Category Archives: Bands

Americana Music Association Announces First Round of 2017 Americanafest Showcases

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First Round of 2017 Americanafest Showcases

(L-R) Top: Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours
(L-R) Bottom: Charley Crockett, Deer Tick, Bettye LaVette

Continuing the stellar tradition of being the preeminent roots music event of the year, the Nashville-based Americana Music Association has released its first round of artists slated to perform at this year’s 18th annual Americana Music Festival & Conference, presented by Nissan, September 12 – 17, 2017.

The first 103 of more than 230 artists are made up of pioneers, icons, and upstarts like Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours, Lillie Mae, Alice Wallace, Mike and The Moonpies, Rodney Crowell, Paul Cauthen, John Paul White, The White Buffalo, Jason Eady, Bruce Robison, and much more.

With more acts still to be announced, the event promises to live up to its reputation as a must attend for roots music fans and industry alike.

Resister for the full conference here, or get festival showcase wristbands here.

AJ Hobbs
Allison Pierce
Aaron Lee Tasjan
Alice Wallace
All Our Exes Live in Texas
Ana Egge
Andrew Combs
Andy Golledge
Austin Plaine
Balkun Brothers
The Band of Heathens
The Barefoot Movement
Beaver Nelson
Becca Mancari
Bettye LaVette
Birds of Chicago
Blank Range
The Blind Boys of Alabama
Boomswagglers
Brandy Clark
Brent Cobb
Brent Cowles
Brian Wright
The Brother Brothers
Brothers Comatose
Bruce Robison
CALICO the band
Caamp
Caitlin Canty
Carl Anderson
Caroline Spence
Carsie Blanton
Casey James
Charley Crockett
Charlie Parr
Chastity Brown
Ciaran Lavery
Cordovas
Courtney Marie Andrews
Darlingside
David Childers
David Luning
David Starr
Deep Dark Woods
The Deer
Deer Tick
The Deslondes
Dirty River Boys
Don Bryant
Dori Freeman
Elise Davis
Eric Ambel
Erin Rae
Forlorn Strangers
Futurebirds
Haas Kowert Tice
Hiss Golden Messenger
The Honey Ants
Horseshoes and Hand Grenades
The Howlin Brothers
Hugh Masterson
Jason Eady
Jaime Wyatt
Jesse Terry
Jim Lauderdale
John Paul White
Julian Lage & Chris Eldridge
Kacy & Clayton
Kasey Chambers
Leeroy Stagger
Leslie Stevens
Lillie Mae
The Lil Smokies
Lindi Ortega
Little Bandit
Low Cut Connie
Luke Bulla
The McCrary Sisters
Micky and the Motorcars
Mike and The Moonpies
Mipso
Molly Tuttle
My Bubba
Patrick Sweany
Paul Cauthen
Paul Thorn
Pony Bradshaw
Quiet Life
Renn
Rev Sekou
Rodney Crowell
SUSTO
Shane Smith & The Saints
Them Rubies
Turnpike Troubadours
Tyler Childers
Wade Bowen
Walter Salas-Humara
We Banjo 3
The White Buffalo
Wildwood Kin
William Wild
Willie Watson

Watch Out! Lillie Mae “Over The Hill And Through The Woods” and “To Go Wrong” on Conan 4/13/17

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Lillie Mae “Over The Hill And Through The Woods" and “To Go Wrong” on Conan

Lillie Mae made her solo national television debut last night on the Conan O’Brien show. She and her band, featuring her brother on guitar and sister on backup vocals, tear through a spirited version of “Over The Hill And Through The Woods.”

Mae also took the time to record a separate a stripped down performance of “To Go Wrong.”

See both below.

Both tracks can be found on Lillie Mae’s solo debut, ‘Forever and Then Some.’ (out today)

Jason Isbell Announces new album, ‘The Nashville Sound’ – Out June 16th

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Grammy Award-winning singer, songwriter, guitarist Jason Isbell and his mighty band, the 400 Unit, have announced the June 16th release of their highly anticipated new album, The Nashville Sound (Southeastern Records/Thirty Tigers). The Nashville Sound is the follow up to 2015’s critically acclaimed Something More Than Free, which won two Grammy Awards (Best Americana Album & Best American Roots Song, “24 Frames”) and two Americana Music Association Awards (Album of the Year & Song of The Year, “24 Frames”). See Highlights.

Over his career, Jason Isbell has become one the most respected and celebrated songwriters of his generation. He possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song.

‘The Nashville Sound’ features 10 new songs that address a range of real life subject matters that include politics and cultural privilege (“White Man’s World”), longing nostalgia (“The Last Of My Kind”), love and mortality (“If We Were Vampires”), the toxic effect of today’s pressures (“Anxiety”), the remnants of a break up (“Chaos and Clothes”) and finding hope (“Something To Love”). Songs such as “Cumberland Gap” and “Hope The Highroad” find Isbell and his bandmates going back to their rock roots full force.

The Nashville Sound was recorded at Nashville’s legendary RCA Studio A and produced by Grammy Award-winner Dave Cobb, who produced Something More Than Free and Isbell’s celebrated 2013 breakthrough album Southeastern. The Nashville Sound is the first official Jason Isbell and the 400 Unit album since 2011’s Here We Rest. The 400 Unit features Derry deBorja (keyboards), Chad Gamble (drums), Jimbo Hart (bass), Amanda Shires (fiddle) and Sadler Vaden (guitar). The group just announced a five-night stand at Nashville’s Ryman Auditorium October 10,11,13-15 to add to their extensive tour. See the list of tour dates below.

