There’s just way too much to see when visiting Americanafest. That’s why God created smart phones. Here’s some great videos that fans uploaded.
I heard that Robert Ellis held an epic classic country rich performance at the legendary Robert’s Western Wear. Of course I heard about it the day after it happened. Good thing somebody tipped off Hayes Carll, J.P. Harris, Shelly Colvin, Josh Hedley, Johnny Fritz and Jim Lauderdale.
Sam Outlaw proved that classic country can still thrive in L.A.
The Avett Brothers show you never can get so big that you can’t bring it back to the basics.
Sturgill Simpson’s performance at the not quite opened City Winery was a hard get with a capacity RSVP list.
https://www.youtube.com/watch?v=pUvE-GTiKiY
Plant and Griffin reunite (well, musically) for the Americana Awards.
It was Loretta Lynn’s night (rightly so) as he swept his categories.
Check this intimate but vibrant performance and interview with the reunited newgrass super-group Nickel Creek, curated by 91.3fm WYEP & Produced by AltarTV.
Songs played are “21st of May” and “Destination,” both from their new album ‘A Dotted Line’ via Nonesuch Records.
If you’re a fan of roots music there is only one place to be in the fall, and that’s Americanafest. The Americana Music Association will be presiding over this 15th Festival – along with its Conference and Awards Ceremony – in Nashville, September 16-21.
This is the premier industry event celebrating the music we love. Thousands of artists, fans and industry folks from all over the world will gather to talk biz, eat BBQ, drink local beer and, yes, hear the best music on the planet.
then get up the next morning and do it all over again (pace yourself, drink water!)
This year the increased the number of acts has grown to 160 (!) performing across 11 venues (!!) This might have given me more awesome choices, but I’ve yet to figure oy t that whole cloning myself thing. This makes seeing many performances, many happening at the same time, an impossibility.
But the upside is no matter where you find yourself you’re in for some of the best music going.
Over the years of attending this extraordinary event I’ve tried to dig deep in the bill and look for hidden gems that might I might miss on my initial scan. Some newer or more obscure performers are the ones that can often leave an impression and have fans talking for days after.
Though I like to see the big names as much as anybody, There are a few names that fly a little lower under the radar but will be well worth making time for.
Caroline Rose – The Basement – Tuesday September 16, 2014 7:00pm – 7:45pm
Caroline Rose just came across my ADD addled mind and I’m better for it. Pop folk never sounded so fresh and vibrant.
https://www.youtube.com/watch?v=D4cAnRTrKD0
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John Moreland – High Watt – Wednesday, September 17, 2014 11:00pm – 11:45pm
There’s nothing fancy about a John Moreland performance. He sits alone, mostly with an acoustic guitar spinning rich tales of the human landscape. His sparse, concise yet elegant style has him counting Lucero and Jason Isbell as fans and having his songs showcased on the biker drama, Sons of Anarchy
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Hannah Aldridge – Fanny’s House of Music “Americana Ladies Night Line-Up” – Thursday September 18, 2014 5:30pm – 8:30pm
A voice of the ages that can be heard from two blocks over (unmiced) Aldridge beings the goods and more on her sterling debut “Razorwire.”
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Banditos – The Rutledge – Thursday September 18, 2014 9:00pm – 9:45pm
This Nashville-by-way-of Birmingham band is a potent blend of rock, country and soul that draws on many influences and squeezes greatness from every drop. Some of the tunes might seem “jammy” but they always right themselves and head straight for solid framework.
Zoe Muth’s sweetly plantive voice sings songs of hardscrabble love and life that can tear out your heart or rock your soul, often at the same time.
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Shinyribs – High Watt – Wednesday September 17, 2014 10:00pm – 10:45pm
Shinyribs is the pseudonym of The Gourds mastermind of madness Kevin Russell. Tightly arranged tunes, spiked with a heavy dose of whimsy, shows Russell reflecting a stew of influences from Bob Wills to the Texas Tornadoes.
