” You Can’t Change What Comes From Your Heart” An Interview with Escondido

PageImage-500357-4365215-Escondido1LG

The first time I heard Nashville-based Jessica Maros and Tyler James, collectively knows as Escondido, it was the video for their garage-country noir song Bad Without You I was hooked. I even used the song on my podcast. I told you I was hooked.

There were shades of contemporaries Nikki Lane and Fist Aid Kit, but then again embodying a sound all their own.

Jessica and Tyler were kind enough to answer some questions a few days after their debut on the Conan O’Brien show (see below) about their chance meeting, their excellent taste in influences, and how it feels to have David Lynch as a fan.

Twang Nation: You recorded the album in a single day, What was the rush? Was there some limit on resources?

Tyler: Although it was really nice to save money on studio time… tracking the album in one day was intentional. Jess and i spent two months arranging the songs before hand so there wasn’t much confusion when tracking. I wanted to capture that initial instinct in the studio and not second guess ourselves. We started tracking around 10am and were done by 9pm… did around 3 takes of every song and i went through after and chose my favorites. I’m a huge Dylan fan and read alot about how he’d get the best players out there but throw them for a loop so they couldn’t over-think it.

Jessica: I wanted to capture a moment. Its interesting when you put a group of people in a room and see what happens.Tyler had a great knack for finding the right musicians, we really vibed off each other. We play the songs so much better now but back then….there was naivety about it. The song ‘Don’t love me too much’ was literally written on the spot. I had only a chorus and a verse and we were going to keep it as an Interlude. Once we started jamming it turned into a song and I wrote the second verse on the fly. Those are moments that I wish to relive on a daily basis. You can’t plan that.

TN: Your meeting was a happenstance occurrence. When did you realize you were kindred spirits?

Tyler: Right away… Jess starts most of the songs and they immediately get my wheels spinning on all the possibilities. We share a lot of musical influence but she keeps it simple and i lean towards the complex, so it balances out well.

Jessica: I agree with Tyler… The moment he started creating a drum beat for ‘Rodeo Queen’ we were instantly on the same page. I’ve worked with a lot of musicians throughout the years and nobody could understand the simplicity of my writing. Tyler took it to another level. We don’t even need to talk about it. I’ll start an idea send it to him and he makes it better. We have the same vision.

TN: Who did you listen to growing up?

Tyler: Mostly 60s/70s stuff… Bob Dylan, Paul Simon, Neil Young, Joni Mitchell, Beatles, Tom Petty, The Band, Beach Boys, Randy Newman, Rolling Stones, Bill Withers, Tom Waits, Shuggie Otis, Bread, Pink Floyd, Led Zeppelin, Judee Sill, Al Green, John Denver, Fleetwood Mac, Stephen Bishop

Jessica: I grew up with Slovakian immigrants so my musical taste never got cool until I had a boyfriend in eighth grade that introduced me to Smashing Pumpkins, Fiona Apple, Rufus Wainwright. Than I met a guy in a bar I worked at who taught me guitar and introduced me to Jimi Hendrix, Neil Young, Phoebe Snow, Little Feet, Steely Dan and I was hooked. He changed my life.

TN: Were you given formal music lessons?

Tyler: I took 10 years of piano lessons and 5 years of trumpet lessons.. made it a lot easier to pick up stringed and rhythm instruments down the road

Jessica: I had piano lessons for 5 yrs and never got good at it. I always wanted to play violin but my dad never took me seriously. Than I was given a guitar by a friend and taught myself. I watched youtube videos to learn guitar chords. I don’t consider myself a guitar player though. I just use it to write.

TN: The album has a Ennio Morricone vibe about it. Was he an influence?

Tyler: Yes definitely. My dad is a huge Clint Eastwood fan so the interest started there… but we’d start every day of pre-production listening to all of Morricone’s stuff as well as his counter parts. Burt Bacharach has a lot of killer compositions in the vein as well.

Jessica: Yes he was. We wanted to create a soundtrack to our life using his influence with a pop sensibility to it.

TN: What other band(s) influence you?

