Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013

Twang Nation Best of  2013

As the last days of 2013 drop away the business-as-usual music industry remains bogged in a largely self-inflicted quagmire, but don’t tell musicians this. Industry gatekeepers and financial barriers are being overrun by people with a passion for the craft, and the talent and drive of a refusal to be denied. And we, dear reader, are richer because of it.

If there’s a theme to this year’s choices it’s that women are blazing a trail between Americana and mainstream country music. Lindi Ortega, Brandy Clark, Julie Roberts, Kelly Willis, Aoife O’Donovan and Valerie June might honing their craft from different angles, but a more than cursory listening shows they are making great contemporary music drawing from a common roots music well.

2013 was also a great year for what might be called “real country music.” However you define this vague term (Jimmie Rodgers? Willie? Garth?) you’ll find much of Country Music’s Golden Eras reflected in Brandy Clark, Dale Watson, Sturgill Simpson, Robbie Fulks as well as the mighty Son Volt, who released one of the best albums of their career with “Honky Tonk.”

Also the craft of songwriting and rich, engaging narrative is alive on Jason isbell’s best solo outing yet, Southeastern. Also on the veteran Guy Clark’s “My Favorite Picture of You” and relative newcomers John Moreland and John Murry.

2013 brought us some of the most creative and daring music in the Country, Americana and Roots fields and all indicators point to 2014 being even better with releases upcoming from Roseanne Cash , The Drive-By Truckers, Jason Eady, The Ben Miller Band and many more.

And in spite of T Bone Burnett’s advice to keep their art pure and unscathed by dirty, dirty self-promotion, these folks are out there hustling to breach popular consciousness.

I hope this list helps in some small way.

it was a challenge to keep the list to just 10, so again this year I surrendered to representing excellence over some arbitrary number.

Don’t see your favorite represented? Leave it in the comments and let’s spread the twang.

20. Austin Lucas – Stay Reckless – Nobody does pedal-to-metal roots-rock like Lucas. “Stay Reckless” elevates his song to a new level.

19. Aoife O’Donovan – Fossils [Yep Roc Records] – Alison Krauss covered O’Donovan’s song “Lay My Burden Down,” O’Donovan’s album is so good you might forget that.

18. John Murry – The Graceless Age [Evangeline Recording] Dark and engaging without veraing into bleak and self-pitying. John Murry makes feeling bad sound good.

17. Dale Watson – El Rancho Azul [Red House] Watson finds his hony-tonk sweet spot and does the Lone Star State proud.

16. Julie Roberts – Good Wine & Bad Decisions [Red River Entertaintment] – Music Row’s golden girl confronts set-backs and tragedy by creating the best album of her career.

15. Caitlin Rose – The Stand-In – [ATO Records] Rose deftly proves that “pop” doesn’t have to be bad.

14.5 – Will Hoge – Never Give In – Roots rock with a hook done right. [Cumberland Recordings]

14. Bruce Robison, Kelly Willis – Cheater’s Game [Preminum Records] – Austin’s Americana power couple delivers an engaging charmer.

13. Sarah Jarosz – Build Me Up from Bones [Sugar Hill Records] Jarosz songwriting, playing and vocals hit a new level and shw her to be already beyond her young years.

12.5. Daniel Romano – Come Cry With Me – had to slip in this neo-trad gem in response to the comment reminding me of it’s badassery. Yes, I do read the comments when I agree with them.

12. Robbie Fulks – Gone Away Backward [Bloodshot] Fulks creates an excellent, heartfelt bluegrass album sans his signature wink and smirk.

11. Valerie June – Pushin’ Against A Stone [Concord] Newcomer June fuses roots and soul and shows why she’s an Americana rising star.

10. Holly Williams – The Highway [Georgiana Records] – The songwriting on “The Highway” moves Williams out of anyones shadow.

9. Son Volt – Honky Tonk [Rounder Records] – Jay Farrar takes up the pedal steel and re-discovers Son Volt’s soul.

8. Lindi Ortega – Tin Star [Last Gang Records] Ortega’s exceptional “Tin Star” moves her into the realm of Queen of Americana music.

7. Hiss Golden Messenger – Haw [Paradise of Bachelors] M.C. Taylor continues to explore life and faith and stake new roots music territories.

6. Gurf Morlix – Gurf Morlix Finds the Present Tense [Rootball] A legendary songwriter/musician gets existential and rewards us with a fantastic body of work.

5,5. Shonna Tucker and Eye Candy: A Tell All [Sweet Nector] – I foolishly omitted this pop-roots-soul gem on first pass. I now remedy that grievous oversight.