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Jonny Two Bags – The Basement – Wednesday, September 17, 2014 11:00pm – 11:45pm
Sometimes punk rockers age and cross over to Americana. Sometimes their original band has always had a foot in the dusty road. The latter is the case for Jonny Two Bags. As the guitarist for the SoCal institution Social Distortion, Jonny Two Bags didn’t have to travel far to pull out his
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Whiskey Shivers – Station Inn – Thursday September 18, 2014 9:00pm – 9:45pm
Newgrass? Naw, how bout thrashgrass. Whiskey Shivers heats up the already hot genre by pulling in an audience and making a performance a communal celebration that will have you to leaving your troubles at the door. They’ve even caught the ear of fellow Texas genre-hopper Robert Ellis who has produced their upcoming self-titled album.
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Otis Gibbs – Station Inn – Thursday, September 18, 2014 10:00pm – 10:45pm
Otis Gibbs is what a musician looks like that refuses to compromise. His songs are instantly relatable and yet poetic.The man effortlessly exudes that ever elusive quality of authenticity.
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Hello Strangers – Two Old Hippies – Friday, September 19 6:00 PM – 7:00pm
Sisters Larissa Chace Smith and Brechyn Chace hail from the foot of the Appalachian mountains, due north of the Mason-Dixon Line , in Mercersburg, PA. They ended up in Austin where they worked their craft in the rich music scene helped hone their harmony-rich folk and roots rock spirit.
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Jonah Tolchin – Third Man – Friday, September 19, 2014 9:00pm – 9:45pm
Jonah Tolchin’s voice belies his years on earth. His neo-soul roots style transports you and breathes life into the past.
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Marah – The Basement – Friday, September 19, 2014 9:00pm – 9:45pm
Marah are one of my favorite rocks bands, all ramshackle and passion fueled recklessness. Thier newest roots music production, ‘Mountain Minstrelsy of Pennsylvania’ takes all that’s great with the band and runs it through a copper wire od dark mountain folk.
Nashville by way of Texas classic country and Townes Van Zandt influenced Cale Tyson’s musical path. Tyson’s latest EP, “High On Lonesome” reflects that legacy with hints of Gram Parsons, Guy Clark and Willie Nelson.
After seeing Jonathan Clay and Zach Chance, Jamestown Revival, at an LA Americana event honoring the Everly Brothers I was hooked. They arguably stole the show that night. This was a show that included Rodney Crowell and Bonnie Raitt get there early. JR might be somewhat off the radar but their popularity is growing.
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Cory Branan – High Watt – Friday, September 19, 2014 10:00pm – 10:45pm
Sharp songwriting and an aversion of the lazy trope has made Chuck Ragan and Lucero into fans of Cory Branan. Come see what all the fuss is about.
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Grace and Tony – Station Inn – Saturday September 20, 2014 8:00pm – 8:45pm
Grace and Tony come from a bluegrass and punk rock background respectively. Not just joining in matrimony they fused a hybrid style they describe as Punkgrass. Colliding the worlds of Charlie Poole and The Clash might have been a disaster for some, but they make it work thanks to a love of craft many of live performances in front of adoring fans.
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Lera Lynn – High Watt – Saturday September 20, 2014 9:00pm – 9:45pm
Texas-born Lera Lynn has a hard one to characterize. A little Dusty , a dash of Loretta, leads to a quality to her that make her rock-roots/soul style irresistible.
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Jason Eady – Mercy Lounge – Saturday, September 20, 2014 10:00pm – 10:45pm
Jason Eady’s is the odd man out here. He’s not Americana, he’s country..or at least he’s what country used to be , before it became Americana. Damn it just go see him!
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David Ramirez – The Rutledge – Saturday September 20, 2014 10:00pm – 10:45pm
Austin’s David Ramirez is the textbook definition of a troubadour. A songwriter hammering out hard tales with a guitar and a song. His extensive touring has gained him fans from coast to coast.