Tyler: I was on a huge Tom Petty, Rolling Stones kick while making the record.. i love the short/hooky songs where the rhythm and groove is a big part of it sound. Having the drums prominent in the mix isn’t limited to the club music happening right now.

Jessica: I’m a huge Chris Isaak fan. If I could write a songs like Neil Young, I’d retire. Sometimes you can’t change what comes from your heart so you just go with it. When I sit down and write a song I really want to make sure its coming from a truthful place.

TN: David Lynch tweeted that he really loved your song “Black Roses.” How did you feel about that?

Tyler: I’m a huge Twin Peaks fan so it obviously meant a lot… although the word ‘tweet’ in general is problematic 🙂

Jessica: I woke up Monday morning with my phone going crazy. I should have video taped it. The strangest thing is that he was mentioned as an influence for our ‘Black Roses’ video. Interesting what happens when you put those thoughts into the world and it comes back to you in the strangest ways.

TN:Jessica’s other profession is in clothing and jewelry design. How did it feel to be featured artist in Vogue.com?

Jessica: It was surreal. I’m grateful I was mentioned through music rather than fashion. Fashion is another outlet for me but music is my life. The fact that Vogue featured me in my dream profession was an indication that I’m on the right path.

TN: “Black Roses” has been featured on CMT and NPR. Those demographics that aren’t typically bridged. Why do you think you appeal to a broader audience?

Tyler: Perhaps because it’s the world we come from. We’re heavily influenced by our Nashville home but we listen to as much new music as we can. We all should be students of our own profession… start with the classics but not be limited by them.

Jessica: Not sure to be honest. We’re just going with the flow of things, I don’t think you can control who your audience is. Some bands cater to a specific sub culture but we’re just having fun creating our own little world and hoping people will join us!

TN: If you could perform on stage with any artist living or dead who would it be?

Tyler: That’s a tough question… probably Neil Young or The Band. Having a some wine and an axe up at Big Pink would have been my jam.

Jessica: I’d love to perform with Tom Petty and if I could be on stage with Bob Marley in my next life….that would make for a happy ending.

Escondido will perform with The Staves on an East Coast tour this May. check their site for more upcoming dates.

Levon Helm Documentary To Open in Woodstock, N.Y.

levon healthOn Saturday (April 13), nearly one year to the day after his death, ‘Ain’t In It For My Health: A Film About Levon Helm’ will open in Helm’s hometown of Woodstock, N.Y.

The documentary has been in the works since 2007, when director Jacob Hatley, who was hired to spend a weekend directing a video for Helm’s Grammy-winning Dirt Farmer, his first studio album since 1982. “Levon and I just happened to hit it off. I just ended up hanging out there. I found an excuse not to go home immediately.” Hatley says

“Jacob was the perfect fly on the wall for many months as we experienced the ups and downs of a wonderful time in all our lives,” Helm’s longtime musical partner Larry Campbell tells Newsday. “The result is a rare, artful, and honest glimpse into the fascinating world of one of our true American treasures, Levon Helm.”

The CD and DVD of the Oct. 3, 2012 tribute tribute concert ‘Love for Levon’ featuring friends, admirers and musical disciples such as Roger Waters, Warren Haynes, Gregg Allman and Lucinda Williams, has recently been released. Proceeds from the concert went to his family to help them keep his barn — the studio and live venue where his famous Midnight Rambles takes place to this day.

Ain’t In It For My Health will screen at Upstate Films in Woodstock on Saturday, April 13 (132 Tinker St., upstatefilms.org). On the same night of the film’s screening, a special “Midnight Ramble” concert will take place in Helm’s Woodstock barn. The doors open at 5 p.m., and the event will feature a barbecue and another screening of the documentary, as well as a performance and Q&A session with The Levon Helm Band. Tickets are $125 and available for purchase at levonhelm.com.

Listen Up! Mavis Staples Collaborates with Jeff Tweedy on “One True Vine” – Releases Funkadelic Cover

MAVIS One True Vine

Mavis Staples comes from Gospel, soul and R&B royalty. Singing in the family band The Staple Singers, led by family patriarch Roebuck “Pops” Staples, she made history by being one of the moost ground-breaking spirituality-based group in America. By the mid-1960s The Staple Singers, helped support the civil rights movement when Pops became close friends with Martin Luther King, Jr. They also had hits with covers of contemporary secular pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.”

