Americana Music Association Announces First Round of 2017 Americanafest Showcases

First Round of 2017 Americanafest Showcases

(L-R) Top: Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours
(L-R) Bottom: Charley Crockett, Deer Tick, Bettye LaVette

Continuing the stellar tradition of being the preeminent roots music event of the year, the Nashville-based Americana Music Association has released its first round of artists slated to perform at this year’s 18th annual Americana Music Festival & Conference, presented by Nissan, September 12 – 17, 2017.

The first 103 of more than 230 artists are made up of pioneers, icons, and upstarts like Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours, Lillie Mae, Alice Wallace, Mike and The Moonpies, Rodney Crowell, Paul Cauthen, John Paul White, The White Buffalo, Jason Eady, Bruce Robison, and much more.

With more acts still to be announced, the event promises to live up to its reputation as a must attend for roots music fans and industry alike.

Resister for the full conference here, or get festival showcase wristbands here.

AJ Hobbs
Allison Pierce
Aaron Lee Tasjan
Alice Wallace
All Our Exes Live in Texas
Ana Egge
Andrew Combs
Andy Golledge
Austin Plaine
Balkun Brothers
The Band of Heathens
The Barefoot Movement
Beaver Nelson
Becca Mancari
Bettye LaVette
Birds of Chicago
Blank Range
The Blind Boys of Alabama
Boomswagglers
Brandy Clark
Brent Cobb
Brent Cowles
Brian Wright
The Brother Brothers
Brothers Comatose
Bruce Robison
CALICO the band
Caamp
Caitlin Canty
Carl Anderson
Caroline Spence
Carsie Blanton
Casey James
Charley Crockett
Charlie Parr
Chastity Brown
Ciaran Lavery
Cordovas
Courtney Marie Andrews
Darlingside
David Childers
David Luning
David Starr
Deep Dark Woods
The Deer
Deer Tick
The Deslondes
Dirty River Boys
Don Bryant
Dori Freeman
Elise Davis
Eric Ambel
Erin Rae
Forlorn Strangers
Futurebirds
Haas Kowert Tice
Hiss Golden Messenger
The Honey Ants
Horseshoes and Hand Grenades
The Howlin Brothers
Hugh Masterson
Jason Eady
Jaime Wyatt
Jesse Terry
Jim Lauderdale
John Paul White
Julian Lage & Chris Eldridge
Kacy & Clayton
Kasey Chambers
Leeroy Stagger
Leslie Stevens
Lillie Mae
The Lil Smokies
Lindi Ortega
Little Bandit
Low Cut Connie
Luke Bulla
The McCrary Sisters
Micky and the Motorcars
Mike and The Moonpies
Mipso
Molly Tuttle
My Bubba
Patrick Sweany
Paul Cauthen
Paul Thorn
Pony Bradshaw
Quiet Life
Renn
Rev Sekou
Rodney Crowell
SUSTO
Shane Smith & The Saints
Them Rubies
Turnpike Troubadours
Tyler Childers
Wade Bowen
Walter Salas-Humara
We Banjo 3
The White Buffalo
Wildwood Kin
William Wild
Willie Watson

 Wanted! – Notable Americana and Roots Music Releases for 2017

Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Watch Out! Kasey Chambers – Wheelbarrow [VIDEO]

Kasey Chambers - Wheelbarrow

Clawhammer banjo fuses with guitar-fuzz bombast spectacularly in “Wheelbarrow” the first release from Aussie country music vet Kasey Chambers’ upcoming 7th solo release “Bittersweet (August 29)

Chambers lends her unmistable pipes, which has a wonderful feel to the upper register, to this tale of trade-offs and empathy.

The stark stark black-and-white video, directed by Renny Wijeyamohan and shot in Southern Highlands of New South Wales, has a Bonnie & Clyde motif of bank heist and love. But love runs shallow and the Clyde in this case is left holding a sizable kiss-off in the end.

http://youtu.be/RNH_2MIZo8U

Record Store Day 2013 – Americana and Roots Music Picks

rsd2013

It’s that time again twangers. Yes, Record Store Day 2013 is upon us. The day when us music fans can snatch up slabs of limited pressing vinyl from our favorite artists and help local independent records store to not become bygone relics. That would stink.