Jason Isbell - 'The Nashville Sound'

June 17 – Asheville, NC – Thomas Wolfe Auditorium #

June 18 – Raleigh, NC – North Carolina Museum of Art #
June 19 – Philadelphia, PA – The Fillmore Philadelphia #
June 22 – New York, NY – Beacon Theatre #

June 23 – New York, NY – Beacon Theatre +

June 24 – New York, NY – Beacon Theatre +

June 26 – New Haven, CT – College Street Music Hall +
June 27 – Boston, MA – Blue Hills Bank Pavilion +

June 29 – Canandaigua, NY – Marvin Sands Performing Arts Center >
June 30 – Columbia, MD – Merriweather Post Pavilion +

July 1 – Cincinnati, OH – PNC Pavilion at Riverbend Music +
July 2 – Huber Heights, OH – Rose Music Center at the Heights +
July 5 – Papillion, NE – Sumtur Amphitheatre +
July 7 – St. Paul, MN – The Palace Theatre +
(Sold Out)
July 11 – Sioux Falls, SD – The Washington Pavilion +

July 12 – St. Louis, MO – Peabody Opera House +

July 14 – Austin, TX – ACL Live at the Moody Theater +

July 15 – Austin, TX – ACL Live at the Moody Theater #

July 16 – Austin, TX – ACL Live at the Moody Theater #

July 18 – Houston, TX – Revention Music Center #

July 19 – Jackson, MS – Thalia Mara Hall #

July 21 – Miami Beach, FL – The Fillmore *

July 22 – St. Augustine, FL – St. Augustine Amphitheatre *
July 23 – North Charleston, SC – North Charleston Performing Arts Center*
September 7 – Morrison, CO – Red Rocks Amphitheatre
October 10 – Nashville, TN – Ryman Auditorium
October 11 – Nashville, TN – Ryman Auditorium
October 13 – Nashville, TN – Ryman Auditorium
October 14 – Nashville, TN – Ryman Auditorium
October 15 – Nashville, TN – Ryman Auditorium

Support: # Amanda Shires / + Mountain Goats / > Iron & Wine / * Strand of Oaks

2017 European Dates

October 25 – Manchester, UK – Albert Hall
October 26 – Glasgow, UK – O2 ABC
October 27 – Dublin, Ireland – Olympia Theatre
October 29 – Brighton, UK – Brighton Dome
October 30 – London, UK – Roundhouse
October 31 – Birmingham, UK – Symphony Hall
November 2 – Paris, France – Le Café de la Danse
November 3 – Brussels, Belgium – Ancienne Belgique
November 6 – Amsterdam, Netherlands – Paradiso
November 7 – Hamburg, Germany – Uebel & Gefährlich
November 8 – Berlin, Germany – Columbia Theater
November 10 – Oslo, Norway – Sentrum Scene
November 11 – Oslo, Norway – Sentrum Scene
November 12 – Stockholm, Sweden – Münchenbryggeriet
November 14 – Copenhagen, Denmark – DR Concert Hall

Tift Merritt supports all European dates

 Wanted! – Notable Americana and Roots Music Releases for 2017

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Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2016

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Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2015

The year in music for 2016 is best defined by the classic Dickensian line from “A Tale of Two Cities,” “It was the best of times, it was the worst of times.”

Mortality cut a wide swath across some of the greatest and influential musicians of the twentieth century. Roots and country artists like Merle Haggard, Guy Clark, Ralph Stanley, Leon Russell, Jean Shepard, Glenn Frey, Red Simpson, Joey Feek and Steve Young among other greats like Prince, Sharon Jones, David Bowie and Leonard Cohen seemed harshly unrelenting. This level of loss will be felt in our cultural fabric in ways we’ve yet to understand.

To quote the late, great George Jones “Who’s gonna fill their shoes?”

Let’s hope that those passed legends shine as a beacon to the next generations to create great work that ties us together in song, music and common humanity. From what I know about 2017 I do see greatness coming.

But there was a silver lining. The influence of roots music in mainstream and, in a cultural equivalent of time folding in on itself, mainstream country music. This trend of influence occurs without Americana surrendering its identity of innovation and authenticity. To some artists, the genre was found too constricting and they lit out for another terrain better suited to their art.

And here’s to a more equitable arrangement between tech companies and the musicians that provide the bedrock to build their empires. Much to be done here…

As others sacrifice to create, let’s us, the audience, push ourselves to discover, share, attend live shows and financially reward the creators. Most which are hauling thier own gear and traveling to shows in cars or vans not tour buses.

Without them, this life is much less joyful.

Criteria – Calendar year 2016. No EPs, live, covers or re-release albums no matter how awesome.
Don’t see your favorite represented? Leave it in the comments, and here’s to a new year of Twang.

Matt Woods – ‘How to Survive’ – (iTunes | Amazon) – Tennessee troubadour Matt Wood’s third studio album ‘How to Survive’ offers taut songwriting that cuts to the emotional quick. Not an overtly political album but something more effective in sowing understanding – a topical album.

Paul Cauthen – ‘My Gospel’ – (iTunes | Amazon)
Paul Cauthen’s ‘My Gospel’ takes a page from the book of Paycheck and Waylon, a mix of juke box secular and pulpit gospel songs both personal and ethereal confessionals. These testimonials through Cauthen’s big baritone that suits these sonic vignettes of contemporary southern soul.

Brent Cobb – ‘Shine On Rainy Day’ – (iTunes | Amazon) Like Chris Stapleton and Kacey Musgraves Brent Cobb worked the Music Row ear worm mines for years before moving front and center with his own wares. Those dues paid off. His debut is both breezy and heavy like the great music of the country crossovers from the 70s but fresh with life and rich with authenticity and tradition.

