Drive-By Truckers announce new album, English Oceans [VIDEO]

English Oceans

Drive-By Truckers 12th album, “English Oceans” is one of the most anticipated releases of 2014 (March 4 to be exact)

Of the album co-lead singer/songwriter and guitarist Mike Cooley says “It can go from this chainsaw rock ‘n’ roll to this very delicate, pretty-sounding stuff.” Cooley fans will be happy that he brought six new songs to the sessions and this record marks the first time that Cooley sings a song penned by Patterson Hood on “Til He’s Dead or Rises.”

The album follows narratives from a cast of characters. “Pauline Hawkins,” is based on a new novel by Willy Vlautin. A Political edge is shown in two songs on the record. Cooley’s “Made Up English Oceans” and Hood’s “The Part of Him.” “It’s about political assholery — there’s someone new playing that role every few months,” says Hood. “Grand Canyon,” the final song on the album, is an emotionally overwhelming tribute to Craig Lieske, a longtime member of DBT’s touring family. Lieske died suddenly in January and the album is dedicated to him.

The album was recorded with a compact, retooled lineup. Jay Gonzalez, who joined the band in 2008 as keyboardist, has added guitar to his duties, while bassist Matt Patton was drafted from the Tuscaloosa group The Dexateens. “It’s a very tasteful group, and when it needs to be it can be a very big, powerful, over-the-top band, too, and it can go from one to the other seamlessly,” says Hood.

English Oceans was recorded over 13 days at Chase Park Transduction Studios in the bands’ adopted base of Athens, GA with their longtime producer, David Barbe.

The US tour will be announced in January and European fans can anticipate the band’s return in May. The band will also do their annual homecoming shows at the 40 Watt in Athens in February.

English Oceans Tracklist:
01. Shit Shots Count
02. When He’s Gone
03. Primer Coat
04. Pauline Hawkins
05. Made Up English Oceans
06. The Part of Him
07. Hearing Jimmy Loud
08. Til He’s Dead or Rising
09. Hanging On
10. Natural Light
11. When Walter Went Crazy
12. First Air of Autumn
13. Grand Canyon

Drive By Truckers 2014 Tour Dates:
01/31 – Asheville, NC @ Orange Peel
02/01 – Asheville, NC @ Orange Peel
02/13 – Athens, GA @ 40 Watt
02/14 – Athens, GA @ 40 Watt
02/15 – Athens, GA @ 40 Watt
05/10 – Dublin, IR @ Vicar Street
05/11 – Glasgow, UK @ ABC
05/12 – Manchester, UK @ Ritz
05/13 – London, UK @ Shepherd’s Bush Empire
05/15 – Amsterdam, NL @ Paradiso
05/16 – Antwerp, BE @ Trix

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013

Twang Nation Best of  2013

As the last days of 2013 drop away the business-as-usual music industry remains bogged in a largely self-inflicted quagmire, but don’t tell musicians this. Industry gatekeepers and financial barriers are being overrun by people with a passion for the craft, and the talent and drive of a refusal to be denied. And we, dear reader, are richer because of it.

If there’s a theme to this year’s choices it’s that women are blazing a trail between Americana and mainstream country music. Lindi Ortega, Brandy Clark, Julie Roberts, Kelly Willis, Aoife O’Donovan and Valerie June might honing their craft from different angles, but a more than cursory listening shows they are making great contemporary music drawing from a common roots music well.

2013 was also a great year for what might be called “real country music.” However you define this vague term (Jimmie Rodgers? Willie? Garth?) you’ll find much of Country Music’s Golden Eras reflected in Brandy Clark, Dale Watson, Sturgill Simpson, Robbie Fulks as well as the mighty Son Volt, who released one of the best albums of their career with “Honky Tonk.”

Also the craft of songwriting and rich, engaging narrative is alive on Jason isbell’s best solo outing yet, Southeastern. Also on the veteran Guy Clark’s “My Favorite Picture of You” and relative newcomers John Moreland and John Murry.

2013 brought us some of the most creative and daring music in the Country, Americana and Roots fields and all indicators point to 2014 being even better with releases upcoming from Roseanne Cash , The Drive-By Truckers, Jason Eady, The Ben Miller Band and many more.