This year’s RSD2013 releases offer some great selections from the roots and Americana side of the fence. Willie Nelson demos? Yes please! Waylon Jennings and Old 97s collaboration? Oh yeah!

Check the hilarious video from RSD1013 Ambassador Jack White below, where he details the shady doings of the music industry, the Masons and the NBA draft (sort of) and on April 20th head to your local independent record store to pick up one of the limited edition goodies below.

Head to the official RSD2013 site to get a complete list of releases and participating stores.

https://www.youtube.com/watch?v=etxYxIfDhXc

Chet Atkins
Black Jack EP
Format: 7″ Vinyl
Label: SUNDAZED
Release type: RSD Exclusive Release
More Info:
Previously unreleased recordings by this guitar master
Midnight, Boo Boo Stick Beat, Blackjack, Blue Moon of Kentucky

The Avett Brothers/ Randy Travis
Format: 7″ Vinyl
Label: Warner Music Nashville
More Info:
Limited edition split single. Randy Travis covers the Avett Brothers’ “February”, The Avett Brothers covers the Randy Travis song, “Three Wooden Crosses.

The Band
The Last Waltz
Format: 12″ Vinyl
Label: Rhino
More Info:
3 180 Gram LPs, Numbered RSD Edition. All original packaging with Embossing and two foils. All original inner sleeves plus 12-page booklet. Out of print for more than a decade.

Billy Bragg
No One Knows Nothing Anymore / Song of the Iceberg
Format: 7″ Vinyl
Label: Cooking Vinyl

Blitzen Trapper
Blitzen Trapper Deluxe Reissue
Format: 12″ Vinyl
Label: LidKerCow, LTD
More Info:
Blitzen Trapper’s debut album from 2003 will be available for the first time on vinyl in celebration of it’s 10th Anniversary. The record was remastered by Bruce Barielle and the lacquers were cut by Jeff Powell at Ardent Studios in Memphis, TN. A very limited edition run, the record is pressed on 180g vinyl with a free digital download of the entire record with five previously unheard bonus tracks from the original sessions.

Joe Bussard
Guitar Rag/Screwdriver Slide
DETAILS
Format: 78 rpm 10″
Label: Tompkins Square

Calexico
Spiritoso
Format: 12″ Vinyl
Label: Anti/Epitaph

Kasey Chambers and Shane Nicholson
Rattlin Bones
DETAILS
Format: 12″ Vinyl
Label: Sugar Hill

cookisbell

Elizabeth Cook / Jason Isbell
Tecumseh Valley b/w Pancho & Lefty
DETAILS
Format: 7″ Vinyl
Label: 31 Tigers
Release type: RSD Exclusive Release
More Info:
“Tecumseh Valley” b/w “Pancho & Lefty”
Studio versions of both artists covering Townes Van Zandt. They originally performed these songs on Late Night with David Letterman

cooley

Mike Cooley
Too Pretty To Work
Format: 7″ Vinyl
Label: Cooley Records
More Info:
Record Store Day 7″ featuring 2 live tracks recorded at shows in 2012.
1 – Self Destructive Zones (3:36)
2 – Get Downtown (3:12)

Bob Dylan
Wigwam
Format: 7″ Vinyl
Label: Columbia
More Info:
A – Wigwam (Unreleased Demo,) B – Thirsty Boots (Previously Unreleased) — Two previously unreleased Bob Dylan recordings from the Self Portrait sessions. Includes a demo version of “Wigwam” and the previously unreleased track “Thirsty Boots.” Taken from the forthcoming release, The Bootleg Series Vol. 10.

