Americana Music Conference Video Round-Up

I’ve starting posting the few videos from the 2012 Americana Music Conference showcases and it’s awards event at the Twang Nation Twitter and Facebook  accounts. Here is a round up of the ones I’ve found so far. Look for more as I find them. Now take some time to run through all these fine performances and tell me this isn’t the greatest music on the planet.

Zoe Muth: “If I Can’t Trust You with a Quarter”

The Black Lillies “Goodbye Charlie”

Lee Ann Womack & Buddy Miller: “Out on the Weekend” (Neil Young cover)

Lera Lynn: “Ring of Fire” (Johnny Cash cover)

Billy Joe Shaver: “The Git Go”

Mandolin Orange: “Waltz About Whiskey”

Jason Isbell and the 400 Unit : “Alabama Pines”

http://www.youtube.com/watch?v=YHHFPx195eA

Justin Townes Earle: “Look The Other Way”

Guy Clark, Shawn Camp & Verlon Thompson” “My Favorite Picture of You”

Lee Ann Womack, Peter Cooper & Tom T. Hall : “I Love”

Elizabeth Cook with Bones Hillman and Tim Carroll, along with Dottie Peoples and John Fullbright, – Thirty Tigers’ Gospel Brunch at The Station Inn

Bonnie Raitt & John Hiatt: “Thing Called Love”

Americana Honors & Award Show Tribute to Levon Helm: “The Weight

News Round Up: New Releases by John Prine, Johnny Cash Art Collective

  • In true DIY fashion The Johnny Cash Project is a “global collective art project” that allows fans from all over the world to contribute to a arrogated, user-generated video for the title track from the latest Johnny Cash recording American VI: Ain’t No Grave. The single images are then threaded together into a one-of-a-kind labor of love. I only wish the Man in Black has lived to see this.
  • John Prine fans are about to hit pay-dirt. On May 25th, 2010, Oh Boy Records (founded in 1981 by Prine and manager Al Bunetta) will release the live In Person & On Stage, which will draw from performances spanning the past several years and covering songs from as far back as Prine’s 1971 debut and as recently as 2005’s acclaimed Fair & Square. Then Broken Hearts & Dirty Windows: Songs of John Prine will be released on on June 22nd (Oh Boy) and will feature Prine compositions interpreted by devotees such as My Morning Jacket, Bon Iver’s Justin Vernon, The Avett Brothers, Conor Oberst and The Mystic Valley Band, Old Crow Medicine Show, Lambchop, Drive-By Truckers, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and, reprising their respective tracks from In Person & On Stage, Nickel Creek’s Sara Watkins and Josh Ritter. Oh Boy will begin a pre-sale for In Person & On Stage on April 20thand for Broken Hearts & Dirty Windows on April 27th at www.musicfansdirect.com.
  • The Country Music Hall of Fame and Museum has announced it will pay tribute to the legendary Tammy Wynette with an exhibit titled Tammy Wynette: First Lady of Country Music. Presented by Great American Country (GAC) the exhibit will open in the Museum’s East Gallery on August 20, 2010, and run through June 2011.
  • More news from the The Country Music Hall of Fame and Museum. An upgrade to the Hall’s core collection, Sing Me Back Home: A Journey Through Country Music, are expected to be completed next month. The updates, which focus on country music’s last five decades, will bring the story of country music forward in time and conclude with a glimpse of the future. They will highlight the country-rock, pop-country, southern rock, full-strength classic country and the “Urban Cowboy” craze. The upgrade includes new oversized portraits, video clips and artifacts such as Dolly Parton’s handwritten lyrics to Jolene, Tom T. Hall’s acoustic guitar he purchased from songwriter Merle Kilgore, and items from Ronnie Milsap, Kenny Rogers, Mel Tillis, and Tanya Tucker. Other updates focus on the mid-1980s arrival of artists like Dwight Yoakam, Rosanne Cash, Rodney Crowell, Randy Travis and Steve Earle. New exhibits celebrate contemporary bluegrass and Americana artists, ranging from Alison Krauss and Del McCoury to Buddy Miller and Jim Lauderdale.

New Round Up: Austin’s Rusty Wier Dies

  • Austin singer-songwriter Rusty Weir died October 9, after two years of struggling with cancer. Wier was considered a country legend and he was inducted into the Austin Songwriters Hall of Fame in 2002.
  • The New York Times reviews the Jamey Johnson show at the Music Hall of Williamsburg in Brooklyn. Johnson played two new songs, Back to Macon and Nothing Is Better Than You from hos upcoming release.
  • The New York Times also features a review of the Roseanne Cash’s sold-out concert at St. Ann’s Warehouse in Brooklyn. Cash performed many songs from her stellar career as well as from her newest album, The List.
  • Peter Cooper at the Tennessean celebrates geezerdom by detailing the steller and ongoing careers of country music legends Kris Kris Kristofferson, Bobby Bare, Loretta Lynn, Bill Anderson, Tom T. Hall, Willie Nelson and Merle Haggard. What other genre  has artists over 70 making some of the best music of their careers? I mean besides Blues, R&B, Gospel and Jazz that is
  • As you can see there have been some changes here at Ranch Twang. Not all the kinks are ironed out so I will be working on them this week. Let us know what you think of the new look and , as the sign says, pardon our mess.

