Category Archives: Country Music

Americana Music Association Announces First Round of 2017 Americanafest Showcases

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First Round of 2017 Americanafest Showcases

(L-R) Top: Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours
(L-R) Bottom: Charley Crockett, Deer Tick, Bettye LaVette

Continuing the stellar tradition of being the preeminent roots music event of the year, the Nashville-based Americana Music Association has released its first round of artists slated to perform at this year’s 18th annual Americana Music Festival & Conference, presented by Nissan, September 12 – 17, 2017.

The first 103 of more than 230 artists are made up of pioneers, icons, and upstarts like Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours, Lillie Mae, Alice Wallace, Mike and The Moonpies, Rodney Crowell, Paul Cauthen, John Paul White, The White Buffalo, Jason Eady, Bruce Robison, and much more.

With more acts still to be announced, the event promises to live up to its reputation as a must attend for roots music fans and industry alike.

Resister for the full conference here, or get festival showcase wristbands here.

AJ Hobbs
Allison Pierce
Aaron Lee Tasjan
Alice Wallace
All Our Exes Live in Texas
Ana Egge
Andrew Combs
Andy Golledge
Austin Plaine
Balkun Brothers
The Band of Heathens
The Barefoot Movement
Beaver Nelson
Becca Mancari
Bettye LaVette
Birds of Chicago
Blank Range
The Blind Boys of Alabama
Boomswagglers
Brandy Clark
Brent Cobb
Brent Cowles
Brian Wright
The Brother Brothers
Brothers Comatose
Bruce Robison
CALICO the band
Caamp
Caitlin Canty
Carl Anderson
Caroline Spence
Carsie Blanton
Casey James
Charley Crockett
Charlie Parr
Chastity Brown
Ciaran Lavery
Cordovas
Courtney Marie Andrews
Darlingside
David Childers
David Luning
David Starr
Deep Dark Woods
The Deer
Deer Tick
The Deslondes
Dirty River Boys
Don Bryant
Dori Freeman
Elise Davis
Eric Ambel
Erin Rae
Forlorn Strangers
Futurebirds
Haas Kowert Tice
Hiss Golden Messenger
The Honey Ants
Horseshoes and Hand Grenades
The Howlin Brothers
Hugh Masterson
Jason Eady
Jaime Wyatt
Jesse Terry
Jim Lauderdale
John Paul White
Julian Lage & Chris Eldridge
Kacy & Clayton
Kasey Chambers
Leeroy Stagger
Leslie Stevens
Lillie Mae
The Lil Smokies
Lindi Ortega
Little Bandit
Low Cut Connie
Luke Bulla
The McCrary Sisters
Micky and the Motorcars
Mike and The Moonpies
Mipso
Molly Tuttle
My Bubba
Patrick Sweany
Paul Cauthen
Paul Thorn
Pony Bradshaw
Quiet Life
Renn
Rev Sekou
Rodney Crowell
SUSTO
Shane Smith & The Saints
Them Rubies
Turnpike Troubadours
Tyler Childers
Wade Bowen
Walter Salas-Humara
We Banjo 3
The White Buffalo
Wildwood Kin
William Wild
Willie Watson

Nikki Lane and Loretta Lynn Performs on CBS This Morning

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Nikki Lane and Loretta Lynn Perform on CBS This Morning

Honky-tonk chanteuse and entrepreneur Nikki Lane has been making the rounds on television as of late to promote her excellent third release, ‘Highway Queen.’ On a stop with a special Saturday CBS This Morning the South Carolinian performed with one of her heroes; the First Lady of Country Music, Loretta Lynn. The two are uncanny mirror images across time, country music and a couch at Lynn’s Hurricane Mills, Tennessee, ranch, with a sleeping dog between them as they perform Lynn’s Number One “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind).”

Lynn explains the pairs unique chemistry.

“I felt like we always knew each other,” Lynn says, adding that they might have met in a previous life.

In addition to singing with Lynn, Lane also performed her songs “Jackpot” and “Send the Sun.” Watch those below.

