Record Store Day Black Friday 2018 Americana and Roots Recommendations

Record Store Day's Black Friday

Just as the weather turns crisp and the Halloween candy gluts the store isles you know that Record Store Day Black Friday event is right around the corner. The event, that results in indy record store around the world making a good chunk of their yearly take, has been expanded to take place over two days, Black Friday (November 23) and Small Business Saturday (November 24).

Among the vinyl delights offered is a Legacy Edition of The Byrds – landmark “Sweetheart of the Rodeo” with lots of goodies to top off the album’s 50th anniversary. Also offered is Lone Justice – The Western Tapes 1983, early Marvin Etzioni produced demos of these alt.country pioneers.

Check the full list at the Record Store Day site. I’ll be buying a stack from the good people at Dallas’ own Good Records. Remember to tweet a pic of your bounty to my twitter account and I’ll share it with those foolish enough to stay home.

The Byrds – Sweetheart of the Rodeo (Legacy Edition) – 4 x LP

By the time Sweetheart Of The Rodeo was released in 1968, The Byrds had already changed the sound of rock music twice; from jangling folk-rock to experimental acid-rock, they constantly sought to push the boundaries of what rock music could be. The 1967 departure of David Crosby left a creative void filled quickly by country music-loving Gram Parsons, whose addition led Roger McGuinn, Chris Hillman and company to record an album comprised mostly of authentic country material in Nashville, with the aid of local session aces (including future Byrd Clarence White). For the first time on vinyl—and on the heels of a 50th anniversary tour of the album by original members McGuinn and Hillman—this Legacy Edition of Sweetheart Of The Rodeo showcases this country-rock masterpiece alongside 28 bonus tracks, including demos, outtakes, rehearsal versions and tracks by Parsons’ pre-Byrds outfit, The International Submarine Band.

Bobbie Gentry – Ode To Billie Joe – LP

Ode to Billie Joe is the 1967 classic debut album by singer-songwriter Bobbie Gentry. The album peaked at #1 on the Billboard charts, and was the album that displaced the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band from its 15-week reign at the top. This deluxe 180g LP reissue on Elemental Music was cut and mastered by the renowned audiophile mastering engineer Kevin Gray direct from the original tapes, with packaging that includes all original artwork and liner notes.

SIDE A 01 Mississippi Delta (3:05) 02 I Saw An Angel Die (2:56) 03 Chickasaw County Child (2:45) 04 Sunday Best (2:50) 05 Niki Hoeky (2:45)
SIDE B 01 Papa, Woncha Let Me Go To Town With You (2:30) 02 Bugs (2:05) 03 Hurry, Tuesday Child (4:52) 04 Lazy Willie (2:36) 05 Ode To Billie Joe (4:15)

Robert Johnson – Cross Road Blues/Ramblin’ On My Mind – 10″ Vinyl

Eric Clapton is quoted as saying that “Robert Johnson to me is the most important blues musician who ever lived”. A special 2018 Black Friday offering of Robert Johnson’s iconic 1936 recordings of “Cross Road Blues” / “Ramblin’ On My Mind” reproduced on the Vocalion label with sleeve as a 10″ single.

Blind Lemon Jefferson – Black Snake Moan/Matchbox Blues – 10″ Vinyl

Blind Lemon Jefferson, “The Father of Texas Blues,” was the best-selling malevblues artist of the 1920’s, recording 92 sides for Paramount Records and one released 78 for Okeh Records: “Black Snake Moan / Matchbox Blues”. Jefferson produced an original, driving, unpredictably advanced guitar style and a distinctive booming high-pitched, two-octave voice that no one could imitate. Legends of his prowess as a bluesman abound among the musicians who heard him, and sightings of Jefferson in different regions of the United States are plentiful. B.B. King stated, “His touch is different from anybody on the guitar—still is. He was majestic and played just a regular little six-string guitar with a little round hole. It was unbelievable to hear him play. And the way he played with his rhythm patterns, he was way before his time, in my opinion. Blind Lemon was my idol.” A special 2018 Black Friday offering of Blind Lemon Jefferson’s 1927 Okeh recording of “Black Snake Moan” / “Matchbox Blues” is reproduced on the original label with an Okeh sleeve as a 10-inch 78 single.

