George Jones Tribute Concert Videos

george jones

Last night’s George Jones tribute held in Nashville’s Bridgestone Arena featured 40 performances honoring The Possum by artists , many of home, might not be where they are without him.

Jamey Johnson, Jim Lauderdale, Shooter Jennings and his mom Jessi Colter, Trisha Yearwood & Garth Brooks, George Strait and Alan Jackson – they all played on honor of the “greatest voice in country music.”

Billboard has a nice post on the event featuring a list of all performances.

Not sure of there’s going to be a formal network showing or DVD release of the event, but The Triggerman from Saving Country Music informed me via Twitter that “….they (the event producers) were broadcasting video feed outside and there was a camera crew, so we know the footage exists.”

That’s great news, but until that day I will post fan-made videos below.

Eric Lee Beddingfield, Mandy Barnett, Teea Goans, Chad Warrix, Greg Bates – “Who’s Gonna Fill Their Shoes”

Tommy Shaw (Styx) – “She Thinks I Still Care”

Vince Gill – “Bartender’s Blues”

Oak Ridge Boys – “Same Ole Me”

Marina McBride & George Strait – “Golden Ring”

Jamey Johnson – “Tennessee Whiskey”

Blake Shelton & Miranda Lambert – “These Days I Barely Get By”

Garth Brooks & Trisha Yearwood – “Take me”
http://www.youtube.com/watch?v=3phmPLY1iZo

Patty Loveless – “Color Of The Blues”

Montgomery Gentry – “The Race Is On”

Brad Paisley – The One I Loved Back Then (The Corvette Song)

Jamey Johnson and Megadeath – “Wild Irish Rose”
http://www.youtube.com/watch?v=7GjtJczbZfc

George Strait – “The Grand Tour”

Alan Jackson – “He Stopped Loving Her Today”

Watch Out! Star Anna – “For Anyone” [Spark & Shine Records]

Star Anna - "For Anyone"

Seattle-based Star Anna’s fourth record, “Go To Hell,” was made without her band The Laughing Dogs. If the new single”For Anyone” is indicative of the rest of the record it’s a good move. This is bone deep music. the kind that sticks to your soul.

“For Anyone,” (video below) sounds like a song PJ Harvey would write is she’d been reared on Patsy Cline. It brandishes a wicked junk-yard stomp and some of the best singing and lyrics of Annas’ career. And the video makes remembrances of past love kind of like a night-sweats virus.

“For Anyone” can be found on Star Anna’s upcoming Go To Hell (Spark & Shine Records) It’s by co-produced Ty Bailie (keyboards/organ/piano) and features Julian McDonough (drums), Jacques Willis (vibraphones), Will Moore (bass), and Jeff Fielder (guitars)

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“Go To Hell” track list:

1. For Anyone
2. Go To Hell
3. Electric Lights
4. Let Me Be
5. Mean Kind of Love
6. Younger Than
7. Power of My Love
8. Everything You Know
9. Come On Up To The House
10. Smoke Signals

Listen Up! Roseanne Cash – “A Feather’s Not A Bird” from the Upcoming “The River and The Thread”

Roseanne Cash - The River & The Thread

Roseanne Cash will release her 13th studio album, “The River and The Thread,” January 14, 2014 on Blue Note Records.

Cash wrote the album’s 11 original songs with her longtime collaborator (and husband) John Leventhal, who also served as producer, arranger and guitarist.

Of the album Cash says “If I never make another album I will be content, because I made this one.”

“My heart got expanded to the South, to the people I had known, to the people I met…It started by going to Arkansas, to my dad’s boyhood home…All these things started happening to feel a deeper layer of the South than I had ever experienced and I went down to the Delta, to all of the places where the great Blues musicians are from. And we went to [author William] Faulkner’s house and Oxford, Miss., and just the richness of the Delta in particular started bringing songs to us. We started finding these stories, these great stories, and melodies, that went with these experiences

Cash was joined in the studio by a cast of friends and fellow musicians who also have a deep affection for and/or roots in the South, including Cory Chisel, Rodney Crowell (who also co-wrote one song), Amy Helm, Kris Kristofferson, Allison Moorer, John Prine, Derek Trucks, John Paul White (The Civil Wars), Tony Joe White and Gabe Witcher (The Punch Brothers.)