Lane is back on tour in Europe through June. She then returns to the U.S. for the Newport Folk Festival and Pilgrimage Music and Cultural Festival. Lynn’s new release ‘Wouldn’t It Be Great’ will be released on August 18th.

https://www.youtube.com/watch?v=Gr-AKwYbj7o&t=60s

http://youtu.be/iteIiF5uKQU

https://youtu.be/yJR161GAYKE

https://youtu.be/Gr-AKwYbj7o

Watch Out! Nikki Lane Performs “Jackpot” on Conan 4/26/17

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Nikki Lane Performs "Jackpot" on Conan

Last night Nikki Lane treated the Conan O’Brien audience to a rousing rendition of her cut “Jackpot.” Bedecked in her spectacular Nudie suit finest Lane leads her crackerjack band through the jumped-up shuffle clearly leaving the audience wanting more.

Lane graced the same stage just over a month backing up the Old 97s on their song “Good With God.” The album cut of the song originally featured Brandi Carlile.

“Jackpot” is from Nikki Lane’s third album ‘Highway Queen.’ – order here.

Lane is staying busy as she will also make an appearance on KCRW’s “Morning Becomes Eclectic” this Friday, April 28th. Additionally, this week’s CBS This Morning Saturday airing will feature Lane and her band performing two tracks from Highway Queen at Loretta Lynn’s historic home in Hurricane Mills (Check Local Listings). Loretta Lynn joins Lane for a very special duet of her 1966 hit song “Don’t Come Home a Drinkin’ (With Lovin’ On Your Mind),” of which Lynn has recorded a new version for her upcoming album ‘Wouldn’t It Be Great.

Lane will also perform at this year’s Stagecoach Festival on Saturday, April 29th.

Watch Out! Lillie Mae “Over The Hill And Through The Woods” and “To Go Wrong” on Conan 4/13/17

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Lillie Mae “Over The Hill And Through The Woods" and “To Go Wrong” on Conan

Lillie Mae made her solo national television debut last night on the Conan O’Brien show. She and her band, featuring her brother on guitar and sister on backup vocals, tear through a spirited version of “Over The Hill And Through The Woods.”

Mae also took the time to record a separate a stripped down performance of “To Go Wrong.”

See both below.

Both tracks can be found on Lillie Mae’s solo debut, ‘Forever and Then Some.’ (out today)

Loretta Lynn to Release New Album ‘Wouldn’t It Be Great’ on August 18

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Loretta Lynn to Release New Studio Album, Wouldn't It Be Great,

The latest volume of Cash Cabin Sessions, recordings is going to be one by a country music legend.

Loretta Lynn will celebrate her 85th birthday not only by playing two sold-out shows in the hallowed halls of Nashville’s Ryman Auditorium on April 14th, but by also releasing ‘Wouldn’t It Be Great’ a few months later on Friday, August 18. This latest Cash Cabin Sessions release is produced by Patsy Lynn Russell and John Carter Cash at Johnny Cash’s Cash Cabin in Hendersonville, Tenn.

‘Wouldn’t It Be Great’ will premiere new compositions like “Ruby’s Stool,” “Ain’t No Time to Go” and “I’m Dying for Someone to Live For” and will revisit classics “God Makes No Mistakes,” “Coal Miner’s Daughter” and “Don’t Come Home A’ Drinkin’ (With Lovin’ on Your Mind)” that have been written or co-written by Lynn.

“I think you try to do better with every record you put out, It’s just everyday living—and everybody wants to know, ‘Well, what is it about your songs that people like?’ I think you’ve got to tell your stories. I just think it hits everybody, you know, the songs.” Loretta said of the record and her songwriting approach.

Preorder ‘Wouldn’t It Be Great.’

Wouldn’t It Be Great Track List and Songwriters
“Wouldn’t It Be Great” (Loretta Lynn)
“Ruby’s Stool” (Loretta Lynn, Shawn Camp)
“I’m Dying for Someone to Live For” (Loretta Lynn, Shawn Camp)
“Another Bridge to Burn” (Loretta Lynn, Lola Jean Dillon)
“Ain’t No Time to Go” (Loretta Lynn, Patsy Lynn Russell)
“God Makes No Mistakes” (Loretta Lynn)
“These Ole Blues” (Loretta Lynn, Patsy Lynn Russell)
“My Angel Mother” (Loretta Lynn)
“Don’t Come Home A’ Drinkin’” (Loretta Lynn, Peggy Sue Wells)
“The Big Man” (Loretta Lynn, Shawn Camp)
“Lulie Vars” (Traditional, arrangement by Loretta Lynn)
“Darkest Day” (Loretta Lynn)
“Coal Miner’s Daughter” (Loretta Lynn)

Record Store Day 2017 – Americana and Roots Music Picks

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It’s that time of year again. Well, yes Spring but more specifically for a music blog it’s the annual season of blossoming limit selections of rare and obscure vinyl known as Record Store Day. The event has helped fuel the resurgence in sales and pushing the few remaining pressing plant’s production capacity to the hilt. As is tradition the event will be taking place on the fourth Saturday in April. For 2017 that means Saturday, April 22nd.

