• Longtime member of Ralph Stanley’s Clinch Mountain Boys passed away at the age of 72. (Billboard)

• The End Times Opry stops into New York City’s Lower East Side cozy Living Room on December 20th 7-10PM. The End Times Opry is a result of a group of artists who performed at the Pumpkintown Opry, in Pumpkintown South Carolina, for aging church groups. The End Times Opry fuses comedy, spoken word, and music for a collective entertainment experience. Performers include singer/songwriter Alexa Woodward , sonwriter/puppeteer Phoebe Kreutz, singer/songwriter Annie Crane , singer/songwriter Dan Costello, the band BoomChick, singer/songwriter Jack Hardy, singer/songwriter Frank Hoier and comic relief by Michael Robinette and Charles Massey of No Expectations Comedy.

• Emmylou Harris , Miranda Lambert and Brandi Carlile will join Sugarland, Indigo Girls and Sheryl Crow performing with the newly reestablished Lilith Fair created by Sarah McLachlan. Some of first-round 18 cities already announced for this traveling tour are Atlanta, New York, Dallas, Seattle, Portland, Ore., Denver, San Francisco, Montreal and London.

• Ranch Twang favorite, The Mighty Drive By Truckers, have left New West records and signed with Dave Matthew’s ATO Records (yes, THAT Dave Matthews.) Thier ATO Records debut record and the band’s 10th, The Big To-Do, is scheduled to be released March 16, 2010. The Big To-Do features thirteen new tracks from the Drive-By Truckers and was produced by their long time producer, David Barbe (Sugar, Bettye LaVette). “It’s very much a rock album,” says Patterson Hood of the Trucker’s upcoming release. “Very melodic and more rocking than anything we’ve done since disc 2 of Southern Rock Opera.” The Drive-By Truckers will be hitting the road at the beginning of the new year and a full tour supporting The Big To-Do will be announced in early 2010.

• St. Luis based root-rock stalwarts The Bottle Rockets will release a new live 7-inch single through Euclid Records store on Dec. 15. Recorded during the band’s in-store performance on Record Store Day this past April 18, the release will be strictly limited to 300 copies. The 45s are sold exclusively at Euclid Records (www.euclidrecords.com) for $9.99. For each sold a dollar will be donated to the New Orleans Musicians Relief Fund (NOMRF) to benefit musicians displaced or suffering loss of equipment in the aftermath of Hurricane Katrina. Euclid Records is located at 601 East Lockwood in Webster Groves, Mo. (Country Standard Time)

• Fox Searchlight’s fading country singer comeback move, Crazy Heart,starring Jeff Bridges, Robert Duvall, Maggie Gyllenhaal and Lost Highway’s Texas singer/songwriter Ryan Bingham, looks like a great movie. It seems that it was lucky to make it to the theaters at all.

• Check out the title track from the upcoming Eleven Hundred Springs album, This Crazy Life.

On this day was born in Winter Haven, Florida, 1946 the man that would, with his bands – International Submarine Band, The Byrds and The Flying Burrito Brothers, fuse the  genres of country and rock and roll and change the landscape of both forever.

Gram Parsons was also pivotal in introducing Emmylou Harris, then a single-mother and folk singer working in coffee houses outside Washington, D.C., to country music and her to the world.

Gram Parsons certainly earned his place in music history within his short life (he died of a drug overdose at the age of 26 in a hotel room in Joshua Tree, California) and certainly blongs in the Country Music Hall of Fame , alongside one of 2008’s inductees Emmylou Harris.

• Country Music Neo-Outlaw Jamey Johnson shows his respect for the classics by covering Vern Gosdin, George Jones, George Strait and, his most obvious influence, Waylon Jennings, at the Chicago Country Music Festival.

• Break out a jar of granny’s skull rattle folks, Juli Thaki at the 9513.com has given us her top 26 songs about moonshine.

• Tom Russell has written what could be considered a companion piece to his new release Blood and Candle Smoke at the Rumpas (Where God and the Devil Wheel Like Vultures: Report from El Paso.) The dispatch reflects Russell’s style he cultivated by hanging with American underground great Charles Bukowski and similar threads from this and previous releases about his home in El Paso, TX,  the culture, people and the drug wars.

• The Los Angelas Times’ Ann Powers reviews the Country Music Hall of Fame and Museum benefit featuring Emmylou Harris, Vince Gill and Dwight Yoakam among others (including the spirit of Townes Van Zandt.)

