2021 Grammy Awards – Country, Americana, Bluegrass and Folk Nominees

2021 GRAMMY Awards

Nominees for the 2021 Grammy Awards were announced with Miranda Lambert dominating the Country Music Categories (3). The Queen of Americana Lucinda Williams has 2 and ties with The Secret Sisters (Laura Rogers & Lydia Rogers) and John Prine’s last composition , “I Remember Everything, which has been nominated in two categories Best American Roots Performance and Best American Roots Song.

The Grammy Awards for roots music takes place before the televised preceding the 2021 GRAMMY Awards show, the 63rd GRAMMY Awards Premiere Ceremony will take place Sunday, March 14, at noon PT, and will be streamed live internationally via GRAMMY.com.

The 2021 GRAMMY Awards show performer lineup will include performances from Texas’ own neo-soul newcomers Black Pumas, Brandi Carlile, Mickey Guyton, Brittany Howard, Miranda Lambert and more.

Here are the country and roots music nominees:

Best Country Solo Performance:
“Stick That in Your Country Song,” Eric Church
“Who You Thought I Was,” Brandy Clark
“When My Amy Prays,” Vince Gill
“Black Like Me,” Mickey Guyton
“Bluebird,” Miranda Lambert

Best Country Duo/Group Performance:
“All Night,” Brothers Osborne
“10,000 Hours,” Dan + Shay & Justin Bieber
“Ocean,” Lady A
“Sugar Coat,” Little Big Town
“Some People Do,” Old Dominion

Best Country Song:
“Bluebird,” Miranda Lambert (Luke Dick, Natalie Hemby & Miranda Lambert, songwriters
“The Bones,” Maren Morris (Maren Morris, Jimmy Robbins & Laura Veltz, songwriters
“Crowded Table,” The Highwomen (Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters)
“More Hearts Than Mine,” Ingrid Andress, (Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters)
“Some People Do,” Old Dominion (Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters

Best Country Album:
Lady Like, Ingrid Andress
Your Life Is a Record, Brandy Clark
Wildcard, Miranda Lambert
Nightfall, Little Big Town
Never Will, Ashley McBryde

Best American Roots Performance:
“Colors,” Black Pumas
“Deep in Love,” Bonny Light Horseman
“Short and Sweet,” Brittany Howard
“I’ll Be Gone,” Norah Jones & Mavis Staples
“I Remember Everything,” John Prine

Best American Roots Song:
“Cabin,” The Secret Sisters (Laura Rogers & Lydia Rogers, songwriters)
“Ceiling to the Floor,” Sierra Hull (Sierra Hull & Kai Welch, songwriters)
“Hometown,” Sarah Jarosz (Sarah Jarosz, songwriter)
“I Remember Everything,” John Prine (Pat McLaughlin & John Prine, songwriters)
“Man Without a Soul,” Lucinda Williams (Lucinda Williams, songwriter)

Best Americana Album:
Old Flowers, Courtney Marie Andrews
Terms of Surrender, Hiss Golden Messenger
World on the Ground, Sarah Jarosz
El Dorado, Marcus King
Good Souls Better Angels, Lucinda Williams

Best Bluegrass Album:
Man on Fire, Danny Barnes
To Live in Two Worlds, Vol. 1, Thomm Jutz
North Carolina Songbook, Steep Canyon Rangers
Home, Billy Strings
The John Hartford Fiddle Tune Project, Vol. 1, Various Artists

Best Folk Album:
Bonny Light Horseman, Bonny Light Horseman
Thanks for the Dance, Leonard Cohen
Song for Our Daughters, Laura Marling
Saturn Return, The Secret Sisters
All the Good Times, Gillian Welch & David Rawlings

The Secret Sisters Announce New Brandi Carlile Produced Album ‘Saturn Return.’ Hear New Song ‘Cabin’ Now.

Saturn Return - The Secret Sisters

The Secret Sisters (Laura Rogers and Lydia Slagle) will bring their dreamy harmony to a new album entitled “Saturn Reuter.” The album is produced by Brandi Carlile, Phil Hanseroth and Tim Hanseroth (aka The Twins) and will be released on February 28.

From the presser: “Recorded at Carlile’s home studio in Washington state, the album includes ten songs written by Laura and Lydia Rogers and features the real-life sisters singing individually for the first time instead of relying solely on their trademark harmonies—something Carlile challenged them to do. Carlile comments, “It’s really uniquely unified and harmonious when they’re in tandem and very tumultuous and deep when they’re not in tandem and I think for a brief, beautiful moment on this album we caught The Secret Sisters not in tandem for the first time.” She continues, “To be a harbinger for their honesty in these songs and to watch them work together to see the tension was one of the greatest gifts of my career because those are two very powerful people in a very interesting point in their lives.”

