Category Archives: Americana

Jason Isbell Announces Summer Tour with Father John Misty

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Summers are always made better when there’s great live music to attend.

Jason Isbell hitting the road with Father John Misty is just one of those highly anticipated summer evets.

See dates and buying info below.

Get tickets at jasonisbell.com

**PRE-SALE BEGINS TOMORROW (2/13) AT 10AM LOCAL.**
PASSWORD: FJMISBELL
GENERAL ON-SALE STARTS FRIDAY FEBRUARY 15 10AM LOCAL^

June 6 – San Diego – Cal Coast Open Air Theatre $ +
June 7 – Santa Barbara, CA – Santa Barbara Bowl $ +
June 8 – Berkeley, CA – The Greek Theatre At UC Berkeley $ +
June 9 – Bend, OR – Les Schwab Amphitheater $ +
June 11 – Redmond, WA – Marymoor Park $ +
June 14 – Minneapolis, MN – The Armory $ +
June 15 – Chicago, IL – Huntington Bank Pavilion $ +
June 16 – Milwaukee, WI – BMO Harris Pavilion $ +
June 17 – Detroit, MI – Fox Theatre $ +
June 19 – Brooklyn, NY – BRIC Celebrate Brooklyn! Festival $ +
June 20 – Canandaigua, NY – CMAC $ +
June 21– Columbia, MD – Merriweather Post Pavilion $ +
June 22 – Philadelphia, PA – Metropolitan Opera House $ +
June 24 – Richmond, VA – Altria Theater $ +
June 25 – Cary, NC – Koka Booth Amphitheater $ *
June 27 – Irving, TX – Pavilion At Toyota Music Factory $ +
June 28 – Houston, TX – White Oak Lawn $ +
June 29 – Tulsa, OK – BOK Center $ +

$ – Father John Misty
* – Jade Bird
+ – Erin Rae
^Unless otherwise specified.

The Felice Brothers Announce New Album ‘Undress.’ Hear the Title Cut

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The Felice Brothers - Undress

Few contemporary bands embody what Greil Marcus coined as “Old. weird America” as well as The Felice Brothers and a new release by this Upstate New York rustic-core collective is always welcome news.

The new album, “Undress,” the follow-up to 2016’s “Life in rhe Dark,” will be released on May 3rd from Yep Roc Records.

Cut live to tape with very little overdubbing, Undress was recorded in the late summer of 2018 in Germantown, New York. Band members Ian Felice, James Felice, Will Lawrence (drums) and Jesske Hume (bass) teamed up with producer Jeremy Backofen to record their most personal and reflective album to date.
 
“Many of the songs on the new album are motivated by a shift from private to public concerns,” says songwriter Ian Felice. “It isn’t hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives.  The hard part is finding simple and direct ways to address them.”
 
Since the band’s last 2016 album release the group in a very different place. Between personnel changes, families growing and the political landscape, the result is a tighter, more-paired down release. “Every song is a story,” said James Felice. “On this album everything was a bit more thoughtful, including the arrangements, the sonic quality and the harmonies.”

Listen to title cut “Undress”

Pre-order “Undress” Here
 
Ian and James Felice grew up in the Hudson valley of upstate NY. Self taught musicians, inspired as much by Hart Crane and Whitman as by Guthrie and Chuck Berry, they began in 2006 by playing subway platforms and sidewalks in NYC and have gone on to release nine albums of original songs and to tour extensively throughout the world. Following the release of Life in the Dark, The Felice Brothers served as the backing band for Conor Oberst’s 2017 release Salutations and the subsequent tour. 

The band kicks off a US tour starting on April 27 in Albany. Tickets go on sale on February 12 at www.thefelicebrothers.com.
 
Tour Dates:           
4/27: Albany, NY – TBA                                   
4/28: Syracuse, NY – The Westcott Theater            
4/29: Buffalo, NY – The 9th Ward at Babeville           
4/30: Toronto, ON – Legendary Horseshoe Tavern           
5/2: Chicago, IL – Sleeping Village                       
5/3: Lexington, KY – On The Rail Roots Festival                       
5/4: Columbus, OH – Rumba Cafe                                   
5/6: Pittsburgh, PA – Club Cafe                                   
5/7: Lancaster, PA – Tellus 360                                   
5/9: Philadelphia, PA – Johnny Brenda’s                       
5/10: Brooklyn, NY – The Bell House                       
5/12: Hopewell, NJ – Hopewell Theater                       
5/15: Portsmouth, NH – 3S Artspace                                   
5/16: Providence, RI – Columbus Theatre                       
5/18: Cambridge, MA – The Sinclair 
5/23: Virginia Beach, VA – Elevation 27 
5/24: Richmond, VA – Richmond Music Hall                               
5/25: Vienna, VA – Wolf Trap – with The Avett Brothers                              
6/6: Asheville, NC – Grey Eagle Tavern                       
6/7: Decatur, GA – Eddie’s Attic                                   
6/8: Nashville, TN – Exit/In
6/9: Birmingham, AL – Avondale Brewery
6/10: New Orleans -Gasa Gasa
6/12: Austin, TX – Barracuda
6/14: Santa Fe, NM – Tumbleroot
6/15: Tucson, AZ – 191 Toole
6/16: San Diego, CA – The Casbah
6/17: Los Angeles, CA – Bootleg Theater
6/19: San Francisco, CA – The Chapel
6/21: Portland, OR – Doug Fir Lounge
6/22: Seattle, WA – Tractor Tavern
6/24: Garden City, ID – Visual Arts Collective
6/25: Salt Lake City, UT – Urban Lounge
6/27: Denver, CO – Bluebird Theater

