Record Store Day Americana and Country Releases 2026: When the Vinyl Spins and the Stories Begin

Record Store Day 2026 Logo

There’s a kind of magic that happens on a cool spring morning when the sun hasn’t quite warmed the sidewalks and the smell of fresh coffee mixes with the tang of old vinyl. It’s Record Store Day — that once-a-year celebration of grooves and ghosts — and this year, the date is Saturday, April 18, 2026. On that morning, independent record stores across the country will throw open their doors, and at the stroke of opening hour, lovers of sound will line up like they’re waiting for the doors of the Ryman Auditorium circa 1975 — all hope, heart, and beat-up boots.

This year’s Record Store Day offerings are rich with history, surprise, and serious vinyl heartbeat. From deep catalog treasures to first-ever pressings and special editions, 2026’s list reads like the soundtrack to an epic road trip through sound.

See the full list.

13th Floor Elevators – We Are Not Live – reprise of the 1968 album ‘Live’ by the 13th Floor Elevators. Spurned at the time for being billed as “Live” when in fact it was a compilation of previously recorded studio masters, outtakes and alternate mixes. The “very loud” crowd noise was overdubbed and was actually taken from a boxing match and wholly inappropriate for the purpose. Now, almost 60 years on, the album masters are available, in their original sequence, without the crowd noise, to be enjoyed in their full psychedelic splendor.

The Blasters – Rare Blasts: Studio Outtakes And Movie Music 1979-1985 – Rare Blasts is a compilation of outtakes and movie music tracks from the roots-rock Americana band’s 1980s studio albums. The 14-track collection was compiled as part of the sold out 5-LP box set, An American Music Story, released for RSD 2025. The LP features highly collectible tracks from their studio recordings many never available previously on vinyl. Includes liner notes from L.A. music writer Chris Morris. Pressed on cobalt blue vinyl exclusively for Record Store Day.

Jeff Buckley – Live À L’Olympia – This live album captures Jeff Buckley and band across two nights in Paris July 6th & 7th during his 1995 European tour in support of the release of his Grace album. Captured at the legendary Olympia, it found Buckley before a rapturous French crowd performing half of the songs from his beloved debut album ( including favorites like “Lover, You Should Have Come Over” and “Hallelujah”) plus covers as varied as the MC5’s “Kick Out The Jams,” a Led Zeppelin parody and songs made famous by Nina Simone and Edith Piaf. In addition, the album features an additional live performance of Buckley and Alim Qasimov in a competitive Qawwali singing duet from a festival of sacred music also captured that year in France. Originally released in 2001, this marks the album’s first time on vinyl exclusively for Record Store Day.

Kaitlin Butts – Yeehaw Sessions – Kaitlin Butts: Yeehaw Sessions is a 12” black vinyl release combining two of Kaitlin’s Eps, never before released on vinyl.

Brandi Carlile – Live At Easy Street Records Vol II – Nearly two decades after recording her first live album at Seattle’s Easy Street Records, Brandi Carlile returned to the iconic record store for Brandi Carlile Live at Easy Street Records Vol. II. Celebrating her 8th studio album, Returning To Myself, the show marked a full-circle moment for the 11x Grammy Award winner. Joined by The Hanseroth Twins and SistaStrings, Carlile played to a full house and was met with an outpouring of love from fans who celebrated her return to the city where it all began.

Tyler Childers – Live From Dinosaur World – A 7” single featuring live renditions of “Bitin’ List” and “Dirty Ought Trill” performed during the release weekend of Tyler Childers’ critically acclaimed album Snipe Hunter, exclusive to indie record stores for Record Store Day 2026.

Crosby, Stills & Nash – The Solo Albums – The landmark debut solo albums from David Crosby, Stephen Stills and Graham Nash after the overwhelming success of the Crosby, Stills & Nash and ‘Deja Vu’. This set also includes an LP of rarities from demos and sessions for all three albums.