“Named after the astrological occurrence that takes place approximately every 29 ½ years, the album heralds the arrival of a new era for Laura and Lydia—both of whom experienced extreme change and transformation during the making of the record. Grappling with the grief of losing both grandmothers, while also both becoming first-time mothers, the sisters reflect on their world view, relationships and own mortality through the album’s ten songs.”

‘Saturn Return.’ is a follow-up to 2017’s ‘You Don’t Own Me Anymore’

Hear the new darkly lovely song ‘Cabin’ below:

Pre-order ‘Saturn Return.’

The Secret Sisters Spring/Summer Tour

March 25 – Brooklyn, NY – Murmrr Theatre*
March 27 – Boston, MA – City Winery*
March 28 – Philadelphia, PA – City Winery*
March 29 – Alexandria, VA – The Birchmere*
March 31 – Newport, KY – Southgate House Revival*
April 2 – Chicago, IL – Old Town School of Folk*
April 3 – Wausau, WI – The Grand Theater*
April 5 – Minneapolis, MN – Varsity Theater*
April 8 – Des Moines, IA – Wooly’s*
April 9 – Kansas City, MO – Knuckleheads*
April 10 – Saint Louis, MO – Off Broadway*
April 24 – Palm Springs, CA – Alibi
April 25 – San Diego, CA – Casbah^
April 28 – Los Angeles, CA – Lodge Room^
April 29 – Berkeley, CA – Freight & Salvage^
May 1 – Portland, OR – Revolution Hall+
May 2 – Seattle, WA – Neptune Theatre+
June 10 – Bury St. Edmunds, UK – The Apex
June 11 – Bury, UK – The Met
June 13 – Gateshead, UK – Sage Gateshead
June 14 – Sheffield, UK – Firth Hall
June 16 – Leeds UK – Brudenell Social Club
June 17 – Milton Keynes, UK – The Stables
June 18 – London, UK – Union Chapel
June 19 – Bristol, UK – St. George’s
June 21 – Tunbridge Wells, UK – Black Deer Festival
June 24 – Paris, FR – Les Etoiles
June 25 – Lier, BE – Ripsique/Cultuurcentrum Vredeberg
June 26 – Amsterdam, NL – Paradiso

*with Logan Ledger
^with Leslie Stevens
+with Anna Tivel

 Wanted! – Notable Americana and Roots Music Releases for 2017

Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Anticipated Americana Albums That Will Help 2017 Not Suck

Dead Man Winter – ‘Furnace’ (Gndwire Records) – January 27
Minnesota singer/songwriter Dave Simonett takes from fronting the prog-grass Trampled By Turtles to release a set of deeply personal folk-pop songs traveling The emotional terrain scarred by divorce and the subsequent fracturing of his family.

Valerie June – ‘The Order of Time’ (Concord Records) – January 27
Following her 2013 breakout release, ‘Pushin’ Against a Stone’ that showered her with accolades from the New York Times and NPR, ‘The Order of Time’ has the Tennessee-bred singer/songwriter weaving folk, blues, Afro-rhythms and trip-hop atmosphere into a reflection on family, love and the nature of time. Produced by Matt Marinelli (Beck, Bad Brains), The Order of Time includes twelve original songs and features piano accompaniment from Norah Jones on three tracks and vocals from June’s late father and brothers on “Shake Down.”

Kasey Chambers – ‘Dragonfly’ – (Sugar Hill) – January ?
The 11th studio album by iconic Australian country/roots singer-songwriter Kasey Chambers will be released as a two disc set. The first, The ‘Sing Sing Sessions’ is produced by Paul Kelly. The second, ‘The Foggy Bottom Sessions’ is produced by Nash Chambers, Kasey’s brother. The release will feature ‘If We Had A Child,’ a duet with fellow Aussie and longtime friend Keith Urban and the previously released smoky liberation ballad ‘ Ain’t No Little Girl.”

Rose Cousins – ‘Natural Conclusion – (Old Farm Pony) – February 3
This collaboration with local Halifax artists and producer Joe Henry has Cousins crafting songs similar to early Patty Griffin and fellow Canadian Kathleen Edwards. The sparse economy of her folk songs belie their turbulent core.