Justin Townes Earle
Yuma
Format: 10″ Vinyl
Label: Bloodshot Records
More Info:
Previously released debut EP from Justin Townes Earle, now on vinyl for the first time. 10″ vinyl. Colored vinyl (opaque gold). Limited to 1000 copies, for RSD.
The Ghost of Virginia, You Can’t Leave, Yuma, I Don’t Care, Let the Waters Rise, A Desolate Angels Blues

Alejandro Escovedo/Chris Scruggs
78 rpm 10
Format: 10″ Vinyl
Label: Plowboy Records
More Info:
78 rpm 10″ A/B single release of two covers of Eddy Arnold standards by Alejandro Escovedo (A side) and Chris Scruggs (B side) for upcoming “You Don’t Know Me: Rediscovering Eddy Arnold” album project due in May 2013
a side : “It’s a Sin” by Alejandro Escovedo – B side: “Just A Little Lovin’ (Will Go A Long Way” by Chris Scruggs

Giant Giant Sand
Return to Tucson
DETAILS
Format: 12″ Vinyl
Label: Fire / Cargo
More Info:
limited to 1000 copies. 12″LP featuring 8 remixes by John Parish and Ali chant from tracks that featured on 2012’s ‘Tucson’ LP.
SIDE A: Lost love (John Parish + Ali Chant Remix); Undiscovered Country (John Parish Remix); Wind Blown Waltz (John Parish + Ali Chant Alternative Mix); Thing Like That (Ali Chant Extended Version) SIDE B: Carinito (Ali Chant Alternative Mix); Not The End Of The World (Ali Chant Alternative Version); Hard Morning in a Soft Blur (Chris Schultz Extended Version(; Forever & A Day (John Parish + Ali Chant Alternative Mix)

Golden Gunn (Steve Gunn + Hiss Golden Messenger)
Golden Gunn
Format: 12″ Vinyl
Label: Three Lobed / Thrill Jockey
More Info:
Golden Gunn is a collaboration between Steve Gunn and Hiss Golden Messenger. LP comes with a download code. Only 870 made.

Jackie Greene
Love Is A Shining Catastrophe/Sweet Somewhere Bound 7
DETAILS
Format: 7″ Vinyl
Label: self-released
More Info:
7″ Vinyl Single in 4/c jacket with 2 “A” Sides and 5 song digital download.

Patty Griffin
Ohio
Format: 7″ Vinyl
Label: New West
More Info:
This is a single A-side 7” pressed on heavyweight vinyl. The vinyl is black, hand-numbered 1-500, and Patty will sign Side B on 25 of the records, which will be randomly distributed. This song is from her forthcoming album, American Kid, due out 5/14/13. This will come in an all white sleeve with a stamped logo and a stickered UPC.

IMAGINATIONAL ANTHEM VOL. 6 : ORIGINS OF AMERICAN PRIMITIVE GUITAR
Format: Gatefold Vinyl Ltd 1500
Label: Tompkins Square
If American Primitive Guitar begins with John Fahey and the Takoma School, then the actual origins of this sound is found within this collection of fourteen classic solo guitar performances. Recorded between 1923 to 1930, this set is the “Rosetta Stone” of style and repertoire tapped into deeply by Fahey, Basho & Rose, among many others. Sam McGee, Riley Puckett, Bayless Rose, Sylvester Weaver, Lemuel Turner, Frank Hutchison and Davey Miller are the rural artists included in this anthology. Each one of these showcases a particular technique and sensitivity sourced from the earlier 19th century parlor guitar tradition. Several of these sides are reissued for their first time including Sylvester Weaver’s “Guitar Blues” which is the first solo finger picked guitar solo ever recorded. Stunningly remastered and annotated by Christopher King.

Iron and Wine
Next to Paradise/Dirty Ocean
Format: 7″ Vinyl
Label: Warner Bros.
Release type: RSD Exclusive Release

Sarah Jarosz
Live At The Troubadour
Label: Sugar Hill

tift

Tift Merritt
Markings
DETAILS
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
4-song 12″ featuring an unreleased track, a live track and two acoustic tracks from Traveling Alone. Covered with a tactile cross-stitched/embroidered record cover.

Mumford & Sons
Live at Bull Moose
DETAILS
Format: 10″ Vinyl
Label: Glassnote
More Info:
“””I Will Wait”” “”Ghosts That We Knew”” “”Where Are You Now”” “”Awake My Soul”” — 3 or 4 songs from their bull moose instore – 10″” version”

WillieNelsonCrazyVinyl.indd

Willie Nelson
Crazy: The Demo Sessions
Format: 12″ Vinyl
Label: Sugar Hill
More Info:
When Willie first got to Nashville he cut some demos for Ray Price and Hal Smith’s publishing company, Pamper Music. Though these cuts were used to pitch songs to artists (including ‘Crazy’ for Patsy Cline) and producers, many weren’t released. These 1960-1966 tracks are raw, real and really good, clearly the work of an artist/songwriter headed for stardom.

