Before he became the equivalent of a hillbilly Che Guevara Steve Earle was the king of roots-rock. Since moving to New York City, and shunning his redneck past, the roots-rock division seems open for the next singer/songwriter able to blend introspective, populist narratives  fueled by an amped-up rock sound. Slaughters, KY’s Chris Knight’s “Heart of Stone” makes a convincing run at that title.

Small people in small towns with little to hope for populate Knight’s landscapes. Enduring and overcoming economic and cultural obstacles that would make lesser souls crumble and succumb.

The classic tale of the road is told on the opener “Home Sick Gypsy.” Though there is a series of sexual liaisons alluded to it’s made clear that it’s rough and lonely going out there for the working musician.

“Hell Ain’t Half Full” is a raucous morality tale that cuts just as deep against the meth cooker as it does the preacher with nothing good to say. The song ends on a note of stark humanistic self-reliance for our moral salvation since “Up in Heaven above, God ain’t paying much attention at all.” Another Dollar is another moral tale, this time on greed, that is far too busy rocking to become sanctimonious.

“Something To Keep Me Going” is an electrified country song about love gone wrong where memories do as much to call him back to his ex-lover as they do to remind him why he needs to keep heading on down the road. The tile cut sets a story of rural abandonment of family and how hardships can shape a man for the worse. Knight uses the chorus to caution the listener to persevere and overcome and “Don’t break yourself on a heart of stone.” “Crooked Road” is introspection of a man that is, like Knight himself, from a coal mining town and trying desperately to leave the hard, dangerous work behind to save himself and his family.

“Hear of Stone” returns Knight with producer Dan Baird of Georgia Satellites (who produced Pretty Good Guy and The Jealous Kind) and Baird has the good sense to let well enough alone. With a vocal style reminiscent of a Southern Randy Newman Knight taps into what made country music (and later folk) great since the days of Jimmy Rogers and the Carter Family. Walking that delicate line that balances sentimentality with an iron core of earnest character to make it through another day.

In Nashville last year I was fortunate to catch Knight in a round table that included Southern fiction writers and song writers on how story-telling through the different mediums were alike. Like the great writer on the panel William Gay, Knight’s takes are stark in their telling and elusive in their seeming simplicity. It’s there that the common can become extraordinary.

Chris Knight - Heart of Stone

• The Americana Music Association has released an initial list of arists that will be playing around Nashville during their music festival and conferencethis September 17-20 2008. Some of the performers will be: Jim Lauderdale, Mike Farris, Kane Welch Kaplin, The everybodyfields, The SteelDrivers, Tift Merritt, Jason & the Scorchers, Joe Ely, Malcolm Holcombe, Rosie Flores, Band of Heathens, Laura Cantrell, Cross Canadian Ragweed, James McMurtry, Jason Isbell and much much more.

• The drop date for Chris knight’s new album, Heart of Stone, has been pushed back to September 2nd due to “production issues.” Guest musicians on Heart of Stone include Mike McAdam (Steve Earle, Radney Foster) on various guitars, Keith Christopher (Georgia Satellites, The Yayhoos) on bass, Tammy Rodgers (The SteelDrivers) fiddle and vocals, mandolin and banjo, and Michael Webb (The Wreckers, Allison Moorer) on B-3 organ, piano and accordion. Producer Dan Baird also contributes on guitar and vocals. Knight says of Heart of Stone “It might just be my best. For some reason, there’s a cohesiveness here that’s not like anything I’ve done before. But at the same time, it’s not real predictable. There’s a lot of texture to it as well, but it’s a simple record. I don’t know how that happened. But I know it when I hear it.”
• The documentary “Johnny Cash: The Man, His World, His Music” will air on PBS stations tomorrow night. The film is directed by Robert Elfstrom and is a “cinema vérité look at Cash.”  PBS produced the documentary almost 40 years ago (!) Robert Elfstrom also takes some time to answer some questions for the the Tennessean (via the 9513)

• I’ve heard it said, and agree, that alt.country and Americana is country music for liberals. Todd Snider is once again reinforcing that idea for me. “Peace Queer” is the name of the new Snider’s new release and it is being touted as “his most political record yet.” You can hear the first track off the album “Mission Accomplished.”

• NineBullets.net has posted some tasty cuts from Chris Knight’s upcoming album, Heart of Stone (8/19.)