Gurf Morlix – ‘The Soul & The Heal (Rootball Records) – February 3
Austin-based roots music legend Gurf Morlix has made a name for himself by working with roots artists like Blaze Foley, Robert Earle Keen, Ray Wylie Hubbard and Lucinda Williams. He’s also renowned for his extraordinary solo work and live performances. Morlix will release his self-produced 10th studio album, ‘The Soul & The Heal on his own Rootball Records in February and, given his attention to detail and feel for a great song, it’s sure to be a must-have.

Son Volt – ‘Notes of Blue’ (Transmit Sound) – February 17
Veteran Jay Farrar has built a legacy working within the alt.country territory he helped found with Jeff Tweedy, and Mike Heidorn when Uncle Tupelo formed in St. Luis. Now he steers his roots vehicle, Son Volt, toward the blues, the cousin genre following in the footsteps of other roots royalty like Steve Earle and Lucinda Williams.

Nikki Lane – ‘Highway Queen’ – (New West) – February 17
One of the few women that fit the stylistically daring and business savvy mode established by Willie and Waylon, Nikki Lane takes the co-production helm (along with Texas’ Jonathan Tyler) on her upcoming 10-track ‘Highway Queen’ that’s sure to brim with her personal stock of twangy grit and slinky 70’s inspired pop.

Old 97s – ‘Graveyard Whistling’ – (ATO Records) – February 24
Few bands have carried the alt.country flag so skillfully (and with such fun!) as Dallas’ own Old 97s. For decades the original band of hombres, guitar-slinger Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples and front man extraordinaire Rhett Miller, will showcase their brand of rowdy style of melody wrangling When they release their anticipated 11th album.

Sunny Sweeney – “Trophy’ – (Thirty Tigers) – March 10
Texas’ own Sunny Sweeney looks to producer Dave Brainard, the man at the helm behind Brandy Clark’s breakout debut ’12 Stories,’ for her fourth release. Many of the songs are co-written by Sweeney along other pros like Lori McKenna. Look for a mix of personal introspection and barroom serenades.

Chris Stapleton – TBA ( Mercury Nashville) TBA
Two years is the time that labels like to pass before releasing another album and given the success of Stapleton’s debut ‘Traveler ‘ this is probably the year we’ll see a new erase from his label Murcury Nashville. One of the cuts possibly to be featured on this yet-to-be announced release is ‘Broken Halos,’ an unreleased song Stapleton debuted last month on Dolly Parton’s telethon to benefit victims of Tennessee wildfires.

https://youtu.be/y_Dhgro8ri8

The Secret Sisters – TBA ( Mercury Nashville) TBA
The third full-length by roots singer-songwriting siblings Laura and Lydia Rogers will be produced by Brandi Carlile and the Hanseroth twins. Look for this splendid release in the Spring.

Jason Isbell- TBA- TBA

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2014

TNCream2014

It defies all marketing logic.

Take thoughtful, and oftentimes uncomfortable, music built unapologetically (and more importantly, without irony) from instrumentation and melodies that reflect the past and drag it into the present.

Brazen sentimentality in the face of a blase world and lack of absolute style and ideological boundaries allows Americana to attract strange cultural bedfellows, Reminiscent of the 70’s when Saints Willie and Waylon brought the rednecks and hippies together under the tin roof of Austin’s Armadillo World Headquarters, this music hits us at the human core. Good music strips away the bullshit, shows our humanity, and can make us whole.

This is why it’s the greatest music being created today. That’s why it’ll last as fashions fall and technology and cultural isolation encroaches.

But it’s shit for mapping out a contemporary music career. So how does this great stuff keep happening?

With no apparent thought to charts, hit singles, karaoke reality shows or clutching at the greased pig of contemporary music taste people believe so deeply and completely that they sit in a van for 200 plus days a year, in freezing snow and burning summer heat, to play barely filled rooms at a level like they’re playing the Ryman or Beacon. Because that girl near the stage, with the band logo tattoo, is singing every word to every song. In spite of increasingly remote odds of economic sustainability they keeping lining up and enduring.

They have no choice, the spirit fills them. And we are moved by it. It affects us all.

And that extraordinary music is not just culturally and stylistically satisfying, there’s a viable market. Jason Isbell and Sturgill Simpson have gone from tight quarter vans and half-full seedy clubs to spacious buses and sold-out theatres. Movies and TV shows are using more and more roots music to set a mood. The genre is snowballing in fans and new music and the influence is felt everywhere. It’s no longer our little secret.