With the official demise of the Civil Wars I invite you to turn your wistfully romantic ears toward husband and wife dup Carolina Story (Ben and Emily Roberts.) Though they can get a little more country (read twang) than TCW the Arkansas couple can also plumb the depths of a forlorn soul.
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Joe Fletcher & the Wrong Reasons – The Basement – Sunday September 21, 2014 12:00am – 12:45am
Joe Fletcher’s solo debut ‘You’ve Got the Wrong Man,’ populated with soldiers, scammers, hangers-on, hellraisers, boozers and the woe-begone. Comparisons to Tom Waits would not be far off.
Fragments and glimpses of touring make up the video for Ben Miller Band’s new video for “Life on Wheels.”
This might seem obvious (and cheap!) but these video segments, compiled by BMB one-stringed washtub bass player Scott Leeper fits the rambling song perfectly. It also offers a view on how
hard life on the road can be. So next time your at a live show spring for a shirt or two. That could be the band’s gas money.
It took a while, but it couldn’t have come at a better time. Following their taping for an upcoming Austin City Limits Live the legendary newgrass trio of Nickel Creek was presented with the band’s first platinum record for its Sugar Hill Records debut, Nickel Creek. The band was surprised with special plaques to commemorate the accomplishment by Sugar Hill General Manager Cliff O’Sullivan and Sugar Hill Vice President of A&R Gary Paczosa (who also engineered Nickel Creek.).
“We wanted to be able to share in this moment with Chris, Sean and Sara and where better than this beautiful theater!†Cliff O’Sullivan shares. “Selling a million albums is a tremendous achievement and we are thrilled to be able to celebrate it with Nickel Creek and applaud the enduring success of the album, which is a cornerstone of Sugar Hill’s musical legacy.â€
Nickel Creek, the self-titled album from the acoustic trio, was Certified Platinum by the Recording Industry of America earlier this month, having officially hit one million units of the record sold.
The trio reached another milestone this year as they celebrate twenty-five years of making music together. Currently on tour in support of their latest album, “A Dotted Line,” released through Nonesuch Records, the band continues to wow audiences with their live performances. This year’s tour wraps up in Aspen on Sunday August 31.
8-28 Mesa, AZ – Ikeda Theatre
8-29 Albuquerque, NM – Kimo Theater
8-30 Colorado Springs, CO – Pike’s Peak Center
8-31 Aspen, CO – JAS Aspen Snowmass
Performers like Konrad Wert (Possessed By Paul James) , Scott H. Biram and Hillstomp have been spectacularly creating Depression era country, bluegrass, folk, gospel, and blues music for years by jolting the dusty form with a furious intensity and emotional directness that would make Marcus Mumford sob into his vintage hanky.
We can now add to that the Joplin, Mo. trio of Ben Miller, Doug Dicharry and Scott Leeper, collectively known as The Ben Miller Band.
Producer Vance Powell ( Wanda Jackson,Buddy Guy, Jack White) is just the right man to steward ‘Any Way, Shape or Form,’ TBMB’s debut for New West records, though the many influences that make up what the band calls “Ozark Stomp” and bring out the band’s best effort to date.
Opener “The Outsider” evokes Dock Boggs and split Lip Rayfield as Miller’s clawhammer banjo, Dicharry’s percussion and Leeper’s washtub bass kick up a foggy mountian moshpit accenting by a hot guest slide guitar break by Chad “Gravy” Graves. The spirit of John Lee Hooker is raised in the jump boogie of “You Don’t Know” with a nasty little guitar break in the middle, and in the greasy/sleazy ‘Hurry Up And Wait” which features Dicharry’s blazing washboard work. Things gear down on the melancholy “I Feel for You” which is given a a dreamy quality from the inclusion of Graves pedal steel and Dicharry’s mandoline. The inclusion of the vaudeville-jazz ditty “23 Skidoo”, a 1920’s slang phrase for getting while the getting’s good is an odd twist especially when it grows into a dramatic swell. “Burning Building” is an Appalachian-meets-garage rocker that would make Jack White give a pasty smile.