Darling West – ‘Vinyl and Heartache’ – (iTunes | Amazon) The Norwegian trio Darling West takes their smooth pop chamber folk aesthetic to a new high on their sophomore release ‘Vinyl and Heartache.’ Mari Sandvær Kreken’s voice transcends each original cut, and a superb cover of Fleetwod Mac’s ‘The Chain,” to take the extraordinary musicianship even higher.

Karen Jonas – ‘Country Songs’ – (iTunes | Amazon) All you need to know about Fredericksburg, Virginia-based Karen Jonas’ is right there in the title. ‘Country Songs’ picks up where Jonas’ 2014 debut ‘Oklahoma Lottery’ left us – somewhere between heartache and hangover. Her voice lies between sass and sultry as Jonas’ accounts a woman longing for more and being fed up. All the while fitting perfectly with classic barroom weepers without resorting to threadbare nostalgia.

The Buffalo Ruckus – ‘Peace & Cornbread’ – (iTunes | Amazon) The Buffalo Ruckus’ sophomore album ‘Peace & Cornbread’ still embodies the soul of all those barrooms the band has torched with their fiery live shows but brings the more feral elements to heel that pays off with cohesion and great songwriting. Here divinity mixes with road tar to create a great Southern soul album

Dori Freeman – ‘Dori Freeman’ – (iTunes | Amazon) One of the surprises of 2016, Freeman’s debut exudes the confidence of a veteran performer and songwriter influenced equally by her native Appalachia as she is classic pop, bar room country and uptown jazz and moves deftly across it all to deliver an astounding cohesive treasure.

Kelsey Waldon – ‘I’ve Got a Way’ – (iTunes | Amazon) Kelsey Waldon’s sophomore release has vulnerable resolve and classic country running through it like the coal veins in her home state of Kentucky. And just as bracing and satisfying as it’s bourbon. Her plaintive voice and keen eye for human nature makes for these sterling tales of hard roads and tender hearts.

Austin Lucas – ‘Between the Moon & the Midwest’ – (iTunes | Amazon) Austin Lucas’ latest release is a moody, pedal steel laden arc traveling among broken hearts and bitter tears. His signature croon sits between jubilant and forlorn and bears the marks of a man that’s been through trouble but comes out the other side stronger and with better stories.

Whiskey Myers – ‘Mud’ – (iTunes | Amazon)
Few musical genres are as maligned as Southern Rock. But then a band comes all with an album that makes you believe again. Whiskey Myers’ ‘Mud’ is that album. The band worked with Americana Auber-producer Dave Cobb to create an album that pushes lyrical and music boundaries established by their 2014 breakout release ‘Early Morning Shakes.’ The pride of Palestine, Texas mixes country, rock and blue-eyed soul to achieve one of their strongest efforts yet.

Robert Ellis – ‘Robert Ellis’ – (iTunes | Amazon) On Robert Ellis’ fourth solo album, the Texas songwriter further moves from the school of George Jones country crooning even further into the adult pop of James Taylor and Paul Simon, and tackles adult themes of despair, restlessness and loss of love. A disciple of music styleS and texture, as well as songcraft and extraordinary fret work, Ellis delves into Chet Atkin’s jazz-flavored country (Drivin), bossa nova (Amanda Jane) and even a neo-classical dirge (The High Road) and ties. It shouldn’t work but damned if Ellis doesn’t pull it off.

Hayes Carll – ‘Lovers and Leavers’ – (iTunes | Amazon) Carll’s latest suggests his 5-year recording hiatus has been a rough if introspective stretch. ‘Lovers and Leavers’ is Carll’s solemn of his career without tipping into being a dour bumfest. These days there’s more on Carll’s mind than drinking, hootin’ and ahollerin’. This is an authentically more personal, emotional and confessional work that moves Carll into the realm of Guy Clarkian genius.

Margo Price – ‘Midwest Farmer’s Daughter’ – (iTunes | Amazon) An overnight success 13 years in the making, Jack White saw something in Margo Price that Music Row didn’t when he signed her as the first country artist on his Third Man Records label. Life’s harsh beauty pours from each song and common resolve is there with grace. Stuff too real for Music Row confections. Price sits well within a current musical groundswell proving that soulful roots music has an audience hungry for something real and is here to stay.

Lori McKenna – ‘The Bird & The Rifle’ – (iTunes | Amazon)
‘The Bird & The Rifle’ – When she’s not penning mega hits for the likes of Tim McGraw and Little Big Town, Lori McKenna puts her considerable songwriting skills to weightier faire like her latest, ‘The Bird & The Rifle.’ Intimate stories of small town hopes hitting the hard choices and their unforeseen consequences. We see ourselves in gems like “Halfway Home” and “We Were Cool” and brings more dimension to McKenna’s own “Humble and Kind” which was a hit for McGraw. These songs create a web that ties our experiences together in common humanity.

Sarah Jarosz -“Undercurrent” – (iTunes | Amazon) Jarosz’s 4th full-length studio album surprised many fans who’ve been listening since 2009’s debut ‘Song Up in Her Head.’ The then teen wunderkind has built on her time in the bluegrass genre and arrived an accomplished arranger, songwriter, singer and musician. Traditional forms are reworked as contemporary personal reflections of maturity and sophistication. experimental pop fuse with classic songwriters like Paul Simon, Joni Mitchell and Carol King.

B.J. Barham – ‘Rockingham’ – (iTunes | Amazon) Inverting the country contemporary music trope of quaint small town nostalgia American Aquarium vocalist B.J. Barham focuses his deft songwriting eye on the gutting of the small town American dream. The album title, Rockingham, is the North Carolina, a town of a few thousand where Barham was raised, is the starkly real and metaphor for many forgotten towns. Steely-eyed truth sketches each hardscrabble scenario where desperation lingers thick in the air like the funk from the local tobacco company.