Skeeter Davis – The End of the World: The Navy Hoedown Sessions – Skeeter Davis fans are in for a fascinating detour with The Navy Hoedown Sessions, a 50th-anniversary reissue of the 1975 double album that is as much a historical curiosity as it is a musical treat. Originally produced for the U.S. Navy as a recruitment recording, the album was pressed in very limited quantities and has remained almost unheard. Featuring Davis’s signature country-pop sound and some of her greatest hits, these recordings are a true delight. Pressed on pink vinyl for Record Store Day 2026, don’t miss this rare opportunity.

Iris DeMent – The Way I Should (30th Anniversary) – In celebration of the album’s 30th anniversary, Yep Roc Records is pressing The Way I Should on vinyl for the first time. The album is remastered by Mike Westbrook of Material Mastering and is pressed on Summer Sky color vinyl, limited to 1,000 copies worldwide.

Jerry Garcia – Reflections (50th Anniversary) – One of Garcia’s most artistically unified statements of harmony, affirmation, and joy celebrates its golden anniversary with an expanded 3xLP set. Reflections (50th Anniversary Edition) presents the remastered original studio album, recorded with the Grateful Dead and the Jerry Garcia Band – plus two bonus LPs featuring studio outtakes, jams and four previously unreleased live recordings. The collection is housed in a tri-fold mirror board jacket and pressed in a limited edition of 5,000.

The Jayhawks – 2 Meter Sessions – Never-before-released recordings – Amsterdam 1997 & 2000
for the first time ever on vinyl, the jayhawks present 2 meter sessions – an exclusive record store day 2026 release featuring two amsterdam sessions from 1997 and 2000.

Waylon Jennings & The Waylors – The Balladeer meets the Dukes of Hazzard – During the process of archiving and unearthing Waylon’s lost studio recordings, his son Shooter found the original recordings of lines of the Balladeer for the first two episodes of the Dukes of Hazzard, complete with bloopers and out-takes. Shooter also found the original recordings for the soundtrack to first season of the Dukes, produced by Richie Albright, and featuring Waylon and his smoking backing band.

George Jones – Cold Hard Truth – George Jones’ 1999 return to traditional country music, his first album with Asylum Records. Produced by Keith Stegall, the album features strong, original honky-tonk ballads and raucous tunes, reminiscent of Jones’ classic recordings. Cold Hard Truth is one of Jones’ strongest albums in nearly two decades, offering a consistent, high-quality listening experience. Pressed for Record Store Day on light blue vinyl.

Freddie King – Feelin’ Alright: The Complete 1975 Nancy Pulsations Concert – For the first time ever, experience the full power of Freddie King’s explosive 1975 performance at the Jazz Pulsations Festival in Nancy, France — a never-before-released live set that captures the Texas blues legend at his fiercest. King roars through a high-energy set of blues, funk, and soul-drenched grooves, backed by a razor-sharp band and fueled by his searing guitar tone and powerhouse vocals.

Mark Knopfler & Emmylou Harris – All The Roadrunning – To celebrate its 20th anniversary, the collaboration album between Dire Straits’ Mark Knopfler and Emmylou Harris, All The Roadrunning, is reissued on 2LP smoky marble vinyl as part of Record Store Day 2026.

Little Feat – Little Feat (Deluxe Edition) – Next in the lineup of foundational Little Feat albums to get the Rhino Deluxe treatment is the band’s 1971 self-titled debut album. Releasing as a 2LP vinyl set exclusively for Record Store Day 2026, it includes the original album, AAA-cut from original master tape, alongside a bonus disc of rare previously unreleased alternate versions and outtakes from their early recording sessions.

Joni Mitchell – For The Roses – Joni’s 1972 album, For The Roses, was her first for David Geffen’s Asylum Records. Joni originally had intended the album cover to be art that she created that was illustrative of the song, “For The Roses,” and showed her cynicism to the music business at the time. Geffen vetoed her artwork because he thought it was not a good look to have a horse with roses coming out of its ass! So Joni ultimately compromised to use the Joel Bernstein photo that was ultimately the cover. This special limited edition for Record Store Day restores Joni’s original vision for the cover artwork for the first time. Pressed on rose color vinyl.