John Paul White Readies “The Hurting Kind” For Spring Release; Hear New Single Now

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John Paul White Readies "The Hurting Kind"

There are many ways to describe the work of master singer-songwriter John Paul White. If forced to distill to a single word to describe his aesthetic it would be bittersweet.

So, to learn that White’s upcoming third solo release is entitled “The Hurting Kind” made perfect sense. The king of melancholy is back in the saddle.

Then you hear the single ‘The Long Way Home’ (listen below) from the album and, damn if it isn’t jaunty, defiant even. The cover displays White in his usual dark suit casual dapper persona and tassel of hair, his briskly strummed acoustic guitar strides right into a backbeat and, what’s that, pedal steel! But just behind the sonic rhinestones are weary miles of separation from loved ones, and hope and longing intertwin to lead him back to hearth and home. I’ve read that this song brought White’s youngest child to tears. That’s the power and humility of art.

I have no inside knowledge of this, but it’s been a theory of mine that the isolation of the road was once os the main reasons the Civil Wars called it a day at the height of their popularity. We all see the glamour of the working musician with no thought to the grind that it can be,

But this is no woe-is-me lament. This is a song with a higher intention. To celebrate and focus, on the big portrait of the loved ones that make the cookie-cutter hotels and stale-beer bars tolerable.

‘The Hurting Kind’ is out April 12 on Single Lock Records. Pre-order it here.

The Hurting Kind Tracklist:
01. The Good Old Days
02. I Wish I Could Write You a Song
03. Heart Like a Kite
04. Yesterday’s Love
05. The Long Way Home
06. The Hurting Kind
07. This Isn’t Gonna End Well (featuring Lee Ann Womack)
08. You Lost Me
09. James
10. My Dreams Have All Come True

Charley Crocket Recovering From Open Heart Surgery

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Texas Roots Artist Charley Crocket took to his Instgram account to share that his recovery from open heart surgery is going well. The surgery was to address a heart condition called Wolf Parkinson’s White Syndrome, a condition Crocket was born with.  Wolf Parkinson’s White Syndrome is when there is an extra electrical pathway between the heart’s upper and lower chambers causing rapid heartbeat. The extra pathway is present at birth and fairly rare.

After seeing a specialist to address a long-existing hernia Crocket was referred to a heart specialist where tests proved that he would need to address his heart condition, as a missing valve in his Aorta was causing blood to leak into his heart, before getting surgery for his hernia. Crocket wrote that this condition would “…lead to a heart attack at anytime. (sic)”

Crocket also recounts “…dizzyness, shortness of breath and blackouts were something I thought came with playing 200 shows a year and living on the highway.” Talk about a road warrior!

We’re wishing Charley Crocket a speedy recovery.

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Townes Van Zandt Unreleased Songs Out In March, Hear “All I Need” Now

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Pre-order “Sky Blue”

Many refer to musicians as “artists.” Few deserve the designation as much as Townes Van Zandt does. In his brief and troubled time on this planet, Van Zandt spun dark beauty from tragedy and addiction. “Though he did briefly flirt with mainstream success with Willie Nelson and Merle Haggard covering his outlaw ballad “Pancho And Lefty,” at the time of his death in the early hours of New Years day 1997, at the age of 52, Van Zandt was relatively unknown.

But artists as renowned as Bob Dylan and Sonic Youth’s Steve Shelley were aware of his genius and wanted to work with him. Over the years his name has come to stand for the craft and authenticity so many Americana and roots artist strive to achieve.

New music by Townes Van Zandt is a rare find. So I’m thrilled that on March 7, 2019—which would have been his 75th birthday, TVZ Records and Fat Possum Records will release “Sky Blue,” eleven unreleased Van Zandt recordings made in early 1973 with the late Bill Hedgepeth, a journalist, musician, and most crucially a close friend of Townes. This forty-six year-old time capsule is a rare glimpse of the artist working out some of his most iconic songs in an intimate, comfortable setting with one of his lifelong confidantes.

Hear the new unreleased song “All I Need” below.