According to her Bob Dylan was so taken with her that he asked Pops for Mavis’ hand in marriage. I assume Pops didn’t care for that idea.

With that legacy it’s hard to believe that Staples’ first Grammy was won for the Best Americana Album category You Are Not Alone in 2011. I was at the event and in her acceptance speech a crying Staples said “This has been a long time coming.”

On her upcoming release ‘One True Vine (June 25th – Anti Records) will again partner with You Are Not Alone producer and collaborator Jeff Tweedy.

Tweedy and singer-songwriter Nick Lowe wrote songs specifically for the album. The Wilco frontman and his 17-year-old son Spencer played nearly every instrument on the record. Recorded at The Loft in Chicago, the 10-track album also includes Staples covering Funkadelic and Low.

Listen to her version of Funkadelic’s “Can You Get To That” and check out the full One True Vine track list below.

One True Vine Track List:
1. Holy Ghost
2. Every Step
3. Can You Get to That
4. Jesus Wept
5. Far Celestial Shores
6. What Are They Doing in Heaven Today
7. Sow Good Seeds
8. I Like the Things About Me
9. Woke Up This Morning (With My Mind on Jesus)
10. One True Vine

Shovels and Rope / Third Man Records Contest

Shovels and Rope Johnny 99

Casa Twang is proud to offer the latest from Jack White’s Third Man Records excellent Blue Series. The 7-inch vinyl features Charleston indie-folk duo Shovels and Rope covering Bruce Springsteen’s “Johnny 99” (listen below) on one side and Tom Waits’ “Bad As Me” on the other.

The Third Man’s Blue Series brings singers and bands traveling through Nashville by the third Man Studio to record one or two songs. The songs are then, as soon as possible, made available on 7” vinyl and digitally on itunes. The series also includes releases by Brittany Howard and Ruby Amanfu, Seasick Steve, Chris Thile with Micheal Daves , The Secret Sisters, Wanda Jackson and others.

It’s easy to enter in the contest, just leave a comment below! The picked at random winner will receive the 7-inch vinyl and a CD copy of the release. Winner needs to be located in the United States and will be picked at on 12 PM Pacific Time on Sunday, April 7th. Comment away and good luck!

UPDATE: Amanda Ramsey is the winner! Thanks all for commenting and look for more contests soon!

Watch Out! Steve Martin and Edie Brickell: “Love Has Come For You”

martin brickell

I grew up outside of Dallas and used to head to Deep Ellum on the weekend to see the local bands, like the New Bohemians, play Theater Gallery. Prophet Bar and Club Clearview. later I got to know some members of the band wand was able to see them perform with Bob Dylan and Don Henley. There was even an overnight stay in the Norman OK jail as part of the adventure (long story, buy me a beer sometime and I’ll tell you)

I was proud of our little, local band doing well.

Well band split, Brickell moved to New York City and did some solo work. Oh, and she married some musician names Paul Simon.

When i heard that Brickell would be rording with Steve Martin i had a feeling it was going to be cool. Martin might be a jester but his banjo playing is dead serious and steeped in tradition which he’s proven with his Grammy-nominated work with the Steep Canyon Rangers.

Love Has Come for You, will be released on April 23rd through Rounder Records. 13 new songs that allow Martin’s excellent banjo work to inspire Brickell’s lyrics and vocals. Below you the two talk about working on the album and you get to sample some of the tunes. All in a setting echoing the album’s cover.

The collaboration began when Martin sent Brickell “a tune with no song to it”: “I was so thrilled that you kept sending tunes because they would arrive and there were little stories in them just immediately for me,” she says. “I saw a lot of images and all I had to do was sit back and narrate what I saw.” The two also discuss the album’s double-entendre title, working with producer and beloved British musician Peter Asherand how the LP sounds more like a string quartet rather than a bluegrass album. “My own agent called me up, and he said I hope this doesn’t insult you but this is the best thing you’ve ever done.'”

Martin and Bickell continue to prove my view that all the cool kids are coming to Americana music.