And in spite of T Bone Burnett’s advice to keep their art pure and unscathed by dirty, dirty self-promotion, these folks are out there hustling to breach popular consciousness.

I hope this list helps in some small way.

it was a challenge to keep the list to just 10, so again this year I surrendered to representing excellence over some arbitrary number.

Don’t see your favorite represented? Leave it in the comments and let’s spread the twang.

20. Austin Lucas – Stay Reckless – Nobody does pedal-to-metal roots-rock like Lucas. “Stay Reckless” elevates his song to a new level.

19. Aoife O’Donovan – Fossils [Yep Roc Records] – Alison Krauss covered O’Donovan’s song “Lay My Burden Down,” O’Donovan’s album is so good you might forget that.

18. John Murry – The Graceless Age [Evangeline Recording] Dark and engaging without veraing into bleak and self-pitying. John Murry makes feeling bad sound good.

17. Dale Watson – El Rancho Azul [Red House] Watson finds his hony-tonk sweet spot and does the Lone Star State proud.

16. Julie Roberts – Good Wine & Bad Decisions [Red River Entertaintment] – Music Row’s golden girl confronts set-backs and tragedy by creating the best album of her career.

15. Caitlin Rose – The Stand-In – [ATO Records] Rose deftly proves that “pop” doesn’t have to be bad.

14.5 – Will Hoge – Never Give In – Roots rock with a hook done right. [Cumberland Recordings]

14. Bruce Robison, Kelly Willis – Cheater’s Game [Preminum Records] – Austin’s Americana power couple delivers an engaging charmer.

13. Sarah Jarosz – Build Me Up from Bones [Sugar Hill Records] Jarosz songwriting, playing and vocals hit a new level and shw her to be already beyond her young years.

12.5. Daniel Romano – Come Cry With Me – had to slip in this neo-trad gem in response to the comment reminding me of it’s badassery. Yes, I do read the comments when I agree with them.

12. Robbie Fulks – Gone Away Backward [Bloodshot] Fulks creates an excellent, heartfelt bluegrass album sans his signature wink and smirk.

11. Valerie June – Pushin’ Against A Stone [Concord] Newcomer June fuses roots and soul and shows why she’s an Americana rising star.

10. Holly Williams – The Highway [Georgiana Records] – The songwriting on “The Highway” moves Williams out of anyones shadow.

9. Son Volt – Honky Tonk [Rounder Records] – Jay Farrar takes up the pedal steel and re-discovers Son Volt’s soul.

8. Lindi Ortega – Tin Star [Last Gang Records] Ortega’s exceptional “Tin Star” moves her into the realm of Queen of Americana music.

7. Hiss Golden Messenger – Haw [Paradise of Bachelors] M.C. Taylor continues to explore life and faith and stake new roots music territories.

6. Gurf Morlix – Gurf Morlix Finds the Present Tense [Rootball] A legendary songwriter/musician gets existential and rewards us with a fantastic body of work.

5,5. Shonna Tucker and Eye Candy: A Tell All [Sweet Nector] – I foolishly omitted this pop-roots-soul gem on first pass. I now remedy that grievous oversight.

5. Guy Clark – My Favorite Picture of You [Dualtone] A master still makes it look easy. It ain’t.

4.John Moreland – In The Throes [Last Chance Records] Moreland is an accomplished student of song craft and “In The Throes” moves him into the master class.

3. Sturgill Simpson – High Top Mountain [High Top Mountain] Reluctant savior of outlaw soul creates a masterpiece in spite of expectations.

2. Jason Isbell – Southeastern [Southeastern Records] – With an already accomplished body of work Isbell surpasses himself and creates a classic.

1. Brandy Clark – 12 Stories [Slate Creek Records] – It takes guts to refuse to be a cog in the Music Row machine and create an debut this daringly country.

Twang Nation Podcast Episode 16 – Holly Williams, Brandy Clark, Devil Makes Three

Twang Nation Podcast

Hey Twangers! Get it while it’s hot! Podcast episode 16! Wow that’s a lot df exclamation point! Argh!