Ray LaMontagne – Spotify Singles – 7″ Vinyl

Limited edition glow in the dark 7” vinyl of Ray LaMontagne’s Spotify Singles session recorded at Sound Stage Studios. Features live recordings of “Such A Simple Thing” and a cover of “Blue Canadian Rockies” originally performed by Gene Autry

“Such A Simple Thing” and “Blue Canadian Rockies” recorded at Sound Stage Studios Nashville

Lake Street Dive – Freak Yourself Out – LP

A new EP of five songs recorded during the Free Yourself Up sessions!
1. Daryl 2. Young Boy 3. Jameson 4. Angioplast 5. Who Do You Think You Are

Lone Justice – The Western Tapes 1983 – 12″ Vinyl

Musician and producer Marvin Etzioni first saw Maria McKee and Ryan Hedgecock in a club in 1982, playing George Jones and Hank Williams covers. He convinced them they needed original material. After working and writing, the band added Dave Harrington (bass) and Don Willens (drums), the band worked up material with Etzioni and cut 5 of the 6 tracks at the famed Record Plant. An earlier session provides the 6th track. The Western Tapes: 1983 exhibits the genesis of this highly-infl uential band. While the original demo version of “Drugstore Cowboy” has appeared on various compilations, the remainder of the other tracks from the sessions have remained in the can. Two of the tracks appear in their earliest demo form and wound up landing on the classic 1988 Lone Justice debut, “Working Late” and “Don’t Toss Us Away” (written by Maria’s half-brother, Bryan MacLean of the classic band, Love) which would eventually become a top 5 smash for Country superstar Patty Loveless. Released in conjunction with the band, the EP was mastered by Bernie Grundman (who also cut the 45 RPM lacquers). It’s a look into where they started and foretells where they would go.
As Etzioni (who would later join the band) says in his liner notes: “With countless hours together, it was a fun and innocent time. I believed we were creating a 21st century country band.”
They created much, much more. PLAY LOUD AT 45 RPM!

Side 1: 1. working late 2:45 2. don’t toss us away 4:29 3. drugstore cowboy 2:54
Side 2: 4. i see it 2:22 5. train song 2:55 6. how lonesome life has been 2:06

Kacey Musgraves – High Horse Remixes

High Horse Remixes (not available on any physical configuration)

SIDE A: High Horse (Kue Remix)- DJ Kue
SIDE B: High Horse (Violets Remix)- Violents

Hank Williams – The First Recordings, 1938 – 7″ Vinyl

The first EVER recordings made by the legendary Hank Williams. This Record Store Day Black Friday 7″ red vinyl single celebrates the 80th anniversary of their recording, and the labels duplicate the labels on the original acetate.

Side A “Fan It” (F. Jaxon) – Hank Williams
Side B “Alexander’s Ragtime Band” (I. Berlin) – Hank Williams & Pee Week Moultrie

Joy Williams Releases Two New Songs, Gets Back To Roots

Joy Williams - Front Porch

In the wake of the seemingly sudden dissolution while their ascent to superstardom (well, as much superstardom as a nebulous root genre can afford) Americana duo The Civil Wars’ Joy Williams and John Paul White went their separate ways each gravitating to the sounds they explored before uniting in 2008. White to the sparse, gritty side of the tracks his 2016 release “Beulah,” and Williams to the pop side, albeit with a world music bent, on her 2015 solo outing ‘Venus.”

Two newly-released tracks, from Williams’ anticipated new album ‘Front Porch,’ shows her sonically tracking more closely to the path that led The Civil Wars to acclaim. This might be helped along by Milk Carton Kids’ Kenneth Pattengale taking the production helm.

As a sweet side note, Williams worked on ‘Front Porch’ in Nashville while pregnant with her second child. She gave birth to a daughter, Poppy Louise, over the summer.

‘Canary, the more rootsy of the two cuts, is a haunting Gohic-tinged cut of cautioning and resolve.Williams is in fine form here and is in great voice and appears reinvigorated being accompanied with the rustic strings oh acoustic guitar, upright bass, and fiddle.

Joy Williams – Canary (Live)

‘The Trouble with Wanting’ is a guitar-driven lover’s lament featuring glistening harmony by her backing band. The song ebbs and flows in rhythm with William’s expressive sways, as if the music is running through her and aching to be shared.

Joy Williams – The Trouble with Wanting (Live)

From the presser: Produced by Kenneth Pattengale of The Milk Carton Kids and engineered by Matt Ross-Spang, Front Porch represents a new chapter in Williams’ career, who recorded the album in Nashville during the pregnancy of her second child. She reflects, “There is an energy that is very creative in having a baby. It gives a sense of urgency on top of all the creative energy. Cellularly, your body is experiencing something really different. Everything you are feeling is elevated. And you have a time-stamped sense of urgency.” Already receiving critical acclaim, Rolling Stone states the new music, “…is both familiar and new, and explicitly clear that there’s nothing missing when she goes it alone.”