• The Flower Pickin’ festival (October 16-19)will feature Carlene Carter, Justin Townes Earle, Jimmy Tittle, John Francis and more. The festival celebrates the day that Johnny Cash was arrested for public drunkenness in Starkville, MS in the early morning of May 11, 1965 following a performance at Mississippi State University. He spent one night in jail and paid a fine of $36. Cash sang about his run-in with “the law” in Starkville on his album, “At San Quentin (The Complete Live Concert),” recorded in 1969.

• L.A. Times Pop & Hiss holds court with Texas songwriting royalty Billy Joe Shaver. Shaver discusses Bob Dylan, how after all life has thrown at him he still stays optimistic and voices frustration over somewhat indifference to some of his recent releases.

• Beaufort County News reviews the latest Bearfoot show at Washington’s Turnage Theater.

• While in San Francsico to play the closing night of the Hardly Strictly Bluegrass festival The Berklee College of Music will present Emmylou Harris with an honorary doctor of music. The event is to take place Sunday, just before Harris performs at the Banjo Stage in Golden Gate Park, organizers said.

• Country Music Prisde has a great interview with this indie sweethearts of country punk Those Darlin’s.

• News about Ray Wylie Hubbard’s movie The last Rites of Ransom Pride has been removed by request.

• Tune in tomorrow night to catch Emmylou Harris and Vince Gill perform together Wednesday’s Jay Leno Show. The pair on the West Coast participating in a series of All For the Hall benefit shows. Proceeds from the all-start line up, which also includes Melissa Etheridge, Dwight Yoakam, Keith Urban, Jason Aldean, Faith Hill and Taylor Swift, will allow Nashville’s Country Music Hall of Fame and Museum to expand. (The Boot)

• Dr. Ralph Stanley’s autobiography Man of Constant Sorrow: My Life and Times will be released on October 15 (BluegrassJournal.com)

• The Americana brand continues to grow! Legendary radio station, WSM 650-AM, will launch a weekly Americana program called Music City Roots: Live From The Loveless Cafe. The on Oct. 14 debut show will feature  the legendary Emmylou Harris,  acclaimed duo Pam Rose and Mary Ann Kennedy, and emerging artists Annie Crane and Robin Ainger. Artists slated to performing in the coming months include Sam Bush, Radney Foster, John Cowan, Dexter Romweber, Dale Ann Bradley, Peter Bradley Adams, Mike Farris, Scott Miller and Webb Wilder. Each Wednesday evening broadcast will feature three to four artists in 30-minute segments, followed by a free-form “Loveless Jam” where all the artists and their bands will be invited to collaborate on the fly. WSM will air the show Wednesday nights from 7 – 9 p.m. live from the Loveless Barn in Nashville, TN. Ticket are on sale for performances.

• Vince Vaughn is not only hilarious, and tall, but he loves country music. Or is it Americana music…hell I can’ keep up.

• The Americana extravaganza that is Hardly Strictly Bluegrass is next weekend people. John Prine, Lyle Lovett, Boz Scaggs, Steve Earle, Ricky Scaggs, Gillian Welch, Booker T and the Drive By Truckers as his backing band, Mavis Staples, Emmylou Harris, Doc Watson, Aimee Mann and Little Feat. And it’s FREE!

• Chet Flippo traces country’s heritage through new releases by Roseanne Cash, Kris Kristofferson and Lynyrd Skynyrd. (CMT.com)

• Taylor Swift showed up at the Ryman last night to watch Texas’ own Miranda Lambert play her new release Revolution (I wonder if she has to pay Steve Earle royalties on that too?) That’s right Taylor, that’s how it’s done! During her performance Lambert knelt down and kissed the historic wooden stage of the hallowed Mother Church of Country Music. No mics where taken from any performers as far as I know…

Labor Day originated in Canada from labor unions fighting for a nine-house work day. The first Labor Day in the United States was celebrated on September 5, 1882 in New York City as a result of the deaths of a number of workers at the hands of the US military and US Marshals during the 1894 Pullman Strike. With our current animosity toward all things union, Labor Day has become little more than a reason for a car sale and a three-day last gasp of Summer vacation. Kind of a drag when you realize that we are working harder and getting less now than generations past…

Here are the top 10 songs I believe celebrate the working person as the backbone of America.

1.  Work’in Man Blues –  Merle Haggard – Still a staple in Merle’s set list and a must have in all the best honky-tonks and beer joints across America.

2. Can’t Make it Here – James McMurtry  – In the recent economic downturn it’s become fashionable to pen songs about tough times for a quick buck. None come  even close to the gritty heart of McMurtry’s tale of hard times.