New prime cuts are buzzing around Casa Twang. Old favorites like Brett Detar, Lindi Ortega and The White Buffalo have great new releases. Proud to offer “Stripes,” the neo-trad he new single from Brandy Clark, who’s setting Music Row on fire, and some great stuff from TN newcomers Boo Ray, John Murry and Ben Miller Band.

As always. I hope you like this episode of the Twang Nation Podcast and thank you all for listening. If you do tell a friend and let me know here at this site, Google+ , Twitter or my Facebook page.

As always , BUY MUSIC, SEE SHOWS!

Opening Song - Dale Watson – “A Real Country Song”

1. Brett Detar - Song: “Too Free To Live” - album: Too Free To Live  
2 Cree Rider Family Band – Song: “If You’re Gonna Cheat Me ”  Album: One Night Stand
3. Brandy Clark – Song: “Stripes”  Album “12 Stories (Slate Creek Records) 
4 Devil Makes Three – Song: “Stranger” Album: “I’m a Stranger Here” (New West Records)
5 Holly Williams -Song:  “ Drinkin’  “ Album: ‘The Highway’ out now on her own Georgiana Records 
6 John Murry- Song:  “Photograph’ Album: ‘The Graceless Age” Out noes Evangeline Recording Co.
7 Lindi Ortega - Song” “Tin Star” Album “Tin Star” Out now on Last Gang Records
8 The White Buffalo - Song:  “Set My Body Free ” Album “‘Shadows Greys and Evil Ways,” Out now
9 Boo Ray -  Song:  “Boots And Blue Jeans” Album – “Six Weeks in a Motel” Out now independently released
10 Ben Miller Band - Song: “Strike up the Band”  Album – ” Heavy Load” released independently

Uncle Tupelo’s Pivotal Debut “No Depression” to be Reissued In January

Uncle Tupelo’s No Depression

Great news alt.country fans! On January 28th, Legacy Recordings will reissue Uncle Tupelo‘s widely acclaimed debut LP, 1990′s “No Depression.” The release will be a special two-disc expanded edition featuring rare and previously unreleased material. Of course, the influential alt.country trio would later birth Wilco (Tweedy) and Son Volt (Farrar.)

“No Depression: Legacy Edition” improves on the original album’s “tinny” production. Remastering has been done by engineer Vic Anesini, and the reissue features new liner notes by original band booster Richard Byrne of St. Louis’ alt-weekly The Riverfront Times. The second disc features the band’s original 1989 eight-song demo, Not Forever, Just For Now, which has never been released on CD.

Also included is a recently unearthed 10-song demo tape “Not Forever, Just Now,” recorded by the original UT, Jeff Tweedy, Jay Farrar, and Mike Heidorn in 1989. Below, listen to one of the demo tape’s tracks, an early version of “I Got Drunk” (via Consequence of sound).

The reissue will also include bonus tracks that appear on the album’s 2003 reissue; songs taken from their 1983 self-released Live and Otherwise cassette; and five cuts off the band’s 1987 demo Colorblind and Rhymeless.

Legacy will also issue a limited edition seven-inch vinyl single of Uncle Tupelo’s “I Wanna Be Your Dog” b/w “Commotion” for Record Store Black Friday on November 29th.

Pre-order No Depression: Legacy Edition.

No Depression: Legacy Edition Track List:

Disc One

No Depression (Original Album)

Graveyard Shift
That Year
Before I Break
No Depression
Factory Belt
Whiskey Bottle
Outdone
Train
Life Worth Livin’
Flatness
So Called Friend
Screen Door
John Hardy
No Depression Era Odds & Ends

Left In The Dark
Won’t Forget
I Got Drunk
Sin City
Whiskey Bottle (Live Acoustic)
Disc Two

Not Forever, Just For Now (No Depression Demos, Produced By Matt Allison, 1989)

Outdone
That Year
Whiskey Bottle
Flatness
I Got Drunk
Before I Break
Life Worth Livin’
Train
Graveyard Shift
Screen Door

From Live & Otherwise (Self-Released Cassette, 1988)

No Depression
Blues Die Hard

From Colorblind and Rhymeless (1987 Cassette Demo)

Before I Break
I Got Drunk
Screen Door
Blues Die Hard
Pickle River

Watch Out! Matt Woods – “Deadman’s Blues” [VIDEO]

Matt Woods - Deadman's Blues

Recently some benefactors of music row/ country music row have decided to chime in that contemporary country music is, well, less than good.

