• In true DIY fashion The Johnny Cash Project is a “global collective art project” that allows fans from all over the world to contribute to a arrogated, user-generated video for the title track from the latest Johnny Cash recording American VI: Ain’t No Grave. The single images are then threaded together into a one-of-a-kind labor of love. I only wish the Man in Black has lived to see this.

• John Prine fans are about to hit pay-dirt. On May 25th, 2010, Oh Boy Records (founded in 1981 by Prine and manager Al Bunetta) will release the live In Person & On Stage, which will draw from performances spanning the past several years and covering songs from as far back as Prine’s 1971 debut and as recently as 2005′s acclaimed Fair & Square. Then Broken Hearts & Dirty Windows: Songs of John Prine will be released on on June 22nd (Oh Boy) and will feature Prine compositions interpreted by devotees such as My Morning Jacket, Bon Iver’s Justin Vernon, The Avett Brothers, Conor Oberst and The Mystic Valley Band, Old Crow Medicine Show, Lambchop, Drive-By Truckers, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and, reprising their respective tracks from In Person & On Stage, Nickel Creek’s Sara Watkins and Josh Ritter. Oh Boy will begin a pre-sale for In Person & On Stage on April 20thand for Broken Hearts & Dirty Windows on April 27th at www.musicfansdirect.com.

• The Country Music Hall of Fame and Museum has announced it will pay tribute to the legendary Tammy Wynette with an exhibit titled Tammy Wynette: First Lady of Country Music. Presented by Great American Country (GAC) the exhibit will open in the Museum’s East Gallery on August 20, 2010, and run through June 2011.

• More news from the The Country Music Hall of Fame and Museum. An upgrade to the Hall’s core collection, Sing Me Back Home: A Journey Through Country Music, are expected to be completed next month. The updates, which focus on country music’s last five decades, will bring the story of country music forward in time and conclude with a glimpse of the future. They will highlight the country-rock, pop-country, southern rock, full-strength classic country and the “Urban Cowboy” craze. The upgrade includes new oversized portraits, video clips and artifacts such as Dolly Parton’s handwritten lyrics to Jolene, Tom T. Hall’s acoustic guitar he purchased from songwriter Merle Kilgore, and items from Ronnie Milsap, Kenny Rogers, Mel Tillis, and Tanya Tucker. Other updates focus on the mid-1980s arrival of artists like Dwight Yoakam, Rosanne Cash, Rodney Crowell, Randy Travis and Steve Earle. New exhibits celebrate contemporary bluegrass and Americana artists, ranging from Alison Krauss and Del McCoury to Buddy Miller and Jim Lauderdale.

Robert Plant appears to be following the Americana music muse that led him to a successful collaboration with Alison Krauss and T. Bone Burnett on the Grammy-Award winning Raising Sand.

Plant has confirmed a 12-city North American tour  beginning in July.  Plant’ will be supported on tour by the  Band of Joy, a name taken from a pre-Zeppelin  ’60s Birmingham, England group he performed in with drummer John Bonham.  Plant and Band will preview material from a new album set for release on Rounder in late summer/early fall.  Band of Joy will feature Patty Griffin (who has recently release her own new album Downtown Church), multi-instrumentalist/singer Darrell Scott,  bassist/singer Byron House, drummer/percussionist/vocalist Marco Giovino, and co-producer/guitar/singer Buddy Miller (who also appeared on Raising Sand.)

• The Country Music Museum and Hall of Fame plans to update their main exhibit space to devote an area to Americana and contemporary bluegrass music. The new exhibit will feature artifacts from Alison Krauss, Jim Lauderdale, Dell McCoury and Buddy Miller. Also to be included  in the the second floor gallery’s theatre (in front of the Hee Haw exhibit)  a new video exhibit will be featured showing about how topical events and social political issues are reflected and country music. The exhibit will feature examples like Merle Haggard’s “The Fightin’ Side of Me,” Loretta Lynn’s “The Pill,” the Dixie Chicks’ “Goodbye Earl,” and Toby Keith’s “Courtesy of the Red White and Blue (The Angry American).”

