Elvis Costello on David Letterman

Anyone catch Elvis Costello on David Letterman last night? He played the title cut from his new Americana album Secret, Profane & Sugarcane Costello was joined onstage by Americana legend Jim Lauderdale.

This isn’t the performance (I will post it when I find it) but it is Letterman from ’96 and pretty sweet rendition of Emmylou and Gram Parsons’ Love Hurts.

[youtube]http://www.youtube.com/watch?v=ojsVB7idTLw[/youtube]

The New York Times Reviews George Strait

  • The New York Times has a nice review of George Strait’s performance at New Jersey’s PNC Bank Arts Center. They discribe the Texas country music legend as “Sinatra with a deep tan.”
  • In honor of the upcoming Fathers Day the fine folks at the 9513.com have posted 30 Songs About Dads.

And because eveyone needs a little something to smile about on Monday, here ya go folks:

[youtube]http://www.youtube.com/watch?v=O6WD1yzQscE[/youtube]

Album Review – Gretchen Peters With Tom Russell – One to the Heart, One to the Head (Scarlet Letter Records)/Buddy and Julie Miller – Written In Chalk (New West)

These days duets are more like joint corporate sponsorships than a simpatico union of the heart and mind through song. Great male and female collaborations transcend their individual craft and emerge with something altogether new and remarkable. Kitty Wells and Red Foley, Ferlin Husky and Jean Shepard, George Jones and Tammy Wynette, Johnny and June – they made music that was more than the sum of their already amazing parts.

The Americana world seems to be coming into its own in the duet field. What arguably began with Gram Parsons and Emmylou Harris got a real boost with 2005’s Begonias featuring Whiskeytown and Tres Chicas’ Caitlin Cary and her friend singer/songwriter Thad Cockrell. 2007 saw Robert Plant, Alison Krauss and T. Bone Burnett’s  Raising Sand set a standard for craft as well as sales. Now 2009 has already endowed us with two dazzling releases that build handily on this legacy.

Gretchen Peters is no stranger to the world of Nashville songwriting. Her songs have been recorded by Trisha Yearwood, Pam Tillis, George Strait, Martina McBride, and Patty Loveless who was nominated for a 1996 song of the year Grammy for Peters’ “You Don’t Even Know Who I Am.” for such a prolific songwriter it’s surprising that her seventh solo album, One To The Heart, One To The Head is a covers album. On it she partners with L.A. native, El Paso resident and Renaissance man Tom Russell who penned one song, Guadalupe, co-produced and painted the album cover image of what looks like a stylized dead horse. Russell knows his way around songwriting, his songs have been covered by Johnny Cash, Nanci Griffith, Dave Alvin and Suzy Bogguss as well as 16 solo releases. These are two heavyweights and they bring their considerable collective talents to bare on a great release.

OTTH,OTTH is referred to as a “western album” which Peters tapped into her earlier life in Boulder, Colorado to draw inspiration. The instrumental opener North Platte does set a western landscape with a Elmer Bernstein or Jerome Moross sense of expanse as well as gravity. The landscape contracts just a bit for the stark and beautiful Prairie In The Sky which beautifully highlights Peter’s shimmering trill as she floats over cello and piano accompaniment. Bob Dylan’s Billy 4, from the soundtrack to Sam Peckinpah’s film Pat Garrett & Billy The Kid, gets a serious borderlands infusion with Joel Guzman’s extraordinary Conjunto-style accordion and Russell bringing his silky-graveled voice counter to Peters’.

Tom Dundee’s tale of cultural isolation shines as the classic country sound of These Cowboys Born Out Of Their Time and with Russell’s end of the road lament Guadalupe woe never sounded so good. The accordion and barrel house piano that kicks off Bonnie Raitt’s tequila fueled barroom sing-along Sweet & Shiny Eyes sets just the right cantina vibe. It takes guts to cover a Townes Van Zandt song and Snowin’ on Raton is done with delicate beauty and  a proper sense of deference. If I Had a Gun furnishes this album with its title. “If I had a gun you’d be dead. One to the heart, one to the head. If I had a gun I’d wipe it clean, my fingerprints off on these sheets. They’d bury you in the cold hard ground, fist full of dirt would hold you down. They’d bury you in the cold hard ground, it’d be the first night I sleep sound.” Peckinpah would be proud.

Gretchen Peters Site | Tom Russell Site | Buy

Buddy Miller was featured on the cover of the No Depression’s final issue last year. The bible of alt.country/Roots/Americana declared Miller the Americana journeyman the Artist of the Decade and it’s hard to argue he’s not. On top of his great solo work Miller played lead guitar and provided backing vocals for Emmylou Harris’s Spyboy band, performed with Steve Earle on his El Corazon tour, performed on Jimmie Dale Gilmore’s 2000 album Endless Night and appeared on several albums by songwriter/singer Lucinda Williams. Most recently Miller has been busy performing lead guitar and backing vocal duties for Robert Plant and Alison Krauss’ Raising Sand touring band. Julie, his wife of over 20 years, is no slouch either with six solo albums, and three collaborating with Buddy, under her belt. Her songs have been covered by Dixie Chicks, Linda Ronstadt, Lee Ann Womack, Emmylou Harris, Julie Roberts and others.