During this period of his life Van Zandt was splitting his time between Texas, Colorado, and a shack outside Franklin, Tennessee: an itinerant life that suited and informed many of his most famous and beloved tunes. Throughout his life he would often return to Hedgepeth’s home studio in Atlanta, later with family in tow, to record, re-work, and experiment with new songs as well as old favorites.

From the PR sheet: “These versions of “Pancho & Lefty” and “Rex’s Blues” show these songs as early drafts: raw, sorrowful, and as stunningly moving as he ever was, full of clean flat-picking and adept flourishes in just the right places. He emerges as a master of economic songwriting and playing, providing all that’s needed and nothing more, confident that his ideas and emotions would come through more clearly for being so judiciously understated.

In addition to a handful of old favorites, “Sky Blue” also includes two new songs that have never been heard before—”All I Need” and “Sky Blue”—as well as covers of songs by Richard Dobson and Tom Paxton. There is a smoky version of “Blue Ridge Mountain Blues” and a scarred and scarring interpretation of “Hills of Roane County,” an East Tennessee murder ballad from the 1880s that was popularized by Tony Rice. Van Zandt performs them deftly, sings them intuitively, and displays his delightfully twisted sense of humor on the devious “Snake Song” and the vicious “Dream Spider.”

Conceived by Townes’ surviving family—his wife and literary executor Jeanene, along with his children, J.T., Will, and Katie Bell— “Sky Blue” sounds like an entirely new album rather than a reissue of old recordings. That’s how urgent and invigorated these performances sound, offering a revealing glimpse into Townes’ process, the evolution of his songs as well as the myriad versions he had in his head.”

Sky Blue Tracklist

  1. All I Need
  2. Rex’s Blues
  3. Hills of Roane County
  4. Sky Blue
  5. Forever For Always For Certain
  6. Blue Ridge Mountain Blues (Smoky Version)
  7. Pancho and Lefty
  8. Snake Song
  9. Silver Ships of Andilar
  10. Dream Spider
  11. The Last Thing On My Mind

Ryan Adams To release ‘Big Colors,’ ‘Wednesdays’ in 2019. Debuts New Single

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Ryan Adams has revealed that he plans to release three albums in 2019. First up will be “Big Colors” out April 19. Produced by Adams, Beatriz Artola, and Don Was, and features contributions from Benmont Tench of Tom Petty & The Heartbreakers and fellow alt.darling Bob Mould. (Big Colors tracklist below)

Hear “Doylestown Girl,” the first single from ‘Big Colors.’

Next will be “Wednesdays” which has been verified to feature contributions from Emmylou Harris, Jason Isbell, and Tench. Adams co-produces with Artola. (Wednesdays tracklist below)

 The album release information became public in a way that, if you follow his Twitter feed,  displays his political slant. News of “Big Colors” coming from MSNBC anchor Katy Tur and the Washington Post’s “Power Up” news feed. 

And news of ‘Wednesdays” coming from Politico reporter Jake Sherman.

I’ve found no news on the third release. 

Adams is no stranger to prolific output as these three albums slated for 2019 will match his output from 2005. In that year Adams released “Cold Roses”
(with The Cardinals) on May 3, “Jacksonville City Nights”  (with The Cardinals) on September 27, and “29” on December 19, 2005.

Big Colors follows 2017’s Prisoner.

Big Colors track list:

1. Big Colors
2. Do Not Disturb
3. It’s So Quiet, It’s Loud
4. (Expletive) the Rain
5. Doylestown Girl
6. Dreaming You Backwards
7. I Surrender
8. What Am I
9. Power
10. Showtime
11. In It for the Pleasure
12. Middle of the Line
13. I’m Sorry and I Love You
14. Manchester
15. Summer Rain

Wednesdays track list:

1. Walk in the Dark
2. Who Is Gonna Love Me Now, If Not You
3. So Anyways
4. Wednesdays
5. Lost in Time
6. It’s Not That Kind of Night
7. Somewhere It Is Spring
8. Poison & Pain
9. Nobody Wins
10. Momma
11. When You Cross Over
12. Birmingham
13. Like a Heatwave
14. Red & Orange Special
15. Magic Trick
16. Pennsylvania Moon
17. Take Me Home

Wanted! – Notable Americana and Roots Music Releases for 2019

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2018 is now in the pages of history and as America shifts (lurches?) into an uncertain future. Americana and roots music, unlike many other genres, continues to be true to its legacy and addresses our times with art that refuses to chase the charts and churn out reflexively commercial product and, lucky for us, refuses to treat the audience as mindless consumers.

That’s not to say that Americana and roots music is merely a barometer for political and social conditions and change. No sane person wants their favorite artists to be righteous yet starve. As the music industry continues to reflect changing consumer demands artists are also finding opportunities to reach audiences and generate revenue in movies and video games.