Willie Nelson
Someday My Prince Will Come
Label: Legacy

Waylon

Waylon Jennings / Old 97s
Format: 7″ Vinyl
Label: Omnivore Recordings
More Info:
2 x 7″
Two tracks from Old 97s sessions with Waylon Jennings, and two additional Old 97s demo tracks. Cover art by Jon Langford of the Mekons and Waco Brothers, and famed painter of country icons.
Iron Road The Other Shoe, Visiting Hours (1996 demo), Fireflies Take 2 (1996 demo)

Gram Parsons
Gram Parsons & The Fallen Angels-Live 1973 7
Format: 7″ Vinyl
Label: SIERRA
More Info:
Originally released in 1982 as a bonus 7″ EP to Sierra Records “Live 1973” LP release of Gram Parsons with Emmylou Harris with full color sleeve.
Side One: Medley- Bony Moronie, 40 Days, Almost Grown Side Two: Conversations, Doing It in the Bus, Broken EBS Box, Hot Burrito #1

Phosphorescent
Aw Come Aw Wry
Label: Misra Records
More Info:
Previously released title from Phosphorescent, and one of the best-selling, on Misra. This will be the first time that it is available on vinyl.

CHARLIE POOLE & THE HIGHLANDERS : THE COMPLETE PARAMOUNT & BRUNSWICK RECORDINGS, 1929
Vinyl w/ Poster Ltd 1500
From 1926 to 1930 one of the most popular rural string bands on record was Charlie Poole & The North Carolina Ramblers. Through their 78 RPM discs and their various performances, Charlie Poole was second only to Gid Tanner and His Skillet Lickers. Poole’s uniquely syncopated three finger banjo picking style coupled with his Piedmont vocal inflections eventually colored and defined much of what we consider “old-time” music. The classic configuration of banjo, fiddle and guitar with vocals was encouraged by the main label that promoted Poole but he also wanted to record instrumentals featuring twin-fiddle and piano. As renaming his group The Highlanders, Poole was able to actualize this musical vision. This collection contains all of the sides that Poole made with Roy Harvey, Lucy Terry, and twin-fiddlers Lonnie Austin & Odell Smith. Remastered in beautiful sound by Christopher King and with notes written by old-time musician and scholar Kinney Rorrer.

Punch Brothers
“Ahoy!” – 33 1/3 rpm Vinyl EP
Label: Nonesuch Records
For the first time, the EP has been pressed on 10″ vinyl for Record Store Day, and includes songs by Josh Ritter (“Another New World”), Gillian Welch and David Rawlings (“Down Along the Dixie Line”), Punch Brothers (“Squirrel of Possibility”), and Mclusky (“Icarus Smicarus”), along with one traditional tune, arranged by Punch Brothers (“Moonshiner”). Originall yrecorded during the Nashville sessions for their 2012 album Who’s Feeling Young Now?,

Richard Thompson
Salford Sunday
DETAILS
Format: 7″ Vinyl
Label: New West
More Info:This is a single A-side 7” pressed on heavyweight vinyl. This song is off of the release Electric (2/5/13). The vinyl is black, hand-numbered 1-500. Richard will sign Side B on 25 of the records, which will be distributed randomly

Frank Turner
Recovery
Format: 7″ Vinyl
Label: Interscope

Various Artists
Yep Roc Hearsay / They Call It Rock
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
2 Song 12″ on clear vinyl, 24 Yep Roc Artist performing, DVD of recording session, hand made cover

Yonder Mountain String Band
Format: 12″ Vinyl
Label: Vanguard

Americana Music Conference & Festival Picks

Below you’ll find my picks for the 2012 Americana Music Conference showcases. This was one of the the toughest  years to winnow down the performances I’m going to attend. And I still did a poor job! There is too many great acts playing at the same time. Such an embarrassment of riches!