Tom Petty & The Heartbreakers – July 16, 1978 – Paradise Theater, Boston, MA – A wild night from the You’re Gonna Get It tour was recorded on 2-track at the Paradise Rock Club in Boston, MA, and broadcast by local rock radio station WBCN-FM.

Robert Plant – Saving Grace: All That Glitters… with Suzi Dian – Saving Grace: All that Glitters… is a continuation of Plant’s Saving Grace album and his beautiful collaboration with Suzi Dian and their band. It features four new studio recordings.

John Prine – Found Dogs – A newly curated archival release celebrating the 30th anniversary of Lost Dogs & Mixed Blessings. Drawn from the original recording sessions and demos from the era, Found Dogs collects alternate versions, acoustic performances, and five previously unreleased tracks, offering a rare look into Prine’s songwriting and studio process during a pivotal period of his career.

John Prine – BBC Sessions – John Prine recorded live for BBC radio. Featuring solo performances of songs from his first two albums. First official release. 1-LP 140g black vinyl.

Son Volt – Sound Signal Serenades – Son Volt’s latest album, Sound Signal Serenades, released on Sky Blue Opaque vinyl as a special version for Record Store Day 2026. Featuring twelve originals, Son Volt’s return to the elemental strengths that have long defined their sound—restless guitars, melodic clarity, and songs rooted in the lived experience of American landscapes. Anchored by Jay Farrar’s steady, unvarnished voice, the record balances reflection and resolve, drawing lines between personal memory and the wider currents of history, change, and endurance.

Bruce Springsteen – Live From Asbury Park 2024 – Available for the first time on vinyl, hear Bruce Springsteen’s electrifying homecoming performance in Asbury Park at the 2024 Sea.Hear.Now festival. Spanning over three hours of powerhouse performances in front of 35,000 people, this 5LP set features Springsteen at his dynamic best, backed by the legendary E Street Band. Spanning Springsteen’s iconic catalog, this record includes hits such as “Thunder Road” and “Dancing in the Dark,” plus songs that Springsteen wrote just down the road from this stage, including “Blinded By The Light” and “Growin’ Up.”

Joe Strummer & The Mescaleros – Global A Go-Go – Celebrating the 25th anniversary of the second album by Joe Strummer and The Mescaleros with a limited splatter color vinyl pressing. Features some of his most well-known songs from the Mescaleros era, including “Mondo Bongo,” “Johnny Appleseed,” and “Bhindi Bhagee.”

Various Artists – My Soul Is Lost: Unknown & Forgotten Rural American Musicians – Old-time music compiled by R. Crumb and John Heneghan from their own almost five thousand 78 rpm records in his collection.

Jerry Jeff Walker – Navajo Rug (35th Anniversary) – In celebration of its 35th Anniversary, Jerry Jeff Walker’s Navajo Rug is now available on vinyl for the first time, exclusively for RSD. A fan favorite, the LP features extended liner notes and tracks like “Navajo Rug,” “If I’d Loved You Then,” and Jerry Jeff’s ode to one of his favorite baseball players, “Nolan Ryan (He’s A Hero To Us All).” Pressed on exclusive deep orange vinyl.

Listen Up! Patty Griffin “Ohio”

Americankid

Patty Griffin has released the first song, Ohio, from her upcoming new record, American Kid. (New West Records)

Griffin wrote the song with additional music arrangement, which has heavy Indian influences, by Band of Joy partner Robert Plant, who also sings harmonies on the track. Other performers are Luther and Cody Dickinson from North Mississippi Allstars on guitar and drums respectively with Doug Lancio and co-producer Craig Ross on guitars and percussion.

American Kid will be released on May 7. The album, co-produced by Griffin and Ross, is her seventh and first for New West. It is her first album of mainly new material since 2007’s Children Running. In between then and now, she made the Grammy Award-winning Downtown Church in 2010 and worked on an album and toured for the Band of Joy alongside Plant.