Some albums I’m  personally looking forward to because I’ve heard some cuts, or on my faith in the artist,  are Hayes Carll’s  â€œWhat It Is,” Feb. 15: Dale Watson’s Call Me Lucky and Ryan Bingham – “American Love Song” , all on February 15th,  Mandolin Orange’s “Tides of a Teardrop” on February 1st, and Joshua Ray Walker’s “Wish You Were Here” on January 25th as well as Son Volt’s “Union’ on March 29th.

As more dates come throughout the year I will be updating the list. If you know of an actual release not listed yet please leave it in the comments.

As always I appreciate your visiting the site and hope you join me in another great year for Americana and roots music.

January: Jan. 18th: Danny Burns – “North Country”
Jan. 25th: Lula Wiles – ‘What Will We Do’
Jan. 4th: Balsam Range – “Aeonic”
Jan. 18th: Alice Wallace – “ Into the Blue”
Jan. 18th: Ronnie Milsap – “Ronnie Milsap: The Duets”
Jan. 18th: Greensky Bluegrass – “All for Money”
Jan. 18th: The Steel Woods – “Old News”
Jan. 18th: Whitehorse – “The Northern South Vol. 2”
Feb. 22: Vandoliers – “Forever” 

February:
Feb. 1st: Mandolin Orange – “Tides of a Teardrop”
Feb. 1st: Abigail Lapelle – “Getaway”
Feb. 8th: Gurf Morlix – ‘Impossible Blue’
Feb. 15th: Hayes Carll – “What It Is”
Feb. 15th: Dale Watson – “Call Me Lucky”
Feb. 15th: Ryan Bingham – “American Love Song”
Feb. 15th: Joey McGee – “El Camino Real”
Feb. 15th: Kalyn Fay – “Good Company”
Feb. 22nd: Dearling – “Silver and Gold” (EP)
Feb. 22nd Vandoliers – “Forever”
Feb. 22nd – Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell – ‘Songs of Our Native Daughters’ March:
March 1st: Mary Bragg – “Diamonds as Camouflage”
March 1st: The Cactus Blossoms – “Easy Way”
March 1st: Dave Ernst – “Hickory Switch”
March 2nd: The Honey Dewdrops – “Anyone Can See”
March 7th: Townes Van Zandt – “Sky Blue”
March 8th: Patty Griffin – “Patty Griffin” March 8th: Clara Baker – “Things To Burn”
March 22nd: Allison de Groot & Tatiana March 22nd: Orville Peck – “Pony” March 22nd: Luther Dickinson and Sisters of the Strawberry Moon – “Solstice” March 29th: Son Volt – “Union”

April: April 2nd: John Paul White – ‘The Hurting Kind” April 5th: Molly Tuttle – “When You’re Ready.” April 5th: Megg Farrell -“Megg Farrell” April 12th: Shovels & Rope – “By Blood” April 12th: Taylor Alexander – “Good Old Fashioned Pain” April 19th: Daniel Norgren – “Wooh Dang” May:
May 3rd: Pete Seeger – ‘The Smithsonian Folkways Collection’ May 3rd: Caroline Spence – “Mint Condition” May 10th: The Shootouts – “Quick Draw” May 24th: Willard Gayheart – “At Home in the Blue Ridge”

June:
June 14th: Hank Williams – ‘Health & Happiness Show’ June 21st: Buddy and Julie Miller -‘Breakdown on 20th Ave. South’ June 28th: Chuck Mead – “Close To Home” August 16th The Messenger: A Tribute to Ray Wylie Hubbard August 23rd Esther Rose – ‘You Made It This Far’ Erin Enderlin – ‘Chapter Three: Whatever Gets You Through The Night’ Tanya Tucker – ‘While I’m Livin’ ‘ Vince Gill – ‘Okie’ Dalton Domino – ‘Songs From the Exile’ Jason Hawk Harris – Love & the Dark The Po’ Ramblin’ Boys – ‘Toil, Tears & Trouble’ Leslie Stevens – ‘Sinner’ Croy and the Boys – ‘Howdy High-Rise’ Seth James – Midland – ‘Let It Roll’ September 7th The Highwomen – Self-Titled’ Terri Hendrix – ‘Talk To A Human’ Jason Tyler Burton – ‘Kentuckian’ Paul Cauthen – ‘Room 41’ Cut Throat Francis – ‘This Garden’s Never Gonna Grow’ Ana Egge – ‘Is It the Kiss’ NRBQ – ‘Turn On, Tune In’ Amy Speace – ‘Me and the Ghosts of Charlemagne’ These Wild Plains – ‘Thrilled To Be Here’ Trailerpark Idlers – ‘Ghost Town Nights September 13th Jeremy Ivey – ‘The Dream And The Dreamer’ September 27th Hot Club of Cowtown – ‘Wild Kingdom’ October 4th The North Mississippi Allstars – “Up and Rolling” October 13th Cody Jinks – ‘After The Fire’ North Mississippi Allstars – ‘Up and Rolling’ Corb Lund – ‘Cover Your Tracks’ Jonah Tolchin – ‘Fires for the Cold’ Marti Brom – ‘Midnight Bus’ Ted Drozdowski – ‘Learn To Love The Moon’ Jeremy Ivey – ‘The Dream And The Dreamer; Janiva Magness – ‘Change In The Weather: Janiva Magness Sings John Fogerty’ October 18th The Milk Carton Kids – ‘The Only Ones’ Darin Aldridge & Brooke Aldridge – ‘Inner Journey’ Driftwood Soldier – ‘Stay Ahead Of The Wolf’ The Drunken Hearts – ‘Wheels of the City’ Rory Ellis – ‘Inner Outlaw’ EmiSunshine and The Rain – ‘Family Wars’ Jimmy “Duck” Holmes – ‘Cypress Grove’ Jake La Botz – ‘They’re Coming For Me’ New Copasetics – ‘Twang-Ucopia’ David Newbould – ‘Sin & Redemption’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Zachary Lucky – ‘Midwestern’ October 25th Allison Moorer – ‘Blood’ Neil Young & Crazy Horse – ‘Colorado’ Craig Cummings – ‘Absolute Surprise’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Van Morrison – ‘Three Chords and the Truth’ Jackson Stokes – ‘Jackson Stokes’ Zack Walther Band – ‘The Westerner’ November 20th Bill Scorzari – ‘Now I’m Free’ January 31st Dustbowl Revival – ‘Is It You, Is It Me?’