But there is hope! Unlike the misery of traversing the stages at Hardly Strictly Bluegrass where you’re lucky to catch parts of shows at more than one stage, and or even to make it alive in some cases, the Americana Festival has buses to get us to the venues.

Of course I can’t make all the shows unless am able top perfect that time bending and beer making contraption I’ve been working on (SOON!) but you van catch any of these performances and not go wrong.

 

 

 

 

 

 

 

Tuesday, September 11

The 5 Spot
$2 TUESDAYS /Twang Nation Social Club -  Hosted by Derek Hoke : feat.Melody WalkerAlanna ,
Royale Joshua Black Wilkins, Marsha & The Martians (Angel Snow & Robby Hecht) Late Night with Los Colones9pm
$2 cover/$2 Yazoo pints #UnofficialAMA

Mercy Lounge
Somebody’s Darling w/ Buffalo Clover – The High Watt #UnofficialAMA
The Billy Block Show featuring Yo Ma Ma, Erica Nicole, Chelle Rose, Allie Farris, Caroline Rose and The Cumberland Collective  #UnofficialAMA

Two Old Hippies 401 12th Ave. South
The Alternate Root Presents a Pre-AMA Triple-Play of Music with Amelia White, Julie Christensen and Tommy  Womack & The Rush To Judgment #UnofficialAMA
Showtime: 6:00-8:00 pm
No Cover ~ Special Treats
615-254-7999

Wednesday, September 12

Puckett’sGrocery, 5th & Church

5pm & 7pm Allen Thompson Band CD Release Party,
Dinner & show before the AMA Awards at 5 . Later show 7 #UnofficialAMA

The Basement
11:00 Blue Mountain
12:00 Shovels and Rope

The Station Inn
11:30 Kasey Chambers & Shane Nicholson

The Rutledge
10:00 Gretchen Peters
12:00 Delta Rae

Mercy Lounge
10:00 Corb Lund
11:00 This Wheel’s On Fire: A Tribute to Levon Helm

The High Watt
10:30 Whitehorse

Cannery Ballroom
10:00 Star Anna
Thursday, September 13

The Basement
8:00 Lydia Loveless
9:00 Angel Snow
10:00 Sons of Fathers
11:00 The Deep Dark Woods
12:00 Black Lillies

The Station Inn
10:00 Mary Gauthier
11:00 Richard Thompson

Mercy Lounge
8:00 Turnpike Troubadours
9:00 Billy Joe Shaver
10:00 Steve Forbert
11:00 John Fullbright
12:00 Jason Boland & The Stragglers

The High Watt
10:30 Eilen Jewell
11:30 Julie Lee
Cannery Ballroom
8:00 Blue Highway
9:00 Sara Watkins
10:00 Paul Thorn
11:00 Punch Brothers (with a Sara Watkins cameo?)

Friday, September 14

Sheraton Hotel lobby – 623 Union St.
Wanda Jackson
12:30-1:10pm

Amy Black,  Susan Cattaneo, Rose Cousins and Rod Picott
2:00 pm – 3:30 pm

The Basement
9:00 American Aquarium
11:00 Chuck Mead and His Grassy Knoll Boys

The Station Inn
8:00 Red June
9:00 Della Mae
10:00 McCrary Sisters
11:00 Steep Canyon Rangers
12:00 Humming House

The Rutledge
8:00 Mandolin Orange
9:00 Mindy Smith
11:00 Belle Starr

Mercy Lounge
8:00 Jimbo Mathus & The Tri-State Coalition
9:00 Holy Ghost Tent Revival
10:00 Dylan LeBlanc
11:00 Darrell Scott
12:00 Reckless Kelly

The High Watt
9:30 Two Gallants

Cannery Ballroom
9:00  Amanda Shires
10:00 Robert Ellis
11:00 John Hiatt

Saturday, September 15

The Basement
9:00 Chastity Brown
11:00 The Pines
12:00 Chris Scruggs

The Station Inn
8:00 Brennen Leigh
9:00 Phoebe Hunt
10:00 Marvin Etzioni
11:00 Rodney Crowell

