• The big for fans of the Man In Black is that Rick Rubin’s American Records will release American VI: Ain’t No Grave, the final volume in the American series that  helped revitalize Johnny Cash’s career beginning in the early 90’s, after he was unceremoniously dropped from Mercury Records. February 26 would have been Cash’s 78th birthday. (New York Times)

• The economy may be for the dogs but it seems like it’s every week I find out about another ,usic festival cropping up. This time it’s Austin’s Americana focused Old Settler’s Music Festival (April 15-18) who have just released a partial line up list: Joe Ely, Patty Griffin, The Travelin’ McCourys, Fred Eaglesmith, Buddy Miller, Peter Rowan, The Lee Boys, The Gourds, Band of Heathens, Radney Foster, Blue Highway, Mindy Smith, Alison Brown with Joe Craven, The Infamous Stringdusters, Bearfoot, Solas, The Special Consensus, The Wronglers, Elizabeth Cook, Ruby Jane. Sounds like a winner. Grab those tickets, this one will fill up fast.

• I was lucky enough to catch Kris Kristofferson and Merle Haggard as they headed out to a brief 4 city tour, the first time they had appeared on stage together.  This legendary dup will appear once more for one show (as far as I can tell) at Ft. Worth’s Bass Performance Hall on February 17. (Pagasus News)

• If you missed it today on NPR, you can head over to the Fresh Air site and listen to T. Bone Burnett discuss the creation of the Crazy Heart soundtrack.

• Will there be a Patsy Cline Boulevard coming to Music Row?

• The Los Angeles Times features a cool story on the Roots on Rails travel program organized by the Vermont-based Flying Under Radar travel service. This feature focuses on a train ride through the Southwest presenting Joe Ely, Jimmie Dale Gilmore, Butch Hancock (AKA The Flatlanders) and Dave Alvin. Guests pay to travel with the artists and intimate performance occur in the dining car. It’s like a house concert on tracks. Other Roots on Rails trips have featured Tom Russell, Terry Allen, Stan Ridgway, Jill Sobule, the Handsome Family and many others.

• Paste Magazine posts their 9 reasons they love Miranda Lambert.

• Tom Russell will be performing on the David Letterman Show this Thursday October 1st. Russell is currently supporting his excellent new release Blood and Candle Smoke.

• PopMatters.com sits down for a Q&A with Merle Haggard.  The Hag discusses his recent lung cancer surgery, how he chooses set lists from his vast catalog, and makes his case for being the “great arbitrator.”

• If you buy Robert Earl Keen’s new Lost Highway Records debut The Rose Hotel at select stores you will also receive a free Lost Highway’s limited, T for Texas, T from Tennessee music sampler. This freebie will include music from Lyle Lovett, Ryan Bingham, Black Joe Lewis, Hayes Carll & more.

• We all know Courtney Love is nuts. Now she’s going nuts on Ryan Adams claiming that he stole $858,000 of daughter Frances Bean Cobain’s money to fund his 2003 album Rock n Roll. I would be pissed too if I had bankrolled that piece of crap.

The sophomore release from Providence, RI.’s John Joseph McCauley III has him filling out his sound with a full band that he employs to help him mine his inner Joe Ely and Tom Petty this sonic recesses where twangy barroom serenades are mashed up with 50’s and 60’s era pop rave-ups.

Easy starts things off with a tribal drum rocker that hearkens back to early REM. Little White Lies begins as a pedal steel tear in a beer weeper that later spikes into staccato-beat border town rollick. Smith Hill is an orchestra-backed  drinking song about heartbreak that has  McCauley howling like a wounded coyote. Song About A Man shows  McCauley at his Dylan-esqe best and Houston, TX. Is a nice shuffling road song that reflects well on its namesake.

McCauley joins the ranks of young men with old voices (Ryan Bingham, William Elliot Whitemore) and his dark gravel narratives of drunken desperation are offset by an expansive banquet of styles that keep things less bleak and more forceful and sunny. Even a graveyard is beautiful landscaping and flowers on the surface, and beyond the topiary of  arrangements on Born on Flag Day there are plenty of skeletons to be found.