The cut below makes good on the promotional materials promise that “A Feather’s Not A Bird” finds “… inspiration in the many musical styles associated with the South – swampy Delta blues, gospel, Appalachian folk, country and rock, to name a few”

“A Feather’s Not A Bird” sound like it was born on the bayou. It’s swampy groove works the Delta side of the tracks and certainly satisfies. There is a theme of “The map is not the territory: and a sense of discovery (or, more precisely rediscovery) that revolves around Florence, South Carolina.

Then there are gems like this:

“All the money’s in Nashville, locked inside my hit. So I’m going down to Florence jsut to learn to love the thread.” i have no idea what that means but I love it.

Pre-order The River & The Thread

“The River & The Thread” Track Listing
1. A Feather’s Not A Bird
2. The Sunken Lands
3. Etta’s Tune
4. Modern Blue
5. Tell Heaven
6. The Long Way Home
7. World Of Strange Design
8. Night School
9. 50,000 Watts
10. When The Master Calls The Roll
11. Money Road

The Story Behind “Shotgun Willie” [VIDEO]

shotgun willie

This is a great story behind the great title song of a great album.

Sure Willie is widely known as the Texas Yoda, but he has had a past occasionally reminiscent of a Cops episode. Or to paraphrase the Drive-By Truckers, it’s the duality of the Texas thing.

Remember the one where his ex-aide sewed him up in his sheets as he drunkenly slept and beat him with a broom? Good times.

Here’s another gem from Willie’s newsletter:

Willie has been described as a man of wisdom and a peacemaker, but he wasn’t always the gentle soul that many now know him as. He was nicknamed ‘Shotgun Willie’ for the shootout that happened when he heard his daughter Lana was being physically assaulted by her husband Steve.

“I ran for my truck and drove to the place where Steve and Lana lived and slapped Steve around,” Willie recalls. “He really pissed me off. I told him if he ever laid a hand on Lana again, I would come back and drown his ass. No sooner did I get back to Ridgetop than here came Steve in his car, shooting at the house with a .22 rifle. I was standing in the door of the barn and a bullet tore up the wood two feet from my head. I grabbed an M-1 rifle and shot at Steve’s car. Steve made one pass and took off.”
Willie then returned to Steve and Lana’s to find Steve had left and kidnapped their young son Nelson Ray. Lana told Willie that Steve was looking to ‘get rid of him.’ So Willie drove back to Ridgetop and waited.

“Thinking Steve would come to Ridgetop to pick me off about dusk, I hid in the truck so he couldn’t tell if I was home. We laid a trap for him. I had my M-1 and a shotgun. He drove by the house, and I ran out the garage door. Steve saw me and took off. That’s when I shot his car and shot out his tire. Steve called the cops on me. Instead of explaining the whole damn mess, the beatings and the semi-kidnapping and shooting and all, I told the officers he must have run over the bullet. The police didn’t want to get involved in hillbilly family fights. They wrote down what I told them on their report and took off.”

Not clear on what ever happened to the scumbag Steve or daughter Lana, but as we say in Texas, i’m not letting facts get in the way of a good story.

Uncle Tupelo’s Pivotal Debut “No Depression” to be Reissued In January

Uncle Tupelo’s No Depression

Great news alt.country fans! On January 28th, Legacy Recordings will reissue Uncle Tupelo‘s widely acclaimed debut LP, 1990′s “No Depression.” The release will be a special two-disc expanded edition featuring rare and previously unreleased material. Of course, the influential alt.country trio would later birth Wilco (Tweedy) and Son Volt (Farrar.)

“No Depression: Legacy Edition” improves on the original album’s “tinny” production. Remastering has been done by engineer Vic Anesini, and the reissue features new liner notes by original band booster Richard Byrne of St. Louis’ alt-weekly The Riverfront Times. The second disc features the band’s original 1989 eight-song demo, Not Forever, Just For Now, which has never been released on CD.

Also included is a recently unearthed 10-song demo tape “Not Forever, Just Now,” recorded by the original UT, Jeff Tweedy, Jay Farrar, and Mike Heidorn in 1989. Below, listen to one of the demo tape’s tracks, an early version of “I Got Drunk” (via Consequence of sound).

The reissue will also include bonus tracks that appear on the album’s 2003 reissue; songs taken from their 1983 self-released Live and Otherwise cassette; and five cuts off the band’s 1987 demo Colorblind and Rhymeless.

Legacy will also issue a limited edition seven-inch vinyl single of Uncle Tupelo’s “I Wanna Be Your Dog” b/w “Commotion” for Record Store Black Friday on November 29th.

Pre-order No Depression: Legacy Edition.