Robbie Fulks – ‘Upland Stories’ – iTunes | Amazon) Fulks is the unheralded hardcore alt-country troubadour. Though not as well known as Steve Earle or Chis Knight for decades Fulks is the guy the Earle and Knight would listen to closely for economy of songcraft and rich imagery. his newest offering is grammy nominated and might rightly put him at the top of Americana legends lists. Appalachian break downs and honky-tonk weepers driven by his voice that echos the ages makes this a glorious addition to the roots music canon.

Miranda Lambert – “The Weight of These Wings” – (iTunes | Amazon) Break-up albums are a mixed bag. When done well, as with Beck’s ‘Sea Change’ and Willie Nelson’s ‘Phases and Stages,’ the work can become an iconic confessional moment in a profession that trades on personal reflection. Miranda Lambert’s double album ‘The Weight Of These Wings,’ split into two sides — The Nerve and The Heart, written in the wake of her tabloid fodder divorce from Blake Shelton shows Lambert taking a step back and licking her wounds with songcraft instead of chasing chart toppers. This is a 24-song thesis on survival, healing and returning back to Texas roots.

John Paul White – ‘Beulah’ – Out of the ashes of one of the most celebrated pop-folk duets of modern times rises a forlorn beautifully crafted from folk, classic country and adult pop. An album that is both rich lyrically and melodically. John Paul’s post Civil Wars is a moody beauty with keen songwriting sharper and more cohesive than his CW days. Sparse arrangements- B3 organ, cello, drums, bass and the ever present acoustic guitar – build a fitting texture to frame the songs. Harmony is not forgotten with the Secret Sisters lending a subdued vocal hand on songs like the country weeper “I’ve Been Over This Before.” This gets better with each spin

Old 97’s New Album ‘Graveyard Whistling’ Out In February – Hear “Good With God” feat. Brandi Carlile

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OLD 97’s NEW ALBUM ‘GRAVEYARD WHISTLING’

North Texas alt.country stalwarts the Old 97’s have announced their 11th album, ‘Graveyard Whistling’ will be released February 24th with a tour to follow.

“Good With God” is the first cut from ‘Graveyard Whistling,’ a spaghetti western spiked slab of menace that has front man Rhett Miller pleading a sinner’s case of repentance (or at least resignation.)

But God is more Old Testament minded (‘You should be scared, I’m not so nice”) . With Brandi Carlile playing the divine role her distorted siren wail berates (You’re pretty thick so I’ll tell you twice.”) and threatens (‘I made you up, I’ll break you down.”) the prostrate protagonist. The story is moved forward at breakneck speed by the intact classic lineup of Philip Peeples, Murry Hammond and Ken Bethea.

‘Graveyard Whistling’ is produced by Vance Powell (Black Prairie, Buddy Guy) and features co-writers Nicole Atkins and Butch Walker.

Produced by Vance Powell, “Graveyard Whistling” also features help from co-writers like Nicole Atkins and Butch Walker, making it one of the most collaborative albums in the band’s catalog. Some habits never die, though, and the band will be supporting the album’s release as they’ve supported every record before it: with a lengthy spring tour that stretches from the Florida coastline to Southern California.

Pre-order “Graveyard Whisling” here.

Watch the animated lyric video for “Good With God” below.

Old 97’s’ tour dates:
February 25 – Ponte Vedra, FL @ Ponte Vedra Concert Hall
February 26 – March 1 – Tampa, FL @ Outlaw Country Cruise
March 2 – St. Petersburg, FL @ The State Theatre
March 3 – Tallahassee, FL @ Fifth & Thomas
March 4 – Atlanta, GA @ Terminal West
March 21 – Seattle, WA @ Neumos
March 22 – Portland, OR @ Wonder Ballroom
March 23 – Eugene, OR @ Wow Hall
March 24 – San Francisco, CA @ The Fillmore
March 25 – San Luis Obispo, CA @ The Fremont Theater
March 29 – Hermosa Beach, CA @ Saint Rocke
March 30 – Los Angeles, CA @ The Fonda Theatre
March 31 – Solana Beach, CA @ Belly Up Tavern
April 1 – Big Bear Lake, CA @ The Cave Big Bear
April 2 – Las Vegas, NV @ Vinyl
April 5 – Scottsdale, AZ @ Livewire
April 6 – Santa Fe, NM @ Santa Fe Brewing Company
April 7 – Lubbock, TX @ The Blue Light

Son Volt To Release Eighth Studio New Album ‘Notes Of Blue’ February 17

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Son Volt - 'Notes Of Blue'

stalwart alt.country pioneers Son Volt will release a new album ‘Notes Of Blue’ on February 17 on the Thirty Tigers label. ‘Notes Of Blue’ will be thw follow-up o he 2013’s acclaimed ‘Honky Tonk.’

The 10 songs on Notes Of Blue are inspired by the spirit of the blues, but not the standard blues as most know it. The unique and haunting tunings of Mississippi Fred McDowell, Skip James and Nick Drake were all points of exploration for Farrar for the new collection. The album opens with the country soul of “Promise The World”, followed by “Back Against The Wall”, a song that could stand alongside the great Son Volt songs of their early albums. However, ‘Notes Of Blue’ reflects the blues as it resides in the folk tradition, but heavily amplified. The primal stomp of “Cherokee St.”, the frenetic guitar on “Static” and the raw slide in “Sinking Down” exude grit and attitude. Conversely, tracks such as “The Storm” and “Cairo and Southern” seamlessly meld blues with hypnotic melodies that add a unique balance to ‘Notes Of Blue.’