• Hank III’s site has posted release date for his upcoming release “Damn Right & Rebel Proud” - October 21, 2008 From the III site: The album is again self produced and will shake the guns right offa your rack!  The first single will be “Long Hauls and Close Calls” - for which a video has also been produced that is full of muddin’, truckin’ and gunnin’! We thank our dysfunctional family for all of its support and patience in the release of this album.  Always get comfortable here, and the official Myspace site for all the news you really need.

Tracklist:

The Grand Ole Opry Ain’t So Grand / Wild & Free / Me and My Friends /6 Pack of Beer / I Wish I Knew / If You         Can’t Help Your Own /Candidate for Suicide / H8 Line / Long Hauls and Close Calls / Stoned and Alone / P.F.F. / 3  Shades of Black / Workin Man

• Del McCoury’s new release,  Moneyland (7/8), wants to raise awareness of serious economic issues facing Americans today through a thoughtful selection of six new (or newly recorded) songs, mixed with eight neglected gems and classic favorites that offer a hard-hitting look at today’s economic injustice. In addition to songs from the Del McCoury Band, the album features songs from Marty Stuart, Merle Haggard, Emmylou Harris, Bruce Hornsby along with the Fairfield Four, Chris Knight and others.

• The Dallas Morning News’ Mario Tarradell opines on the mixed success of several pop country crossovers.

• PopMatters.com really digs Alejandro Escovedo’s new release “Real Animal” (Back Porch). They also dig (though a tad less so) a newly discovered treasure for me Slim Cessna’s Auto Club’s “Cipher” (Alternative Tentacles)

• Kathy Mattea performed at the Roseburg’s Stewart Park Music on the Half Shell summer free concert series.

• From Country Hound - After an eight-year hiatus, Randy Travis is making his return to the Country Music industry with his new album, Around the Bend (7/15.)

• Macon, GA’s macon.com asks Can Justin Townes Earle save country music?

A big “screw you” to Universal Music for blocking their video’s from YouTube!

Chris Knight tells stories about the down and out, the desperate, the unlucky and folks generally off societies grid and influenced by his childhood growing up in the tiny mining town of Slaughters, KY - and here in the tiny downstairs Tap Room at the Knitting Factory a near capacity crowd came to bear witness to their lives in song.

Dismissed by critics as the poor-man’s (so to speak) Steve Earle, Knight has his own stories and they tend to be more direct, more sparse and grittier then Earle would pen. Knight is also not afraid to show his redneck roots in song and onstage which Earle, with his newfound Liberalism, seems uncomfortable with is not outright embarrasses with his Texas heritage.

This cold New York eve Knight covered songs from his entire catalog, “Enough Rope” from his last release from last year by the same name, is followed by the question “Are there any PETA people here tonight? I love animals, I just don’t take any shit off of them.” Knight joked and then breaks into “Bridle on a Bull” which features the lyrics “If your mule don’t want to plow/Talk to him with a two-by-four/And if he still don’t want to plow/Talk to him just a little bit more/And if he just don’t want to listen/Haul him off to the dog food store.”

In fine Southern and country music tradition Knight told many stories about how his songs came about. He tells a story of how his song Devil Behind The When (from the CD “The Jealous Kind”) involving the hiring of a religious drummer demonic birthday card.

Next is asong of the recently release “The Trailer Tapes” (Thirty Tigers) was about “I big city boy coming to the country and stirring up trouble. Yeah, I know this is going to go over big here in New York City. Laughs and gawfaws all around. The song kiils in it’s menace and heat. “Rita’s Only Fault” from the same release follows, about a former beauty queen’s revenge after a husband’s abuse was somber and heartfelt.

The crowd was almost dead silent during the solo guitar accompanied songs (despite the loud rock band playing on the upstairs stage), but once the songs were over the crowd is clapping and whooping as much as any Mason Dixon dive (with better beer.) I met some boys a few sheets to the wind who had driven all the way from Connecticut to see the show. “We had to come seee our boy.” the tall, lanky guy with a trucker cap beamed.

Knight the tells the story about a shoe in Switzerland when a local fan came up to him after the show and asked if he was okay after what happened to his brother. Knight had performed “Down The River” (from the CD “A Pretty Good Guy”). The song tells the story of two brothers that go fishing and the older one is murdered as revenge for a pool hall brawl.

The fan said “I hope your alright since that happed to your brother.” Knight then deadpans in his Kentucky drawl “If I can make people think these things are happening to me, I’ve done my job.”

He’s got me believing.

Singer/Songwriter Chris Knight will be stopping in to the legendary New York music venue, the Knitting Factory (Mando Saenz opening) on Thurday April 5th. Knight’s CD “The Trailer Tapes” (Thirty Tigers) has just been released.