Listen Up! Patty Griffin “Ohio”

Americankid

Patty Griffin has released the first song, Ohio, from her upcoming new record, American Kid. (New West Records)

Griffin wrote the song with additional music arrangement, which has heavy Indian influences, by Band of Joy partner Robert Plant, who also sings harmonies on the track. Other performers are Luther and Cody Dickinson from North Mississippi Allstars on guitar and drums respectively with Doug Lancio and co-producer Craig Ross on guitars and percussion.

American Kid will be released on May 7. The album, co-produced by Griffin and Ross, is her seventh and first for New West. It is her first album of mainly new material since 2007’s Children Running. In between then and now, she made the Grammy Award-winning Downtown Church in 2010 and worked on an album and toured for the Band of Joy alongside Plant.

Griffin debuted American Kid. in a former church in Austin for an invitation-only audience at South-By-Southwest.

Hear Ohio below.

[soundcloud url=”https://soundcloud.com/newwestrecords/patty-griffin-ohio/s-PPvdU” height=”200″ iframe=”true” /]

Watch Out – Lindi Ortega: “Murder Of Crows”

Lindi Ortega - Murder of CrowsMurder of crows is the answer to a classic trivia question, “What are a group of crows called?”

It’s also an excellent song by Canadian roots-rocker Lindi Ortega, from her recent TN 2012 Top Pick Cigarettes & Truckstops

A contemporary take on the classic murder ballad (there needs to be more of those) positioning a female protagonist as the culprit, the video is washed in a striking black and white gauze as Ortega appears armed, with a shovel and donning Día de Muertos skull make-up. Subtle it ain’t.

Ortega’s striking trill pleads for mercy, but claims no remorse, as she confesses murder of a man. Though we never find out what he did to deserve his untimely demise, like the woman abuser in the Dixie Chicks Goodbye Earl, we are asked to assume he undoubtedly deserved it. The sound is a reverb-soaked, noir-roots vibe reminiscent of Furnace Room Lullaby era Neko Case.

I first heard Murder Of Crows oduring Ortega;s own cameo on ABC’S Music Row melodrama Nashville. Like her hero, Dolly Parton, Ortega is delivering great songs like this via contemporary formats to a wider audience.

Murder has rarely sounded so good.

Record Store Day 2013 – Americana and Roots Music Picks

rsd2013

It’s that time again twangers. Yes, Record Store Day 2013 is upon us. The day when us music fans can snatch up slabs of limited pressing vinyl from our favorite artists and help local independent records store to not become bygone relics. That would stink.

This year’s RSD2013 releases offer some great selections from the roots and Americana side of the fence. Willie Nelson demos? Yes please! Waylon Jennings and Old 97s collaboration? Oh yeah!

Check the hilarious video from RSD1013 Ambassador Jack White below, where he details the shady doings of the music industry, the Masons and the NBA draft (sort of) and on April 20th head to your local independent record store to pick up one of the limited edition goodies below.

Head to the official RSD2013 site to get a complete list of releases and participating stores.

https://www.youtube.com/watch?v=etxYxIfDhXc

Chet Atkins
Black Jack EP
Format: 7″ Vinyl
Label: SUNDAZED
Release type: RSD Exclusive Release
More Info:
Previously unreleased recordings by this guitar master
Midnight, Boo Boo Stick Beat, Blackjack, Blue Moon of Kentucky

The Avett Brothers/ Randy Travis
Format: 7″ Vinyl
Label: Warner Music Nashville
More Info:
Limited edition split single. Randy Travis covers the Avett Brothers’ “February”, The Avett Brothers covers the Randy Travis song, “Three Wooden Crosses.

The Band
The Last Waltz
Format: 12″ Vinyl
Label: Rhino
More Info:
3 180 Gram LPs, Numbered RSD Edition. All original packaging with Embossing and two foils. All original inner sleeves plus 12-page booklet. Out of print for more than a decade.