3. 9 to 5 – Dolly Parton -This two Grammy Award winning crossover hit was the theme song to the hit film starring Parton, Jane Fonda, Lily Tomlin and Dabney Coleman. Leave it to  Dolly to make cubicle drudgery sound so fun.

4. Take This Job and Shove It – Johnny Paycheck – Penned by David Allan Coe about the bitterness of a man who worked long and hard with no apparent reward.  The song was also covered by the Dead Kennedys on their album Bedtime for Democracy.

5. Maggie’s Farm -  Bob Dylan – Dyman made it popular but Maggie’s Farm has a much longer history that includes Lester Flat and Earl Scruggs.Though it has been documented that Maggie’s Farm was Dylan’s declaration of independence from the constructions put on him by the folk movement, it stands just as well as an oppressed employee leaving his thankless boss.

6.  Wichita Lineman – Glen Campbell – Written by by Jimmy Webb and famously covered by Glen Campbell While driving on a deserted highway in northern Oklahoma, Webb spotted a solitary lineman working high on a transmission cable and the idea for the lyric was born.  It has been referred to as ‘the first existential country song’.

7. Working Man – Hank Williams III – Shelton’s narration of the hard times and the endless struggle of blue collar work and his role in society and his family.

8. Dark as a Dungeon – Merle Travis -  Travis’ father was a coal miner in Muhlenberg County, Ky. and this classic song details the risks and drudgery of the work.

9.  Millworker – Emmylou Harris – Emmylou covers this James Taylor song in her signature sublime style.

10. John Henry - Woody Guthrie, Merle Travis, Bill Monroe, Johnny Cash, etc – The enduring American folk tale of man and machine.

Country and roots music has a long history of honoring and reflecting the dignity of work and the labor of Americans from all walks of life.  We celebrate this Labor Day, 2009  with a collection of songs as diverse and enduring as the people they celebrate.

• Willie Nelson will join TheBoot.com for a live “Twitterview” next Tuesday, Aug. 25, the same day as the release of his newest album American Classic. You can watch the live chat with Willie, starting at 7:00 PM ET on Tuesday, if you follow Willie Nelson and theBoot.com  on Twitter.

• Speaking of the Texas Yoda, The L.A. Times has a nice piece on him (Willie Nelson in jazz country)

• Joe Pug will be joining Steve Earle on his upcoming European tour. Pug’s  debut LP “Messenger” will be released in early 2010.

• Austin’s jazz and western swing band Hot Club of Cowtown has released their new, Wishful Thinking.

• The New York Time reviews a show at Joe’s Pub by Works Progress Administration (WPA). the expandable collective, featuring core members Luke Bulla (Lyle Lovett), Sean Watkins (Nickel Creek) and Glen Phillips (Toad the Wet Sprocket) and on this night featuring Sara Watkins (Nickel Creek) pedal steel guitarist and multi-instrumentalist extraordinaire Greg Leisz (Bill Frisell, Dave Alvin, Lucinda Williams,  Emmylou Harris, Joni Mitchell, Whiskeytown, and Robert Plant and Alison Krauss and many more)

• Chet Flippo sees compelling storytelling in videos by Toby Keith and Brad Paisley in his newest Nashville Skyline post. I see trite, if mildly clever,  symbolism  mirroring the trite song they represent. For shear technical and style excellence I still have to go with this one.

• AOL’s Spinner has a nice feature on the lovely, but messy, honky-tonk riot-grrrls Those Darlins.

• The Onion’s AV Club “head writer and hip-hop specialist”   Nathan Rabin continues his discovery of Country Music in his Nashville or Bust feature. The newest post is a nice historic summary of Americana chanteuse and Gram Parson protege Emmylou Harris. (via the 9513.com)

• The always excellent Juli Thanki’s newest Torch & Twang column over at PopMatters.com tackles a subject near and dear to Ranch Twang’s heart – the history of Canadian artists in Country Music.

• The legendary Ryman Auditorium will host Jim Lauderdale & Friends featuring Amy Grant, Vince Gill & The SteelDrivers. The performance will benefit Thanks USA. The concert is on Monday, November 9 at 7:30 pm and tickets on sale Friday, August 21 at 10 am ($49.50 & $39.50)

• The Washington Post has a great feature on Loudon Wainwright III’s new release – “High Wide & Handsome: The Charlie Poole Project.” Wainwright created the album to bring attention to Poole’s music and that he played a key role in the history of country music. on edit- NPR did a feature on the Poole tribute.

Hardly a day goes by that we hear about another performer leaving their chosen career trajectory and taking a swing at country music.Some of these travelers deeply feel the need to honor the history, the tradition, of the genre. They also bring something new and interesting to the sound. Then there are the carpetbaggers. The ones who’s career have a justly stalled and are looking to find a new audience in a genre they mistakenly see as an easy get. They carry with them the foul stench of mediocrity they cultivated from whence they came.