Griffin debuted American Kid. in a former church in Austin for an invitation-only audience at South-By-Southwest.

Hear Ohio below.

[soundcloud url=”https://soundcloud.com/newwestrecords/patty-griffin-ohio/s-PPvdU” height=”200″ iframe=”true” /]

Robert Plant Joins Patty Griffin Onstage in Austin

I first saw this posted at JamBands.com (don’t ask.) The couple that elevated Austin to a new level of cool sat in together at Austin, TX’s Continental Club on Saturday night.

Patty Griffin introduces her not-husband Robert Plant to the stage during her gig. This fuzzy, sometimes muffled, fan-made video shows Plant easing through a sweet version the folky Tangerine from Zeps 1970 album Led Zeppelin III.

The song could have been sung from plan t to griffin herself. “I was her love, she was my queen.”

See JamBands.com for more complete recount of the show.

ABC’s “Nashville” – The Newest Source for Americana Music?

I’m intrigued by the ABC’s new dramatic  series “Nashville,” not because a soap opera set in Music City is in any way compelling to be (it ain’t) but because said dramatic series has tapped one of the Godfathers of Americana, Grammy winner and Oscar nominee T-Bone Burnett , to be executive music producer for the show.

Isn’t this like the chicken being put in charge of the fox’s den?

Burnett’s stewardship is made even more perplexing when you consider the show also has ties to the Nashville big label system. Big Machine records (Taylor Swift, The Band Perry) will be releasing music featured on the program. First up is the single “If I Didn’t Know Better” co-written by the Civil Wars’ John Paul White (video below)

I imagined Burnett to be the ultimate Nashville outsider. Musician,  producer and guiding hand of the neo-rusticity movement stemming from movies (O Brother, Where Art Thou?, Cold Mountain, Walk the Line, Crazy Heart)  rock crossovers (Elvis Costello, Robert Plant, Jakob Dylan ) to full on champion of Americana ( Alison Krauss,  Gillian Welch, etc., etc. etc.)

Apparently Burnett has ties to the show that begins at home. He’s married to “Nashville” executive producer Callie Khouri ( who won an Oscar  for  penning the “Thelma & Louise” script. There is also the link from Taylor Swift to the Civil Wars (who she championed early on) to Burnett, who produced the recent Hunger Games soundtrack, which featured both Swift and the Wars. What the hell is gong on here?

Burnett says of music being chosen for the show:  “I hope that we become the platform for the people who are writing from their whole hearts.”

Isn’t this exactly what’s wrong with current commercial pop radio? it’s not written from the heart, it’s written from the wallet.

So we have a story about Music City that is given musical dimension by the the more dynamic and emotional genre of Americana. Part of me thinks that the show should be stuffed to the gills with whatever stupid truck song is currently cluttering the airwaves and dare the audience the endure it. Aren’t there any compelling stories of talented musicians struggling to make great music without cutting  each others throats to fill arenas that can better fit the greatness of this music?

In the end it’s about artists getting expose and building a fan base to make enough money to focus in their craft. No one has done more for exposing Americana to the broader public AND commercial interests that Burnett, (except perhaps NPR) so there’s no doubt he’s the man for the job. Hell he’s even got Lucinda Williams to contribute songs to the show

And , truth  be told, I deeply enjoy the irony of a Music City soap opera being a powerful format for discovering great Americana and roots music. I look forward to hearing Jason Isbell during a love scene and Hellbound Glory during a road race or bar fight.

http://www.youtube.com/watch?v=gAI_1FsJ8rE

 

Americana Association Music Awards 2012


It was another night when the disciples of roots music congregated within the hallowed walls of the Mother Church of Country Music, and the Ryman Auditorium, to homage to that which ties us together and makes us whole. Music.