Founder Jay Farrar possesses one of the most distinctive voices in roots, rock, country or any genre. He exudes a soulful longing combined with a wise-beyond-his-years command that is as arresting and compelling as ever. As a songwriter, Farrar’s depth and poetic penchant has been the foundation of a thoughtful, deep and intelligent body of work. Both attributes are on full display on Notes Of Blue, as he touches on themes of redemption and the common struggle, both of which are at the core of the blues.

‘Notes of Blue’ will be available to pre-order via the Son Volt website November 29th. The group will announce upcoming live dates in support of the album That same day, while tickets are scheduled to go on sale December 2nd.

Whether you call it alt.country, Americana, roots rock, insurgent country or just good ol’ rock ‘n’ roll anytime Son Volt releases a new album it’s cause for celebration.

The Drive-By Truckers To Release New Album ‘American Band’ This Fall, Premiers Single

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Drive-By Truckers

Drive-By Truckers have always been a band that defies convention. Their new cut, “Surrender Under Protest” from their 11th studio release ‘American Band’ (ATO Records), proves that their not about to soften anytime soon.

The Georgia-by-way-of-Alabama band has had a revolving number of extraordinary personal over their 20 years. Through it all main songwriters Patterson Hood and Mike Cooley have held mirrors to Southern life in ways that asks narrative questions while also honoring stylistic traditions.

“Surrender Under Protest” is a Cooley-penned first single from the record. A blast of guitar intros a song for these times, bracing in it’s directness confronting our growing cultural divisions.

Or as Hood describes the approach to ‘American Band’ : “This time out, there are no such (narrative) diversions as these songs are mostly set front and center in the current political arena with songs dealing with our racial and cultural divisions, gun violence, mass shootings and political assholery. Once again, there is a nearly even split between the songs of Cooley and myself, with both of us bringing in songs that seem to almost imply a conversation between us about our current place in time.

“American Band” is a rock and roll call to arms as well as a musical reset button for our band and the country we live in. Most of all, we look at it as the beginnings of some conversations that we, as a people very much need to begin having if we ever hope to break through the divisions that are threatening to tear us apart.”

The motivation to make music that matters is a natural one in roots-leaning music. But not everyone can strike a Woody Guthrie tone. There’s a risk of partisan platitudes ( think “Jerusalem ” era Steve Earle) instead of populist poetry ( think pre- ‘Jerusalem’ era Steve Earle.)  it’s a  subtle balance the “Surrender Under Protest” struggles to maintain.

“American Band” not only marks a change in tone for the The Drive-By Truckers. The band is using a photograph for the cover, an American flag at half-staff, instead of an illustration (mostly handled by the Southern-Gothic imagery of Wes Freed.)
The Drive-By Truckers premiered the new single with NPR.

‘American Band’ pre-order options are here Listen to “Surrender Under Protest” and check out the band’s upcoming tour dates are listed below.

Drive-By Truckers Tour Dates:

July
13 — New York, N.Y. @ Lowdown Hudson Music Fest
17 — Alta, Wyo. @ Grand Targhee Festival

August
20 — Morrison, Colo. @ Red Rocks Amphitheater
27 — Lexington, Ky. @ MoonTower Music Fest

September
16 — Toronto, Ontario @ TURF 2016
17 — Fredericton, Neb. @Canada Harvest Jazz and Blues Festival
23 — Kansas City, Mont. @ Crossroads
24 — Minneapolis, Minn. @ First Avenue
25 — Sioux Falls, S.D. @ The District
28 — Missoula, Mont. @ The Wilma
29 — Seattle, Wash. @ Showbox at the Market
30 — Portland, Ore. @ Wonder Ballroom

October
1 — Portland Ore. @ Wonder Ballroom
2 — Vancouver, British Columbia @ Rickshaw Theater
5 — Sacramento, Calif. @ Ace of Spades
6-7 — San Francisco, Calif. @ The Fillmore
8 — Lake Tahoe, Nev. @ Montbleau Resort Casino
11-12 — Los Angeles Calif. @ Teragram Ballroom
13 — Solana Beach, Calif. @ Belly Up Tavern
14 — San Luis Obispo, Calif. @ The Fremont
15 — Scottsdale, Ariz. @ Livewire

The Avett Brothers Announce New Album In June

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The Avett Brothers

The Avett Brothers are following their music from the banjos and acoustic guitars toward some of their influences; Pink Floyd, Nine Inch Nails, Tom Petty and others on their upcoming Rick Rubin-produced release “True Sadness”

The North Carolina roots band’s announcement arrived with a letter from frontmen, Seth Avett, which goes into detail about the making of ‘True Sadness.’

TheAvettBrothers_Letter

Over the weekend, The Avetts debuted the first single off ‘True Sadness,’ the funky clap=along “Ain’t No Man” at the McDowell Mountain Music Festival in Phoenix, Arizona. Watch the band’s debut of “Ain’t No Man” below. Shot by DCRANGERFAN:

The-Avett-Brothers-True-Sadness

“True Sadness” is set to be released on June 24.