No Depression: Legacy Edition Track List:

Disc One

No Depression (Original Album)

Graveyard Shift
That Year
Before I Break
No Depression
Factory Belt
Whiskey Bottle
Outdone
Train
Life Worth Livin’
Flatness
So Called Friend
Screen Door
John Hardy
No Depression Era Odds & Ends

Left In The Dark
Won’t Forget
I Got Drunk
Sin City
Whiskey Bottle (Live Acoustic)
Disc Two

Not Forever, Just For Now (No Depression Demos, Produced By Matt Allison, 1989)

Outdone
That Year
Whiskey Bottle
Flatness
I Got Drunk
Before I Break
Life Worth Livin’
Train
Graveyard Shift
Screen Door

From Live & Otherwise (Self-Released Cassette, 1988)

No Depression
Blues Die Hard

From Colorblind and Rhymeless (1987 Cassette Demo)

Before I Break
I Got Drunk
Screen Door
Blues Die Hard
Pickle River

Watch Out! Matt Woods – “Deadman’s Blues” [VIDEO]

Matt Woods - Deadman's Blues

Recently some benefactors of music row/ country music row have decided to chime in that contemporary country music is, well, less than good.

Knoxville, TN.’s Matt Woods soulful vocals have been saying that for years, Not formally but by putting out great self-penned, independent country and roots albums that draw a line in the proverbial sand. Every song just suggests “See, this is what country music is.”

With his newest video Woods’ is still teaching that lesson. The video is an intimate look at life on the road for the independent musician. Here’s hint, less luxury buses and champaign and more vans, long-necks and sleepless nights.

Deadman’s Blues” can be found on Woods’ upcoming album of the same name, out this spring.

Official Site

Then There Was One – Rhiannon Giddens Remains As Only Carolina Chocolate Drops Member

Carolina Chocolate Drops

Mixed feelings about he the news that come the new year vocalist/violinist Rhiannon Giddens will be last original member of The Carolina Chocolate Drops.

Details came from the Grammy-winning sting-band’s social media channels. Where I personally learned about it was from from their facebook page:

“We’re all getting ready to hit the road together in December for a very special US tour. At the end of these dates, Dom Flemons will be embarking on a solo career and two new musicians – cellist Malcolm Parson and multi-instrumentalist Rowan Corbett – will join Rhiannon Giddens and Hubby Jenkins in the New Year for a full run of dates!

“Dom and I have been a tremendous team for the last eight years, and I wish him all the best on his new solo endeavor. I know he will be enriching the landscape of American music wherever he goes,” Rhiannon says. “Carolina Chocolate Drops lives on, and honors all past members who have added so much over the years; we wouldn’t be where we are without each and every one. I’m looking forward to introducing new, talented musicians to the ever-expanding Chocolate Drop family!”

“Though my music is taking me to new places with my upcoming solo projects, I know that the Carolina Chocolate Drops will continue on to do new, amazing things,” says Dom. “My past eight years with the band has been a wonderful experience, musically and personally. As my music grows in a new direction, I know I can count my time with them as a building block to where I am now. I am excited to continue on my musical journey exploring the hidden facets of American Music.” Dom will kick off 2014 with a tour of Australia, and continue performing across the US throughout the year (full schedule here).
Leyla McCalla will also be departing the band in order to pursue a solo career. We’re very excited for what the future holds for Dom, Leyla, and the Chocolate Drops and we hope you’ll come along for the ride!

Below are our remaining tour dates for 2013:

12/06 Variety Playhouse, Atlanta, GA Tickets
12/07 The Orange Peel, Asheville, NC Tickets
12/08 The Orange Peel, Asheville, NC Tickets
12/12 Bijou Theatre, Knoxville, TN Tickets
12/13 Bijou Theatre, Knoxville, TN Tickets
12/14 Neighborhood Theatre, Charlotte, NC Tickets
12/15 Neighborhood Theatre, Charlotte, NC Tickets

We hope to see you all at the shows! Please stop by the merch table to pick up this exclusive tour poster commemorating these last few shows of 2013!”

The Carolina Chocolate Drops have been one of the most exciting bands on the Americana and roots scene for the last decade. ” I’m happy that the band is not packing it in completely, but it is bittersweet that Flemons will be leaving.

Here’s to their continued success, and I look forward to seeing what the new members bring to the mix. And at some point the extended Drops family comes together for something special for the fans.

Music Review: “Divided & United: The Songs of The Civil War” – Various Artists [ATO Records]

Divided & United: Songs of the Civil War

One of he bloodiest periods in American history, the Civil War (or the War of Northern Aggression as it’s often referred to south of the Mason/Dixon,) left deep and lingering cultural wounds in the nation’s psyche. These scare are often picked at by the ignorant, the malicious and those depraved enough to exploit them for power.