the treatment given to the traditional folk ballad “The Cuckoo.” The internal dialogue of the piece occurs in a fever dream of roots-psychedelic, stabbing guitar, musical spoons and furious percussion. “Twinkle Toes,” is a jaunty lock-down break-down sing-along featuring blistering dobro. “Life on Wheels” kicks off like a “Whiskey River” remake but quickly breaks another direction as harmonica brings to mind a whining train whistle. “No War,” is a lofty Phil Ochs-style topical folk song calling out corruption and ponders the metaphysical.
“Any Way, Shape or Form” is work of considerable scope executed into a whole of rambunctious cohesion. It leaves you wondering what else Ben Miller Band might have up their sleeves.
I’m really looking forward to this self-titled release from Austin’s punkgrass band Whiskey Shivers. Now the reveals of the Homer & Jethro-inspired cover for the album ahs amped up teh anticipation.
I’ve yet to catch these boys live but I’ll make up for that when I catch a NorTex stop.
From the release:
“Whiskey Shivers isn’t just the five of us on stage, it’s everybody in the room,” (frontman and fiddle master Bobby) Fitzgerald says. “We try to bring everybody into the moment and get them to realize there’s no wall between us and the crowd. We’re all in this together, and we’re all here to have a good time. We’ll do our best to facilitate it, but it takes all of us to make it happen. When you start to feel that, you can’t help but feel a little attachment and become invested in the show. You realize, ‘Oh, I’m here to have good time too!'”
Despite their joyful demeanor, the guys in Whiskey Shivers aren’t pretending that life is always easy. Far from it, Fitzgerald explains. Their new self-titled album, out September 23 and produced by fellow roots music boundary-pusher Robert Ellis, is heavy with traditional bluegrass themes and imagery lamenting universal struggles – work, pain, sin, regret and death.
It’s in the contrast where Whiskey Shivers’ music shines. They infuse their songs with punk rock energy and a darkly comical light-heartedness, stretching the bluegrass genre to fit whatever they feel is right. For them, being happy is a conscious choice, and making fun of life’s struggles is part of their philosophy.
“We’re all going through s**t all the time. We recognize that life’s tough,” Fitzgerald says. “We try to write songs that recognize the hard times that we all share. When you put your problems out on the table where everyone can see them, it doesn’t really have the same power over you any more, and you can start to acknowledge it, separate yourself from it, and go on with your life. Try to take a night where you can forget about your problems and just feel good, have a good time with your friends, make new friends, and be part of a little community for a while.”
That sort of musical honesty is what brought together the ragtag group of string players from small towns around the country to Austin, TX, where Whiskey Shivers was formed when stand-up bassist Andrew VanVoorhees answered a dubious Craiglist ad from a man named “Bob” looking to form a bluegrass band.
The full lineup now consists of Bobby Fitzgerald (vocals, fiddle) from Dundee, NY, Andrew VanVoorhees (bass, vocals) from Prineville, OR, Joe Deuce (washboards) from Vider, TX, Jeff “Horti” Hortillosa (vocals, guitar) from Middlesboro, KY, and James Bookert (banjo) from Georgetown, TX.
Whiskey Shivers will hit the road hard this summer and fall, including sets at the Americana Music Festival in Nashville and a string of dates with the Legendary Shack Shakers. See below for a full list of dates.
Fitzgerald admits that it can sometimes seem impossible to maintain such a high level of energy night after night on the road. “Well, it can seem that way, up until the moment the show starts,” he says. “We could have a really tough day, driving through bad weather on no sleep, feeling like s**t, the sound is terrible, or whatever else is going on that day. And then as soon as we start playing, it all just kind of falls away. All of the sudden we’re having a good time again, and the momentum carries itself. That’s why we’re doing this, because we love it.”