The evening got off to a funk – soul start as Buddy Miller and the house band turned up the heat on Lifetime Achievement Award for Instrumentalist recipient Booker T Jones’ Green Onions. Drive-By Truckers front man Patterson Hood presented Jones with award recounting the DBT backing him on the Grammy winning “Potato Hole” and recognizing the legendary musician and producer for his contributions to the Stax Records and Memphis soul music sound.

“It means so much to me to receive this award, and it’s especially good to receive it from Patterson, I am so honored to accept this award in such great company. It really touches me.”

Bonnie Raitt presented the Lifetime Achievement Award for Songwriting and guitarist extraordinaire Richard Thompson. Thompson’s songs have been recorded by The Del McCoury Band, Robert Plant, Los Lobos, Elvis Costello, Blind Boys of Alabama, REM, Linda Ronstadt, Buddy & Julie Miller and Raitt herself.

Thompson, a Brit, said “I know we’ve had our differences, and especially that whole 1776 thing. But we do share a love of the folk music from the old country.” It Then broke into a sizzling version of his Vincent Black Lightning.

Raitt herself received the Lifetime Achievement for Performance, presented to her by by singer/songwriter John Hiatt who’s song “Thing Called Love” was a big hit for her when she covered it on her “Nick of Time” album.  “I am proud to have an umbrella like Americana. Who cares what kind of music it is, if it is great music. Tonight we are putting aside generations and genres to celebrate roots music.”

Peter Cooper and Lee Ann Womack ‘s performance of Song of the Year nominated ” I Love” – Album from the Songs of Fox Hollow children’s album – was rendered even more eventful by a surprise appearance by the 76 year-old icon.

The greatest moment for me was an appearance by the legendary Guy Clark. The tribute This One’s For Him: A Tribute to Guy Clark – produced by Tamara Saviano and Shawn Camp- won album of the Year. The noticeably frail Clark performed a song dedicated to his recently deceased wife Susanna, and “My Favorite Picture of You.”

Jason Isbell and the 400 Unit snagged Song of the Year honors for “Alabama Pines.” Gillian Welch was named Artist of the Year, while The Civil Wars took home Duo/Group honors (and I won another bottle of whiskey from John Paul White!) Alabama Shakes were presented the Emerging Artist award and David Rawlings was named Musician of the Year.

Jim Lauderdale again was the perfect MC for the televised live event which moved at a more clipped pace than past years.

Excellent performances by Justin Townes Earle, Robert Ellis, The Mavericks, the Punch Brothers, Casey Chambers, Shane Nicholson, Hayes Carll, Cary Ann Hurst and the Carolina Chocolate Drops drew from the historic surroundings and often brought the crowd to their feet.

The evening closed with many performers joining by Emmylou Harris to pay tribute to the late Levon Helm, led by his daughter Amy Helm, who in a rousing version of The Band’s “The Weight.”

Robert Plant Elopes With Patty Griffin (Not!)

UPDATE: Plant’s U.K.-based manager says was being “cheeky” when he used the word “eloped” to describe his home life. “Robert has not married Patty Griffin,” she tells us. “He was just referring to the fact that he’s been residing in Texas.”

Rock legend and recent Americana emigre Robert Plant, has taken his Austin Austin residency seriously.

Led Zeppelin and Band of Joy front man revealed in an interview last Wednesday with the U.K.’s Independent
that he has secretly tied the knot with Grammy-winning singer-songwriter and Band of Joy member Patty Griffin.

“I eloped and ran off to Texas,” Plant told the newspaper.

No word on if the couple has been seen at the local Whole Foods product isle and whether Griffin can keep her hands off his lemon.

Hardly Strictly Bluegrass Festival 11 Wrap Up

The 11th annual Hardly Strictly Bluegrass festival was dedicated to the activist folk/country singer who died in April at the age of 75. Dickens had played the festival every year since it’s inception in 2001. Her influence was felt everywhere from the her likeness stamped on the programs, to references from the stages and the sense of community in the crowd and from the stage.