The Avett Brothers Tour Dates

April 7 – Wilmington, NC @ Azalea Festival
April 8 – New York, NY @ Madison Square Garden
April 9 – Port Chester, NY @ The Capitol Theatre
April 10 – Worcester, MA @ DCU Arena
April 19 – Fort Wayne, IN @ Embassy Theatre
April 21-23 – Chicago, IL @ Chicago Theater
April 29 – Los Angeles, CA @ Greek Theatre
April 30 – Berkeley, CA @ Greek Theatre
May 5 – Tuscaloosa, AL @ Tuscaloosa Amphitheater
May 6 – Nashville, TN @ Bridgestone Arena
May 7 – Alpharetta, GA @ Verizon Wireless Amphitheatre
May 12 – Pittsburgh, PA @ Stage AE Outdoors
May 14 – Philadelphia, PA @ Mann Center
May 15 – Fairfax, VA @ Eagle Bank Arena
June 2-5 – Hunter, NY @ Mountain Jam Festival
June 3 & 4 – Baltimore, MD @ Pier Six Concert Pavilion
June 9 – St. Louis, MO @ Chaifetz Arena
June 10 – Milwaukee, WI @ BMO Harris Arena
June 11 – Minneapolis, MN @ Target Center
June 14 – Deadwood, SD @ Deadwood Mountain Grand Event Center
June 16 – Muskogee, OK @ G Fest
June 18 – Dallas, TX @ Gexa Energy Pavilion
June 19 – Austin, TX @ Austin City Limits Live at The Moody Theater
July 4 – Portland, ME @ Thompson’s Point
July 7 – Syracuse, NY @ Landmark Theatre
July 8 – Chautauqua, NY @ Chautauqua Amphitheater
July 9 – Toledo, OH @ Toledo Zoo Amphitheater
July 15-17 – Louisville, KY @ Forecastle Festival
July 21-22 – Troutdale, OR @ Edgefield
July 23 – Kent, WA @ ShoWare Arena
July 25 – Nampa, ID @ Ford Idaho Center Amphitheater
July 28-30 – Morrison, CO @ Red Rocks Amphitheatre
September 16 – Lincoln, CA @ Thunder Valley Casino Resort
September 16-18 – Del Mar, CA @ Kaaboo Del Mar

Record Store Day 2016 – Americana and Roots Music Picks

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130424-record-store-day

Record Store Day, the annual celebration of limited runs of the antiquated data storage device known as vinyl and once the scene of hipsters when it started in 2007, has helped fuel a surprising resurgence in sales and pushing the remaining pressing plant capacity to the hilt. As is tradition the event will be taking place on the third Saturday in April. For 2016 that means Saturday, April 16th.

At a time when music sales continue a decaded long dizzying slide vinyl sales not only rivaled CD sales, revenues have surpassed streaming services like Spotify and Pandora.

As vinyl grows in popularity there’s is pressure on the remaining vinyl manufacturers, who like us all were caught off-guard by the resurgence. The demand for vinyl is partially due to its described ‘warmer’ sound (plus cooler gatefold covers!) But the real drive behind Record Store Day is uniqueness and scarcity of offerings. Many releases come on colored vinyl or as picture discs and many of the releases are produced in very limited runs, some totaling no more than a few hundred total.

This stands in direct contrast to digital music’s hemogeny of sound and structure. an MP3 might be convenient, but it’s never scarce or unique.

Check out the Americana and roots selections below and take a look at the full list. Get to your favorite indy record early on April 16th (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.

Blitzen Trapper – Field Rexx
Format: LP
More Info: A classic DIY release, Field Rexx was made in the sweltering summer of 2004 with no budget amidst the hiss of flies and tape. “Recorded,” according to the liner notes, “at the carny shack, fer shook n timsel on Duke’s shoot-o-matic for tisks & soda & that ol’ broke 4-track that 3-fingred mike poured Old English on and lit on fire,” Rexx’s warped eclectic pop Americana proves that great songs and performances can transcend squalor and bad album art. Features archival material of the original Trapper, James Earley, performing snippets of traditional hillbilly tunes. Field Rexx is Blitzen Trapper’s self-released sophomore album originally released in 2005. It was remastered at the tail end of 2015 and is available on Record Store Day for the first time on vinyl. A free download code including 3 previously unreleased bonus tracks is included.

Brandi Carlile – ‘Live At KCRW ‘Morning Becomes Eclectic’
Format: 12″ Colored Vinyl
More Info: Brandi Carlile – Live At KCRW ‘Morning Becomes Eclectic’: Brandi Carlile is a long time favorite of record store owners and she is one of the most celebrated names in modern alternative country/folk rock.This very special Record Store Day Exclusive release features six session tracks recorded live at KCRW as part of their “Morning Becomes Eclectic” sessions and includes the smash radio hits “The Eye” and “Wherever Is Your Heart” on White Colored 12 inch vinyl. Limited to 2500 copies.

Johnny Cash – ‘All Aboard the Blue Train with Johnny Cash’
Format: 12″ Colored Vinyl
More Info: All Aboard the Blue Train with Johnny Cash was originally released on Sun Records in 1962. The album features prime selections of the Man In Black’s recordings between 1955 and 1958, including classic songs “Hey Porter” and “Folsom Prison Blues”. Previously out of press, it’s coming back on appropriate blue vinyl for Record Store Day 2016.

Brandy Clark – “”Girl Next Door”/”Homecoming Queen”
Format: 7″ Colored Vinyl
More Info: Side A features Clark’s new hit single “Girl Next Door.” Side B features the track “Homecoming Queen,” plus the same song covered by Sheryl Crow. Pressed on random mixed blue, yellow and red vinyl.

Bob Dylan – “Melancholy Mood”
Format: 7″ Colored Vinyl
More Info: This limited edition 7” vinyl EP was originally created for Bob Dylan’s recent Japanese tour. We were able to secure a limited quantity for Record Store Day. The EP includes 4 songs from Bob Dylan’s upcoming album, Fallen Angels, pressed on 7” red vinyl.