Knoxville, TN.’s Matt Woods soulful vocals have been saying that for years, Not formally but by putting out great self-penned, independent country and roots albums that draw a line in the proverbial sand. Every song just suggests “See, this is what country music is.”

With his newest video Woods’ is still teaching that lesson. The video is an intimate look at life on the road for the independent musician. Here’s hint, less luxury buses and champaign and more vans, long-necks and sleepless nights.

Deadman’s Blues” can be found on Woods’ upcoming album of the same name, out this spring.

Official Site

Record Store Day’s Black Friday 2013 – Americana and Roots Music Picks

BLACK FRIDAY

The day after Thanksgiving, November 29 – ominously named Black Friday (if you’re in the rush at Wal-Mart it kinda makes sense) – is the busiest shopping day of the year.

The good folks that organize Record Store Day have provided music fans with a holiday treat to make Black Friday more festive.

This year part of the retail bounty special exclusive releases from some of the most popular artists in almost every genre. Of course my focus is on Americana and roots music. Some dandies are being released from The Civil Wars, Blackberry Smoke, Blind Boys Of Alabama, Jason Isbell & John Paul White, Dawes, Uncle Tupelo and more. Some of these realeses are completely exclusive to the record store, some of them making their appearance at a record store before you’ll find them anywhere else.

Head to the official Record Store Day site to get a complete list of releases and participating stores.

Blackberry Smoke / Lynyrd Skynyrd
Lynyrd Skynyrd &
Blackberry Smoke Live 12″
Vinyl Split
Label: Southern Ground
A live compilation featuring six previously unreleased tracks.
Side A Lynyrd Skynyrd Live Slovesburg, Sweden 6/9/12 – “Whats Your Name”, “That Smell”, “Simple Man” – Side B Blackberry Smoke Live Winston-Salem NC 4/12/13 – “Six Ways To Sunday”, “Pretty Little Lie”, “Ain’t Music Left Of Me”

Blind Boys Of Alabama/Jason Isbell & John Paul White
Christmas In Dixie/Old Flame
Format: 7″ Vinyl
Label: Lightning Rod Records/Thirty tig
7″ Silver and White Swirled vinyl
Exclusive 7″ single featuring covers of Alabama classics. These and others on the Tribute to Alabama album.
Side A – Blind Boys of Alabama “Christmas in Dixie” Side B Jason Isbell and John Paul White “Old Flame”

Brandi Carlile/The Lone Bellow
Live Split
Format: 7″ Vinyl
Label: Descendant Records
Brandi Carlile recorded live on the Hard Way Home Convoy Tour in 2013; The Lone Bellow recorded at SXSW March 2013 at the Paste Magazine Stage on Sixth Party, sponsored by Record Store Day
Side A Brandi Carlile – “Raise Hell” Side B The Lone Bellow – “You Never Need Nobody”

The Civil Wars
Between The Bars
Format: 10″ Vinyl
Label: Columbia Records
10″ single containing exclusive studio versions of four cover songs which have been part of The Civil Wars live repertoire
“Sour Times” (Portishead cover), “Between The Bars” (Elliott Smith cover), “Billie Jean” (Michael Jackson cover), “Talking In Your Sleep” (Romantics cover)

Dawes
Stripped Down At Grimeys
Format: LP/CD
Label: HUB Records
Orange LP Version – Recorded live at Grimey’s in March of 2013. Contains songs from the acclaimed Stories Don’t End album and a few classic Dawes tracks. Set is a plugged in yet intimate approach as opposed to the typically bombastic Dawes live experience.
1. “From A Window Seat” 2. “Someone Will” 3. “Time Spent In Los Angeles” 4. “Most People” 5. “Something In Common” 6. “A Little Bit of Everything”

Bob Dylan
Side Tracks
Format: LP
Label: Columbia Records
A compilation of tracks that have never appeared on a formal Bob Dylan album. 180 g, numbered, triple LP package.