• For that Americana rock lover you need a gift for Billy Reid has offers a hand-made and -finished wooden box from Ross LeBlanc containing rare t-shirts inspired by the roots artists Old Crow Medicine Show, Justin Townes Earle, Jason Isbell and The 400 Unit, and the Drive-by Truckers, and also includes a DVD of Old Crow Medicine Show’s live performance at the Tennessee Theater.

• T Bone Burnett discusses his personal story of singer/songwriter Stephen Bruton. Thier collaboration and friendship led to the music selections for the upcoming Jeff Bridge’s movie about a down but not quite out country singer Crazy Heart. Burnett also mentions upcoming production duties with Jakob Dylan, Willie Nelson, Gregg Allman, Robert Randolph and John Mellencamp, and overseeing an all-star recording of music written by Mellencamp and horror-writer, and Americana music fan, Stephen King for “Ghost Brothers of Darkland County,” a play with music. And then there’s “Tough Trade,” a new series about three generations of country music stars, for which he’s serving as executive music producer. It’s set to premiere next year for EPIX, Viacom’s new multiplatform entertainment service. (LA Times)

• Paramount Pictures has begun an open casting call to find a Caucasian girl between the ages of 12 and 16 to play the lead role of Mattie Ross in the upcoming Joel and Ethan Coen’s remake of True Grit. (Cowboys and Indians blog)

• For a man in his 70s Willie Nelson is showing no signs of slowing down. The Texas Yoda is reportedly working with producer T Bone Burnett (O Brother, Where Art Thou? and Walk the Line soundtracks, Alison Krauss and Robert Plant – Raising Sand, Elvis Costello’ s -  Secret, Profane and Sugarcane and much more) in Nashville on his very first bluegrass album. Some of the songs being considered are Sixteen Tons, Dark as a Dungeon, and the oft covered Joe “Red” Hayes and Jack Rhodes classic Satisfied Mind. (via stillisstillmoving.com)

• The 9513 enjoys some Southern-fried rock goodness with Blackberry Smoke’s Shiner, tequila and skinny-dipping number Good One Comin’ On.

• And speaking of the good folks at the 9513, Juli Thaki site down to an exclusive interview with Rosanne Cash.

• Drew Barrymore’s directorial debut Whip It is about roller derby in Austin, Texas. Sound like boxoffice gold to me! Ms. Barrymore was also instrumental in choosing the music for the soundtrack which includes Dolly Parton’s Jolene and .38 Special’s Caught Up in You as well as less twangy work by the Ramones, Peaches and Go Team! (Billboard.com)

• The Americana Music festival and conference is next week in Nashville TN (Sept 16-19) and the early bird registration price has been extended to Sept. 14th. Get in on what is sure to be a great conference and excellent showcases all over the city.

• Congratulation to Patterson Hood from the Drive By Truckers and his wife Rebecca on the birth of their son Emmett Hood!

• Willie Nelson will join TheBoot.com for a live “Twitterview” next Tuesday, Aug. 25, the same day as the release of his newest album American Classic. You can watch the live chat with Willie, starting at 7:00 PM ET on Tuesday, if you follow Willie Nelson and theBoot.com  on Twitter.

• Speaking of the Texas Yoda, The L.A. Times has a nice piece on him (Willie Nelson in jazz country)

• Joe Pug will be joining Steve Earle on his upcoming European tour. Pug’s  debut LP “Messenger” will be released in early 2010.

• Austin’s jazz and western swing band Hot Club of Cowtown has released their new, Wishful Thinking.

• The New York Time reviews a show at Joe’s Pub by Works Progress Administration (WPA). the expandable collective, featuring core members Luke Bulla (Lyle Lovett), Sean Watkins (Nickel Creek) and Glen Phillips (Toad the Wet Sprocket) and on this night featuring Sara Watkins (Nickel Creek) pedal steel guitarist and multi-instrumentalist extraordinaire Greg Leisz (Bill Frisell, Dave Alvin, Lucinda Williams,  Emmylou Harris, Joni Mitchell, Whiskeytown, and Robert Plant and Alison Krauss and many more)

• Chet Flippo sees compelling storytelling in videos by Toby Keith and Brad Paisley in his newest Nashville Skyline post. I see trite, if mildly clever,  symbolism  mirroring the trite song they represent. For shear technical and style excellence I still have to go with this one.

