Category Archives: Americana

Lucinda Williams Announces 30th Anniversary Tour

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The queen of Alt.country Lucinda Williams has announced her upcoming 30th Anniversary tour (krips where does the time go?!) The tour will begin on September 18 at at First Avenue in Minneapolis, MN. Later in the tour Williams will do two three night runs, one at New York’s The Fillmore at Irving Plaza ( October 3, 4 & 5) and the other at Chicago’s Park West a week later (October 13, 14 & 15) At these special engagements Williams will use the opening night to feature songs from 1979-1989 ( Ramblin’, Happy Woman Blues and Lucinda Williams) The second night will cover music from 1992-2001 (Sweet Old World, Car Wheels On A Gravel Road and Essence.) The final night Williams will perform music from 2004 -present (World Without Tears, West and Little Honey.) Following each opening set will be a full second set of songs from throughout Williams’ career.

Williams will also be performing a two night stand in Toronto on October 10th & 11th. The first night will feature selections from Ramblin’, Happy Woman Blues, Lucinda Williams, Essence and World Without Tears over two sets. The second night will feature two sets of music from Sweet Old World, Car Wheels…, West and Little Honey. Additional multi-night shows will be added in early 2010.

Music Review: Grant Langston – Stand Up Man (Self Released)

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sum_coverGrant Langston came across my path by way of a jukebox sampler sent out by Sin City a few weeks back and I made a mental note to check into him further. Well the years and beers have taken tier toll and I plumb forgot about him until the good folks over at the Gobbler’s Knob posted their own fine review (http://www.thegobblersknob.com) and brought him back to my attention. So if you don’t like this review or the artist you can blame them….Ha!

The Bakersfield is alive and well in the hands of Langston and like the the sounds forefathers – Buck Owens, Merle Haggard, Dwight Yoakam – Langston’s roots are in the South. Alabama is where he took up the trombone in his grammar school band, played piano as a teen and cultivated a distaste for Nashville brand of pop-country he heard on the radio. After making the trek out to the Golden State, where in now resides, Langston discovered Haggard, Yoakam as well as Johnny Cash, Willie Nelson and deeper well of country music to draw from. Stand Up Man proves he’s an astute disciple of the school of honky-tonk.

Many of the elements of the lean Bakersfield sound was a result of the rise of rock and roll in the 50’s. Aside from a popping back-beat, the other most definable sound is that of red-hot telecaster licks. Lagnston is served well by Larry Marciano on guitar as well as dobro. the rest of his crack band The Supermodels is bassist Josh Fleeger and Tony Horkins on drums and percussion.

You can almost smell the stale beer and hear the boots scoot across the wooden dance floor when the cooking title cut kicks off and you just know this is going to be a concert crowd favorite for years to come. The excellently titled Burt Reynolds Movie Brawl keeps the heat on and Shiner Bock and Vicodin is a brilliant addition to the long list of heartache resulting intoxicants documented in country music.

The Texas shuffle Pretend You Love Me is bittersweet tale of communal denial and Not Another Song About California is a playful song about heading West that satisfyingly blurs the country and rock boundary.

My favorite cut is Call Your Bluff. It slinks and shuffles along telling of a man fed up and showcasing Langton using a yodel/hiccup made famous by Yoakam. There is a Swamp Version of the same song that slows things down to a hot and humid pace and features a slow cry of Cajun s fiddle. It’s almost as good as the original.

Stand Up Man is the kind of release that revives my faith that there are artists out there keeping the tradition and spirit of great country music alive and making it dance in the here and now.

Official Site | Buy

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[youtube]http://www.youtube.com/watch?v=-Xanz2drGDE[/youtube]

http://grantlangston.com/

Gretchen Peters Live webcast from The Rutledge

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With all the bubble-headed blonds dominating the country music airwaves with their brand of mall-pop “country” it’s nice to hear from a woman that reminds me what the music can sound like in the right hands. Gretchen Peters took to the Inter-tubes for a webcast from The Rutledge in Nashville last Saturday taking requests (including on from Tom Russell who was in Switzerland!) and, along with Barry Walsh,  perform songs from her  Circus Girl: The Best Of Gretchen Peters (Available now.)

You can see a recording of the performance here.

Read my review of Peter’s collaboration with Tom Rusell on this years excellent realease One To The Heart. One To The Head.