The latter category is too painful to detail here but a prime example of the former is Elvis Costello. A singer/songwriter so accustomed to straddling, hopping and distorting genres that people are surprised when he returns to his earlier literate pop-punk roots. Costello’s love of American Southern music is well documented. The established Angry Young (British) Man takes a sharp turn from edgy punk-pop to head to Nashville and cut 1981’s Almost Blue which featured songs by Hank Williams, Merle Haggard, George Jones and Gram Parsons. The post-divorce roots-folk of 1986’s T. Bone Burnett produced King of America. 2004’s The Delivery Man featuring duets with  Emmylou Harris and Lucinda Williams – who he also performed with in a CMT Crossroads. There is the Costello T. Bone Burnett penned Scarlet Tide was used in the film Cold Mountain, nominated for a 2004 Academy Award and performed by Costello it at the awards ceremony with Alison Krauss, who also sang the song on the official soundtrack. Point being his newest Americana release Secret, Profane & Sugarcane is not a hard diversion nor a lark for Mr. MacManus.

It doesn’t help that you’re sound is so distinctive that people start to harp on it like it’s a curse. Secret, Profane & Sugarcane like it’s spiritual cousins Bob Dylan’s Nashville Skyline, Neil Young’s Harvest and the Rolling Stones’ Exile on Main Street seems to lose points some detractors because the work reflects the unique characteristics the artists brings with them when they cross the Americana tracks. If you prefer your music by outsiders to be cleansed of all traces of the performers unique earlier style, well, Secret, Profane & Sugarcane is not for you.

The album took three days to create in a Nashville studio (March 31 to April 2, 2008)  thus beating out the usually fleet Bob Dylan’s Nashville Skyline, which took 9 days (February 12, 1969 – February 21, 1969) is with producer T Bone Burnett- whos is becoming the go-to-guy when you want to do Americana – and focuses on Costello’s own work rearranged for a crack band featuring Stuart Duncan on banjo and fiddle, Jerry Douglas on Dobro, , Dennis Crouch on bass, Mike Compton on mandolin and Mr. Americana himself Jim Lauderdale lending honey harmony vocals to counter Costello’s (in)famous keen.

Things get off to a nice starts with Down Among The Wines And Spirits, originally written for Ms. Loretta Lynn, is a lolling down-and-out drinking song featuring the kind of wordplay Costello has become famous for (there’s that uniqueness again!) Complicated Shadows, first recorded for 1996’s All This Useless Beauty and originally written for Johnny Cash, gets the amped-up greasy blues treatment that would make Tony Joe White smile.

The beautifully sad I Felt the Chill Before the Winter Came was penned by Costello and aforementioned Loretta Lynn is lovely but brings to mind the coldness suggested in the title. My All Time Doll is a hillbilly cabaret number featuring the excellent accordion work by Jeff Taylor and a demo from All This Useless Beauty Rhino reissue Hidden Shame gets a great rousing makeover.

How Deep Is the Red?, She Was No Good,”She Handed Me a Mirror, and Red Cotton are  from Costello’s unfinished Hans Christian Andersen chamber opera The Secret Songs (did I mention that man was eclectic?) As prolific as Costello is, he is known to rework his own songs for different occasions, and although these songs do carry trace elements of their classical origins they sound right at home here.

Sulphur to Sugarcane was written by Costello & T Bone Burnett for (but not used)  in the Sean Penn 2006 film All The King’s Men. The song sounds like a bawdy ragtime-jazz response to Johnny Cash’s I’ve Been Everywhere as imagined by Leon Redbone. The Crooked line is rumored to have been an unused song for the Johnny Cash biopic Walk The Line and Costello is reported to have said that it’s “…the only song I’ve ever written about fidelity that is without any irony.” Here the song is a Cajun-flavored duet with Emmylou Harris with Emmylou way too far down in the mix, or just right, depending on your feeling about Ms. Emmylou’s disctinctive style. Changing Partners is a more-or-less faithful rendition of a the ubber-crooner Bing Crosby’ classic  number of lost love.

Is Secret, Profane & Sugarcane a great country or Americana album as you might expect from a seasoned vet? No. Is it a great Elvis Costello record? No, it hits just about in the mid-range of his canon. But with the likes of Jewel, Miley Cyrus and Kid Rock paraded as examples of roots and country music’s future Costello has given us a lovely, lively work to brace us out of that nightmare.

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