Record Store Day offerings are scarce, unique releases, some only available in specific regions. Some are produced in very limited runs, some totaling no more than a few hundred total.
Check out the Americana and roots selections below and take a look at the full list. Get to your favorite indy record early on April 22nd  (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.

Blaze Foley – Sittin’ By The Road [LP] (180 Gram Gold Colored Vinyl, detailed liner notes by film maker Kevin Triplett, limited, indie-retail exclusive)

Brandy Clark – Live From Los Angeles [LP] (previously unreleased songs, limited to 2500, indie-retail exclusive)

Bruce Springsteen & The E Street Band – Hammersmith Odeon London ’75 [4LP] (150 Gram, first time on vinyl, numbered/limited to 3000, indie-retail exclusive)

The Cadillac Three – Live At Abbey Road [10 ” EP] (limited to 1500, indie-retail exclusive)

Dave Alvin and Phil Alvin, Hard Travelin’ EP (Yep Roc Records) Packaging: 12” Vinyl / Transparent Red

Dolly Parton – Puppy Love [7”] (limited to 2500, indie-retail exclusive

Drive By Truckers – Live In Studio, New York, NY 12/07/16 [LP] (Clear Vinyl, limited to 3530, indie-retail exclusive)

Emmylou Harris – Queen Of The Silver Dollar [5LP + 7 ” Box Set] (Emmylou’s first five studio albums plus a bonus 7 ” single, limited to 1100, indie-retail exclusive)

Gram Parsons & The Fallen Angels – Live 1973 featuring Emmylou Harris [LP] (180 Gram, gold foil jacket and holographic numbered/limited to 2000, indie-retail exclusive)

Hayseed Dixie – Free Your Mind And Your Grass Will Follow [LP] (Clear Vinyl, limited to 1000, indie-retail exclusive)

Head And The Heart, The – Stinson Beach Sessions [LP] (unreleased songs and demos, limited to 3000, indie-retail exclusive)

Iron And Wine – Archives Series Volume No. 3 [LP] (Translucent Blue Vinyl, limited to 700, indie-retail exclusive

Jason Isbell and the 400 Unit – Welcome to 1979 – Live recordings direct cut to acetate at Nashville studio Welcome To 1979. 12″, tip-on style, simple sleeve jacket, white dust sleeve. Side A: 1. Can’t You Hear Me Knocking (Jagger/Richards) 2. Storm Windows (Prine) 3. Heart on a String (Jackson/Buckins) Side B: 1. Atlantic City (Springsteen) 2. Sway (Jagger/Richards) 3. Never Gonna Change (Isbell)

John Paul White & Donnie Fritts – John Paul White Sings Donnie Fritts, Donnie Fritts Sings John Paul White [7”] (limited to 1000, indie-retail exclusive)

Leon Russell – Guitar Blues [CD] (limited to 1000, indie-retail exclusive)

The Lumineers – Song Seeds [10”] (limited to 1500, indie-retail exclusive)

Neil Young – Decade [3LP] (1977 compilation of solo and group hits, remastered, 2 photo reproductions by Henry Diltz, limited to 5000, indie-retail exclusive)

Nels Cline (Wilco) – In The Wee Small Hours [7 ”] (Frank Sinatra cover, limited to 1000, indie-retail exclusive)

Old 97’s – Terlingua b / w Off My Mynd [12 ”] (Opaque White Vinyl, Unreleased exclusive B-sides, etched B-side, limited to 2530, indie-retail exclusive

Pokey LaFarge – Riot In The Streets / Better Man Than Me [10 ”] (B-side etching of original hand-drawn image by Pokey, limited to 1500, indie-retail exclusive)

Robert Johnson – The Complete Recordings: The Centennial Collection [3LP] (150 Gram, gatefold, download, 12×24 poster, numbered/limited to 2500, indie-retail exclusive)

Sharon Jones with the E.L. Fields Gospel Wonders – Heaven Bound b/w Key To The Kingdom [7”] (‘picture frame’ custom jacket with easel-back, limited to 2500, indie-retail exclusive)