• Brad Paisley, Alison Krauss and Union Station to play Obama White House for next week’s White House Art & Innovation Events: Music Series Celebrating Country Music & Smithsonian’s National Design Awards Event.

• The Washington Post takes a look at Nashville’s Bluegrass scene and follows the high lonesome from the Ryman Auditorium’s annual Bluegrass Nights at the Ryman to one of my personal favorite The Station Inn.

• Juli Thanki over at the 9513.com reviews the new self-titled album by riot grrrl/roots group Those Darlins.

• Decider Milwaukee sits down with Portland’s indy Americana band Blitzen Trapper.

• The destination for Farm Aid ’09? St. Louis, Missouri!

These days duets are more like joint corporate sponsorships than a simpatico union of the heart and mind through song. Great male and female collaborations transcend their individual craft and emerge with something altogether new and remarkable. Kitty Wells and Red Foley, Ferlin Husky and Jean Shepard, George Jones and Tammy Wynette, Johnny and June – they made music that was more than the sum of their already amazing parts.

The Americana world seems to be coming into its own in the duet field. What arguably began with Gram Parsons and Emmylou Harris got a real boost with 2005′s Begonias featuring Whiskeytown and Tres Chicas’ Caitlin Cary and her friend singer/songwriter Thad Cockrell. 2007 saw Robert Plant, Alison Krauss and T. Bone Burnett’s  Raising Sand set a standard for craft as well as sales. Now 2009 has already endowed us with two dazzling releases that build handily on this legacy.

Gretchen Peters is no stranger to the world of Nashville songwriting. Her songs have been recorded by Trisha Yearwood, Pam Tillis, George Strait, Martina McBride, and Patty Loveless who was nominated for a 1996 song of the year Grammy for Peters’ “You Don’t Even Know Who I Am.” for such a prolific songwriter it’s surprising that her seventh solo album, One To The Heart, One To The Head is a covers album. On it she partners with L.A. native, El Paso resident and Renaissance man Tom Russell who penned one song, Guadalupe, co-produced and painted the album cover image of what looks like a stylized dead horse. Russell knows his way around songwriting, his songs have been covered by Johnny Cash, Nanci Griffith, Dave Alvin and Suzy Bogguss as well as 16 solo releases. These are two heavyweights and they bring their considerable collective talents to bare on a great release.

OTTH,OTTH is referred to as a “western album” which Peters tapped into her earlier life in Boulder, Colorado to draw inspiration. The instrumental opener North Platte does set a western landscape with a Elmer Bernstein or Jerome Moross sense of expanse as well as gravity. The landscape contracts just a bit for the stark and beautiful Prairie In The Sky which beautifully highlights Peter’s shimmering trill as she floats over cello and piano accompaniment. Bob Dylan’s Billy 4, from the soundtrack to Sam Peckinpah’s film Pat Garrett & Billy The Kid, gets a serious borderlands infusion with Joel Guzman’s extraordinary Conjunto-style accordion and Russell bringing his silky-graveled voice counter to Peters’.

Tom Dundee’s tale of cultural isolation shines as the classic country sound of These Cowboys Born Out Of Their Time and with Russell’s end of the road lament Guadalupe woe never sounded so good. The accordion and barrel house piano that kicks off Bonnie Raitt’s tequila fueled barroom sing-along Sweet & Shiny Eyes sets just the right cantina vibe. It takes guts to cover a Townes Van Zandt song and Snowin’ on Raton is done with delicate beauty and  a proper sense of deference. If I Had a Gun furnishes this album with its title. “If I had a gun you’d be dead. One to the heart, one to the head. If I had a gun I’d wipe it clean, my fingerprints off on these sheets. They’d bury you in the cold hard ground, fist full of dirt would hold you down. They’d bury you in the cold hard ground, it’d be the first night I sleep sound.” Peckinpah would be proud.

