Every autumn for the past 11 years the Americana Music Association honors Americana and roots music. Members of the association (of which I am one) get’s an email in early spring and are asked to submit up to 10 nominees for each of six categories – Album of the Year, Song of the Year, Artist of the Year Emerging Artist of the Year, Duo/Group of the Year and Instrumentalist of the Year. The eligibility period for the nominees runs from April 1, 2012 through March 31, 2013.
The numbers are tallied up and the 5 nominees for each category have just been announced last Tuesday. Though some have stated that the Americana music Association is playing it safe and should do more to grow the base.
But all they did was count the votes. The good portion of their dues paying voters are members of the music industry with a stake in the game and this list reflects, with a few glaring exceptions (which I will dress at the bottom), the Americana chart for the time criteria.
As a blogger, with no direct stake in promotion of any one artist over another, I’m bound only by my own subjective opinion. i voted for artists who I believed were the best of the best and some ended up on the final nominee list. Many did not. Here are a few glaring omissions that me, and some of my community on Facebook and twitter have, noticed.
Got your own? List ’em in the comments below.
The first oversight is the most glaring. How is Lindi Ortega, one of the freshest voices in Americana, not up for Emerging Artist Of The Year? Seriously?!
Is there a better singer/songwriter in roots and Americana music than Chris knight? Little Victories was my top album of 2012 and it should be up for Album of the Year. Andd it’s high-time Knight be shown some Artist of the Year love. The man’s a damn legend!
Another fantastic new talent hitting her stride in American, root and pop is Caitlin Rose. Emerging Artist Of The Year and Album of the Year.
Jake Smith (aka The White Buffalo) is also an exciting newcomer in the Americana and roots field. Emerging Artist Of The Year and Album of the Year for How the West Was Won.
A legend, and one of the finest voices in roots music, comes out with her first of new material in sixteen-years on Sing The Delta and it doesn’t get a Album of the Year nod?!
alt.country legends, Son Volt, reach back to the classic country that’s always been a part of their DNA to make one of the best albums of their career and they’re passed over/ They should be up for for Album of the Year for Honky Tonk and I’d argue that Jay Farrar should be up for Artist Of The Year.
Ray Wylie Hubbard’s Grifter’s Hymnal is the legend at his gritty, greasy Texas best. Album of the Year.
Carrie Rodriguez has been around for a a while and deserves some Artist of the Year and Album of the Year love for her Give Me All You Got.
The Turnpike Troubadours are one of the best young bands that I saw at last year’s Americana Conference showcases. Album of the Year for their Goodbye Normal Street and Duo/Group of the Year.
The Trishas were also a highlight of last year’s Americana Conference and have put in their time. They earned nods for High, Wide and Handsome for Album of the Year and Duo/Group of the Year.
ON EDIT: When it comes to pop-Americana the Lumineers can’t hold a candle to Durham’s Delta Rae. I would nominate Delta Rae for Duo/Group of the Year and Bottom of the River for Song of the Year.