This is good, it’s evolution. It’s is growth. The risk of commercial popularity resulting in diminitionment of quality is assured. But just as Americana is not fed from one influence it is also not any one band. There is a wealth of choice. some of which I hope I’ve been able to list below.

2014 leaves us in turmoil and cultural upheaval. Roots music has historically been a cultural channel to discuss injustices from the point of view of those most affected. From Woody to Dylan to Alynda Lee Segarra roots music provides a poetic reflection of where society and humanity are and where we’d like to be.

But it’s not all topical earnestness. There’s plenty of toe-tapping tomfoolery and easy fun to melt away your troubles and woes and sing at the top of your lungs.

We cry, we laugh, we get drunk and do both simultaneously. No airs, no regrets, no AutoTune.

Lists are subjective, and no more so than my own. But each year I hope to place a loose marker around where I feel we are, and where we’re headed as disciples of this mongrel aesthetic.

This year we can be assured that country music has finally been saved, so enough of that. Roots music continues to make inroads in the mainstream without losing it’s way (or soul.) As happened so music last year, many mainstream media best of country music year-end lists to purloin from the rootsier side (like this and this – http://www.rollingstone.com/music/lists/40-best-country-albums-of-2014-20141210 ). I applaud this. Bro-country’s foe is not the same tepid, lazy style wrapped in a dress. It’s better music without boundaries and gatekeepers.

2015 shows no sign of waning in output or fan interest. New releases from Steve Earle, Allison Moorer, Ryan Bingham, James McMurtry, Caitlin Canty, American Aquarium, JD McPherson, another from Justin Townes Earle, Rhiannon Giddens, The Lone Bellow, Whitehorse, Robert Earl Keen’s bluegrass album, and possibly a new Emmylou Harris and Rodney Crowell collaboration has the new year is looking rosy.

Criteria – Calendar year 2014. No EPs, live, covers or re-release albums no matter how awesome.

Don’t see your favorite represented? Leave it in the comments and here’s to a new year of twang

26. Mary Gauthier – ‘Trouble & Love’
The only way to best your demons is to look them in the eye. Gauthier does just that on ‘Trouble & Love’ With her wonderfully roughewn voice to inner struggle in the wake of love lost (or, more appropriately, taken) Misery loves company and Gauthier keeps some of
Nashville’s finest – Guthrie Trapp, Viktor Krauss, Lynn Williams, Beth Nielsen Chapman, The McCrary Sisters, Darrell Scott, Ashley Cleveland. Catharsis rarely sounds this good.

25. Old 97s – ‘Most Messed Up’
Remember alt.country? I sure do. And so does Rhett Miller. The Dorian Gray of roots rock and his faithful compadres Ken Bethea, Philip Peeples and Murry Hammond still bring the heat to their blend of Tex-power pop in even the most road-weary, blase’ moments. This is a work of fury, fun and not giving a damn. here’s to that!

24. Angaleena Presley – ‘American Middle Class’
Presley steps out of the shadow of her super group Pistol Annies and digs deep into her history to deliver an album deeply steeped in country music traditions. Presley writes songs of hardship that rings true and is too busy making a living to sing hands and despair.

23. Sunny Sweeney – ‘Provoked’
Who needs bro-country when you have Sunny Sweeney. Her voice is your afternoon sweet sun tea but her wit is the bourbon you stir in. ‘Provoked’ is Sweeney’s true voice and it twangs true and kicks some serious ass.

22. Billy Joe Shaver – ‘Long in the Tooth’
Billy Joe Shaver is not about to sit on his long and prestigious laurels. No sir, not if Todd Snider has anything to say about it (Todd prodded Shave into this) Shaver takes aim at Music Row ( ‘Hard To Be An Outlaw’) love (“I’ll Love You as Much as I Can”) and teh absurdity of life ( “The Git Go”) God bless Billy Joe Shaver and everything he represents!

21. Rodney Crowell – Tarpaper Sky
Following his Grammy-winning collaboration with Emmylou Harris ‘Tarpaper Sky’ finds Crowell relaxin into a zone of a craft he’s spent 40 years refining. Songs from the rearview (“The Long Journey Home”, “The Flyboy & the Kid”) , heart-busters sit beside cajun frolick (“Fever on the Bayou”) to create a satisfying release.

20. Kelsey Waldon – ‘The Goldmine’
Great country music is rooted in the blood, sweat, and the threadbare hope of those just out of the reach of the American Dream. Kelsey Waldo’s songs richly reflects a lives hobbled by hard decisions and opportunities never given. While ‘The Goldmine’ reflects a hard realism, Waldon smartly ensures that it is never devoid of hope.