Gretchen Peters Site | Tom Russell Site | Buy

Buddy Miller was featured on the cover of the No Depression’s final issue last year. The bible of alt.country/Roots/Americana declared Miller the Americana journeyman the Artist of the Decade and it’s hard to argue he’s not. On top of his great solo work Miller played lead guitar and provided backing vocals for Emmylou Harris’s Spyboy band, performed with Steve Earle on his El Corazon tour, performed on Jimmie Dale Gilmore’s 2000 album Endless Night and appeared on several albums by songwriter/singer Lucinda Williams. Most recently Miller has been busy performing lead guitar and backing vocal duties for Robert Plant and Alison Krauss’ Raising Sand touring band. Julie, his wife of over 20 years, is no slouch either with six solo albums, and three collaborating with Buddy, under her belt. Her songs have been covered by Dixie Chicks, Linda Ronstadt, Lee Ann Womack, Emmylou Harris, Julie Roberts and others.

But as prolific as they are Written In Chalk is their only their third collaboration in their first over six years, and though both Buddy and Julie share vocal duties the real magic comes when Julie’s lyrics are swathed in her world-weary angel vocals and complemented by Buddy’s chameleon-like guitar picking that’s been hewed by years of studio sessions.

Buddy and Julie collaborated on Wide River which was later recorded by Levon Helm and the superb album opener Ellis County, a song aching for the good old/hard days, is cut from the same Steinbeckian gingham. Robert Plant described Gone Gone Gone (Done Moved On) from Raising Sand as “shimmy music” and Gasoline And Matches has the same vibe, swamp mud guitars and bad ass drums. Julie winsomely sings Don’t Say Goodbye which features Patty Griffin who has the good sense to lend only a supporting role to Julie’s already elegant voice.

Robert Plant lends restrained support for Buddy in a backwoods rendition of Mel Tillis’ What You Gonna Do Leroy which is reported to have been recorded in a dressing room at Toronto’s Molson Amphitheatre during the Raising Sand tour. The song sounds like the source material for a thousand rock songs not least of all Eddie Cochran’s Summertime Blues. A Long, Long Time exquisitely shows off Julie’s  smoky jazz side and Patty Griffen makes an appearance on the excellent cut Chalk. As good as she is Griffen is she seems superfluous when you have Julie Miller at your disposal. Hush, Sorrow is a pensive beauty with Buddy accomapnied by Regina McCrary. Agian I say, when you have Julie Miller….

Smooth is another “shimmy” style swampy rocker with Buddy and Julie sharing vocals. Julie show up on another delicate beauty with June which was written and recorded as a tribute the day June Carter Cash died. The song is justly somber and celebratory. The Selfishness Of Man is a slow motion testament on hope featuring Emmylou Harris. I love Emmylou but my earlier comments on Patty Griffin’s appearances still apply. Julie would have been a better choice.

Buddy & Julie Miller Site | Buy

Buddy Miller, one of Nashville’s most prolific singers, songwriters, guitarists, recording artists and producers suffered a heart attack in Baltimore, Md., on Thursday, Feb. 19. He was on tour with Emmylou Harris, Patty Griffin and Shawn Colvin; the tour is dubbed “3 Girls And Their Buddy.”

Miller, 56, was taken to John Hopkins Hospital in Baltimore, and he underwent a triple-bypass heart surgery on Friday, Feb. 20. The surgery was successful, and Miller will likely be recovering in Baltimore for several weeks.

Named the “Artist of the Decade” by No Depression magazine, Miller has written songs that have been recorded by the Dixie Chicks, Lee Ann Womack, Brooks & Dunn and others. He is a veteran of Harris’ Spyboy band, and in the past year he has been touring as a featured instrumentalist in Robert Plant and Alison Krauss’ band. He has produced albums for Solomon Burke, Allison Moorer, Jimmie Dale Gilmore and others. Miller has lately been producing a new album for Patty Griffin. He has been called “the best country singer” alive by Steve Earle.