Dale Watson: The Titanium Fox

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  • Patterson Hood and the Screwtopians stopped by the Daytrotter Sessions to lay down some Southern fried goodness.
  • The Texas Country Music Hall of Fame have inducted Texas natives Neal McCoy, Michael Martin Murphey and Linda Davis to be added to the previous years members that includes Willie Nelson, Tanya Tucker and Jimmy Dean.
  • Producer and musician and Jim Rooney will be honored by the Americana Music Association with the Lifetime Achievement for Producer/Engineer award at the 8th Annual Americana Honors & Awards ceremony, scheduled for Thurs., Sept. 17 at the Ryman Auditorium in Nashville. Rooney has worked with John Prine, Iris DeMent, Tom Paxton and Peter Rowan – as well as his work on Nanci Griffith’s Grammy-winning “Other Voices Other Rooms. Rooney’s contributions as an engineer, musician, producer and songwriter has reached almost 150 albums to date.
  • Alluding to  Charlie Rich’s moniker The Silver Fox, The Scene designates Dale Watson the The titanium fox in this great interview featting classic exchanged like this:

SCENE: You write about the trucking life in the spirit of Dave Dudley and Red Sovine with maybe a touch of Cledus Maggard. What is the allure of that subject matter?

DW: I grew up when CB was king. There was an appreciation of the open road and the usefulness of the citizens band radio. Cell phones are great to keep in touch with the ones you love, but the CB is a useful tool to avoid some hazardous situations. Back then, Conway Twitty was big, the movie Convoy was popular, and the show BJ & the Bear was on TV.

SCENE: What the hell was happening on BJ & the Bear? At the end of each show the monkey would walk away with chicks in hot pants. What was supposed to happen between a monkey and human women?

DW: (laughing) I don’t want to think about it.

Unfortunately Dale is still raising his goofy Ameripolitan flag to describe his throwback honky-tonk sound.

Wall Sreet Journal Covers Big Surprise Tour

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  • The Wall Street Journal talks to some of the performers on the Big Surprise Tour. The toue is traveling the East coast and  showcases the Old Crow Medicine Show, Justin Townes Earle, The David ­Rawlings Machine (featuring Gillian Welch) and the Felice Brothers.
  • Houston Presses’ William Michael Smith in his Lonesome Onry and Mean column tells of  his son leaving the petroleum engineering program at University of Houston to, over time, become a guitarist for Hayes Carll, looking down the stage and seeing Guy Clark (arms folded) and being heckled by David Allan Coe (My Son, the Guitar-Slinger)
  • Jennifer Aniston has signed on to signed on to produce and star in Goree Girls, a film about the Goree All Girl String Band, a country music group that had a popular 1940s-era radio show despite the fact that its members were all inmates at a Texas prison. (E Online)
  • Kevin Costner wants to help victims of Canada’s Big Valley Jamboree country music festival in Canada where his band “Modern West,” was set to perform.  Storms at the event injured 70 people and a 35 year-old woman died when the wind blew down a speaker on her.

Willie Nelson Premieres New Video for Shoeshine Man

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  • Willie Nelson premiered his new video covering Tom T. Hall’s Shoeshine Man (below) The song is not on his upcoming covers album American Classics so I have no idea whay he made this video, but he seems to be having a ball. The Texas Yoda has taken a page from the DIY codger goofing around in front of a video camera recently used by Neil Young for his video Fork in the Road.
  • The Americana Music Association announced the lineup for its 2009 festival,  Sept. 16-19 at around several of  Nashville’s best venues – The Mercy Lounge, The Cannery Ballroom, 3rd & Lindsley, The Station Inn and The Basement.  On the roster is Cross Canadian Ragweed, Angela Easterling, Asleep at the Wheel, The Bottle Rockets, Jim Lauderdale, Buddy Miller, Joe Pug, Charlie Robison, Marty Stuart, Patrick Sweany, Those Darlins and many more.
  • Popmatters.com has posted an mp3 for Chain, a cut off Vic Chesnutt’s upcoming release At the Cut (Constellation) to be released 22 September (US)
  • Randy Travis, Martina McBride and Ray Price join an International  line-up of over 60 International, UK and Irish acts performing on three separate stages at the UTV CountryFest ’09  August 1st – 2nd  at the Kings Hall in Belfast.