It’s said that music as a healing and uniting force. I believe it can be. Like Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken, Movie soundtrack producer Randall Poster’s “Divided and United – Songs of the American Civil War” beings together generations of country and roots musicians to interpret’s songs from both sides of the conflict.

Legends abound on “Divided and United.” Loretta Lynn’s take on “Take Your Gun and Go, John” is a stark with Lynn’s accompanied by banjo and fiddle. Her Southern lilt put an odd twist on this popular Union call to arms.

Del McCoury and Ricky Skaggs conjure bluegrass magic on the lost love lament “Lorena” and the bloody tale of brothers-in-arms “Two Soldiers,” respectively.

New blood represents the past equal aplomb. Sam Amidon’s gives a spirited performance on Joseph Philbrick Webster’s 1860 composition “Wildwood Flower” and new Opry inductees Old Crow Medicine Show give passionate performance on the globally popular “Marching Through Georgia,” though their double-time conclusion would have troops marching right past their destination.

Dirk Powell and Steve Earle trade off dutifully on the “Just Before the Battle, Mother Farewell, Mother” and makes me wish that Earle would tackle more music in this vein. Vince Gill’s expressive voice brings out the innate melancholy of a drummer boy fatally wounded at the Battle of Gettysburg on “For The Dear Old Flag, I Die.”

Charleston duo Shovels & Rope give a woozy ramshackle rendition of, naturally, “The Fall of Charleston.” John Doe’s cajun flair to “Tenting on the Old Camp Ground” and it’s ground-level account of loss and battle.

A collection like this wouldn’t be complete without the presence off T Bone Burnett, But instead of his usual shepherding of the effort he lends his halting voice to recounting the single bloodiest event in American history on “The Battle of Antietam.”

In many ways “Divided and United” tills the same ground as Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken.” Ages-old, deeply rooted, American music draws together generations in common reverence and celebration. This wonderful collection has the added dimension of addressing past scars and bringing just a little humility, understanding and empathy.

Buy

John Prine Exhibit ‘It Took Me Years to Get These Souvenirs’ Slated for The Country Music Hall of Fame® and Museum on November 15

John_Prine_old

On November 15TH The Country Music Hall of Fame® and Museum will shine a spotlight on another legend when they showcase the extraordinarily influential career of John Prine.

The exhibit opens November 15th and will follow “the Grammy-winning singer’s life from his early musical influences to his critically acclaimed career as a folk and country singer-songwriter with a knack for social commentary, free from judgment but full of poignancy, heartbreak and humor.”

More from the CMHOF press release:

The Country Music Hall of Fame® and Museum will unveil a special spotlight exhibit dedicated to revered singer-songwriter John Prine on November 15. John Prine: It Took Me Years to Get These Souvenirs, which will be located within the museum’s permanent exhibit on the second floor, will incorporate instruments, manuscripts and other relics spanning Prine’s four-decade career. The exhibition will run through May 2014.

John Prine: It Took Me Years to Get These Souvenirs traces the singer’s life from his early musical influences to his critically acclaimed career as a folk and country singer-songwriter with a knack for social commentary, free from judgment but full of poignancy, heartbreak and humor.

John Prine was born October 10, 1946, in Maywood, Illinois-a suburb of Chicago. His parents gave him his first guitar for his 14th birthday. Both his family’s love of country music and its roots in Muhlenberg County, Kentucky, would greatly inform Prine’s songwriting style and content.

After high school, Prine served a two-year stint in the U.S. Army before taking a job as a postal worker in Chicago, where he wrote songs while walking his route. He tried out those songs on the Chicago folk circuit. In 1971, Kris Kristofferson heard Prine perform and helped him secure a record deal.

Prine’s self-titled debut album included the songs “Hello in There,” “Paradise” and “Angel from Montgomery,” later recorded by Bette Midler, the Everly Brothers and Bonnie Raitt, respectively. The album also included one of Prine’s most famous songs, “Sam Stone,” a raw look at a drug-addicted Vietnam veteran that critic Roger Ebert called “one of the great songs of the century.”

Prine released a string of other critically acclaimed albums in the 1970s, including Diamonds in the Rough, Sweet Revenge, Common Sense and Bruised Orange. “Souvenirs,” “Christmas in Prison,” “Dear Abby” and “If You Don’t Want My Love” are among his songs from that period.

