Denver, Colorado’s Suburban Home Records has released a fine compilation (Or for this roots music blogger, a convenient sonic crib sheet) of new and classic roots rock and Americana music entitled Suburban Home Records Mix Tape Vol. 5, Someone’s Gonna Die. The title is inspired by I Can Lick Any Sonofabitch In the House’s new album, “The Sounds of Dying (featured here as the first two cuts as well as ICLASOBITH lead singer Micahel Dean Damron ballsy solo version of Townes Van Zandt’s Waiting Around to Die.) This mix was bound for greatness. How can you not trust this kind of music to a label owned by a guy named Virgil?
Go grab this release (via You Send It) for some fine music for your next Summer cookout or that next riveting game of whiskey-fueled Russian roulette.
1. I Can Lick Any Sonofabitch in the House – Swear to God
2. I Can Lick Any Sonofabitch in the House – Postcards and Apologies (Two Cow Garage cover)
3. Two Cow Garage – Postcards and Apologies
4. Micahel Dean Damron – Waiting Around to Die (Townes Van Zandt cover)
5. Townes Van Zandt – Waiting Around to Die
6. Austin Lucas – Sleep Well (Demo)
7. Trampled By Turtles – Wait So Long
8. Oblio’s Arrow – End of the Burning Moon
9. Tim Barry – Exit Wounds.mp3
10. Slobberbone – Placemat Blues.mp3
11. John Moreland and the Black Gold Band – Bastards of the Highway
12. Jeff Rowe – Kate
13. The Replacements – Unsatisfied
14. Jon Snodgrass – Fast in Last
15. Arliss Nancy – Stella Lovely
16. Jr. Juggernaut – Another Two Weeks
17. Alexander Hudjohn – Down So Low
18. Calling Morocco – Break Your Heart
19. Tin Horn Prayer – Louis Collins
20. Jared Grabb – Devil Between
21. Lucky Old Sun – Back in Style
22. Armchair Martian – …Not Fine (Demo)
23. The Takers – Drift
24. Look Mexico – Take it Upstairs, Einstein
25. Geraldine Fibbers – Lilybelle
26. Pariah Beat – Elvis in Jerusulum
27. Drag the River – Beautiful and Damned
28. BEERS – I Love You (But I Don’t Trust You)
29. The Evening Rig – Half Asleep
30. Hank Williams, Jr. – If You Don’t Like Hank Williams.mp3
Hank Williams is being posthumously awarded a special citation from the Pulitzer Prize Board. The honor was revealed Monday (April 12) in conjunction with the announcement of the 2010 Pulitzer Prize recipients in journalism, drama and music. The citation was determined following a private survey among experts of popular music. It notes Williams’ “craftsmanship as a songwriter” and his “pivotal role in transforming country music into a major musical and cultural force.” Williams died in on New Years Day, 1953 at age 29. His songs have been recorded by hundreds of artists in a variety of genres. In recent years, the board has awarded several other special citations in music to Bob Dylan and jazz legends Thelonious Monk and John Coltrane.
Now is only the Grand O’l Opry would reinstate ol’ Hank.
Jenny Jenkins by The Handsome Family
When I Get Home I’m Gonna Be Satisfied by Jon Langford
#c0c0b4
I was directed to this great video of Kim Deal (The Pixies/The Breeders) and Kelly Deal (The Breeders) doing a cover Hank Williams’ I Can’t Help It (if I’m still in love with you)
It’s one thing to be Shooter Jennings or Justin Townes Earle, but being the Granddaughter of country music legend Hank Williams and the Daughter of the hard-living, hell raising outlaw and legend of sorts Hank Williams Jr., well that’s a whole other mountain to climb.
Like her half-brother Hank Williams III, Holly Williams takes the fundamentals laid down by her ancestors and burns her own brand on the work. Here With Me is much more a country record than her previous release for Universal South The Ones We Never Knew and perhaps the turn in style was a result of the automobile accident that nearly took the lives of her and her sister Hilary. Maybe, like Hank III, the primary motive for moving into the family business was the promise of a ready audience and cash.
Whatever the motive this is a great release that brings to mind the work of another blood kin of country music royalty, Rosanne Cash. Like Cash, Williams does great things with a modest vocal range and brings a sophistication to the songs (many of which she wrote) without completely smothering out the rustic charm with glossy productions and lazy paint by the numbers fluff reaching for a top charting radio hit.
Holly Williams is every bit the outlaw her destiny assumes she’ll be, she just prefers a level of uptown refinement to her country pedigree.
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