But as prolific as they are Written In Chalk is their only their third collaboration in their first over six years, and though both Buddy and Julie share vocal duties the real magic comes when Julie’s lyrics are swathed in her world-weary angel vocals and complemented by Buddy’s chameleon-like guitar picking that’s been hewed by years of studio sessions.

Buddy and Julie collaborated on Wide River which was later recorded by Levon Helm and the superb album opener Ellis County, a song aching for the good old/hard days, is cut from the same Steinbeckian gingham. Robert Plant described Gone Gone Gone (Done Moved On) from Raising Sand as “shimmy music” and Gasoline And Matches has the same vibe, swamp mud guitars and bad ass drums. Julie winsomely sings Don’t Say Goodbye which features Patty Griffin who has the good sense to lend only a supporting role to Julie’s already elegant voice.

Robert Plant lends restrained support for Buddy in a backwoods rendition of Mel Tillis’ What You Gonna Do Leroy which is reported to have been recorded in a dressing room at Toronto’s Molson Amphitheatre during the Raising Sand tour. The song sounds like the source material for a thousand rock songs not least of all Eddie Cochran’s Summertime Blues. A Long, Long Time exquisitely shows off Julie’s  smoky jazz side and Patty Griffen makes an appearance on the excellent cut Chalk. As good as she is Griffen is she seems superfluous when you have Julie Miller at your disposal. Hush, Sorrow is a pensive beauty with Buddy accomapnied by Regina McCrary. Agian I say, when you have Julie Miller….

Smooth is another “shimmy” style swampy rocker with Buddy and Julie sharing vocals. Julie show up on another delicate beauty with June which was written and recorded as a tribute the day June Carter Cash died. The song is justly somber and celebratory. The Selfishness Of Man is a slow motion testament on hope featuring Emmylou Harris. I love Emmylou but my earlier comments on Patty Griffin’s appearances still apply. Julie would have been a better choice.

Buddy & Julie Miller Site | Buy

Buddy Miller Recovering After Heart Surgery

Buddy Miller, one of Nashville’s most prolific singers, songwriters, guitarists, recording artists and producers suffered a heart attack in Baltimore, Md., on Thursday, Feb. 19. He was on tour with Emmylou Harris, Patty Griffin and Shawn Colvin; the tour is dubbed “3 Girls And Their Buddy.”

Miller, 56, was taken to John Hopkins Hospital in Baltimore, and he underwent a triple-bypass heart surgery on Friday, Feb. 20. The surgery was successful, and Miller will likely be recovering in Baltimore for several weeks.

Named the “Artist of the Decade” by No Depression magazine, Miller has written songs that have been recorded by the Dixie Chicks, Lee Ann Womack, Brooks & Dunn and others. He is a veteran of Harris’ Spyboy band, and in the past year he has been touring as a featured instrumentalist in Robert Plant and Alison Krauss’ band. He has produced albums for Solomon Burke, Allison Moorer, Jimmie Dale Gilmore and others. Miller has lately been producing a new album for Patty Griffin. He has been called “the best country singer” alive by Steve Earle.

Miller is married to Nashville singer-songwriter Julie Miller, and the pair have a duo album coming out on New West Records on March 3. (source: tennessean.com) Update: Word is that Miller didn’t actually have a heart attack, but was experiencing chest pains when he was taken to the hospital.

Buddy Miller – Written in Chalk

[youtube]http://www.youtube.com/watch?v=C4b7ECl81uc[/youtube]

Country Acts and the Superbowl Halftime Show

  • Bill Chapin at MLive Music is posting his “entry in my Albums of the Aughts series, highlighting 50 great or near-great albums released since Jan. 1, 2000.” Albums of the Aughts No. 5 is the old time music juggernaut from  Dec. 5, 2000 the T-Bone Burnett produced  “O Brother, Where Art Thou?” soundtrack featuring Alison Krauss, Gillian Welch, bluegrass legends Norman Blake and Ralph Stanley and Grand Ole Opry members Emmylou Harris and The Whites.
  • PopMatters‘ Bob Proehl posts a story on the history of the spiritual/secular divide in country music  (Hank’s Other Side: Religion, Radio, and the Roots of Country Music) and how marketing and technology (radio) helped shape tactics like Hank Williams’ Luke the Drifter character to meet the artists desire to record spititual and gospel songs.
  • The Bluegrass Blog covers Steve Martin’s hosting of Saturday Night Live (his 15th time , outlapping Alec Baldwin’s 13 times hosting SNL.) Martin plays “Late for School” from his upcoming bluegrass tinged banjo showcase album The Crow.
  • The Boss and the East Street Band did a great job for the 43rd superbowl halftime show, and it got me to thinking “When was the last time a country act had that gig?” Checking the all-knowing Wikipedia, that would be 1994’s Superbowl 28 (or XXVIII for you purists) Rockin’ Country Sunday featuring Clint Black, Tanya Tucker, Travis Tritt and The Judds. And yes I did exclude Shania Twain’s Superbowl 32 and Kid Rock’s  Superbowl 33 .