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2018

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Truth be told I’ve been distracted by much unpleasantness in 2018. So much so as many of these outstanding selections moved past my attention when they were first released. Luckily I keep a list of yearly releases and was able to rewind and catch them before they slipped away as 2019 dawned.

Criteria – Calendar year 2018. No EPs, live, covers or re-release albums no matter how awesome. Don’t see your favorite represented? Leave it in the comments, and here’s to a new year of Twang.

  1. Jamie Lin Wilson – Jumping Over Rocks – On her sophomore outing, Wilson has created a lean melancholy masterpiece. The pull of the road and the fray on family ties, and the resulting loneliness and regret are just some of the universal themes running through these unvarnished jewels traveling on that dusky trill. It’s a testament to the skill of craft that created these songs that Guy Clark’s “Instant Coffee Blues” sits so easily within Wilson’s originals.


2. John Prine – ‘The Tree of Forgiveness’ – 13 years in the making Prine lends his wry eye to the everyday glory and mundane divinity that has become Prine’s calling card in his 71 years. His ruminations of birth, death and the the pageant of absurdity connecting the two could be chalked up to the interests of an older man (especially one that’s beat 2 cancer prognosis,) but Prine has always been an artist that’s interested in exploring our shared experiences in whimsical ways.

3. J.P. Harris – ‘Sometimes Dogs Bark at Nothing,’ – Harris belies his 30 year travels around the sun by penning songs that channels Mickey Newbury  (‘Lady in the Spotlight’) or Blaze Foley (the title cut) to create a calico quilt of country and roots best bits that hangs together and serves a fitting flag to stake out his own territory of sonic discovery.


4. Dillon Carmichael – ‘Hell on an Angel“ – The story goes that Dillon Carmichael has country music in his DNA and he was destined to mine for country gold. I’ve known a lot of decedents of music greats that didn’t have a lick of destiny in them. Hell on an Angel“ is a project that has me reevaluating that conclusion. Hillbilly Whisperer Dave Cobb has again found himself alongside an artist that can be described as the future of country music by reminding us all that its beauty lies in its past.

5. Colter Wall – “Songs of the Plain” – That voice. Those songs. “Songs of the Plain” mines much of the history that made country music relatable and beloved by folks the world over. A cowboy longing for home while on a long trail ride is not just a reflection on the cost of a particular profession as much as it is a dusty sketch of a common longing we can all share.


6. Lori McKenna – ‘The Tree” – McKenna’s collection of family-album folk songs shows haw a master of songcraft finds depth in the ordinary moments of everyday life. McKenna’s ability to write of the profound in relatable, and often commercially successful, ways make her one of the few that can traverse mainstream country and Americana territories with aplomb.


7. Mike and the Moonpies – ‘Steak Night at the Prairie Rose’ – Everyone has come across some asshole willing to sound the death knell for country music. Next time that happens drop this album on them like a 9lb. hammer. Barroom confessionals and boot-scootin‘ crowd pleasers reflects the spirit of those thousands of stages Mike and the Moonpies has had to own on any given night. It doesn’t get more real.