Sharon Jones, Corey Harris & Peter McGennis – Bubble Girl (Soundtrack) [12”] (limited, indie-retail exclusive)
Shooter Jennings & Waymore’s Outlaws – Live [12”] (Coke Clear Vinyl, single jacket with white inner sleeve, limited to 500, indie-retail exclusive)

Steve Earle & The Dukes – Live [7 ”] (picture sleeve, limited to 3000, indie-retail exclusive)

Stevie Ray Vaughan & Double Trouble – Live At Carnegie Hall [2LP] (150 Gram Marbled Brown Vinyl, download, limited to 3000, indie-retail exclusive)

Townes Van Zandt – Live At Austin City Limits [LP] (limited to 2500, indie-retail exclusive)

Waylon Jennings & The 357’s – Waylon Forever [12”] (Clear Orange Vinyl, single jacket with white inner sleeve, limited to 250, indie-retail exclusive)

Lindi Ortega To Release New EP ‘Til The Goin’ Gets Gone’ March 17 – Watch title Cut Lyric Video

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Lindi Ortega To Release New EP

Dark Americana chanteuse Lindi Ortega will release ‘Til The Goin’ Gets Gone’ an EP of four songs, three originals and a cover of Townes Van Zandt’s “Waiting ‘Round To Die” on March 17.

In her downtime last year she rediscovered an intimacy she had neglected. As the lyric video for the title cut demonstrates there’s a sparse, atmospheric production with an emphasis on Ortega’s singular soprano that draws you into the musician’s roadworn dark and lonely universe.

About the rest of the release the release says…

“What a Girl’s Gotta Do,” a song that is the silver lining of an otherwise dreadful date, explores the gritty pragmatism of making ends meet. Alongside the title track, this song offers a second metaphor about artistic life that strengthens the EP’s overall sense of resolve. Ortega’s somber rendition of “Waiting ‘Round to Die,” acknowledges a personal debt – her recent discovery of the legendary songwriter’s music is what finally cured her writer’s block. The closer, “Final Bow,” came when Ortega assumed she only had one song left in her. “I thought I had to quit music but I wanted to leave gracefully,” she says. “But then I decided to get up and sing some more.” As a whole, this statement captures the essence of Ortega’s new EP – it’s about dusting off, gutting it out, and getting up for another round.’

Pre-order at lindiortega.com

Check the delicately sparse title cut lyric video below:

“Til The Goin’ Gets Gone” Track List

1. Til The Goin’ Gets Gone
2. What A Girl’s Gotta Do
3. Waiting ‘Round To Die
4. Final Bow

Tour Dates:

CALGARY, AB: Jack Singer Hall, Mar 7 w/ Blackie and the Rodeo Kings
BAYFIELD, ON: Bayfield Town Hall, Mar 17 w/ Basia Bulat
LONDON, ON: Budweiser Gardens, Mar 18 w/ Chris Stapleton
OTTAWA, ON: Canadian Tire Centre, Mar 19 w/ Chris Stapleton
WINNIPEG, MB: MTS Centre, Mar 22 w/ Chris Stapleton
CALGARY, AB: Scotiabank Saddledome, Mar 24 w/ Chris Stapleton
EDMONTON, AB: Northlands Coliseum, Mar 25 w/ Chris Stapleton
VANCOUVER, BC: Pepsi Live @ Rogers Arena, Mar 27 w/ Chris Stapleton
WYOMISSING, PA: Berks Country Fest: An Americana Jamboree, June 17
PAWLING, PA: Daryl’s House, June 18
WICHITA, KS: Wichita Vortex Music Festival, Aug 4
ORO-MEDONTE, ON: Boots & Hearts Music Festival, Aug 12
TUOLUMNE, CA: Strawberry Music Festival, Sept 1

Angaleena Presley Gets ‘Wrangled’ With Chris Stapleton, Miranda Lambert, Ashley Monroe, Wanda Jackson and Guy Clark

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Angaleena Presley - 'Wrangled'

On April 21 honky-tonk songstress, and one-third of the country super-group Pistol Annies, Angaleena Presley will release her sophomore solo album ‘Wrangled’ April 21 on Mining Light/Thirty Tigers records.

‘Wrangled’ ‘s the 12-track has Presley once again at the co-production helm with Oran Thornton (Eric Church, David Nail) and was recording at famed “Ronnie’s Place” in Nashville.