Music Review: The Drive By Truckers – The Fine Print (A Collection Of Oddities and Rarities 2003-2008) [New West]

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I discovered the Drive By Truckers while an ex-pat Texan living in New York City. The environment that I has always known, and taken for granted, was replaced by something foreign and I was looking for cultural footing to make me feel “at home” but also to reflect my learned redneck attitude, a new framework look back over my home and its history. That’s when I came across a review for the Drive By Truckers’ 2004 Southern rock masterpiece The Dirty South. Patterson Hood, Mike Cooley, and Jason Isbell proved to the reincarnation of Lynyrd Skynyrd cut with the  Replacementsthat I needed at the time. Blue collar, backwoods gems like Where the Devil Don’t Stay, Danko/Manuel and Daddy’s Cup revived my faith in the Southern magic of storytelling and the band’s triple guitar attack revived my faith in rock and roll .

The Fine Print (A Collection Of Oddities and Rarities 2003-2008) is an odds & sods largely culled from that fruitful period in the DBTs career. Along with Live from Austin, TX album, The Fine Print fulfills the DBT’s obligation with New West Records and allows them to move on to their own label, Ruth Street Records. The dozen songs on contained here is a bumper crop from a fertile period underscoring the power and focus of that time and that line up. The bitter-sweetness from listening to the album is that as good as the consecutive albums have been, the band has not met this level of intensity or focus since the departure of the youngster Jason Isbell after 2006’s middling A Blessing and a Curse.

The album kicks off with the jaunty George Jones Talkin’ Cell Phone Blues featuring John Neff’s sweet pedal-steel. The song deals the Possum’s 1999 car wreck while he was driving drunk and talking to his daughter on a cell phone. It shows love to Jone’s hopes it’s a while before he joins the legions of legendary country stars cluttering the afterlife.

The Trucker’s have never been shy about their influences and the four covers contained here are tackled with heart and reverence. Tom Petty’s Rebels is elevated to a Springsteen-like anthem and Tom T. Hall’s Mama Bake a Pie (Daddy Kill a Chicken) details the everyday cost of war without mounting a soap box. Warren Zevon’s Play It All Night Long fits right in with the The Dirty South‘s dark swampy groove and the cover of Bob Dylan Like a Rolling Stone is woozy fun and features a Shanna Tucker debut as a front and center vocalist.

The Alternate Versions of Uncle Frank, from 1999’s Pizza Deliverance and Goode’s Field Road from 2008’s Brighter Than Creation’s Dark are great but hardly improve on the originals. The gangstabilly mythos of The Dirty South‘s Where the Devil Don’t Stay and The Boys From Alabama has their dark reflection in The Great Car Dealer War, but to lesser narrative affect and Little Pony And The Great Big Horse highlights Mike Cooley’s subtle greatness in songwriting and storytelling. The creepy Christmas blues cut Mrs. Claus’ Kimono should have been the song behind the closing credits of Billy Bob Thornton’s black comedy Bad Santa.

Like most outtakes and rarities collections, The Fine Print is a bit of a mish-mash and overall doesn’t stand up as consistently as the DBT’s best work, but almost all the cuts are hands down better than most of what passes as rock these days. Besides it’s great that these songs (featuring another excellent cover by their long-time cover/poster/t-shirt illustrator Wes Freed) have seen the light of day at all I hope the release points the way to a revitalized and impassioned future for the mighty Drive-By Truckers.

Official Site | MySpace | Buy

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[youtube]http://www.youtube.com/watch?v=dLP_r7NZY_w[/youtube]

Willie Nelson Premieres New Video for Shoeshine Man

  • Willie Nelson premiered his new video covering Tom T. Hall’s Shoeshine Man (below) The song is not on his upcoming covers album American Classics so I have no idea whay he made this video, but he seems to be having a ball. The Texas Yoda has taken a page from the DIY codger goofing around in front of a video camera recently used by Neil Young for his video Fork in the Road.
  • The Americana Music Association announced the lineup for its 2009 festival,  Sept. 16-19 at around several of  Nashville’s best venues – The Mercy Lounge, The Cannery Ballroom, 3rd & Lindsley, The Station Inn and The Basement.  On the roster is Cross Canadian Ragweed, Angela Easterling, Asleep at the Wheel, The Bottle Rockets, Jim Lauderdale, Buddy Miller, Joe Pug, Charlie Robison, Marty Stuart, Patrick Sweany, Those Darlins and many more.
  • Popmatters.com has posted an mp3 for Chain, a cut off Vic Chesnutt’s upcoming release At the Cut (Constellation) to be released 22 September (US)
  • Randy Travis, Martina McBride and Ray Price join an International  line-up of over 60 International, UK and Irish acts performing on three separate stages at the UTV CountryFest ’09  August 1st – 2nd  at the Kings Hall in Belfast.

[youtube]http://www.youtube.com/watch?v=BDtaJmrVfx8[/youtube]

Tom T. Hall in the New York Times

That bastion of Eastern elitism, the New York Times, features another great interview with country music legend and master story teller Tom T. Hall entitled “Who Needs Country Radio? Not Tom T. Hall.” Hall talks about the state of country music industry, he and his wife – Miss. Dixie’s – song writing collaberation and his recent involvement with bluegrass music. 

A great quote on the queasiness of today’s pop-country consumer.

“There’s not much call for dead-people songs in today’s suburbanized country music, but bluegrass audiences still love to hear about murderous outlaws, suicidal lovers and family ghosts. It’s the ghost of a dead mother who dials the phone in “The Midnight Call,” luring her estranged son down to a railroad depot that had been torn down years before. The Halls wrote the song for Ralph Stanley after he revitalized his career by singing “O Death” in the 2000 movie “O Brother, Where Art Thou?”

Tom T Hall – Clayton Delaney 

[youtube]http://www.youtube.com/watch?v=tbRiRpopZrw[/youtube]