8. Ruston Kelly – ‘Dying Star’ – Kelly is another country music vet not content to keep working behind the stage grinding out hits for the likes of the Josh Abbott Band and Tim McGraw. Those skills allow Kelly to craft lean songs that carry just the right amount of studio sheen as not to choke the life from these back-alley confessionals of failing faith and dime-store salvation.

9. Charley Crockett – ‘Lonesome As a Shadow’ – Crockett’s working-class upbringing in rural border town Texas and years of busking on the streets of New Orleans and New York City is steeped bone deep in these cuts. To find a melange of Redneck-Cajun gumbo this satisfying outside of this release you’d have to dig deep into the 70’s Leon Russell / Willie Nelson collaborations.

10. Sarah Shook & the Disarmers – ‘Years’ – Hearing Sarah Shook for the first time transported me back to Dallas jn the early 90s when I first heard the Old 97s. The country music I had grown up with on my parent’s stereo was all hopped up on trucker speed and bucking bronco beats. Shook embodies the golden years of alt.country but brews up her own brand of fresh blood with razor sharp wit and a heavy dose of ‘I don’t give as fuck.’

2019 Grammy Awards Nominees : Brandi Carlile, Chris Stapleton, Lee Ann Womack

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Ah the holidays. Family, friends, bourbon-barrel stouts, gluttony and Black Friday door-buster riots.
Making memories…

It’s also the time of year when nominations for the Grammy Awards were announced. In case you weren’t aware of this fact you’re not alone. I did a completely unscientific study of Grammy awareness and of the 23 people I asked zero had any idea that the nominees had been announced.

Not a surprise. Though “music’s biggest night” viewership has held steady for the last four years, the 2016 telecast technically ranked as a seven-year low for the annual event.

Though the Grammys tend to be less directly political as other award shows, in the current toxic political environment more people (aka customers) are skipping the mono-political red-carpet posturing from celebrities that is de rigueur. So people that want to unplug and listen and watch live performances of tunes.

Amazing the people looking for some creative distraction balk at the idea of being lectured to.

Political posturing aside, The Grammys for years have had a hard time getting a foothold on what they’re brand means to fans and people outside the industry. No one outside the industry and insane obsessive fans (like us!) cares about who wins. You have to be delusional to believe that casual fans under 30 tune into the Grammys to discover new artists and the 30+ crowd falls outside the sweet demographic to keep up ad revenues to keep up the rental payments on the Staples Center.

For the new and established artists the live performances, especially the ones live-streamed from the pre-telecast ceremony, can be extraordinary. Ben Harper and Charlie Musselwhite, Hugh Masekela, John Fullbright, Elle Varner and Trombone Shorty stand out as memorable favorites from my time covering the event.

Now the numbers: Brandi Carlile tops the Americana list with six nominations including Album Of The Year (By The Way, I Forgive You), Record Of The Year (“The Joke”), Song Of The Year (“The Joke”), Best Americana Album, Best American Roots Song and Best American Roots Performance.

Chris Stapleton is nominated for three GRAMMY Awards: Best Country Album (From A Room: Volume 2) and Best Country Solo Performance (“Millionaire”) as well as Best Pop Duo/Group Performance for his performance on Justin Timberlake’s “Say Something.”

Lee Ann Womack earned two nominations. Her latest album ‘The Lonely, The Lonesome & The Gone’ (ATO Records) has been nominated for Best Americana Album, and the album’s lead single “All the Trouble” has been nominated for Best Americana Roots Song. The nominations are the eleventh and twelfth of Womack’s storied career, and her first as a songwriter.

The Travelin’ McCourys nabbed a nomination for “Best Bluegrass Album” for their eponymous debut/

Below is my list of categories reflecting the roots and Americana field.
Tune into the 61st Grammy Awards on Feb. 10 on CBS, broadcast live from the Staples Center in Los Angeles.

Record Of The Year
(Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.)

• “I Like It” – Cardi B, Bad Bunny & J Balvin
Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer

• “The Joke” – Brandi Carlile
Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer

• “This Is America” – Childish Gambino
Donald Glover & Ludwig Goransson, producers; Derek “MixedByAli” Ali & Riley Mackin, engineers/mixers; Mike Bozzi, mastering engineer Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel “Gadget” Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer

• “Shallow” – Lady Gaga & Bradley Cooper
Lady Gaga & Benjamin Rice, producers; Tom Elmhirst, engineer/mixer; Randy Merrill, mastering engineer

• “All The Stars” – Kendrick Lamar & SZA
Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer

• “Rockstar” – Post Malone Featuring 21 Savage
Louis Bell & Tank God, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer

• “The Middle” – Zedd, Maren Morris & GreyGrey, Monsters & Strangerz & Zedd, producers; Grey, Tom Morris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer

Album Of The Year
(Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.)