Alejandro Escovedo – ‘Gravity’ and ‘Thirteen Years’
Format: 2 x LP
More Info: Austin TX’s Watermelon Records was founded in 1989 and released nearly 100 records in its short life. Its catalog lay dormant until 2010 when New West Records picked it up and chose Record Store Day 2016 to relaunch Watermelon Records with two beautiful remastered classic from Alejandro Escovedo. Gravity is a 2LP set pressed on 180g vinyl and packaed in a one of a kind die-cut linen jacket along with a foldable insert and download card.

Jay Farrar – Sebastopol/thirdshiftgrottoslack
Format: 2 x LP
More Info: For Record Store Day 2016, Jay Farrar’s (Son Volt, Uncle Tupelo) Sebastopol is available for the first time on vinyl. This very limited, hand-numbered release comes on white vinyl featuring Gillian Welch and members of the Flaming Lips and Superchunk. The double LP also features the 5-track EP never before released on vinyl, thirdshiftgrottoslack.

Emmylou Harris – ‘Wrecking Ball’
Format: 3 x 12″ Vinyl
More Info: The long awaited audiophile-quality vinyl reissue of Emmylou Harris’ 1995 Grammy winning masterpiece Wrecking Ball, produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson) and featuring appearances by Brian Blade, Neil Young, Lucinda Williams, Kate and Anna McGarrigle, among others. Includes original album sequence as well as outtakes and alternate versions from the original recording sessions. This Record Store Day release features three 180 gram LPs remastered with bonus tracks, and 4 page lyric insert. Limited to 5,000 copies.

Johnny Cash – ‘The Best of The Johnny Cash Show’
Format: 12″ LP
More Info: From the summer of 1969 to the final show in march of 1971 (58 episodes in all), The Johnny Cash TV Show not only exposed an American audience to an eclectic array of musical talent, but also helped establish Johnny Cash as a true artist, humanitarian, and a larger-than-life legend. The 16 performances contained on this new Best-Of LP, made especially for Record Store Day, and for the first time on vinyl, showcase the spectrum of incredible performers that Johnny hand-picked to be on his show, many for their first network appearance. So, “come along and ride this train” – the train that Cash envisioned for us all – every week on The Johnny Cash TV Show, and now, for generations to come. Limited to 5,000 copies.

Madisen Ward and the Mama Bear – ‘Live At Grimey’s‘
Format: 12″ Vinyl
More Info: This Record Store Day six track EP was recorded live at Grimey’s in Nashville, Tennessee by one of our favorite new artists on the music scene, in June 2015 as part of the celebration of Americana Music Month. Limited to 1500 copies.

Jason Molina – ‘The Townes Van Zandt Covers‘
Format: 7″ Vinyl
More Info: At a Songs:Ohia show in the early ’00s, Jason Molina said to the artist William Schaff that he would love to see himself depicted as one of Schaff’s signature, skull-headed creatures. The two struck up a pen-pal friendship and Schaff sent Jason his picture. In return, he asked for a recording of the Townes Van Zandt covers Jason had performed that night. The pair of Van Zandt covers included here, recorded at Molina’s home on the north side of Chicago, symbolize not only the creative turn Molina’s songwriting had taken (seen in his forthcoming Magnolia Electric Co. release) from sparse and jagged indie rock to rootsy folk rock, but also a sonic bond between two friends who loved each other’s work very deeply. After learning of Molina’s death in 2013, Schaff spent days pouring over his lengthy correspondence with his friend, with Molina’s oeuvre on repeat. He created the painting that graces the cover of this release in the process: Apropos of everything, a skull-headed creature in flight. This special 7″ release is limited to 3500 copies worldwide.

Mumford & Sons + Baaba Maal – “There Will Be Time”
Format: 7″ Colored Vinyl
More Info: Mumford & Sons’ RSC exclusive 7″ single features a brand new song called “There Will Be Time” (previously only available in South Africa). The track features Baaba Maal, and was produced alongside Johan Hugo from The Very Best. Limited to 6000 copies.

Graham Nash – ‘This Path Tonight’
Format: 12″ Vinyl
More Info: A special version of the new album from legendary musician Graham Nash. Includes a bonus 7″ with the classic tracks “Our House” and “Teach Your Children”

Elvis Presley – ‘I’m Leaving’: Elvis Folk- Country’
Format: 12″ Vinyl
More Info: The very best of Elvis Folk-Country 1966-1973. This special Record Store Day release includes masters from Elvis’ sessions at RCA Victor’s Studio B in Nashville in May 1971, a period in which several folk writers’ material surfaced spontaneously amid gospel and holiday recordings, plus others with similar provenance: from Dylan¹s “Tomorrow Is A Long Time” in 1966, to then-contemporary pop-folk such as “Good Time Charlie’s Got The Blues” in 1973, this is Elvis in an introspective mood, masterfully creating definitive versions of iconic compositions that resonated with him for his friends in the studio – and for us. Limited to 5,000 copies.

John Renbourn – ‘The Attic Tapes’
Format: 2 x LP
More Info: Lovingly mastered from old tapes found in a friend’s attic, this is a vintage collection of previously unreleased rarities and early works by one of the guitar’s truly great innovators. The Record Store Day edition features five vinyl-only tracks and sleeve notes written by John shortly before his death in March 2015.

The Rough Guide To Unsung Heroes of Country Blues
Format: 12″ Vinyl
More Info: This album brings to the fore classic early blues masterpieces that deserve to be heard and allows the limelight to fall on some of the lesser-known country blues masters. Essential listening for any blues connoisseur, this is an adventure into some of the more hidden recesses of country blues. The Rough Guide To Unsung Heroes of Country Blues is released on vinyl exclusively for Record Store Day 2016. Includes a download card.