Harry Nilsson
Rarities Collection
Format: LP
Label: Columbia Records
RARE Nilsson tracks on 1 LP, 180g and indivually, numbered. A collection culled from the 17 CD Box Set which includes all of Harry’s original RCA albums, previously unreleased demos and radio spots.

Various Artists
A Musical Tribute To The Songs of Shel Silverstein
Format: LP
Label: Sugar Hill Records
Vinyl release of the 2010 star-studded tribute to Shel Silversein. On 45 RPM double white vinyl.
My Morning Jacket–“Lullabies, Legends and Lies”, Andrew Bird–“The Twistable, Turnable Man Returns”, John Prine–“This Guitar is For Sale”, Dr. Dog–“The Unicorn”, Kris Kristofferson–“The Winner”, Sarah Jarosz with Black Prairie–“Queen of the Silver Dollar”, Bobby Bare, Jr. with Isabella Bare–“Daddy What If”, Black Francis with Joey Santiago–“The Cover of the Rolling Stone”, The Boxmasters–“Sylvia’s Mother”, Ray Price–“Me and Jimmie Rodgers”, Todd Snider–“A Boy Named Sue”, Lucinda Williams–“The Ballad of Lucy Jordan”, Bobby Bare–“The Living Legend”, Nanci Griffith–“The Giving Tree”, My Morning Jacket–“26 Second Song”

Uncle Tupelo
I Wanna Be Your Dog / Commotion
Format: 7″ Vinyl
Label: Columbia Records
Side A – Stooges cover (studio, outtake from No Depression sessions)
Side B – Credence cover (previously unreleased studio outtake from No Depression sessions)
“I Wanna Be Your Dog”/”Commotion”

Townes Van Zandt
Sunshine Boy: The Unheard Studio Sessions & Demos 1971-1972
Format: Vinyl Box Set
Label: Omnivore Recordings
The vinyl version of this release housed in a 3 LP box, on clear vinyl. Includes 28 unheard versions of legendary songs by one of our most treasured songwriters. All songs drawn from his most prolific period, 1971-1972. Liner notes by Colin Escott.
This will be exclusive to indie stores for 90 days.

Dwight Yoakam To Release ” 21st Century Hits: Best of 2000-12,” on October 1

Dwight Yoakam

Fresh off his win for the Artist of the Year award win at the 12th Annual Americana Music Honors and Awards in Nashville comes the news of a spanking new Dwight Yoakam compilation.

New West Records will release the new Dwight Yoakam compilation, 21st Century Hits: Best of 2000-12, on October 1. The album spans a choice selection of songs Yoakam recorded while signed to New West Records, Warner Brothers and Koch between 2000-12.

Included are singles from five albums including Tomorrow’s Sound Today, Population Me, Blame The Vain, Dwight Sings Buck and 3 Pears as well as the cover the Queen’s “Crazy Little Thing Called Love” as featured in the film “The Break-Up.” Also included is a never before commercially released duet with Michelle Branch, “Long Goodbye” and the Willie Nelson duet “If Teardrops Were Diamonds.”

Even after a three-decade long career, more than 25 million albums worldwide, 12 gold albums and nine platinum or multi-platinum albums and is a 21-time nominated Grammy award winner
Yoakam still appears to be at the top of his game as a standard bearer and trail-blazer.