[youtube]http://www.youtube.com/watch?v=BDtaJmrVfx8[/youtube]

Kris Kristofferson Talks About New Release

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  • Kris Kristofferson and producer discusses Kristofferson’s upcoming Closer to the Bone (Sept. 29 on New West Records) and how they were trying to capture the intimacy that defined his last release This Old Road. Closer to the Bone will contain the song Good Morning John which comes from a letter Kristofferson wrote to Johnny Cash for a sobriety party. Kristofferson will perform on Nov. 1 at the Walt Disney Concert Hall in Los Angeles, and on Nov. 10 he’ll receive the BMI Icon Award during the BMI Country Awards in Nashville. (billboard.com.)
  • The New York Press has a great feature on Twang Nation favorite The Builders and The Butchers.
  • Malcolm Holcombe’s will release For the Mission Baby in the U.S. on September 29, 2009, and in the UK/Europe on October 5, 2009. The album was recorded in May ’09, produced, recorded and mixed by Ray Kennedy at Room and Board Studios in Nashville, TN.
  • In my ongoing quest to make San Francisco a hotbed of Americana/roots music I recently came across Rhubarb Whiskey. The band features Cindy Emchy on accordion and vocals and Boylamayka on dog-house bass,  guitar and mandolin and background vocals and are a blend of vaudeville, gypsy jazz and Southern-Gothic. Check ’em out. (Main Site | MySpace)

John Dawson Passes at 64.

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  • Although it’s over a year old there is a great article (Facing the Music) on the seismic changes in the music industry through the lens of Music City and some of the unique ways some people are planning for the future instead of wringing their hands or suing their fans. The article was by Donnie Snow for businesstn.com
  • John “Marmaduke” Dawson, a longtime Grateful Dead collaborator who co-wrote “Friend of the Devil” and who, along with Jerry Garcia, developed a devoted following with his psychedelic country group New Riders of the Purple Sage, has died at the age of 64 from stomach cancer. (via the 9513 and Spinner.com)
  • Paste Magazine spends some time with Americana Music Association executive director Jed Hilly. Jed discusses the growing influence of the genre, the Recording Academy adding an Americana Album of the Year Grammy for 2010 and that you need not be an American to play Americana. As a member of the AMA I’m glade to see some cred coming.

Band Round-Up: Jason and the Punknecks

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Though Jason and the Punknecks aare described by some as punk-country. Gratuitous tattoos and a stage show that gets a bit rowdy the band has more in common with Bill Monroe than the Sex Pistols (though, as I’ve argued before I think the Sex Pistols have more in common with Monroe that 95% of what comes out on Music City.)

This band sounds to like they adhere to tradition without being enslaved by it and tap joyously into the rowdy and hell raising spirit that has been part of road houses and honk- tonks for decades.

The  husband and wife duo of  Jason and Polly Punkneck make the kind of music fit for Carter and Cash, and sure they work their corn-pone shtick a little thick, but there’s no denying the music. They adhere to a sound (and work ethic) as old as the hills and plains and a revel in a hillbilly attitude that Nashville has spent years trying to varnish over.

[youtube]http://www.youtube.com/watch?v=YyT5-yTyq9s[/youtube]

Music Review: Holly Williams – Here with Me (Mercury Nashville)

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holly-williams-here-with-me-coverIt’s one thing to be Shooter Jennings or Justin Townes Earle, but being the Granddaughter of country music legend Hank Williams and the Daughter of the hard-living, hell raising outlaw and legend of sorts Hank Williams Jr., well that’s a whole other mountain to climb.

Like her half-brother Hank Williams III, Holly Williams takes the fundamentals laid down by her ancestors and burns her own brand on the work. Here With Me is much more a country record than her previous release for Universal South The Ones We Never Knew and perhaps the turn in style was a result of the automobile accident that nearly took the lives of her and her sister Hilary. Maybe, like Hank III, the primary motive for moving into the family business was the promise of a ready audience and cash.

Whatever the motive this is a great release that brings to mind the work of another blood kin of country music royalty, Rosanne Cash. Like Cash, Williams does great things with a modest vocal range and brings a sophistication to the songs (many of which she wrote) without completely smothering out the rustic charm with glossy productions and lazy paint by the numbers fluff reaching for a top charting radio hit.

Holly Williams is every bit the outlaw her destiny assumes she’ll be, she just prefers a level of uptown refinement to her country pedigree.

Official Site | MySpace | Buy

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[youtube]http://www.youtube.com/watch?v=ExpUM6nNxf0[/youtube]