19. Doug Seegers – ‘ Going Down to the River’
A story too absurd to be true. Swedish documentary features homeless Nashville busker leading to a number 1 single on Swedish iTunes Charts for 12 consecutive days and a Will Kimbrough produced full-length featuring collaborations with Emmylou Harris and ex-tour mate Buddy Miller. But it’s true, and ‘ Going Down to the River’ is deep with truth.

18. Robert Ellis – ‘The Lights From the Chemical Plant’
Ellis moved to and works in Nashville. But he’s still got the heart if a Texas musician, wandering and unbridled. His love for George Jones is as much a part of him as his love for Jimmy Webb. ‘The Lights From the Chemical Plant’ reflects not only his versatility on the fretboard but his command of the songwriting craft. He reflects multiple styles, sometimes within the same song, and makes it behave. And across it all his voice glides across each with its own high lonesome.

17. The Bones of J.R. Jones – ‘Dark was the Yearling’
Brooklynite J.R. Jones, aka Jonathon Linaberry travels even further down his moody roots road with his second effort ‘Dark was the Yearling.’ Fitting comfortably with with moody-folkies like Lincoln Durham and Possessed By Paul James, sparse production ‘s soulful croon, haunting blues picking and percussive stomp make Darkness Was the Yearling is a galvanization of Linaberry both as a songwriter and a producer.

16. Marah – ‘Mountain Minstrelsy of Pennsylvania’
Pennsylvanian folklorist Henry Shoemaker long-ago cache of American song lyrics are discovered and interpreted by Marah’s David Bielanko and Christine Smith performing live around a single microphone in a ready-made studio set up in an old church, doors open to allow local performers and the generally curious to gather and join along. The result is a startlingly cohesive work driven by a ramshackle spirit. ‘Mountain Minstrelsy of Pennsylvania’ opens a contemporary channel to the restless, rustic ghosts of Big Pink more authentically than the recent T Bone Burnett helmed effort.

15. The Secret Sisters – ‘Put Your Needle Down’
Shedding the gingham shell that encased their debut The Secret Sisters , Lydia and Laura Rogers, apply their exquisite sibling harmony to push their songwriting chops and build a testament to contemporary roots music. I’m looking forward to riding along with the Rogers as they take us from the past toward a brave musical adventure.

14. Lee Ann Womack – ‘The Way I’m Livin’ ‘
Music Row superstar hangs out with motley Americana crew and ends up making a spectacular roots album? ANd it’s up for the Country Album of the Year Grammy?! Bask in genre confusion and the beauty of great songs performed by a master.

13. Hurray for the Riff Raff – ‘Small Town Heroes’
Few bands have the roots chops of Alynda Lee Segarra and her Hurray for the Riff Raff. Social-minded tunes performed with poetry over preachiness strikes a delicate balance most of the Guthrie-inspired falter. Segarra and crew prove you win hearts and minds my tapping toes and shaking asses on the dancefloor.

12. Lera Lynn – ‘The Avenues’
Lynn’s warm honey voice might lure you like a Siren, but the smart songwriting will truly wreck your ship. No, no this is a good thing! Stripped down guitar, drums and doghouse bass and cause you to sit on shore amongst the wreckage and let bask in ‘The Avenues’ glint and shimmer.

11. Cory Branan – ‘No Hit Wonder’
I defy you to find a better contemporary songwriter that is as deft and studied at the craft as Cory Branan (DEFY YOU!!) As evidence I submit to you “The No-Hit Wonder.” a work expansive yet grounded in the classic folk and country styles. That’s a fancy way of saying it’s badass.

10. Shovels & Rope – ‘Swimmin’ Time’
This follow-up to their 2012 acclaimed ‘O’ Be Joyful,’ has Michael Trent and Cary Ann Hearst has a tighter focus and arrangement of songs. This can sometimes come off as too eager to please. But when their indy-rock-meets-Carter-Family spirit overtakes, like in “Mary Ann and One Eyed Dan,” it hits on all cylinders and transcend crowd-pleasing.

9. Karen Jonas – ‘Oklahoma Lottery’
Small town character studies have always been a staple of country music. Karen Jonas builds scenes with her breathy drawl that make you feel like you lived through the desperation, danger and loneliness and litters the landscape of this excellent release.