Billy Bragg
No One Knows Nothing Anymore / Song of the Iceberg
Format: 7″ Vinyl
Label: Cooking Vinyl

Blitzen Trapper
Blitzen Trapper Deluxe Reissue
Format: 12″ Vinyl
Label: LidKerCow, LTD
More Info:
Blitzen Trapper’s debut album from 2003 will be available for the first time on vinyl in celebration of it’s 10th Anniversary. The record was remastered by Bruce Barielle and the lacquers were cut by Jeff Powell at Ardent Studios in Memphis, TN. A very limited edition run, the record is pressed on 180g vinyl with a free digital download of the entire record with five previously unheard bonus tracks from the original sessions.

Joe Bussard
Guitar Rag/Screwdriver Slide
DETAILS
Format: 78 rpm 10″
Label: Tompkins Square

Calexico
Spiritoso
Format: 12″ Vinyl
Label: Anti/Epitaph

Kasey Chambers and Shane Nicholson
Rattlin Bones
DETAILS
Format: 12″ Vinyl
Label: Sugar Hill

cookisbell

Elizabeth Cook / Jason Isbell
Tecumseh Valley b/w Pancho & Lefty
DETAILS
Format: 7″ Vinyl
Label: 31 Tigers
Release type: RSD Exclusive Release
More Info:
“Tecumseh Valley” b/w “Pancho & Lefty”
Studio versions of both artists covering Townes Van Zandt. They originally performed these songs on Late Night with David Letterman

cooley

Mike Cooley
Too Pretty To Work
Format: 7″ Vinyl
Label: Cooley Records
More Info:
Record Store Day 7″ featuring 2 live tracks recorded at shows in 2012.
1 – Self Destructive Zones (3:36)
2 – Get Downtown (3:12)

Bob Dylan
Wigwam
Format: 7″ Vinyl
Label: Columbia
More Info:
A – Wigwam (Unreleased Demo,) B – Thirsty Boots (Previously Unreleased) — Two previously unreleased Bob Dylan recordings from the Self Portrait sessions. Includes a demo version of “Wigwam” and the previously unreleased track “Thirsty Boots.” Taken from the forthcoming release, The Bootleg Series Vol. 10.

Justin Townes Earle
Yuma
Format: 10″ Vinyl
Label: Bloodshot Records
More Info:
Previously released debut EP from Justin Townes Earle, now on vinyl for the first time. 10″ vinyl. Colored vinyl (opaque gold). Limited to 1000 copies, for RSD.
The Ghost of Virginia, You Can’t Leave, Yuma, I Don’t Care, Let the Waters Rise, A Desolate Angels Blues

Alejandro Escovedo/Chris Scruggs
78 rpm 10
Format: 10″ Vinyl
Label: Plowboy Records
More Info:
78 rpm 10″ A/B single release of two covers of Eddy Arnold standards by Alejandro Escovedo (A side) and Chris Scruggs (B side) for upcoming “You Don’t Know Me: Rediscovering Eddy Arnold” album project due in May 2013
a side : “It’s a Sin” by Alejandro Escovedo – B side: “Just A Little Lovin’ (Will Go A Long Way” by Chris Scruggs

Giant Giant Sand
Return to Tucson
DETAILS
Format: 12″ Vinyl
Label: Fire / Cargo
More Info:
limited to 1000 copies. 12″LP featuring 8 remixes by John Parish and Ali chant from tracks that featured on 2012’s ‘Tucson’ LP.
SIDE A: Lost love (John Parish + Ali Chant Remix); Undiscovered Country (John Parish Remix); Wind Blown Waltz (John Parish + Ali Chant Alternative Mix); Thing Like That (Ali Chant Extended Version) SIDE B: Carinito (Ali Chant Alternative Mix); Not The End Of The World (Ali Chant Alternative Version); Hard Morning in a Soft Blur (Chris Schultz Extended Version(; Forever & A Day (John Parish + Ali Chant Alternative Mix)

Golden Gunn (Steve Gunn + Hiss Golden Messenger)
Golden Gunn
Format: 12″ Vinyl
Label: Three Lobed / Thrill Jockey
More Info:
Golden Gunn is a collaboration between Steve Gunn and Hiss Golden Messenger. LP comes with a download code. Only 870 made.

Jackie Greene
Love Is A Shining Catastrophe/Sweet Somewhere Bound 7
DETAILS
Format: 7″ Vinyl
Label: self-released
More Info:
7″ Vinyl Single in 4/c jacket with 2 “A” Sides and 5 song digital download.