There’s also an impressive list of co-writers on ‘Wrangled.’

From the press release:

One of the album’s many highlights is “Cheer Up Little Darling” — which Angaleena co-wrote with her dear friend Guy Clark. This is the last song completed by Guy before his death and features Shawn Camp playing Guy’s No. 10 guitar, which was used to write the song with Guy, and Guy’s mandola, which he had been learning to play during the last year of his life.

Another spotlight track is “Dreams Don’t Come True,” written with Pistol Annie sisters, Miranda Lambert and Ashley Monroe.

“Only Blood” was written with fellow East Kentuckian, Chris Stapleton and features Morgane Stapleton’s unmistakable vocals, while “Good Girl Down” yielded unforgettable moments with the legendary Wanda Jackson.

Of ‘Wrangled’ Presley says:

“Wrangled is an explicitly forthright journey through my experience in the business of Country Music. I tried to tackle uncomfortable realities like the discrimination against female artists at the height of Bro-Country, the high school mentality of Music Row and the pain that’s just beneath the surface of the road to stardom,” says Angaleena.

“Covered in elbow grease and sacrifice, I set out to shed the skin of my ‘dream’ Nashville by painting a musical picture of loss, surrender, resurrection, redemption, and connection with real people who make and support honest music.”

Angaleena will debut many of these new songs on the road, including during the Cayamo Cruise, Feb. 19-26, and will announce tour dates for the Spring and Summer in coming weeks.

Check out a liver performance of ‘Dreams Don’t Come True’ below.

The Wrangled track listing is below, with songwriters in parenthesis.

1. Dreams Don’t Come True (Angaleena Presley, Miranda Lambert, Ashley Monroe)
2. High School (Angaleena Presley, Ivy Walker, Sophie Walker)
3. Only Blood (Featuring Morgane Stapleton) / (Angaleena Presley, Chris Stapleton )
4. Country (Featuring Yelawolf) / (Angaleena Presley, Michael Wayne Atha)
5. Wrangled (Angaleena Presley)
6. Bless My Heart (Angaleena Presley)
7. Outlaw (Angaleena Presley)
8. Mama I Tried (Angaleena Presley, Oran Thornton)
9. Cheer Up Little Darling (Angaleena Presley, Guy Clark)
10. Groundswell (Angaleena Presley, Ian Fitchuk)
11. Good Girl Down (Angaleena Presley, Wanda Jackson, Vanessa Olavarez)
12. Motel Bible (Angaleena Presley, Oran Thornton, Trevor Thornton)

Sturgill Simpson’s Unlikely Road to the Grammys

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Sturgill Simpson - Club DaDa - Dallas, Tx - 11/15/14

My first impression of Sturgill Simpson was of a man that embodied a duality of seemingly contradictory attributes – carefree determination. It was September of 2011 and over a pitcher of beer Simpson and I discussed his custom made telecaster (by him), the wonders of Bill Monroe and his recent debut on the stage at the Pickathon festival in Oregon a few days before. We also talked about his mini-tour he was then undertaking, with his then band Sunday Valley and his dad helping out with the driving, making way toward their new home in Nashville.

“Nashville? Why would you go there?” I asked him, believing Simpson’s “Outlaw” throwback style that placed him among contemporaries like Whitey Morgan or a more genteel Hank Williams III, would not fit well within the Music Row ear confection machine.

I believed this in 2011 but no longer do. After many trips, meeting many brilliant musicians and seeing dozens of great shows in Nashville and experienced the music community thriving outside of Music Row. I’m assuming that Simpson was aware of that burgeoning scene and had a long plan to work within that community and follow his music wherever it led him.

This eventually led him to a gig at The Basement where artist manager Marc Dottore first heard him. That led to representation by media relations firm
Sacks & Co, and the RED Distribution team. All working on the little more than faith that the man they represented tied the past to the future with a biting snarl and unabashed twang.

By 2013 I had a feeling that a tipping point had occurred. His performances at the Americana Music Association conference, a Bluegrass Situation and Groove records BBQ (see a clip below) showcases are still vivid memories, were heavily attended by people that didn’t go to any of the other conference’s live showcases. Many showed up in Sturgill concert t-shirts they had snatched up at one of the multiple sold-out shows he had performed tirelessly throughout the year.