The Rutledge
8:00 Felicity Urquhart
9:00 The Wood Brothers
10:00 Kevin Gordon
12:00 The Trishas

Mercy Lounge
8:00 Lera Lynn
9:00 honeyhoney
10:00 Tift Merritt
11:00 Buddy Miller & Lee Ann Womack

The High Watt
8:00 Jill Andrews
9:00 Derek Hoke

Song Bird: An Interview with Kasey Chambers

You’d think the addition of her third child, a beautiful daughter Poet, would afford Australian trad-country artist Kasey Chambers some time off. But no, she’s just finished Wreck and Ruin, a follow up to 2008’s excellent Rattlin’ Bones, created with her singer/songwriter husband Shane Nicholson. She’s now preparing to tour the United States behind her just-release her covers project, Storybook. The release features her unique interpretations of Hank Williams, Gram Parsons, Lucinda Williams and Texas legend Townes Van Zandt. The last whose music legacy she, along with The Avett Brothers’ Scott Avett, Grace Potter, and others, reflected on in the recent book “I’ll Be Here In The Morning: The Songwriting Legacy of Townes Van Zandt.” In the midst of packing for her tour she was gracious enough to answer some questions.

Baron Lane (Twang Nation) – How has being a mother influenced your songwriting not just in practice but in point if view?

Kasey Chambers – Well I have to write all my songs quicker ‘cos i don’t have much time now with 3 children – ha. Actually I guess I have taught myself to write in and around the chaos otherwise I’d have to go out and get a day-job (and I really don’t have any other skills so that is not really an option). Being a mother has thrown my whole world upside down – in a good way. I feel like it forced me to get to know my “real” self more than ever and what better fuel for songwriting is there than honesty?

TN – In 1999 you won the ARIA Award for “Best Country Album” for The Captain and I would classify much of your sound on “Storybook” as old-school honky-tonk. With the current state of country music in America your sound would fall under the Americana label. What’s your opinion of mainstream Australian and American country music?

KC – To be honest I am just so happy than anyone wants to listen to my music that I really don’t care what label they want to put on it. I consider myself a country artist but I think my idea of country is probably very different than what the “mainstream world” calls country . A lot of the stuff known as country these days is hard for me to identify with having come from the music grounding of Hank Williams, Louvin Bros and Gram and Emmylou. But it’s hard to argue when you’re in the minority and who am I to say what it should or shouldn’t be. I find and listen to the music I love and share it with as many as I can. I honestly feel so lucky and constantly surprised at how many people I have managed to share my music with over the years. I never imagined any of that to happen.

TN – Do you identify yourself as a country singer, a folk singer, both? Something else?
KC – Someone called us “Country Goth” the other day – ha. i am definitely just a little old country singer.

TN -What is your approach to songwriting? Do you work it all out beforehand or is it a band/studio process?
KC – I don’t think I really have a set process with writing. Sometimes a lyric will come to me, sometimes a melody, sometimes I sit there for a while and nothing comes at all. I wish I had more control over it but I guess it may not be as creative then. I often go six months to a year without writing one thing and that’s ok. They will come when they are meant to.

TN – You will soon embark on a tour with a fellow countryman of mine (Texan) Sarah Joaroz, are there any other young female singer/songwriters you like?
KC – I have a young female singer/songwriter on the road with me at the moment. Her name is Ashleigh Dallas and she plays fiddle, mandolin, guitar, and sings harmonies in my band and she is just beautiful. She’s 19, writes her own stuff as well and she is a big Sarah Joaroz fan so she is super excited about doing some shows with her. We are all gonna have a lot of fun together.

TN – Your new release, Storybook, showcases your take on personally influential songs handpicked from the iconic songbooks of Hank Williams, Gram Parsons, Lucinda Williams, Steve Earle, Townes Van Zandt and more. How did you pick the artists and songs to include?
KC -All these artists have inspired me in some way or another over the years and I can honestly say I would not be the singer/songwriter that I am without their influence. So many of these songs helped get me through some really hard times in my life.

TN – Was there any cuts that didn’t make it?
KC -I really wanted to include about 20 other Lucinda Wiliams songs…..