Official Site | MySpace | Buy

DeerTick-LittleWhiteLies.mp3

The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held Thursday, September 17 at the Ryman Auditorium in Nashville, Tennessee.

I’ve attended the conference and showcase for the last three years and it’s always an amazing time. I don’t agree with all the nominees, and as a member of the organization I voted accordingly. But one thing is for certain, every nominee kicks the shit out of 99% of the CMA Awards.

The 2009 Americana Music Association Honors and Awards Nominees are:

ALBUM OF THE YEAR

Real Animal, by Alejandro Escovedo
Written in Chalk, by Buddy & Julie Miller
Jason Isbell & The 40 Unit, by Jason Isbell & The 40 Unit
Midnight At The Movies, by Justin Townes Earle

ARTIST OF THE YEAR

Alejandro Escovedo
Buddy Miller
Justin Townes Earle
Raul Malo

INSTRUMENTALIST OF THE YEAR

Buddy Miller
Gurf Morlix
Jerry Douglas
Sam Bush

NEW & EMERGING ARTIST

Band of Heathens
Belleville Outfit
Justin Townes Earle
Sarah Borges

SONG OF THE YEAR

“Chalk,” written by Julie Miller, performed by Buddy Miller & Patty Griffin
“Country Love” by the Gourds
“Homeland Refugee,” by Joe Ely, Jimmie Dale Gilmore, and Butch Hancock, performed by the Flatlanders
“Rattlin’ Bones” by Kasey Chambers & Shane Nicholson, performed by Kasey Chambers & Shane Nicholson
“Sex And Gasoline,” by Rodney Crowell, performed by Rodney Crowell

DUO GROUP OF THE YEAR

Buddy & Julie Miller
Flatlanders
Kasey Chambers & Shane Nicholson
Reckless Kelly

It’s been a long time since I was able to attend the coveted, and now convoluted, South-By-Southwest music festival and conference amnd this year is no exception. But in the nature of bloggy goodwill I will try and list all the Americana-Roots events I have come across. Please feel free to add any I might have missed.

Joe Pug is pretty damn cool. His schedule is:

3/18   SXSW–Stimulus Package Day Party @ Paradise – 3:00pm  (401 E. 6th at Trinity upstairs Free/Public)
3/18   SXSW Official Showcase – 10:30pm Victorian Room at the Driskell Hotel
3/19   SXSW–Schubas Roundup @ Yard Dog Gallery – 12:40pm (1501 S. Congress Free/Public)
3/19   SXSW–Thru Windows Party @ Fado -  11:00pm (214 W. 4th Free/Public)
3/20   SXSW–Bring Down the House Show  – 5:45pm  (Free–email day of  show for address don@nodooragency.com)
3/21   SXSW–Reggie’s/Unscene Party @ The Jackalope – 3:45pm and 4:40pm (Free/Public 404 E. 6th at Trinity)

3/18  – Joe Ely’s playing Momo’s

3/19 Aquarium Drunkard and My Old Kentucky Blog’s “Vaya Con Tacos” party featuring Roadside Graves, Those Darlins, The Rosebuds and many more.

Also 3/19  the Yep Roc at the Continental Club is offering one of the best showcases with Dave Alvin, The Iguanas, The Gourds, Giant Sand and BeauSoleil.

3/20 The always lovely Bloodshot Records day party at Yard Dog art gallery (1510 S Congress) – starts at the crack of noon
No invite or badge required!
12:15 Walter Salas-Humara / I’m Not Jim
12:45 Andre Williams
1:15 Charlie Pickett
1:45 Dex Romweber Duo
2:15 Ha Ha Tonka
2:45 Exene Cervenka
3:30 Deadstring Brothers
4:15 The Meat Purveyors
4:45 Justin Townes Earle
5:15 Scotland Yard Gospel Choir
5:45 Waco Brothers w/ Rosie Flores

and

Bloodshot Records SXSW showcase
Red Eyed Fly (715 Red River by 7th Street)
Saturday, March 21
8p Exene Cervenka
9p Deadstring Brothers
10p Ha Ha Tonka
11p Dex Romweber Duo
Mid Justin Townes Earle
1am Waco Brothers

Hoist a shiner and some BBQ or a taco and enjoy the fine music and hospitality Austin offers.