• Invasion Of Privacy – Cardi B
Leslie Brathwaite & Evan LaRay, engineers/mixers; Belcalis Almanzar & Jorden Thorpe, songwriters; Colin Leonard, mastering engineer

• By The Way, I Forgive You – Brandi Carlile
Dave Cobb & Shooter Jennings, producers; Dave Cobb & Eddie Spear, engineers/mixers; Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters; Pete Lyman, mastering engineer

• Scorpion – Drake
Noel Cadastre, Noel “Gadget” Campbell & Noah Shebib, engineers/mixers; Aubrey Graham & Noah Shebib, songwriters; Chris Athens, mastering engineer

• H.E.R. – H.E.R.
Darhyl “Hey DJ” Camper Jr, H.E.R. & Jeff Robinson, producers; Miki Tsutsumi, engineer/mixer; Darhyl Camper Jr & H.E.R., songwriters; Dave Kutch, mastering engineer

• Beerbongs & Bentleys – Post Malone
Louis Bell & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell & Austin Post, songwriters; Mike Bozzi, mastering engineer

• Dirty Computer – Janelle Monáe
Chuck Lightning & Janelle Monáe Robinson & Nate “Rocket” Wonder, producers; Mick Guzauski, Janelle Monáe Robinson & Nate “Rocket” Wonder, engineers/mixers; Nathaniel Irvin III, Charles Joseph II, Taylor Parks & Janelle Monáe Robinson, songwriters; Dave Kutch, mastering engineer

• Golden Hour – Kacey Musgraves
Ian Fitchuk, Kacey Musgraves & Daniel Tashian, producers; Craig Alvin & Shawn Everett, engineers/mixers; Ian Fitchuk, Kacey Musgraves & Daniel Tashian, songwriters; Greg Calbi & Steve Fallone, mastering engineers

• Black Panther: The Album, Music From And Inspired By (Various Artists)
Kendrick Lamar, featured artist; Kendrick Duckworth & Sounwave, producers; Matt Schaeffer, engineer/mixer; Kendrick Duckworth & Mark Spears, songwriters; Mike Bozzi, mastering engineer

Song Of The Year

(A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)

• “All The Stars”
Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
Track from: Black Panther The Album Music From And Inspired By

• “Boo’d Up”
Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai)
Track from: Ready

• “God’s Plan”
Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)

• “In My Blood”
Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters (Shawn Mendes)
Track from: Shawn Mendes

• “The Joke”
Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
Track from: By The Way, I Forgive You

• “The Middle”
Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski, songwriters (Zedd, Maren Morris & Grey)

• “Shallow”
Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)

• “This Is America”
Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)

Best New Artist
(An artist will be considered for Best New Artist if their eligibility year release/s achieved a breakthrough into the public consciousness and notably impacted the musical landscape.)
• Chloe x Halle
• Luke Combs
• Greta Van Fleet
• H.E.R.
• Dua Lipa
• Margo Price
• Bebe Rexha
• Jorja Smith

Best Traditional Pop Vocal Album
(For albums containing at least 51% playing time of new traditional pop recordings.)
• Love Is Here To Stay – Tony Bennett & Diana Krall
• My Way – Willie Nelson
• Nat “King” Cole & Me – Gregory Porter
• Standards (Deluxe) – Seal
• The Music…The Mem’ries…The Magic! – Barbra Streisand

Best Country Solo Performance
(For new vocal or instrumental solo country recordings.)

• “Wouldn’t It Be Great?”
Loretta Lynn
Track from: Wouldn’t It Be Great
• “Mona Lisas And Mad Hatters”
Maren Morris
Track from: Restoration: Reimagining The Songs Of Elton John And Bernie Taupin
• “Butterflies”
Kacey Musgraves
Track from: Golden Hour
• “Millionaire”
Chris Stapleton
Track from: From A Room: Volume 2
• “Parallel Line”
Keith Urban
Track from: Graffiti U

Country
Category 27 – Best Country Duo/Group Performance
(For new vocal or instrumental duo/group or collaborative country recordings.)
• “Shoot Me Straight”
Brothers Osborne
Track from: Port Saint Joe
• “Tequila”
Dan + Shay
• “When Someone Stops Loving You”
Little Big Town
Track from: The Breaker
• “Dear Hate”
Maren Morris Featuring Vince Gill
• “Meant To Be”
Bebe Rexha & Florida Georgia Line
Track from: All Your Fault: Pt. 2
Field 8 – Country
Category 28 – Best Country Song
(A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)
• “Break Up In The End”
Jessie Jo Dillon, Chase McGill & Jon Nite, songwriters (Cole Swindell)
• “Dear Hate”
Tom Douglas, David Hodges & Maren Morris, songwriters (Maren Morris Featuring Vince Gill)
• “I Lived It”
Rhett Akins, Ross Copperman, Ashley Gorley & Ben Hayslip, songwriters (Blake Shelton)
• “Space Cowboy”
Luke Laird, Shane McAnally & Kacey Musgraves, songwriters (Kacey Musgraves)
Track from: Golden Hour
• “Tequila”
Nicolle Galyon, Jordan Reynolds & Dan Smyers, songwriters (Dan + Shay)
• “When Someone Stops Loving You”
Hillary Lindsey, Chase McGill & Lori McKenna, songwriters (Little Big Town)
Track from: The Breaker
Field 8 – Country
Category 29 – Best Country Album
(For albums containing at least 51% playing time of new country recordings.)
• Unapologetically
Kelsea Ballerini
• Port Saint Joe
Brothers Osborne
• Girl Going Nowhere
Ashley McBryde
• Golden Hour
Kacey Musgraves
• From A Room: Volume 2
Chris Stapleton

American Roots Music
Category 45 – Best American Roots Performance
(For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).)