Patty Griffin
Ohio
Format: 7″ Vinyl
Label: New West
More Info:
This is a single A-side 7” pressed on heavyweight vinyl. The vinyl is black, hand-numbered 1-500, and Patty will sign Side B on 25 of the records, which will be randomly distributed. This song is from her forthcoming album, American Kid, due out 5/14/13. This will come in an all white sleeve with a stamped logo and a stickered UPC.

IMAGINATIONAL ANTHEM VOL. 6 : ORIGINS OF AMERICAN PRIMITIVE GUITAR
Format: Gatefold Vinyl Ltd 1500
Label: Tompkins Square
If American Primitive Guitar begins with John Fahey and the Takoma School, then the actual origins of this sound is found within this collection of fourteen classic solo guitar performances. Recorded between 1923 to 1930, this set is the “Rosetta Stone” of style and repertoire tapped into deeply by Fahey, Basho & Rose, among many others. Sam McGee, Riley Puckett, Bayless Rose, Sylvester Weaver, Lemuel Turner, Frank Hutchison and Davey Miller are the rural artists included in this anthology. Each one of these showcases a particular technique and sensitivity sourced from the earlier 19th century parlor guitar tradition. Several of these sides are reissued for their first time including Sylvester Weaver’s “Guitar Blues” which is the first solo finger picked guitar solo ever recorded. Stunningly remastered and annotated by Christopher King.

Iron and Wine
Next to Paradise/Dirty Ocean
Format: 7″ Vinyl
Label: Warner Bros.
Release type: RSD Exclusive Release

Sarah Jarosz
Live At The Troubadour
Label: Sugar Hill

tift

Tift Merritt
Markings
DETAILS
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
4-song 12″ featuring an unreleased track, a live track and two acoustic tracks from Traveling Alone. Covered with a tactile cross-stitched/embroidered record cover.

Mumford & Sons
Live at Bull Moose
DETAILS
Format: 10″ Vinyl
Label: Glassnote
More Info:
“””I Will Wait”” “”Ghosts That We Knew”” “”Where Are You Now”” “”Awake My Soul”” — 3 or 4 songs from their bull moose instore – 10″” version”

WillieNelsonCrazyVinyl.indd

Willie Nelson
Crazy: The Demo Sessions
Format: 12″ Vinyl
Label: Sugar Hill
More Info:
When Willie first got to Nashville he cut some demos for Ray Price and Hal Smith’s publishing company, Pamper Music. Though these cuts were used to pitch songs to artists (including ‘Crazy’ for Patsy Cline) and producers, many weren’t released. These 1960-1966 tracks are raw, real and really good, clearly the work of an artist/songwriter headed for stardom.

Willie Nelson
Someday My Prince Will Come
Label: Legacy

Waylon

Waylon Jennings / Old 97s
Format: 7″ Vinyl
Label: Omnivore Recordings
More Info:
2 x 7″
Two tracks from Old 97s sessions with Waylon Jennings, and two additional Old 97s demo tracks. Cover art by Jon Langford of the Mekons and Waco Brothers, and famed painter of country icons.
Iron Road The Other Shoe, Visiting Hours (1996 demo), Fireflies Take 2 (1996 demo)

Gram Parsons
Gram Parsons & The Fallen Angels-Live 1973 7
Format: 7″ Vinyl
Label: SIERRA
More Info:
Originally released in 1982 as a bonus 7″ EP to Sierra Records “Live 1973” LP release of Gram Parsons with Emmylou Harris with full color sleeve.
Side One: Medley- Bony Moronie, 40 Days, Almost Grown Side Two: Conversations, Doing It in the Bus, Broken EBS Box, Hot Burrito #1

Phosphorescent
Aw Come Aw Wry
Label: Misra Records
More Info:
Previously released title from Phosphorescent, and one of the best-selling, on Misra. This will be the first time that it is available on vinyl.