Like Willie did in the 70’s with the rednecks and hippies, Old Crow Medicine Show brought Affliction shirt bro-country fans and amply bearded roots-music hipsters together. Except on this sizzling Friday evening in Dallas it wasn’t the burgeoning Outlaw sound the crowd came to hear, it was a reflection of yesteryear served up with contemporary punch. Perhaps a new Outlaw sound.
The band hit the stage running promptly at 9. The moseying tale of incarcerated delight, “Brushy Mountain Conjugal Trailer,” kicked off the evening resulting in joyous hoots and hollers from the capacity House of Blues crowd.
New tunes selected from their excellent recent release “Remedy” meshed seamlessly with road tested classics from their extensive repertoire. Like the medley mash-up of Bootlegger’s Boy/8 Dogs/White Face, it all fit like a hand-made quilt albeit from your crazy Aunt Betty.
New selections also set the occasion, front-man Ketch Secor to inform the crowd that “Sweet Amarillo,” the latest collaboration between OCMS and Bob Dylan, was to be played live for the first time in the Lone Star State. This being a song about a Texas city being played in Texas that went over with great appreciation.
Many selections came from the band’s 2009 release “Tennessee Pusher.” Crowd favorites like Caroline, Alabama High-Test, , the double entendre toe-tapper Mary’s Kitchen and trailer-park party anthem “Humdinger” had the crowd singing along to every drawled syllable at lung-splitting levels. “If you’re not a folk singer we’re going to have a humdinger.” We were!
In the style of their namesake Old Crow live taps the showmanship of the crowd-beckoning horse and wagon snake oil entertainers. Except once enticed to gather, the miracle elixir the band dispenses soothes the soul and quenches the need for elusive authenticity, a characteristic most recently tied to punk rock. We hear in themes of struggle of poverty, the corrosion of war, and lure of temptation and the celebration of a good time as a live example of the twisted roots in of the common arts of punk, folk and country in all it’s DIY glory.
Showmanship didn’t mask a lack of masterful instrumentation. In true bluegrass style (except for the dreaded drum kit) of breakneck virtuoso playing and solo trade-offs did abound. There’s is no slacking in the band, no coasting. Each song is tight, even the loose ones, and executed with a rambunctiousness that makes it appear to be ready to swerve off a cliff and bust into moonshine-fueled flames.
Live the Old Crow Medicine Show makes their better-known acolytes Mumford & Sons, The Avett Brothers and The Lumineers look like greenhorns. Their recent success with Darius Rucker covering Wagon Wheel, joining the Grand ‘Ol Opry and becoming recipients of the Trailblazer Award at the Americana Honors & Awards Show makes this tour even sweeter.
And on this night Old Crow Medicine Show does what they do best. Remind is what great music sounds and looks like. And proves there’s a little hillbilly in all of us.
Set list:
Brushy Mountain Conjugal Trailer
Alabama High-Test
Caroline
Tennessee Bound
Firewater
Bootlegger’s Boy/8 Dogs/White Face
Sweet Amarillo
Mary’s Kitchen
Shit Creek
Humdinger
Ol’ Hairy Mole/Ruckus
Cumberland River
Saginaw, Michigan
C.C. Rider
People Get Ready
Tell That Woman
Warden
Dearly Departed
Carry Me Back To Virginia
Fall On My Knees/Tear It Down
Wagon Wheel
Cocaine Habit/Tell It To Me
Encore:
Long As I Can See The Light
Wreck of the Edmund Fitzgerald
Alice Gerrard is a legend in roots music. Her 40-plus year music career began at Antioch College where her exposure to folk music and, after graduating, she moved to Washington D.C. She then pivoted her piano training into mastering the banjo and guitar and became part of the thriving folk and bluegrass scene.
Her careers includes collaborations with Hazel Dickens, her former husband Mike Seeger, The Harmony Sisters, filmmaker Les Blank, traditional fiddler and banjo player Tommy Jarrell, banjo player Matokie Slaughter, and others.