Miller is married to Nashville singer-songwriter Julie Miller, and the pair have a duo album coming out on New West Records on March 3. (source: tennessean.com) Update: Word is that Miller didn’t actually have a heart attack, but was experiencing chest pains when he was taken to the hospital.

Buddy Miller – Written in Chalk

• LiveDaily Sessions features a exclusive video performance of Hank III doing Smoke & Wine, Six Pack of Beer and Country Heroes. Hank kicks off his Damn Right, Rebel Proud tour on Feruary 15th in New Orleans, LA.

• The Canadian Academy of Recording Arts and Sciences (CARAS) announced nominations for The 2009 JUNO Awards, including first-time nominees, Canadian roots-rock duo Twilight Hotel. Twilight Hotel is nominated in the Roots & Traditional Album of the Year: Group category. Nominated in the same category are Elliot Brood and NQ Arbuckle, as well as fellow-Winnipeggers, The Duhks and Chic Gamine. Winners will be declared at the JUNO Gala Dinner & Awards on Saturday, March 28, and The 2009 JUNO Awards broadcast on CTV on Sunday, March 29 at General Motors Place in Vancouver, BC.

• Speaking of awards, it was a good night for roots-rock at the 51st Annual Grammy Awards last night. Robert Plant and Alison Krauss’ Raising Sand strtches Aamericana genres and the 5 Grammys awarded to the albumreflect that. Best Contemporary Folk/Americana Album, Record of the Year, Best Country Collaboration with Vocals (Killing The Blues) , and Best Pop Collaboration with Vocals (Rich Woman) as well as the evenings topper, the Album of the Year. I’m sure Plant is even motre comfortable with his decision to forego that lucrative Zep reunion.  Ricky Skaggs & Kentucky Thunder took home the Best Bluegrass Album award, Pete Seeger won for Traditional Folk Album, Bruce Springsten won Best Rock Song, and Bela Fleck & the Flecktones won for Best Pop Instrumental Album. Sugarland took home the Grammy for Best Country Performance By A Duo Or Group With Vocals  (Stay), Brad Paisley won for Best Male Country Vocal Performance  (Letter To Me) and George Strait won his first Grammy of his career (!) for Best Country Album (Troubadour.) For a full list of Grammy nominees and winners, or to watch the pre-telecast ceremony that highlights the folk, bluegrass, and Americana awards visit Grammy.com

• Bill Chapin at MLive Music is posting his “entry in my Albums of the Aughts series, highlighting 50 great or near-great albums released since Jan. 1, 2000.” Albums of the Aughts No. 5 is the old time music juggernaut from  Dec. 5, 2000 the T-Bone Burnett produced  “O Brother, Where Art Thou?” soundtrack featuring Alison Krauss, Gillian Welch, bluegrass legends Norman Blake and Ralph Stanley and Grand Ole Opry members Emmylou Harris and The Whites.

• PopMatters‘ Bob Proehl posts a story on the history of the spiritual/secular divide in country music  (Hank’s Other Side: Religion, Radio, and the Roots of Country Music) and how marketing and technology (radio) helped shape tactics like Hank Williams’ Luke the Drifter character to meet the artists desire to record spititual and gospel songs.

• The Bluegrass Blog covers Steve Martin’s hosting of Saturday Night Live (his 15th time , outlapping Alec Baldwin’s 13 times hosting SNL.) Martin plays “Late for School” from his upcoming bluegrass tinged banjo showcase album The Crow.

• The Boss and the East Street Band did a great job for the 43rd superbowl halftime show, and it got me to thinking “When was the last time a country act had that gig?” Checking the all-knowing Wikipedia, that would be 1994′s Superbowl 28 (or XXVIII for you purists) Rockin’ Country Sunday featuring Clint Black, Tanya Tucker, Travis Tritt and The Judds. And yes I did exclude Shania Twain’s Superbowl 32 and Kid Rock’s  Superbowl 33 .