Billy Joe Shaver- “Wacko From Waco”/”When Fallen Angels Fly”
Format: 7″ Vinyl
More Info: This Record Store Day 7″ features two songs – “When Fallen Angels Fly,” an unreleased version of his classic hymn, a tune from the Robert Duvall film, “Wild Horses.” “Wacko From Waco” is Shaver’s account of a 2007 shooting in a bar outside his hometown of Waco. Both tracks are pressed on vinyl for the first time. Limited to 1700 copies.

Shawn Colvin & Steve Earle – “Wake Up Little Susie” / “Baby’s In Black”
Format: 7″ Vinyl
More Info: The world-class singer- songwriters Shawn Colvin and Steve Earle make their duet debut with a delightful Record Store Day 7″ splash: spirited re-castings of the Everly Brothers’ “Wake Up Little Susie” and “Baby’s in Black” by the Beatles. They’ll be singing together again on their first duet project, a full length of co-written originals later this summer.

Son Volt – ‘Live At The Bottom Line’
Format: 2 x colored LP
More Info: This Record Store Day two LP set features the live content from the Trace deluxe CD. Pressed on 180 gram vinyl, limited to 3500 copies.

Allen Toussaint – ‘Live in Philadelphia 1975’
Format: 12″ Vinyl
More Info: Record Store Day honors the passing of one of America’s greatest musicians, performers and artists with an offering of Rhino’s 2003 Handmade title. This live album features bonus material and liner notes by Billy Vera. Pressed on 180 gram vinyl, it is limited to 5000 copies.

Lucinda Williams – ‘Just A Little More Faith And Grace’
Format: 12″ Vinyl
More Info: Lucinda celebrates Record Store Day by offering exclusive remixes from her new THE GHOSTS OF HIGHWAY 20 album, including Faith and Grace in it’s truest form, and as it was intended, a full 18 minutes long! Limited to 3000 copies.

Blaze Foley – Duct Tape Messiah (Original Soundtrack)
Format: 12″ Vinyl
More Info: This Record Store Day release is limited to 1000 copies pressed on 180g heavyweight vinyl, and includes full documentary film on DVD. This Record Store Day Elite Eecords releases Duct Tape Messiah by exceptional Texan Folk artist Blaze Foley for the first time ever on vinyl. The soundtrack to the 2011 documentary film about the turbulent life of Townes Van Zandt’s companion and close friend literally spans Blaze’s whole musical life. It includes rare archival tracks never released on vinyl before as well as tracks from posthumously released Blaze albums. The limited RSD edition comes with a DVD including the full documentary film. The film beautifully draws the picture of Blaze’s life and times and his extraordinary character. Born in Arkansas, Foley was shot to death way before his time, under circumstances still to be fully clarified. As a homeless, he traveled the streets of the Texan cities to share his music with people in nightclubs and bars. Foley always stood up for the weak, which eventually cost his life. Finally, after a life of rejections and blown opportunities, his work is now gaining recognition. In 2008 his biography Living In The Woods In A Tree was published, followed by the acclaimed documentary about Foley!s underdog life: Duct Tape Messiah. The film’s soundtrack comprises of 14 carefully selected songs from all stations in Blaze’s life and gives an insight into his straight and genuine songwriting. Blaze!s musical heritage was close to being forgotten and much material used on the record are chance discoveries from record shops and old master tapes.

Left Lane Cruiser- ‘Beck In Black’
Format: 12″ Vinyl
More Info: Retrospective of early Left Lane Cruiser material with drummer Brenn Beck, re-mastered and with three previously unreleased tracks (“Chicken”, “Bloodhound” and “Maybe”). Limited edition of 1000 on metalic gold vinyl for Record Store Day.

Charlie Parr – ‘I Ain’t Dead Yet’
Format: 10″ Colored Vinyl
More Info: A brand new 5 song 10” EP pressed on Green Vinyl. Minnesotan Country Blues guitarist Charlie Parr has been building an audience among roots music aficionados for over a decade. I Ain’t Dead Yet features four new original tunes and Charlie’s take on the traditional tune, Old Dog Blues. All songs previously unreleased!

Heartworn Highways – 40th Anniversary Edition Box Set
Format: Vinyl Box Set
More Info: This Record Store Day Exclusive release is limited to 1,000 copies worldwide and consists of a two LP set pressed on whiskey colored wax and much more in a hand crafted custom wood box by Boles Studio, Bronx, NY including an LP-sized 80-page book with exhaustive 20,000 word essay by Sam Sweet interviewing artists, documentary creators and crew, over 100 unseen photos taken during the making of the film, a cast of characters drawn by legendary Austin illustrator Kerry Awn, a reproduction of the original film poster (24”x36”), a region free DVD of the original 1976 film with restored image and sound plus 45 mins of bonus features, including performances by Townes Van Zandt, Guy Clark and others, and download card for full soundtrack.

The Weepies – ‘Say I Am You’
Format: 12″ Vinyl
More Info: To celebrate the 10th anniversary of this release, a Record Store Day exclusive edition has been put together with orange vinyl, new liner notes, exclusive new photos and a poster of album cover, autographed by the band.

Billy Don Burns- A Night in Room 8
Format: 12″ Vinyl
More Info: Billy Don Burns is considered a friend to the greats of country music and has collaborated with artists such as Harlan Howard, Willie Nelson, Wanda Jackson, Connie Smith and others. A Night in Room 8 was recorded at the Joshua Tree Inn hotel room where Gram Parsons was found dead in 1973. Recorded on a Tascam Portastudio (the same model on which Bruce Springsteen recorded Nebraska). This is an eerie yet extremely vulnerable album of new, brilliant material from such a relic of country music