Buy 21st Century Hits: Best of 2000-2012 (CD+DVD)

DWIGHT YOAKAM’S 21ST CENTURY HITS: BEST OF 2000-12 TRACK LIST
1. The Sad Side Of Town (Tomorrow’s Sounds Today)
2. Late Great Golden State (Population Me)
3. The Back Of Your Hand (Population Me)
4. If Teardrops Were Diamonds (with Willie Nelson) (Population Me)
5. Long Goodbye (with Michelle Branch) (Previously Unreleased)
6. Intentional Heartache (Blame The Vain)
7. Blame The Vain (Blame The Vain)
8. I Wanna Love Again (Blame The Vain)
9. Just Passin’ Time (Blame The Vain)
10. Crazy Little Thing Called Love (The Break-Up Soundtrack)
11. Close Up The Honky Tonks (Dwight Sings Buck)
12. My Heart Skips A Beat (Dwight Sings Buck)
13. Act Naturally (Dwight Sings Buck)
14. A Heart Like Mine (3 Pears)

Bonus DVD
1. Close Up The Honky Tonks
2. Intentional Heartache
3. Blame The Vain
4. Back of Your Hand
5. Late Great Golden State
* Bonus DVD also contains hi-res 24/96 audio playback of the album

10 Upcoming Bands To Catch At AmericanaFest 2013

ama banner

Every time I head across this great nation to Music City to attend the always enjoyable Americana Music Association Festival, Conference and Awards Ceremony (whew!) i always come home with great memories.

Most of those memories concern showcase bands and performers I hadn’t I hadn’t planned on seeing, Some where bands that were not part of the official showcase but were caught off the official badge accessible path.

Though there is no knowing the unknowable, but here are some ands that might not be at the top of AmericanaFest goers list. But they should be.

1. The Lone Bellow – The next wave of Pop-Americana raises that car on harmony and musicianship.

2. JD McPherson – The buzz is heavy around this Oklahoma native (seriously Oklahoma? Wasn’t John Fullbright enough excellence) digs into rocks past and delivers it fresh and hot.

3. St. Paul and The Broken Bones – Birmingham-based band St. Paul and the Broken Bones performs a review of neo-soul sure to please.

4. Dugas – Speaking of soul, Winnipeg, Canadaian siblings Sarah & Christian Dugas brings it with a Southern flair.

5. Matrimony – ‬Lovely melodies and ‪Ashlee Hardee Brown‬’s impassioned vocals makes Charlotte, North Carolina-based Matrimony a must-see.

6. Hurray for the Riff Raff – Maybe less under the radar, but never-the-less a well-known favorite at Casa Twang. New Orleans-based singer/somgwriter Alynda Lee Segarra and her revolving collective, known as Hurray for the Riff Raff, packs houses wherever they play.

7. NQ Arbuckle – Since 2002 Toronto-based NQ Arbuckle has been making their brand of whip smart and hart felt alt.country.

8. Nicki Bluhm and The Gramblers -Bay Area-based singer/songwriter Nicki Bluhm has pipes that got her invited to perform with the Chris Robinson, Bob Weir, Phil Lesh, Warren Haynes, Grace Potter, The Avett Brothers. Her crackerjack band since 2003 8, The Gramblers, lay down just the right amount of heat.

9. Willie Sugarcapps – Of the handfull of Americana Music supergroups taht have come about Willie Sugarcapps is one of the most super. The star-studded band features Will Kimbrough, Sugarcane Jane, Grayson Capps and Corky Hughes melding together thier considerable talents.

10. Parker Millsap – Purcell, OK (Oklahoma!) native Parker Millsap is what you might call a troubadour. His excellent song-craft, expressive and gritty vocals front one hell of aa great band.

Hardly Strictly Bluegrass 13 Line-Up Announced

Hardly Strictly Bluegrass 13

The good people at Hardly Strictly Bluegrass have released the roster for this years event and it’s another winner.

For those uninitiated, HSB is one of the premier Americana and roots music festivals in the world.
The annual event is held on the first Friday, Saturday and Sunday in October on 5 stages stretching across a location in Golden Gate Park formerly named Speedway Meadows but renamed Hellman Hollow in 2012, to pay homage to the late HSB benefactor, private equity investor and banjo enthusiast, Warren Hellman.

The 13th version of the festival does not disappoint as there is few Americana and roots festivals with this number of quality acts. it also has the benefit of being free. Well, it’s benefit in one sense, but the swelling os not always pleasant crowds in recent years does take a toll.