CHARLIE POOLE & THE HIGHLANDERS : THE COMPLETE PARAMOUNT & BRUNSWICK RECORDINGS, 1929
Vinyl w/ Poster Ltd 1500
From 1926 to 1930 one of the most popular rural string bands on record was Charlie Poole & The North Carolina Ramblers. Through their 78 RPM discs and their various performances, Charlie Poole was second only to Gid Tanner and His Skillet Lickers. Poole’s uniquely syncopated three finger banjo picking style coupled with his Piedmont vocal inflections eventually colored and defined much of what we consider “old-time” music. The classic configuration of banjo, fiddle and guitar with vocals was encouraged by the main label that promoted Poole but he also wanted to record instrumentals featuring twin-fiddle and piano. As renaming his group The Highlanders, Poole was able to actualize this musical vision. This collection contains all of the sides that Poole made with Roy Harvey, Lucy Terry, and twin-fiddlers Lonnie Austin & Odell Smith. Remastered in beautiful sound by Christopher King and with notes written by old-time musician and scholar Kinney Rorrer.

Punch Brothers
“Ahoy!” – 33 1/3 rpm Vinyl EP
Label: Nonesuch Records
For the first time, the EP has been pressed on 10″ vinyl for Record Store Day, and includes songs by Josh Ritter (“Another New World”), Gillian Welch and David Rawlings (“Down Along the Dixie Line”), Punch Brothers (“Squirrel of Possibility”), and Mclusky (“Icarus Smicarus”), along with one traditional tune, arranged by Punch Brothers (“Moonshiner”). Originall yrecorded during the Nashville sessions for their 2012 album Who’s Feeling Young Now?,

Richard Thompson
Salford Sunday
DETAILS
Format: 7″ Vinyl
Label: New West
More Info:This is a single A-side 7” pressed on heavyweight vinyl. This song is off of the release Electric (2/5/13). The vinyl is black, hand-numbered 1-500. Richard will sign Side B on 25 of the records, which will be distributed randomly

Frank Turner
Recovery
Format: 7″ Vinyl
Label: Interscope

Various Artists
Yep Roc Hearsay / They Call It Rock
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
2 Song 12″ on clear vinyl, 24 Yep Roc Artist performing, DVD of recording session, hand made cover

Yonder Mountain String Band
Format: 12″ Vinyl
Label: Vanguard

Listen Up! Neko Case – “That’s Who I Am” from Ghost Brothers of Darkland County

GhostBros_cover_5x5_rgbI haven’t seen the Ghost Brothers of Darkland County, the collaboration by horror author Stephen King and , roots-rocker John Mellencamp and Americana godfather and singer/songwriter T Bone Burnett, but if the soundtrack gives us any insight into the Southern Gothic musical it’s going to be a killer.(heh)

I already posted an Elvis Costello cut from album. Now we have a sweet cut from Neko Case. A femme fatale reels off a long list of libido-fueled plays over a shuffle. I’m willing to go out on a limb and say that Neko’s character is not one of the good guys.

It’s been years since I’ve heard this country music tinged sound from Neko and I am a fan. What do you think? Leave it in the comments below.

June 4th, 2013 as the project’s new release date. Check the trailer for the soundtrack below.

Jason Isbell to Release New Solo Album, “Southeastern” June 11

jason isbell southeastern

Jason Isbell will release Southeastern on June 11 via Southeastern Records/Thirty Tigers. This will be his second solo album since 2007’s debut Sirens of the Ditch released shortly after his split from the Drive-By Truckers. Southeastern contains 12 new Isbell compositions and reportedly has “some of the most personal songs of self-reflection and discovery he has written to date.”

Southeastern is a more personal release from Isbell as he deals with new beginnings, like the recent marriage to Amanda Shires and his now yearlong sobriety, without being mawkish pr getting on a soapbox.

The album will offer a duets with Amanda shires Traveling Alone and Stockholm with Kim Richey and will feature 400 Unit members Derry deBorja (keyboards) and Chad Gamble (drums.) The album was produced by Dave Cobb (Jamey Johnson, The Secret Sisters).

Southeastern Track Listing

Cover Me Up
Stockholm
Traveling Alone
Elephant
Flying Over Water
Different Days
Live Oak
Songs That She Sang In The Shower
New South Wales
Super 8”
Yvette
Relatively Easy