On Sept. 30th, 2014 on Tompkins Square will release Gerrard’s new album ‘Follow The Music.” The album is produced by M.C. Taylor (Hiss Golden Messenger) and features members of Hiss Golden Messenger and Megafaun. ‘Follow The Music ” is the follow-up to 2013’s Kickstarter-funded “Bittersweet.”
On this, the occasion of her 80th birthday, please enjoy “Boll Weevil” from ‘Follow The Music. ”
The Americana Music Association continues its tradition of showcasing some of the best in Americana and roots music by it’s partial roster of Americanfest performers released today.
Though the lineup doesn’t show any groundbreaking direction, I’m fine with that. There are lots of folks on the list that have been busting their hump for years and deserve this recognition rather then inserting acts to placate outsider accusations of one thing or another. Personally I’m happy to see Casa Twang favorites Howlin’ Brothers, Jamestown Revival, John Moreland, Lera Lynn, Marah and Ben Miller Band on the bill. And Texas is well-represented by Billy Joe Shaver, Sarah Jarosz, Jason Eady and Hayes Carll
The event is celebrating its 15th as the premier Americana event by welcoming 160 performers taking the stage at 11 venues including 3rd & Lindsley, The Basement, City Winery, High Watt, Cannery, Mercy Lounge, The Rutledge, Station Inn, Music City Roots, Downtown Presbyterian Church and Musicians Corner.
Three-time Americana Group of the Year, The Avett Brothers, will headline the event at Riverfront Parl on Saturday Sept. 20. Americana’s Music Festival & Conference registrations will have access. Tickets for the general public will go on sale Friday, June 27 at 10AMat www.ticketfly.com.
The first half of Americanafest’s performing artist list includes:
Allison Moorer
Amy Ray
Angaleena Presley
The Avett Brothers
The Barefoot Movement
Ben Miller Band
Billy Joe Shaver
Black Prairie
Brennen Leigh and Noel McKay
Buddy Miller
The Cactus Blossoms
Carlene Carter
Caroline Rose
Chatham County Line
Chuck Mead
Danny & The Champions of the World
The Deadly Gentleman
Del Barber
The Deslondes
Doug Seegers
The Duhks
The Dustbowl Revival
Emily Barker & the Red Clay Halo
Ethan Johns
The Fairfield Four
The Grahams
Grant-Lee Phillips
Green River Ordinance
Greensky Bluegrass
Gregory Alan Isakov
Greyhounds
The Harpoonist & the Axe Murderer
Hayes Carll
Howlin’ Brothers
Immigrant Union
Israel Nash
Jamestown Revival
Jason Eady
JD Wilkes & the Dirt Daubers
Joe Henry
Joe Pug
Joe Purdy
John Moreland
Jonah Tolchin
Jonny Two Bags
Josh Ritter
Joshua James
Lake Street Dive
Lee Ann Womack
Leo Welch
Lera Lynn
Marah Presents: Mountain Minstrelsy
Marty Stuart
Matthew Ryan
McCrary Sisters
Nathaniel Rateliff
New Country Rehab
Oh Susanna
Otis Gibbs
Parker Millsap
Paul Thorn
Pete Molinari
Quebe Sisters Band
Rhett Miller
Robbie Fulks
Robyn Hitchcock
Rodney Crowell
Ruthie Foster
Ryan Montbleau
Sam Outlaw
Sarah Jarosz
Sean Rowe
Shakey Graves
Suzy Bogguss
Todd Snider & Friends
Tom Freund
Tony Joe White
Trigger Hippy (feat. Jackie Greene, Joan Osbourne, Steve Gorman, Tom Bukovac & Nick Govrik)
Whiskey Shivers
Willie Watson
The 15th annual Americana Music Festival & Conference occurs September 17-21, 2014 in Nashville, Tenn. The 13th annual Americana Honors & Awards Show on Sept. 17 at the historic Ryman Auditorium.
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