CDs and swag!
  

• Country music legends  Merle Haggard and Kris Kristofferson will perform  together for the first time for three rare acoustic shows

Wells Fargo Center for the Arts  – Sana Rosa, CA. – 4/1/09
Arlene Schnitzer Concert Hall – Portland, OR – 4/2/09
Paramount Theatre – Aeattle, Wa. – 4/3/09

• The 51st Annual Grammy Awards will be televised this Sunday night on CBS. But folk, bluegrass, and Americana categories are the red-headed hump-back stepchildren and will not be part of the telecast. But this year the Grammys will be streaming the pre-telecast ceremony on its website.  After the online presentation is done it will be archived and available for 30 days after its initial presentation. (via CNN and No Depression)

• The 9513 has released Episode 3 – He Winked and Laughed At Me – of thier podcast featuring Chris Knight, Wade Bowen, Alaska bluegrass band Bearfoot and Dallas country band Eastwood.

I’ve just  ran across the web site for “folksinger Michael Johnathon’s WoodSongs Old-Time Radio Hour” which bills itself as a “multi-media celebration of grassroots, Americana music” and “airs on 491 radio stations worldwide, XM Satellite Radio, online and on public television stations across the nation.” Cool! That said the site does offer some great audio archives featuring the likes of artists loke Chris Knight, The Grascals, The Del McCoury Band, James McMurtry, Justin Townes Earle, Kathy Mattea, Cadillac Sky, BR549 and Elizabeth Cook. Great stuff!

PopMatters.com’s Jill LaBrack posted a thoughtful review of the recently released  Hank William Box Set The Unreleased Recordings. Also at PopMatters Michael Metivier posts an equally thoughtful and culturally insightful review of country muisc legend Charlie Louvin new release Charlie Louvin Sings Murder Ballads and Disaster Songs.

The Drive By Truckers never use a set list in their shows but they are giving some lucky fan an opportunity to bid to create a dream set list that the band will play on their January 15th show Athens Georgia’s legendary 40 Watt. The winner will also get handwritten set list of the show signed by the entire band and get to attend a private meet and greet with the band and be given access to the VIP section (with a guest) for the show. All proceeds to the show will go to benefit Nuci’s Space.

The Sounds of Texas Music Series tickets are on sale. The show will take place at the  historic (and completely restored) Crighton Theater on the square in downtown ConroeTexas.  the 2009 series line-up includes: Los Lonely Boys with Del Castillo (Jan. 24); Chris Knight with Mark Germino (Mar. 28); Guy Clark with Jubal Lee Young (May 9); and the Flatlanders (June 6). Tickets are $168, individual tickets $47. They can be purchased from the Crighton Theater box office, 936-441-7469, ext. 201. For more information, see www.SoundsOfTexas.com.

Before he became the equivalent of a hillbilly Che Guevara Steve Earle was the king of roots-rock. Since moving to New York City, and shunning his redneck past, the roots-rock division seems open for the next singer/songwriter able to blend introspective, populist narratives  fueled by an amped-up rock sound. Slaughters, KY’s Chris Knight‘s “Heart of Stone” makes a convincing run at that title.

Small people in small towns with little to hope for populate Knight’s landscapes. Enduring and overcoming economic and cultural obstacles that would make lesser souls crumble and succumb.

The classic tale of the road is told on the opener “Home Sick Gypsy.” Though there is a series of sexual liaisons alluded to it’s made clear that it’s rough and lonely going out there for the working musician.

“Hell Ain’t Half Full” is a raucous morality tale that cuts just as deep against the meth cooker as it does the preacher with nothing good to say. The song ends on a note of stark humanistic self-reliance for our moral salvation since “Up in Heaven above, God ain’t paying much attention at all.” Another Dollar is another moral tale, this time on greed, that is far too busy rocking to become sanctimonious.

“Something To Keep Me Going” is an electrified country song about love gone wrong where memories do as much to call him back to his ex-lover as they do to remind him why he needs to keep heading on down the road. The tile cut sets a story of rural abandonment of family and how hardships can shape a man for the worse. Knight uses the chorus to caution the listener to persevere and overcome and “Don’t break yourself on a heart of stone.” “Crooked Road” is introspection of a man that is, like Knight himself, from a coal mining town and trying desperately to leave the hard, dangerous work behind to save himself and his family.

“Hear of Stone” returns Knight with producer Dan Baird of Georgia Satellites (who produced Pretty Good Guy and The Jealous Kind) and Baird has the good sense to let well enough alone. With a vocal style reminiscent of a Southern Randy Newman Knight taps into what made country music (and later folk) great since the days of Jimmy Rogers and the Carter Family. Walking that delicate line that balances sentimentality with an iron core of earnest character to make it through another day.

In Nashville last year I was fortunate to catch Knight in a round table that included Southern fiction writers and song writers on how story-telling through the different mediums were alike. Like the great writer on the panel William Gay, Knight’s takes are stark in their telling and elusive in their seeming simplicity. It’s there that the common can become extraordinary.

Chris Knight – Heart of Stone

• The Americana Music Association has released an initial list of arists that will be playing around Nashville during their music festival and conferencethis September 17-20 2008. Some of the performers will be: Jim Lauderdale, Mike Farris, Kane Welch Kaplin, The everybodyfields, The SteelDrivers, Tift Merritt, Jason & the Scorchers, Joe Ely, Malcolm Holcombe, Rosie Flores, Band of Heathens, Laura Cantrell, Cross Canadian Ragweed, James McMurtry, Jason Isbell and much much more.

• The drop date for Chris knight’s new album, Heart of Stone, has been pushed back to September 2nd due to “production issues.” Guest musicians on Heart of Stone include Mike McAdam (Steve Earle, Radney Foster) on various guitars, Keith Christopher (Georgia Satellites, The Yayhoos) on bass, Tammy Rodgers (The SteelDrivers) fiddle and vocals, mandolin and banjo, and Michael Webb (The Wreckers, Allison Moorer) on B-3 organ, piano and accordion. Producer Dan Baird also contributes on guitar and vocals. Knight says of Heart of Stone “It might just be my best. For some reason, there’s a cohesiveness here that’s not like anything I’ve done before. But at the same time, it’s not real predictable. There’s a lot of texture to it as well, but it’s a simple record. I don’t know how that happened. But I know it when I hear it.”
• The documentary “Johnny Cash: The Man, His World, His Music” will air on PBS stations tomorrow night. The film is directed by Robert Elfstrom and is a “cinema vérité look at Cash.”  PBS produced the documentary almost 40 years ago (!) Robert Elfstrom also takes some time to answer some questions for the the Tennessean (via the 9513)