8. Nikki Lane – ‘All Or Nothin’ ‘
Every night is Saturday night on Nikki Lane’s ‘All Or Nothin’ ‘ The Black Key’s Auerbach sets the mood and get’s out of the way as Lane fuses SMART SONGS, 60’s B-movie pop and country music gold to make her mark. So hang on, hold on and have the time of your life. But bring bail money and, be assured, there’ll be a broken heart…and a scar.

7. Hiss Golden Messenger – ‘Lateness of Dancers’
M.C. Taylor is a wandering soul. His fourth full-length as the moniker Hiss Golden Messenger continues his (hiss) quest across a troubling yet hopeful human landscape. This time the pat taken is in the form of his usual folk and country traditions with scenic asides in rock and R&B resulting in his best so far.

6. Old Crow Medicine Show – ‘Remedy’
From buskers to roots music ambassadors Old Crow Medicine Show has shown great songs and keen instrumentation does have a place in the mainstream. The band faces their newfound fame by doing what they know best, Delivering a solid ‘Remedy’ that appeals to long-times fans and garners new ones that wouldn’t be caught dead at a bluegrass festival.

5. Ben Miller Band – ‘Any Way, Shape Or Form’
If you’re looking for a band that mashes old forms with new look no further than Ben Miller Band’s latest ‘Any Way, Shape Or Form.’ The traditional folk chestnut “The Cuckoo” is taken to a tribal-drum psychedelic level. “Any Way, Shape or Form” pushes the Ben Miller Band form just another string band toward something vibrant and a forceful.

4. The Felice Brothers – ‘Favorite Waitress’
On their new release the Felice Brothers have returned from their sonic diversion in “Celebration, Florida” to their usual rustic terrain where Big Pink meets Brooklyn (with a little Velvet Underground thrown in) Gliding nimbly from ramshackle folk to smokey piano ballads to unbridled zydeco ‘Favorite Waitress’ is a fine stylistically homecoming to their splayed and gangly jams.

3. Marty Stuart & His Fabulous Superlatives – ‘Saturday Night/Sunday Morning’
Country music. like life, has always been steeped in the struggle between the light and the darkness, sin and salvation. This double album takes us on a boxcar across the dark
(‘Jailhouse, ‘Geraldine’) and the light (‘Uncloudy Day,’ ‘Boogie Woogie Down the Jericho Road’) Stuart was there when Country and Americana music was the same thing. Thank goodness he’s still on his game and cares to remind us.

2. Caroline Rose – ‘Will Not Be Afraid’
This sonic offspring of Chrissie Hynde and Wanda Jackson debut release is everything that’s great about music. It grabs you by the throat immediately with ‘Blood on your Bootheels,’ a cut on racism and violence void of sanctimony that hits like a topical bomb. ‘Tightrope Walker’ is a jaunty roots-rocker with spooky organ line as Rose lyrically juxtaposes two Americas and exposes us to be without a without net. Rose bends, shapes and fires words in a way that would make Dylan envious. This is a daring debut is the kind of record that will make you remember where you were when you heard it.

1. Sturgill Simpson – ‘Metamodern Sounds in Country Music’
Shocking, right? But sometimes the hype does reflect reality. Simpson will surely be all over Americana and mainstream country best of lists (the latter showed a tendency to reach over the fence last year when Jason Isbell sat alongside Tim McGraw and Band Perry), and rightly so. The Kentuckian’s success is more than a bro-country backlash. The praise from NPR Music to UK’S Telegraph speaks to than a more than a mere clerance of Music Row’s current low bar. Simpson channels 70’s hard outlaw country, spiked with bluegrass dexterity into songs that feel genuine. His topics are a contemporary a Kristoffersonion introspection of spirituality, identity and mind-altering substances. Simpson isn’t saving country music, he’s just reminding a us all that there’s a hunger for vibrant music that is vibrant, thriving, and unrepentantly ornery.

Watch Out! The Secret Sisters “Rattle My Bones” [VIDEO]

The Secret Sisters "Rattle My Bones"

The Secret Sisters – Laura and Lydia Rogers – new release “Put Your Needle Down” (review here)
prove they can do more than winsome covers with their sizzling new single shows they can rock.

The cut was penned by Brandi Carlile, Phil Hanseroth and Tim Hanseroth and swings a Bo Diddley-style swing.

The Tyler Jones-directed video sits somewhere between “At Folsom Prison’ and Elvis’ “Jailhouse Rock” behind-the-bars dance off.

Is it hot in here or is it just this video?