• Remember when Paste Magazine was more Americana and roots music focused, in other words, good? They harken back to those  halcion days by reviewing the Lloyd Maines produced release by Americana super group The Flatlanders (Joe Ely, Butch Hancock and Jimmie Dale Gilmore.)

• Over at the 9513 Juli Thaki reviews what sounds like a spectacular show by country music legend Kris Kristofferson in Washington, DC.

• CMT. COM is holding a Dolly Parton contest that offers a grand prize is which is a trip for two to NYC, air and hotel included, with tickets to Dolly’s 9 to 5: The Musical.

• Comedy Central will be roasting Larry the Cable Guy  (aka Daniel Whitney) on Sunday March 15th. I hope they feature this early version of this douche on the program.

Jessica Cassyle Carr at Alibi.com holds a Q&A with Denver based former 16 Horsepower frontman and current Gothic Americana singer/songwriter David Eugene (aka Wovenhand.)

The Arizona Daily Star gives us a peak at the A-list alt.country artist packed tribute album for the Hacienda Brothers leader Chris Gaffney. Joe Ely, Los Lobos, Dave Alvin, Tom Russell, James McMurtry, Robbie Fulks, John Doe, Dave Gonzales and members Calexico and more  appear. The Hacienda Brothers‘ final album, “Arizona Motel,” came out last June, two months after Gaffney’s death.

I’m a huge fan of the Psychobilly/Gothic sideshow that is Th’ Legendary Shack Shakers so I was pleased that LeighAbsinthia over at the Hank III cussin’ board brought to my attention JD Wilkes roots music side project, along with his wife Layne Hendrickson. Ladies and gentleman I bring you The Dirt Daubers.

The Dirt Daubers – “Sugar Baby”

Propaganda has been honed to a fine art in the last half century. Americans have been convinced to fight wars, hand over civil and employee rights and consume ever crappier beer, food and, alas, music.

Mainstream Country Music is one of the few genres in the 21st century that tolerates no real deviation from certified Music Row and mainstream radio product. Sure there are exceptions, the Outlaw Movement cooped a largely ignored youth movement, Garth tweaked the business model and stage production and Big and Rich and their “MuzikMafia” was a painfully lame attempt to emulate Hip Hop’s concept of crews. But when it comes to altering the DNA of the music the image driven slickness and paint-by-numers narritives seem as tightly mandated as the McDonald’s Big Mac cooking process. If you don’t fit the hat act mold you are cast into the slums of Americana, folk, roots, alt.country or, if the sins were severe enough, rock!

Into this unyielding environment stepped artists that discovered that Cash, Willie and Hank were speaking to them in ways larger then the flavor of the week bands being crammed down their throats. That’s where the wild hillbilly muse dances. That way real beauty and art lay waiting.

Americana/roots/alt.country is attracting new talent that bravely straddles the cultural divide between trad sepia-toned country circa Jimmie Rogers and Carter Family and the current attitudes, sounds and stories of our times. New artists like O’Death, The Felice Bothers, Justin Townes Earle and Star Anna and road-tested warriors like Dale Watson, Eleven Hundred Springs and Tom Russell have Inject new blood, whiskey and adrenaline into a largely lifeless form of music that refuses to be embalmed.

And then there are the genre-crossing big-wigs like  Elvis Costello, Ray Davies, Chrissie Hynde and Robert Plant (who is currently nominated for 6 grammys and forgoing a Led Zeppelin reunion to continue Raising Sand with Bluegrass chanteuse Alison Krauss) that are moving toward a the wildser lands attracted by its proclivity for authenticity and celebration of  experimentation. The only sin is mediocrity, the only transgression is bovine conformity.