During the Wronglers’ set with Jimmie Dale Gilmore that kicked day 2 of the three day event, the band had Dickens’ longtime collaborator Ron Thomason sit in for a cover of Dickens’ signature song, “The Mannington Mine Disaster.” Wrongler banjoist, festival benefactor and longtime Dickens fan, Warren Hellman said  “We were very fond of each other but we couldn’t be two more opposite people,” Hellman said. “She’s probably looking down from heaven right now thinking, ‘How did that old bastard make it?”

Next I was off to the Star stage to catch my buddy Jimbo Mathus in the South Memphis String Band. The cosmic-America vibe mixed with front porch casualness easily won over the crowing crowd as the smell of the Bay Area’s favorite controlled substance filled the air. Jolie Holland, a Texan by way of Bay Area is a distinctive voice ran her all-famale  four-piece band a braod swath of her discography with charm and passion.

Then off to the Arrow Stage for Southern Culture on the Skids. I’d been wanting to see SCOTS for a long time but it never worked out. Their brand of white-trash boogie is like a monster truck, a wonder of precision fused to a aesthetic awesome abomination.

I headed due East to settle in at the Banjo stage to catch John Prine. Prine still casts a folkie wry eye on modern living. His opening number Spanish Pipedream – “Blow up your TV, throw away your paper, Go to the country, build you a home.” With Bay Area rent what it is this is a sentiment appreciated in spirit if less so in practice.

As anticipated the heavy crowd quickly swelled when the ex-Zep wailer Robert Plant brought his latest roots music venture – The Band of Joy, to the Banjo Stage. Grittier than his work with Alison Krauss on Raising Sand. Variations of Los Lobos, Low, Townes Van Zandt and reworked Zeppelin tunes were visited. The mic was passed between Plant and band-mates Patty Griffin, Buddy Miller, and Darrell Scott . The plant encored with excellent reworks of Zeppelin’s Bron-Y-Aur Stomp and Gallows Pole.

Saturday was dominated by two living country music legends. Merle Haggard and Kris Kristofferson ran through a treasure trove of golden hits of their own and from Bob Wills and Johnny Cash on the Star Stage as the sun warmed the capacity crowd.

When I saw Gillian Welch and David Rawlings a few months back as they struck out on their current tour Gillian had mentioned that it was the lack of new material while playing Hardly Strictly 10 that led to the creation of their current release Harrow and the Harvest. The pair made up for it at HSB 11 as new songs were slotted in with older favorites in their 12 song set which encored, appropriate for San Francisco, Jefferson Airplane’s White Rabbit.

Golden Gate Park has a long history of free music festivals, beginning with the “Human Be-In” of 1967 and continues Hardly Strictly Bluegrass because of one banjo player, bluegrass and roots music enthusiast, Warren Hellman. You could see him on the side of the stage catching many of the acts smiling like a kid. Even sharing the stage with Jimmie Dale Gilmore, resplendent in a Nudie-style black jacket, sparkling Stars of David along the sleeves designed by his granddaughter, his love of the music is felt from observing him and results in the three day event and 90 acts spread across six stages highlighting some of the best of Americana and roots music. Every year, stacks of personal thank-you cards turn up at the offices of Hellman & Friedman, his private equity investment offices, but you can imagine that even without the gratitude he;d still do it for personal pleasure. There are worse ways to spend your millions.

If there was a negative to the HSB festival they were the aforementioned record-breaking crowds. The large amount of older people, children and dogs addd to often stand-still conditions made things uncomfortable if not dangerous. Perhaps next year a minimal cover charge to keep the crowd under control? Also, and I understand that this is San Francisco, bit the amount of marijuana in the air made it obviously family unfriendly. What you do with your body is your business but when your purple crush wafts downwind to a playing three-year old you’re imposing on others.

Also, I’ve never understood the inclusion of bands that have absolutely no Americana or roots music influences on the bill. Broken Social Scene may be a indy darling but there are a hundreds local and national bands that would kill for a spot at the premier Americana festival that is currently occupied by a band that can get a slit at any of the dozen rock festivals held.