The 41 confirmed acts offers exciting newcomers like Sturgill Simpson, Trampled By Turtles, Della Mae, First Aid Kit, Sallie Ford & The Sound Outside and local favorites Nicki Bluhm & The Gramblers and The Devil Makes. Americana and roots stalwarts like Buddy Miller, Joe Ely, Jimmie Dale Gilmore & Butch Hancock (aka The Flatlanders), Jon Langford, Patty Griffin, Tim O’Brien & Darrell Scott.

The folk-rock pioneers The Waterboys will be appearing as well as the legendary Ralph Stanley & The Clinch Mountain Boys. The whole thing wraps up in traditional fashion with the woman that has closed the event since it’s beginning and embodies the spirit of the event, the extraordinary Emmylou Harris.

Find below the full line-up. The per-day stage schedules will be announced soon and I will update his post with the information.

When: Fri Oct 4th, Sat Oct 5th (11am – 7pm), and Sun Oct 6th, 2013 (11am – 7pm).
Where: Hellman Hollow (formerly Speedway Meadows), Lindley & Marx meadows in Golden Gate Park, San Francisco, CA.

Mark Lanegan, Bonnie Raitt, Patty Griffin, Conor Brings Friends For Friday Featuring: Whispertown, The Cave Singers, The Felice Brothers, The Evens, First Aid Kit, Conor Oberst, Pieta Brown, Joy Kills Sorrow, LP, The Handsome Family, Jesse Dee, Alison Brown, Gogol Bordello, Boz Scaggs, Paul Kelly, The Deep Dark Woods, Justin Townes Earle, Emmylou Harris, The Devil Makes Three, Calexico, Ralph Stanley & The Clinch Mountain Boys, Martha Wainwright, The Brothers Comatose, Elvin Bishop, Jon Langford & Skull Orchard acoustic / FREAKONS, Low, Tumbleweed Wanderers, Richard Thompson, Tim O’Brien with Bryan Sutton & Mike Bub, Moonalice, Chris Isaak, Buddy Miller, The Time Jumpers featuring Brad Albin, Larry Franklin, Paul Franklin, Vince Gill, “Ranger Doug” Green, Andy Reiss, Dawn Sears, Kenny Sears, Joe Spivey, Jeff Taylor & Billy Thomas, Kieran Kane, Kevin Welch & Fats Kaplin, The Flatlanders featuring Joe Ely, Jimmie Dale Gilmore & Butch Hancock, The String Cheese Incident, Nick Lowe, Mike Scott & Steve Wickham of The Waterboys, Steve Martin and Steep Canyon Rangers featuring Edie Brickell, Freakwater, The Go To Hell Man Clan, Tim O’Brien & Darrell Scott, Billy Bragg, Loudon Wainwright III, Dry Branch Fire Squad, Mike Farris & The Roseland Rhythm Revue, Steve Earle & The Dukes, Kate McGarrigle Tribute with Martha & Sloan Wainwright & Special Guests, Holler Down the Hollow: A Hardly Strictly Salute to the Masters, Sturgill Simpson, Peter Rowan Bluegrass Band featuring Yungchen Lhamo, Sallie Ford & The Sound Outside, Shovels & Rope, Seldom Scene, Natalie Maines, Dave Alvin with Greg Leisz, Evolfo Doofeht, Allah-Las, Buddy Miller & Jim Lauderdale, G. Love & Special Sauce, Robert Ellis, Spirit Family Reunion, Bettye LaVette, Supermule, MC Hammer (Friday morning middle school program), Trampled By Turtles, The Warren Hood Band, Della Mae, Los Lobos Disconnected, Father John Misty, Jesse DeNatale, The Wood Brothers, Ryan Bingham, Jerry Douglas, Sonny & The Sunsets, Nicki Bluhm & The Gramblers, Tift Merritt, Kat Edmonson, Laurie Lewis & The Right Hands, The Forest Rangers with Katey Sagal,
Manchester Orchestra, Poor Man’s Whiskey (Friday morning middle school program), Robert Earl Keen

Americana For All

carolina chocolate drops

I’ve been kicking around the ideas to address Giovanni Russonello’s “Why Is a Music Genre Called ‘Americana’ So Overwhelmingly White and Male?” i heard my mom’s advice in m mind,
“just walk away from the stupid.” Part of it was my dad’s voice “Teach ’em a lesson.” i’ve decided to go with dad on this one.