Several years before I had merely strolled up to Sturgill in a seedy bar to engage him. Now I was in a journalist que at the Nashville Marriott, waiting my turn to be shepherded upstairs to the empty dining area overlooking the bustling lobby of the hotel. Once there Sturgill was the same man I remembered. Relaxed smile, talking about classic country, the fickleness of the music business, the absurdity that country music needs a savior. The discussion was insightful and the hour went by fast and, unfortunately, the recording of the discussion is lost to the ages due to a technology glitch.

Then came the breakout second album ‘Metamodern Sounds in Country Music’ produced by Dave Cobb. The album had universally positive reviews and helped to put both men on the hot musical map.

Then came the Late Show with David Letterman, Conan (twice), Jimmy Fallon, the Grand Ole Opry and at Austin City Limits and Keith Urban wearing a Sturgill concert shirt on American Idol.

What ‘Metamodern Sounds…” began 2016’s ‘A Sailor’s Guide to Earth’ completed in spades. The album bowed in at No. 3 on the Billboard 200, and No. 1 on the Top Country Albums chart, eventually hitting No. 1 Folk and
Rock Albums charts.

Now Sturgill is a two-time Grammy nominee up for Best Country Album for his least country album and for the big prize, Album of the Year award.

This isn’t Sturgill’s first Grammy nomination. ‘Metamodern Sounds in Country Music’ was up for Best Americana Album against John Hiatt, Keb’ Mo’, Nickel Creek and the winner Rosanne Cash.

Sturgill nomination for Album of the Year award isn’t the category’s first roots album. That distinction belongs to Ray Charles ‘Modern Sounds in Country and Western Music’ (where ‘Metamodern Sounds in Country Music’ cribbed its title) in 1963. If he wins Sturgill won’t be the first roots artist to win in that category. That would be Glen Campbell ‘By the Time I Get to Phoenix’ in 1969.

But Sturgill’s nomination for Album of the Year is significant in that it shows a teenage Sturgill out there watching that dogged diligence and a guiding independent spirit can lead you to a place where you can not only play your music to pay your bills, but you could be placed in contention with Adele, Beyoncé, Justin Bieber and Drake for national attention.

Win or lose this can open doors.

Simpson’s path is one of sheer will and self-determination that surprisingly touched a nerve in music fans starving for something real.

I’m pulling for him.

Willie Nelson To Release New Album, ‘God’s Problem Child’

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Willie Nelson Announces New Album 'God's Problem Child'

Willie Nelson, who appears to never rest, will release his new album, ‘God’s Problem Child.’ The collection of all-new studio material, his first in nearly three years, will be released April 28th, the day before the Texas music legend turns 84. That last album, ‘Django and Jimmie,’ was a collaboration with his longtime friend and country music pioneer Merle Haggard, who passed away in on April 6, 2016, Haggard’s 79th birthday.

On ‘God’s Problem Child’ Willie pays tribute to his friend, who Nelson first met at a poker game at Willie’s Nashville home in 1964, on the Gary Nicholson penned cut “He Won’t Ever Be Gone.”

The title cut, co-written by Jamey Johnson and Tony Joe White, includes vocals by both writers as well featuring the late roots-music legend Leon Russell, one of his final recordings before his death last November.

I can’t wait to hear the entire album from this master singer/songwriter.

‘God’s Problem Child, which will be available on CD, vinyl, and digitally. As is now the norm to help spur sales bundles
are offered including the various music formats, some signed, as well as t-shirts and other premiums.

Order at Pledge Music.

‘God’s Problem Child’ track list:
1. “Little House on the Hill” (Lyndel Rhodes)
2. “Old Timer” (Donnie Fritz/Lenny LeBlanc)
3. “True Love” (Willie Nelson/Buddy Cannon)
4. “Delete and Fast Forward” (Willie Nelson/Buddy Cannon)
5. “A Woman’s Love (Mike Reid/Sam Hunter)
6. “Your Memory Has a Mind Of Its Own” (Willie Nelson/Buddy Cannon)
7. “Butterfly” (Sonny Throckmorton/Mark Sherrill)
8. “Still Not Dead” (Willie Nelson/Buddy Cannon)
9. “God’s Problem Child” (Jamey Johnson/Tony Joe White)
10. “It Gets Easier” (Willie Nelson/Buddy Cannon)
11. “Lady Luck” (Willie Nelson/Buddy Cannon)
12. “I Made a Mistake” (Willie Nelson/Buddy Cannon)
13. “He Won’t Ever Be Gone” (Gary Nicholson)