Thanks to Warren Hellman, Dawn Holliday, general manager of Slim’s and the Great American Music Hall, who spends half the year organizing the Hardly Strictly event, and all the other volunteers and other personnel for putting together another great (and FREE!)  event.

Gillian Welch and David Rawlings – “I’ll Fly Away, White Rabbit”

[youtube]http://www.youtube.com/watch?v=myB1k6wtgWg[/youtube]

Kris Kristofferson & Merle Haggard playing “Sunday Morning Coming Down”

[youtube]http://www.youtube.com/watch?v=fpjbboA-YU0[/youtube]

Robert Plant and the Band of Joy – “Thank You”

[youtube]http://www.youtube.com/watch?v=ls1de0syj4M[/youtube]

Hardly Strictly Bluegrass Festival – Friday 9/30 Recommendations

Hardly Strictly Bluegrass Festival is trying something new for #11.  Friday is a full-day and not half-day event, and the additional acts are not just filler.

Bill Kirchen & The Hammer of the Honky-Tonk Gods – Bill Kirchen – Ann Arbor native and “The Titan of The Telecaster” Kirchen was a guitarist with the original Commander Cody and His Lost Planet Airmen from 1967 to the mid 1970s. Come see Kirchen bring the twang and show why he’s toured or recorded with Nick Lowe, Elvis Costello, Doug Sahm and Emmylou Harris. (Banjo Stage – 11:00am)

Blame Sally – Bay Area Americana is represented on Friday is the all female quartet Blame Sally. Known for their rollicking show and instrumental expertise the genre is great hands. (12:55 – Arrow Stage)

South Memphis String Band -  ON EDIT-  After I posted my Friday picks I was contacted about the South Memphis String Band and asked to reconsider. I did and I have. Go see ’em, they’re great! (Star Stage – 1:20)

The Mekons – This veteran punk band is headed by sometime Chicago-based Brit-expat cowpunk Jon Langford (The Waco Brothers.) They are currently supporting their new release Ancient and Modern. (2:10 pm – Arrow Stage)

Jolie Holland – Like Gillan Welch Texan Jolie Holland has a vocal quality, and reflects subject matter,  from another time. A distant, dusty and dark past. Her soulful roots and dreamy Ragtime sound is the reason she can count Tom Waits as a fan. (Star Stage –  2:50)

Del McCoury & The Preservation Hall Jazz Band –  Legendary New Orleans Jazz and Bluegrass together? Like jambalaya and moonshine baby. (2:35 – Banjo Stage)

Southern Culture on the Skids – Formed in 1983 in Chapel Hill, North Carolina SCOTS shows what happens when you mix top-notch musical chops and white trash aesthetic. Namely a hootin’ hollerin’ time. ( Arrow Stage – 3:30)

The Felice Brothers – I have likened them to being the anti- Avett Brothers. From the Catskill Mountains to the New York City subways The Felice Brothers offer a brand of gritty junkyard Americana that is as engaging and sinister as a classic Scorsese movie. Their new release Celebration, Florida might be the first (or at least the best) example of techo-Americana.  (Rooster Stage – 3:30 pm)

John Prine – A veteran on the country/folk scene since the early 70s when he was burdened with the “the next Dylan.” Dylan once even appeared at one of Prine’s first New York City club appearances unannounced and backed him on harmonica. Kris Kristofferson once remarked that Prine wrote songs so good that “we’ll have to break his thumbs” (Banjo Stage – 4:05pm)

Robert Plant & The Band of Joy –  Years ago when I got wind that Plant was sniffing around Nashvile I expectedthe worse. Rock singers in Music City typically results in mediocrity. Then I heard he was in the studio with T. Bone Burnett and Alison Krauss and was intrigued that at least he was keeping good company. A zillion sales and awards with the resulting Raising Sand led Plant back to the promised land with band conductor and guitarist Buddy Miller and came back with more premium Americana performers Patty Griffin and Darrell Scott. (Banjo Stage – 5:45pm)

If you have kids or just want to set up a stationary spot your best best bang for your buck (for FREE!) would be the Banjo Stage. The recommendations for Saturday and Sunday are larger so there will be only a list and no description. You’ll just have to trust me, I’m a (semi) professional.