Naked Willie

The fine folks at the 9513 have a couple of great posts I wanted pass along. First Vanessa Grigoriadis at Rolling Stone writes that aside from Willie Nelson’s project with Asleep at the Wheel, he has another album slated for early ‘09 titled Naked Willie. Like the Beatles 2003 release  Let It Be…Naked sans the original release’s Phil Spector “Wall of Sound” orchestral overdubs and embellishments, Naked Willie will contain Nelson’s RCA recordings from 1966 to 1970 without the original’s strings and “embellishments.” The release will be produced by Willie’s long time harmonica player Mickey Raphael.  “For the album cover,” says Raphael, “Willie took a picture of himself with his iPhone while he was in the bubble bath, and sent it to me.” (originally posted at Still Is Still Moving)

Second, after searching in vain for an original recording of Buck Owens’ 1979 duet with Emmylou Harris, “Play Together Again Again” the Whooping Llama blogger bought the original 45 online and made it available as a spacial Christmas gift to his (her?) readers.

Happy Birthday Gram Parsons

Gram Parsons was (November 5, 1946 – September 19, 1973) was the godfather of two sub-genres of country music, alt.country and country rock, or what he coined as “cosmic American music.) He was also the man that brought  Emmylou Harris from folk to country music and led Keith Richards toward country music that showed up as influences on Exile on Main Street and Sticky Fingers. Gram’s legacy can still be felt today and many artists owe him a debt of gratitude.

Gram Parsons – “Return of the Grievious Angel”

[youtube]http://www.youtube.com/watch?v=i7w8vIVnVhc[/youtube]

Keith Richards – Hickory Wind

[youtube]http://www.youtube.com/watch?v=ZZVVamm7g30[/youtube]

Hardly Strictly Bluegrass 8

Just a few shots from the excellent Hardly Strictly Bluegrass 8 at San Francisco’s Golden Gate Park. A tip of the hat to investment banker, banjo player and member of the Bluegrass band The Wronglers Warren Hellman, who finances this gift to San Francisco every year and offers some of the greatest roots performers in the country. I don’t know how or why,  but I was taught to never look a gift horse too closely in the molars. Thanks!

Del McCoury to Release “Moneyland”

  • Del McCoury’s new release,  Moneyland (7/8), wants to raise awareness of serious economic issues facing Americans today through a thoughtful selection of six new (or newly recorded) songs, mixed with eight neglected gems and classic favorites that offer a hard-hitting look at today’s economic injustice. In addition to songs from the Del McCoury Band, the album features songs from Marty Stuart, Merle Haggard, Emmylou Harris, Bruce Hornsby along with the Fairfield Four, Chris Knight and others.
  • The Dallas Morning News’ Mario Tarradell opines on the mixed success of several pop country crossovers.
  • PopMatters.com really digs Alejandro Escovedo’s new release “Real Animal” (Back Porch). They also dig (though a tad less so) a newly discovered treasure for me Slim Cessna’s Auto Club’s “Cipher” (Alternative Tentacles)
  • Kathy Mattea performed at the Roseburg’s Stewart Park Music on the Half Shell summer free concert series.
  • From Country HoundAfter an eight-year hiatus, Randy Travis is making his return to the Country Music industry with his new album, Around the Bend (7/15.)

Pitchfork.com Interviews Emmylou Harris

Pitchfork.com has a great interview with Emmylou Harris about her new release All I Intended to Be (NoneSuch) song writing routines, about her many collaborations and his she’s traveled the tough country music and come out in one

Pitchfork: You’ve been associated with a lot of very inspired but also very hard living guys. How have you managed to move in the same circles as people like Gram Parsons and Steve Earle and survive?

EH: Well, Steve Earle wasn’t hard living by the time we started working together! [laughs] I was only around Gram for a very, very brief period of time. I was pretty much the country mouse. When I was around Gram, he really trying to straighten up. We spent most of our time singing, and you can’t get all screwed up and sing. So the time we spent together was a pretty healthy time. I wish I could have spent more time around him. Maybe I could have helped him a little bit. But there’s no point in looking back.

[youtube]http://www.youtube.com/watch?v=f_OKQqtmp0o[/youtube]