• “Kick Rocks”
Sean Ardoin
Track from: Kreole Rock And Soul
• “Saint James Infirmary Blues”
Jon Batiste
Track from: Hollywood Africans
• “The Joke”
Brandi Carlile
Track from: By The Way, I Forgive You
• “All On My Mind”
Anderson East
Track from: Encore
• “Last Man Standing”
Willie Nelson
Track from: Last Man Standing

American Roots Music
Category 46 – Best American Roots Song
(A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)

• “All The Trouble”
Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack)
Track from: The Lonely, The Lonesome & The Gone
• “Build A Bridge”
Jeff Tweedy, songwriter (Mavis Staples)
• “The Joke”
Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
Track from: By The Way, I Forgive You
• “Knockin’ On Your Screen Door”
Pat McLaughlin & John Prine, songwriters (John Prine)
Track from: The Tree Of Forgiveness
• “Summer’s End”
Pat McLaughlin & John Prine, songwriters (John Prine)
Track from: The Tree Of Forgiveness

American Roots Music
Category 47 – Best Americana Album
(For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.)
• By The Way, I Forgive You – Brandi Carlile
• Things Have Changed – Bettye LaVette
• The Tree Of Forgiveness – John Prine
• The Lonely, The Lonesome & The Gone – Lee Ann Womack
• One Drop Of Truth – The Wood Brothers
Field 13 – American Roots Music

Best Bluegrass Album
(For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.)
• Portraits In Fiddles
Mike Barnett
• Sister Sadie II
Sister Sadie
• Rivers And Roads
Special Consensus
• The Travelin’ McCourys
The Travelin’ McCourys
• North Of Despair
Wood & Wire

Best Folk Album
(For albums containing at least 51% playing time of new vocal or instrumental folk recordings.)
• Whistle Down The Wind – Joan Baez
• Black Cowboys – Dom Flemons
• Rifles & Rosary Beads – Mary Gauthier
• Weed Garden – Iron & Wine
• All Ashore – Punch Brothers

Historical
Category 68 – Best Historical Album
• Any Other Way
Rob Bowman, Douglas Mcgowan, Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton, mastering engineer (Jackie Shane)
• At The Louisiana Hayride Tonight…
Martin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various Artists)
• Battleground Korea: Songs And Sounds Of America’s Forgotten War
Hugo Keesing, compilation producer; Christian Zwarg, mastering engineer (Various Artists)
• A Rhapsody In Blue – The Extraordinary Life Of Oscar Levant
Robert Russ, compilation producer; Andreas K. Meyer & Rebekah Wineman, mastering engineers (Oscar Levant)
• Voices Of Mississippi: Artists And Musicians Documented By William Ferris
William Ferris, April Ledbetter & Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists)

Sierra Hull Announces ‘Christmas Time Is Here’ Tour

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Roots music virtuoso Sierra Hull has announced her ‘Christmas Time Is Here’ tour. Each of the four tour stops she will partner with Toys for Tots and/or a local food bank– “seeking to ease the stress of the holidays for the less fortunate.” Each attending fan who donates an unwrapped toy, canned foods, or makes a monetary donation to the local food bank on-site will receive a free signed Weighted Mind (Hull’s latest release, a GRAMMY-nominated record) poster while supplies last. Together, with her band (Justin Moses, Kai Welch, Eddie Barbash, Ethan Jodziewicz, and Jamie Dick), Hull aims to bring Christmas joy to all– those attending the shows and those in need this December. See below for details on how to give in each market:

Dec. 7 — Sheldon Concert Hall — St. Louis, MO
(Toys for Tots, canned food, and monetary donations accepted
for St. Louis Area Foodbank)

Dec. 8 — Franklin Theatre — Franklin, TN
(Toys for Tots, canned food, and monetary
donations accepted for Second Harvest Food Bank)

Dec. 20 — Tangled String Studios — Huntsville, AL
(Monetary donations accepted for Food Bank of North Alabama)

Dec. 21 — Smoky Mountain Center for the Performing Arts — Franklin, NC
(Toys for Tots, monetary donations accepted for Macon County Care Net)

For tickets and more information, please visit sierrahull.com.