The Secret Sisters are on tour now:

5/03 9:30 Club Washington, DC
5/04 9:30 Club Washington, DC
5/06 Taft Theatre Cincinnati, OH
5/08 Egyptian Room Indianapolis, IN
5/09 Riviera Theater Chicago, IL
5/10 Pabst Theater Milwaukee, WI
5/11 State Theatre Minneapolis, MN
5/13 Ogden Theatre Denver, CO
5/14 Kingsbury Hall Salt Lake City, UT
5/16 Crystal Ballroom Portland, OR
5/17 Moore Theatre Seattle, WA
5/19 Fox Theater Oakland, CA
5/20 Balboa Theatre San Diego, CA
5/21 The Wiltern Los Angeles, CA

Music Review: The Secret Sisters – “Put Your Needle Down” [Universal Republic]

The Secret Sisters Put Your Needle Down

On their debut release the country/folk duo The Secret Sisters (Laura and Lydia Rogers from hallowed Muscle Shoals, AL) featured mostly covers. They showed impeccable taste by interpreting legendary gems by George Jones, Bill Monroe, Buck Owens, Hank Williams and Frank Sinatra. But even with the inclusion of a couple of originals the spirit of the Sisters seemed buried under that considerable musical history.

Since their 2110 debut the sisters haven’t rested on their well-received laurels. The duo honed their craft by working with Jack White’s Third Man Records, with Dave Stewart on a solo album, with The Chieftains on a tribute album. if that weren’t enough they supplied a cut for a Hunger Games soundtrack. This busy schedule has done wonders to refine their craft and that refinement is put on full display on “Put Your Needle Down.”

The opener is a clear example of that expertise. “Rattle My Bones,” written by Brandi Carlile, Phil Hanseroth and Tim Hanseroth, sits atop a Bo Diddley beat on this cooking tune about man regret that has the sisters mingling sibling harmony in a way that only experience (and genetics) can.

“Let There Be Lonely” is a dreamy lament to hard love that yearns and burns right through you.

“Dirty Lie” is an unfinished, bootleg only, Bob Dylan song from the 80’s that was brought to the sisters by producer and spiritual leader T Bone Burnett. They finished ou the song later after that meeting in their hotel room and the result is striking. Less folky obtuse defiance than a full torch mode Peggy Lee fronting a gypsy-jazz ensemble.

“Luka” is a slow-simmering tale of a woman attempting to escape an abusive father that slithers toward a dark en. Violins cry siren-like and meld into the high register singing that balances piqued emotion and harmonic beauty. “Pocket Knife” also employs violins to further turn up the heat. Flanked by a whinnying slide guitar and tribal drums the song builds an environment of the claustrophobic world that the women headed towards an unwanted marriage is living in.

“Lonely Island” is a lovely showcase for the sister’s more relaxed style. It lulls you into weeping in your umbrella drink. “If I Don’t” swings into a different take on Tammy Wynette as standing by your man comes with caveats that things better change and fast.

T Bone Burnett beings his sophisticated ear to shade the arrangements with just the right amount of funky antiquity. His direction and the extraordinary band build an atmosphere of parlor room intimacy that sounds like the best house concert you ever attended.

Listening to a Secret Sisters release is a crash course in the great American songbook. There’s more grit and heat in these performances than on their previous effort. They seem more assured. Less winsome demeanor and more poised audacity.

The 12 songs on “Put Your Needle Down,” many self-penned, proves the Sisters are no mere extraordinarily talented throwback novelty act. They are now interpreting the ages in their own impeccable style and making their own way.

five_rate

Official Site | Buy

“Another Day/Another Time” Celebrates the Music of “Inside Llewyn Davis” to Air on Showtime

Another Day/Another Time

“Another Day/Another Time,” a concert inspired by the Coen Brothers’ film “Inside Llewyn Davis”, which itself was inspired by the 60’s New York folk movement, took place at Town Hall
Sun, September 29, 2013.

Luckily Showtime set up some cameras.

The concert features performances of songs from the early 1960s in addition to live renditions of the film’s folk music.

The performances include The Avett Brothers, Marcus Mumford, Jack White, Gillian Welch, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Punch Brothers, Patti Smith, Willie Watson, and the film’s lead Oscar Isaac.