There’s no reward for compiling a “best of” list. People will quibble with the selections, the order of said selections will displease many and whether the writer is at all qualified to compile such as list will be questioned. Ridicule and contempt is sure to follow.

I do this to celebrate those that are willing to look past the wanna-be-celebrity choked road paved with pyrite. The Great Ones bent Nashville to their ways or took refuge in other regions far from the industry, Bakersfield California,  Austin Texas, to ply their wares. The Music Row road is not an easy one, it’s just crowded with sheep and the destination is less interesting.

Here’s to the on’ry, ragged, dusty dreamers.

——————————————————————————————-

10) Hank Williams III – “Damn Right, Rebel Proud” (Sidewalk Records) -The man with a country music royalty pedigree, and an arguable entitlement to the moniker “Man In Blacker,” burns the middle-of-the-road with another custom hot-rod release. Amazon | MySpace | Official Site

9) Jamey Johnson – “That Lonesome Song” (Mercury Nashville) -  Jamey Johnson does more than redeem himself for helping to pen Trace Adkins maga-seller Honky Tonk Badonkadonk with this brilliant release born of hard living and a love of Waylon Jennings and George Jones.  Amazon | MySpace | Official Site

8)  Sara Cahoone – “Only As The Day Is Long” (Sub-Pop) – Former rock drummer Cahoone has created a melancholy-shoegaze-Americana masterpiece with her rainy-day ready debut release.  Amazon | MySpace | Sub-Pop

7)  Star Anna – “Crooked Path” (Malamute Records) -  On this smoldering debut of Americana-noir Ellensburg, Washington’s Star Anna Krogstie proves she can hold her own with Lucinda Williams and Neko Case. Her voice seems to be the shear definition of longing and heartache.  Amazon |  MySpace | Official Site

6) Hang Jones – “The Ballad of Carlsbad County” (Self Released) – Hang Jones is the alias for Stephen Grillos and his concept album, set in 1887 New Mexico, takes the typical elements – lust, jealousy, whiskey, gunpowder and blood – and works his gritty magic to deliver a great album.  Amazon |  MySpace | Official Site

5) Luke Powers – “Texasee” (Phoebe Claire) – Powers stated in an interview that Texasee is a study of a mythical place that lies between Nashville and Austin and is done in a style reminiscent of Sam Peckinpah. Sign me up! Writers in the Western genre celebrate a few that are seen as more “literary.”  Powers like Tom Russell, James McMurty, John Prine and Joe Ely, occupies the mirror space in music.  CD Baby | MySpace | Pheobe Claire Site

4) Felice Brothers (Team Love) -From from the Catskill Mountains to the subways of New York city these actual brothers (and a bass player named Christmas) channel the Basement Tapes and spin  magnificently dark tales of desperation and violence. Amazon | MySpace | Official Site

3) O’Death -  “Broken Hymns, Limbs and Skin” (Kemado) – New York’s O’Death is a concoction of parts that if mixed any other way would result into a noxious mess.  Appalachian Mountain music,  Gypsy music, Gothic punk, funk and metal, it all just shouldn’t play nice together. On Broken Hymns, Limbs and Skin the sounds meld magnificently in a dark and volatile masterpiece.  Amazon | MySpace | Official Site

2) Justin Townes Earle – “The Good Life”  (Bloodshot) -Before technology allowed us to cheat, musicians were the source of musical synthesis, or what is referred to by the hipsters today as mash-ups. Justin Townes Earle harkens back to these aural alchemists and has created a potent blend of 19th century folk, country swing and hillbilly boogie. Overcoming his Daddy’s long musical shadow (and his inclination towards illicit substances) Justin Townes Earle’s first full length release rejoices in heritage while transcending its creators youth.  Amazon | MySpace | Bloodshot Records