Prine moved to Nashville in the early 1980s and founded the independent record label Oh Boy Records with his longtime manager, Al Bunetta. In 1991, The Missing Years earned Prine his first Grammy, for Best Contemporary Folk Album. He won another Grammy in 2005 with Fair & Square. In 2007 he released Standard Songs for Average People, an album of duets with Mac Wiseman.

Among the artifacts on display in John Prine: It Took Me Years to Get These Souvenirs are:

– Prine’s first guitar, a 1960 Silvertone Kentucky Blue archtop
– Handwritten manuscript for “Sam Stone,” under its original title, “The Great Society Conflict Veteran Blues”
– Original, handwritten manuscript for “Angel from Montgomery”
– John Prine concert posters from the early 1970s
– Handwritten manuscript for “Dear Abby,” written on stationery from a hotel in Rome, Italy
– Customized guitar with mother-of-pearl and abalone inlays on the body, fretboard, and headstock
– Typed and handwritten three-page manuscript for “Jesus: the Missing Years,” Prine’s tongue-in-cheek, fictitious account of the life of Jesus between the ages of twelve and thirty
– 1991 Grammy for Best Contemporary Folk Album for The Missing Years
– 2005 Grammy for Best Contemporary Folk Album for Fair & Square
– Prine’s doodles of winged dogs and other figures, some of which were incorporated into cartoonist John Callahan’s cover art for Prine’s 1995 album, Lost Dogs and Mixed Blessings
– Street sign for John Prine Avenue, which runs through Drakesboro, Kentucky, five miles from the Muhlenberg County town of Paradise, where his parents were raised
– Country Weekly award for Favorite Line Dance Song, given to John Prine for co-writing (with Roger Cook) “I Just Want to Dance with You,” a #1 hit for George Strait in 1998
– Personalized tour books with travel itineraries for tours in 1996, 2003, 2005 and 2011

https://www.youtube.com/watch?v=eXqFFfVpnhQ

10 Country Music Awards Moments to Remind Us It Didn’t Always Suck

charlie-rich-envelope-john-denver-cma-1975

Remember when Loretta Lynne won CMA Awards with Loretta Lynn announced as Entertainer of the Year? How about when johnny Cash hosted the event.

Of course you don’t. It was decades ago and most of you weren’t even born yet.

There was a time that the Country Music Awards, like the industry and culture itself, had an edge and a spirit of danger. Performers would roll off a couch in a studio somewhere in town to accept their award. Sometimes they were drunk and looking for a fight. Below find some great moments from CMA history to help us steel through the glitter-choked tailgate party it’s become.

The one video I wanted o find most of all was one of Charlie Rich burning the piece of paper announcing John Denver as the Country Music Association “Entertainer of the Year” at the 1975 CMA Awards. Alas that little gem of industry spontaneity has been shut down.

Dolly Parton sneaks up on Randy Travis

Waylon Jennings performs “America” on what looks like an ’80’s CMA

CMA’s hosted by Johnny Cash in 1978
http://www.youtube.com/watch?v=vkbBJE76KU0

Kris Kristofferson & Rita Coolidge perform Me and Bobby McGee at the 1974 CMA Awards
http://www.youtube.com/watch?v=fujhzkyYias

Sonny James and Bobby Goldsboro present the award for the Country Music Association Instrumentalist to Jerry Reed in 1971.
http://www.youtube.com/watch?v=Ko39cIFowRY

1974 CMA Awards with Loretta Lynn announced as Entertainer of the Year
http://www.youtube.com/watch?v=h8370bQ5Izo

Willie Nelson Induction into the Country Music Hall of Fame by Johnny Cash at the 27th CMA Awards 1993
http://www.youtube.com/watch?v=KMrh7aPaagg

Alison Krauss & Union Station performs ‘My Poor Old Heart’ on the 2005 CMA
http://www.youtube.com/watch?v=MuGJaU25ZIA

1968 Country Music Awards with an induction of Bob Wills into the Country Music Hall of Fame. Skip over the insipid performance by Bobby Goldsboro.
http://www.youtube.com/watch?v=2BYNuPL0Te4

In 1999 George Jones, recovering from a near-fatal car accident, was nominated for Single of the Year for his autobiographical ballad “Choices.”
CMA executives asked Jones to sing a shortened version of the nominated song, but he opted to stay home as a sign of his protest against the request.
Alan Jackson showed class and reverence for Jones worked “Choices” into the last portion of his scheduled performance of his current single, “Pop A Top.”
http://www.youtube.com/watch?v=k_WmbAek0-4