“Another Day/Another Time” will will air December 13 at 10:00 PM on Showtime.

http://www.youtube.com/watch?v=lFZcgSySBdw

Another Time, Another Place: Celebrating the music of Inside Llewyn Davis benefit concert 9/29/13 [VIDEOS]

 Another Day, Another Time: Celebrating the music of Inside Llewyn Davis

I was not fortunate enough to attends the Inside Llewyn Davis benefit concert this last Sunday at New York’s Town Hall, but YouTube user Julie P did and was kind enough to share some videos of the performance which I’ve posted below.

The concert is inspired by the upcoming folk pseudo-documentary Inside Llewyn Davis by the incredible Coen brothers (O Brotehr Where Art Thou, No Country For Old Men, True Grit) The evet was produced by the Coens and the film’s Executive Music Producer T Bone Burnett. the roots music who’d=who bill included The Avett Brothers, Joan Baez, Rhiannon Giddens of the Carolina Chocolate Drops, Lake Street Dive, Colin Meloy of The Decemberists, The Milk Carton Kids, Marcus Mumford, Conor Oberst, Punch Brothers, Dave Rawlings Machine, The Secret Sisters, Patti Smith, Gillian Welch and Willie Watson. The artists as well as stars from the film performed songs from the film live, as well as songs from the early 1960s that inspired it.

As more videos are posted I will add them here.

Colin Maloy, Joan Baez, and Gillian Welch
http://www.youtube.com/watch?v=Xy7dNZTNem8&feature=c4-overview&list=UUkM6IBsFkHspnonQLwecdKA

Gillian Welch, Rhiannon Giddens, and Carey Mulligan
http://www.youtube.com/watch?v=K15nU5a6Qek&feature=share&list=UUkM6IBsFkHspnonQLwecdKA

Patti Smith, Avett Brothers, Dave Rawlings + – People Have The Power
http://www.youtube.com/watch?v=VDCLmTq_y2M&feature=c4-overview&list=UUkM6IBsFkHspnonQLwecdKA

Marcus Mumford, Oscar Isaac, and Punch Brothers “Fare Thee Well”
https://www.youtube.com/watch?v=TstKeaP-aHk

Marcus Mumford and Joan Baez – “Corn Whiskey When I’m Dry”
https://www.youtube.com/watch?v=wIsr2bwVrz0&list=UUkM6IBsFkHspnonQLwecdKA

Marcus Mumford – “I Was Young When I Left Home” (Bob Dylan)
https://www.youtube.com/watch?v=gvVBce8hQF8&list=UUkM6IBsFkHspnonQLwecdKA

Elvis Costello, Punch Brothers, Inside Llewyn Davis actor Oscar Isaac, & Adam Driver “Please Mr. Kennedy”
https://www.youtube.com/watch?v=HzU8mz3eqTc&list=UUkM6IBsFkHspnonQLwecdKA

Listen Up! Willie Nelson – ‘It Won’t Be Long’ featuring The Secret Sisters

Willie-Nelson-To-All-The-Girls

The first cut we posted from Willie Nelson’s upcoming collaboration album (and isn’t every Willie Nelson album to some extent a collaboration?) was the heart-wrenching “Grandma’s Hands” featuring the incredible Mavis Staples.

‘To All The Girls….’ (Oct. 15 on Legacy Recordings) features with some of Willie’s favorite female performers. Like Dolly Parton and Rosanne Cash, Norah Jones and Miranda Lambert and many more covering songs that, like Willie’s own, transcend genre approaching something more akin to cuts from the American songbook. Cits that echo the gages like the below cover of Sam Cooke’s moving spiritual featuring country traditionalists duo the Secret Sisters.

Muscle Shoals-natives Laura and Lydia Rogers lend their lovely harmony as a silk backdrop to Willie’s grainy phrasing and winding delivery.

Preorder the album here.

To All The Girls track list:

1. Dolly Parton — From Here To The Moon And Back
2. Miranda Lambert — She Was No Good For Me
3. Secret Sisters — It Won’t Be Very Long
4. Rosanne Cash — Please Don’t Tell Me
5. Sheryl Crow — Far Away Places
6. Wynonna Judd — Bloody Mary Morning
7. Carrie Underwood — Always On My Mind
8. Loretta Lynn — Somewhere Between
9. Alison Krauss — No Mas Amor
10. Melonie Cannon — Back To Earth
11. Mavis Staples — Grandma’s Hands
12. Norah Jones — Walkin’
13. Shelby Lynne — Til The End Of The World
14. Lily Meola — Will You Remember Mine
15. Emmylou Harris — Dry Lightning
16. Brandi Carlile — Making Believe
17. Paula Nelson — Have You Ever Seen The Rain
18. Tina Rose — After The Fire Is Gone