1) Eleven Hundred Springs – “Country Jam” (Palo Duro Records) – If you want a crash course in the best Texas country music over the last half-century the 2008 release from Dallas’ ESL would be a great place to start. From the hillbilly poetry of Mickey Newbury and Joe Ely to the Western Swing of Bob Wills to the pop and rock of  Doug Sahm and Buddy Holly all the influences are there.  And though the sounds are reflective of the Texas greats  ESL makes it distinctly their own on this superior homage to the Lone Star State. Amazon | MySpace | Official Site

Honorable Mention:

Drive-By Truckers – Brighter Than Creations Dark
The Whipsaws – 60 Watt Avenue
Slim Cessna’s Auto Club – Cipher
Caitlin Rose -  Dead Flowers
The Power of County  – See You In Rock and Roll Heaven
Lucinda Williams – Little Honey
Kathy Mattea – Coal
The Wildes – Ballad of a Young Married Man
Hayes Carll – Trouble In Mind
Joey + Rory – The Life Of A Song
Kasey Chambers and Shane – Rattlin’ Bones
Ashton Shepherd – Sounds So Good
The Steeldrivers – Self-Titled
Whitey Morgan and the 78’s – Honky Tonks and Cheap Motels

• Yallwire, Sidewalk Records, and Epiphone are giving fans a chance to win the Damn Right Rebel Proud Prize pack featuring an Epiphone Guitar, Custom III Sector 9 Skate Deck, New Album from Hank III Damn Right Rebel Proud on limited edition Vinyl & CD.

• No Depression reports a March 24 release of Keep Your Soul: A Tribute To Doug Sahm on Vanguard Records. Some of the artists coerting the legendary Texas musician is Los Lobos, Alejandro Escovedo, Dave Alvin, Delbert McClinton, Charlie Sexton, the Gourds, Jimmie Vaughan, Terry Allen (with Joe Ely), Greg Dulli, Freda & the Firedogs, Joe “King” Carrasco with the Texas Tornados, and Doug’s son Shawn Sahm (teaming with Doug’s longtime bandmate Augie Meyers). The disc’s tracks cover all periods of Sahm’s career, from the heyday of the Sir Douglas Quartet to Sahm’s solo outings and up through his later tenure in the Texas Tornados.

• The Americana Music Association now has an Amazon storefront featuring lots of alt.country, roots and yes, Americana goodies just in time for Christmas. stock up kids, those CDs won’t buy themselves!

• The Americana Music Association has released an initial list of arists that will be playing around Nashville during their music festival and conferencethis September 17-20 2008. Some of the performers will be: Jim Lauderdale, Mike Farris, Kane Welch Kaplin, The everybodyfields, The SteelDrivers, Tift Merritt, Jason & the Scorchers, Joe Ely, Malcolm Holcombe, Rosie Flores, Band of Heathens, Laura Cantrell, Cross Canadian Ragweed, James McMurtry, Jason Isbell and much much more.

• The drop date for Chris knight’s new album, Heart of Stone, has been pushed back to September 2nd due to “production issues.” Guest musicians on Heart of Stone include Mike McAdam (Steve Earle, Radney Foster) on various guitars, Keith Christopher (Georgia Satellites, The Yayhoos) on bass, Tammy Rodgers (The SteelDrivers) fiddle and vocals, mandolin and banjo, and Michael Webb (The Wreckers, Allison Moorer) on B-3 organ, piano and accordion. Producer Dan Baird also contributes on guitar and vocals. Knight says of Heart of Stone “It might just be my best. For some reason, there’s a cohesiveness here that’s not like anything I’ve done before. But at the same time, it’s not real predictable. There’s a lot of texture to it as well, but it’s a simple record. I don’t know how that happened. But I know it when I hear it.”
• The documentary “Johnny Cash: The Man, His World, His Music” will air on PBS stations tomorrow night. The film is directed by Robert Elfstrom and is a “cinema vérité look at Cash.”  PBS produced the documentary almost 40 years ago (!) Robert Elfstrom also takes some time to answer some questions for the the Tennessean (via the 9513)