5. Guy Clark – My Favorite Picture of You [Dualtone] A master still makes it look easy. It ain’t.

4.John Moreland – In The Throes [Last Chance Records] Moreland is an accomplished student of song craft and “In The Throes” moves him into the master class.

3. Sturgill Simpson – High Top Mountain [High Top Mountain] Reluctant savior of outlaw soul creates a masterpiece in spite of expectations.

2. Jason Isbell – Southeastern [Southeastern Records] – With an already accomplished body of work Isbell surpasses himself and creates a classic.

1. Brandy Clark – 12 Stories [Slate Creek Records] – It takes guts to refuse to be a cog in the Music Row machine and create an debut this daringly country.

Twang Nation Podcast Episode 16 – Holly Williams, Brandy Clark, Devil Makes Three

Twang Nation Podcast

Hey Twangers! Get it while it’s hot! Podcast episode 16! Wow that’s a lot df exclamation point! Argh!

New prime cuts are buzzing around Casa Twang. Old favorites like Brett Detar, Lindi Ortega and The White Buffalo have great new releases. Proud to offer “Stripes,” the neo-trad he new single from Brandy Clark, who’s setting Music Row on fire, and some great stuff from TN newcomers Boo Ray, John Murry and Ben Miller Band.

As always. I hope you like this episode of the Twang Nation Podcast and thank you all for listening. If you do tell a friend and let me know here at this site, Google+ , Twitter or my Facebook page.

As always , BUY MUSIC, SEE SHOWS!

Opening Song - Dale Watson – “A Real Country Song”

1. Brett Detar - Song: “Too Free To Live” - album: Too Free To Live  
2 Cree Rider Family Band – Song: “If You’re Gonna Cheat Me ”  Album: One Night Stand
3. Brandy Clark – Song: “Stripes”  Album “12 Stories (Slate Creek Records) 
4 Devil Makes Three – Song: “Stranger” Album: “I’m a Stranger Here” (New West Records)
5 Holly Williams -Song:  “ Drinkin’  “ Album: ‘The Highway’ out now on her own Georgiana Records 
6 John Murry- Song:  “Photograph’ Album: ‘The Graceless Age” Out noes Evangeline Recording Co.
7 Lindi Ortega - Song” “Tin Star” Album “Tin Star” Out now on Last Gang Records
8 The White Buffalo - Song:  “Set My Body Free ” Album “‘Shadows Greys and Evil Ways,” Out now
9 Boo Ray -  Song:  “Boots And Blue Jeans” Album – “Six Weeks in a Motel” Out now independently released
10 Ben Miller Band - Song: “Strike up the Band”  Album – ” Heavy Load” released independently

Music Review: John Murry: The Graceless Age [Evangeline Recording Co.]

John Murry: The Graceless Age

John Murry’s life could have been a Southern tragedy penned by his second cousin William Faulkner. An addict who lost his wife. child, home and before cleaning up, almost his life. These harrowing experiences are reflected back darkly, but not bleakly, in “The Graceless Age.”

Murry’s brand of fuzzed-out pop-Americana take you through uncomfortable landscapes while not pushing to alienation. His emotional warble is reminiscent of Jay Farrar and Bruce Cockburn and it fits around the songs perfectly. The bittersweet kaleidoscope aesthetic Murry conjures recalls Elliot Smith’s introspective dark pop.

“California” is a menacing psychedelic ditty that that is hapless and hopeless as he tries to forget his ex in the city that won’t let him do it as sweet melody swirls with tense percussion and guitars. “Little Colored Balloons” recalls his near overdose “Off of 16th and Mission, i took an ambulance ride, they said I have died” as female backgrounds and piano and organ swell around his passionate build.

“Southern Sky” swings out with a xylophone (again, fuzzily) to tell a take of redemption through rebirth and renewal. “Things We Lost In The Fire,” starts simple enough with acoustic guitar and pedal steel to then crescendo into a pixies wave of wailing crunch guitar. .

The last words on The Graceless Age, sung in a dreamy falsetto, are “Maybe someday, some way.” It’s the perfect closing moment, as the guy who has suffered so much throughout the album drags himself out of the gutter to look to the stars. John Murry’s past may not be far behind, but his future as a songwriter and artist of major stature and authority is right now.

This is not an easy records, but it’s one Murry had to make and holds the characteristics of stark inevitability. this is the sound of a souls purged.

‘The Graceless Age’ might have saved Murry’s life. Is there any greater testament to music than that?

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