Russonello’s piece frames the recent six-week “Americanarama” tour to argue that the tour’s roster, which included Bob Dylan, Wilco, My Morning Jacket and Ryan Bingham – represents a larger cultural exclusion rampant in the genre.

Setting aside the argument that the “Americanarama” bill does not really represent the contemporary Americana genres, let’s address the premise of “Overwhelmingly White and Male”

Early country, folk and bluegrass have generally appealed to a predominantly anglo audience. Partly because many of the songs are from European source material performed by mostly white people. The trend in these genres have mapped closely to the trends in American society in general and, as opportunities have arisen, woman and people of color have stepped up to represent their unique take on the music.

The difference is that Americana proper (and it’s cousin alt.country) have never been exclusionary.

It’s introduction into popular culture came in the 80’s as MTV gave us the L.A. cow punk band Lone Justice , featuring the gritty soul of Maria McKee, and their “Ways to be Wicked” and “Sheltered videos in rotation with Jason and the Scorchers and The Georgia Satellites on the 24- hour feed.

At the same time kd Lang and Roseanne Cash joined Steve Earle, Dwight Yoakam and Lyle Lovett in shaking up Nashville.

Soon after bands like The Meat Purveyoyers, Freakwater , Neko Case, Gillian Welch, the Cowboy Junkies, Hem, Tarnation – all bands prominently featuring female artists – laid the groundwork for Americana.

An allum of the watershed “O Brother where art thou” roster, Alison Krauss, has the enviable honor of having won the most Grammys by a female artist with twenty-seven (!)

Hardly the good-old boys club that article paints for the genre.

Then there’s this:

“… if an art form is going to name itself after this country, it should probably stop weatherproofing itself against America’s present-day developments. And it hardly seems like enough to say you’re carrying on the legacies of black gospel and blues if the performers and listeners venerating them are almost all white.”

The claim that Americana is “carrying on the legacies of black gospel and blues” is specious. True, some artist incorporate gospel and blues within their style, to say that Americana is carrying on the legacy of those sage musical genres is insulting to these thriving genres and their decades of practitioners.

And the argument that since the genre appeals to a particular segments of the population signifies that genre exclusion of others is ridiculous. Much of music is self-identity. If a segment of society don’t see themselves in the performers and their stories it follows that they wouldn’t be compelled to buy the music or attend the shows. Early hip-hop was a primarily African -American cultural phenomenon which has now transcended. As for as I know on one was accusing hip-hop of excluding anglos.

Just as people of color have taken different roads to Americana, and have contributed to it’s evolution. Los Lobos and Alejandro Escovedo bring a uniquely chicano take to the music. The Carolina Chocolate Drops and newcomer Valarie June have infused the genre with African-American string-band and folk-soul influences receptively.

Russonello places Dylan as the “the father of Americana” (I would argue Gram Parsons or Townes Van Zandt) and then points to the current shining light, Jason Isbell, as not heading the lessons of Dylan and providing anything “new.” The argument could be made that Dylan at the beginning of his career, as Isabell still is, brought nothing that hadn’t already been done by Guthrie and Seeger. Russonello then makes the case that “Music gets its power from a keen, contemporary perspective” and then “it feels facile to let this one strain of yellow-page nostalgia represent it.”

This is just lazy. Though the form, the music and singing styles harken back to a yesteryear , topics are either contemporary, like Isbell, Todd Snider and Steve Earle or dealing with the great human truths – love, hate, death – that transcend any time period.

Though the article does a serviceable job of tracing roots music’s trajectory thorough time, the conclusion shows a bias of the writer. Anything this white and male met be a conspiracy..

Americana does reflect an idealized notion of the the past (as Americans are prone to do,) but to confuse the predilections of subjective taste enjoyed by some as a kind of organized Jim Crow-style musical segregation insults a music and musicians that I celebrate daily. It also, ironically, displays a type of bigotry that all cultural forms must undergo some forced, artificial desegregation toward some imagined moral purity.

Let freedom twang!