Americana Music Association’s Honors and Award to be Televised on Austin City Limits

The 10th annual Americana Music Association’s Honors and Award Show at the Ryman Auditorium will be broadcast live Thursday October 13th on Nashville Public Television.  Confirmed to attend include Jim Lauderdale, Robert Plant, Lucinda Williams, Gregg Allman, Elizabeth Cook,  Hayes Carll, The Secret Sisters, Justin Townes Earle, Jessica Lea Mayfield, The Civil Wars and many more.

An edited version of the award show will be aired November 19, 2011 as a special episode of the new season of the highly-acclaimed PBS series Austin City Limits,  (check local listings for exact local day and time). “ACL PRESENTS: AMERICANA MUSIC FESTIVAL 2011” will reach approximately 98% of American TV households via PBS stations nationwide.

“It was time to bring the Americana Honors to another level,” said Jed Hilly Executive Director of the Americana Music Association. “We could not have better partners in Nashville Public Television President and CEO Beth Curley for our Middle Tennessee premiere and Austin City Limits Executive Producer Terry Lickona to take this to a national audience.”

The program, described by Emmylou Harris as “the shining star of Nashville and music everywhere,” will be filmed by High Five Entertainment and co-produced by its President Martin Fischer along with Lickona, Courtney Gregg, Holly Lowman and Hilly.

The Honors and Award Show is the capstone event of the Americana Music Festival and Conference presented by Nissan that will take place October 12-15, 2011 in Nashville, TN.  A limited number of tickets are available at ryman.com.  For more information go to americanamusic.org

Hank Williams – 15 Covers in Tribute [VIDEO]


“I ain’t gonna worry wrinkles in my brow, cuz nothin’s never gonna be alright nohow. No matter how I struggle and strive, I’ll never get out of this world alive.”
— Hank Williams

Sometime in the early morning hours of January 1st 1953, somewhere on the roads of Kentucky on-route to a News Years Eve show in Canton, Ohio, The King of Country Music,  Hank Williams succumbed to a life of drugs, booze and sorrow in the back seat of his powder blue Cadillac. He was 29.

In his brief professional life Williams forged a sound and lasting legacy that runs throughout country and rock music , and really most all American music, to this day. On this New Years Eve I want to celebrate his life and demonstrate the broadness of his influence with some of the best covers of Hank Williams that I could uncover. Leave your own in the comments and at the stroke of midnight take a moment to remember the greatness of Hank Williams.

Tom Waits – Ramblin’ Man

Wayne Hancock – Lost Highway

Hunter Hayes / Hank Williams Jr. – Jambalaya
http://www.youtube.com/watch?v=57sfRo26fAc

Townes Van Zandt – Alone & Forsaken

Jerry Lee Lewis – Cold Cold Heart

Patsy Cline – Lovesick Blues
http://www.youtube.com/watch?v=2rBtNVmUvPw

Chris Scruggs – I’m A Long Gone Daddy
http://www.youtube.com/watch?v=9W6dA67kTJc

Ray Charles – Your Cheatin’ Heart

The The – I Saw The Light
http://www.youtube.com/watch?v=xYVXuauvZLA&feature=related

Neko Case – Alone and Forsaken

Jimmy Page and Robert Plant  -  My Bucket’s Got A Hole In It

Isobel Campbell and Mark Lanegan – Ramblin Man

Johnny Cash and Nick Cave – I Am So Lonesome I Could Cry
http://www.youtube.com/watch?v=ovaGrcOEI-M

Hank Williams III – I’ll Never Get Out Of This World Alive

Hank Williams Jr and Tammy Wynette – Hank Sr Medley