TN – You have another collaboration with your husband, Shane Nicholson “Wreck And Ruin,” coming out in September. How is writing and performing with him different for you?
KC – I argue with him a lot more than other musicians! We are like any other normal married couple – sometimes we just need time apart ‘cos we drive each other crazy but I must admit it really is pretty awesome to stand on stage and sing with him. Especially a song we have written together – I absolutely love the sound we create together and at the end of the day I am his biggest fan. (Don’t tell him though or he’ll get a big head.)

TN – What role did music play in your childhood?
KC – I grew up in such a remote area in Australia and had hardly had any contact with civilisation so music was really the only form of entertainment that we had. No TV, no radio, so my dad would get out his guitar and play us old country songs around the campfire. At the time I thought all kids lived like that.

(added on edit) TN – Your sound is very reminiscent of American classic country from the 50’s through the 70s. Did your sound shape from that location and era or was there Australian artists with that that sound that influenced you? How similar / different was American country to Australian country of the same era?
KC – My dad brought me up listening to some Slim Dusty and Tex Morton who are Australian bush balladeers from the early days but apart from that it was pretty much mostly American music that I grew up with. It wasn’t until I was a teenager that I started to discover the music of Australian singer/songwriter Paul Kelly who is and was at the time hugely successful in the mainstream world of rock/pop music but I soon realised he had this sound that (even though I didn’t understand why or how) somehow reminded me of the music I had grown up listening to. Turns out his influences were a lot closer to mine than I would have expected.

TN – What was your first concert?
KC – Does my dad’s gig count? I would go and watch my mum and dad play when I was a kid and one day he asked me to get up and sing. He never got rid of me……

TN – What legend (living or dead) would you like to write a song with?
KC – I don’t really do co-writing much. I only really do it with my husband and most of the time that is enjoyable but the thought of writing with a legend freaks me out so luckily I probably won’t ever get asked…….

Americana Music Association Nominees Announced

The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held Thursday, September 17 at the Ryman Auditorium in Nashville, Tennessee.

I’ve attended the conference and showcase for the last three years and it’s always an amazing time. I don’t agree with all the nominees, and as a member of the organization I voted accordingly. But one thing is for certain, every nominee kicks the shit out of 99% of the CMA Awards.

The 2009 Americana Music Association Honors and Awards Nominees are:

ALBUM OF THE YEAR

Real Animal, by Alejandro Escovedo
Written in Chalk, by Buddy & Julie Miller
Jason Isbell & The 40 Unit, by Jason Isbell & The 40 Unit
Midnight At The Movies, by Justin Townes Earle

ARTIST OF THE YEAR

Alejandro Escovedo
Buddy Miller
Justin Townes Earle
Raul Malo

INSTRUMENTALIST OF THE YEAR

Buddy Miller
Gurf Morlix
Jerry Douglas
Sam Bush

NEW & EMERGING ARTIST

Band of Heathens
Belleville Outfit
Justin Townes Earle
Sarah Borges

SONG OF THE YEAR

“Chalk,” written by Julie Miller, performed by Buddy Miller & Patty Griffin
“Country Love” by the Gourds
“Homeland Refugee,” by Joe Ely, Jimmie Dale Gilmore, and Butch Hancock, performed by the Flatlanders
“Rattlin’ Bones” by Kasey Chambers & Shane Nicholson, performed by Kasey Chambers & Shane Nicholson
“Sex And Gasoline,” by Rodney Crowell, performed by Rodney Crowell

DUO GROUP OF THE YEAR

Buddy & Julie Miller
Flatlanders
Kasey Chambers & Shane Nicholson
Reckless Kelly

Willie and the Wheel Website Launched

The always knowledgable Juli Thanki gives us a history lesson of the banjo (Happy-Go-Plucking) at ther new Torch & Twang column at PopMatters.com.

Andrew Gilstrap, also at PopMatters.com reviews the excellent 2008  Kasey Chambers and Shane Nicholson release Rattlin’ Bones.

The Willie Nelson and Asleep at the Wheel collaboration Wille and the Wheel has launched thier new website. The site allows pre-orders for the CD and lists tour dates. (via stillisstillmoving.com)