“So much of this is about coming home,” says Williams. “Whether to a physical place or to yourself. The lines on my face, I can see them more clearly now. But a lot of them are laugh lines. This record feels like breathing more deeply into who I am. Come what may.”

I can’t wait to hear the rest of the album.

Joy Williams Tour Dates:

November 1—Birmingham, AL—Workplay
November 2—Athens, GA—The Foundry
November 16—St. Louis, MO—Blueberry Hill Duck Room
November 17—Chicago, IL—Old Town School of Folk Music
November 18—Indianapolis, IN—White Rabbit Cabaret
November 30—Cincinnati, OH—20th Century Theater
December 1—Louisville, KY—Headliners Music Hall
December 2—Lexington, KY—The Burl
December 7—Austin, TX—3TEN at ACL Live
December 8—Dallas, TX—The Kessler Theater
December 9—Houston, TX—The Heights Theater

5 Things You May Not Know About The Byrds’ ‘Sweetheart of the Rodeo’

Sweetheart of the Rodeo

In the late 60s, the American rock band the Byrds were ripe for a change. The band’s fifth LP, The Notorious Byrd Brothers proved to be another sterling example of the band’s established psychedelic experimentation, but it also incorporated jazz, pop and the roots music leanings of folk and country rock. This stylistic elasticity made the band a perfect vessel for genre experimentation. The departures of band members David Crosby and Michael Clarke from the group in late 1967 left a directional void that was happily filled by their newest member Gram Parsons, and his trad country sensibilities.

Though Sweetheart of the Rodeo had disappointing sales on release (see below) the record proved to be highly influential on subsequent generations of musicians. Kind of like an Americana version of the VU debut ‘The Velvet Underground & Nico. ‘

Among those who took the contemporary take on the traditional sound heart was Marty Stuart, then a teenage bluegrass prodigy and later a hitmaking country star. Stuart owns the 1954 Fender Telecaster that previously belonged to the late Clarence White, who played guitar on the “Sweetheart” album; Stuart will play that guitar on the celebratory tour.

Founding Byrds members Roger McGuinn and Chris Hillman are currently on the road with Stuart and the Fabulous Superlatives — guitarist Kenny Vaughan, bassist Chris Scruggs and drummer Harry Stinson – to celebrate the 50th anniversary of “Sweetheart of the Rodeo.”

Below are 5 things you may not know about the historic album.

1. Roger McGuinn floated the idea of including “experimental synthesizer music” on the album.

Chris Hillman revealed to journalist Richie Unterberger in 2000 that fellow band member Roger McGuinn
“…had thoughts of making the album after Notorious Byrd Brothers a double album that would cover everything from traditional folk to electronic synthesizer music.” But Hillman admits he doesn’t regret the decision not to include it on the album as it would “…make no sense.”

“It would have been an interesting separate project, but like I said earlier, either I didn’t understand what he (McGuinn) was doing, or I just didn’t like it. And he had that Moog synthesizer, of course, then, it was like owning a computer in 1955. It took up the whole room. It made a lot of noise. It wasn’t really musical. It was like a toy, a gadget. But it was interesting, I respect him. He was following something that intrigued him, and he likes electronics.”

2. The cover of the Sweetheart of the Rodeo was not an original work done for the album.

The exquisite folk-art album cover was made up of images from a 1932 Joseph Jacinto Mora poster, The American Cowboy Rodeo created for a 1940s California Rodeo Travel Poster.

3. The record was a flop when it was originally released in 1968.

Despite receiving generally favorable reviews from the critics, and regular play on underground FM stations, the country-rock style of Sweetheart of the Rodeo was such a radical departure from the band’s previous sound that large sections of the group’s counterculture audience alienation by the traditional style, resulting in the lowest sales of any Byrds album up to that point.

In an email from Roger McGuinn to Rick Campbell in 2008 “Our rock audience felt betrayed and the country community was wary of ‘hippies’ infiltrating their territory. I remember seeing the ‘Sweetheart of the Rodeo’ cover on a bulletin board at a country radio station in Los Angeles. I was overjoyed . . . until I got closer and saw written in red DO NOT PLAY – THIS IS NOT COUNTRY.”

4. SotR was not the first time The Byrds had delved into country music on an album.

On their second album “Turn! Turn! Turn!” the band included a cover of Red Hayes, Jack Rhodes’ “Satisfied Mind”, a 1955 country and western hit for Porter Wagoner, which had been suggested by The Byrds’ bass player, Chris Hillman.

In an email from Roger McGuinn to Rick Campbell in 2008 “The Byrds had experimented with country music as early as our second album ‘Turn! Turn! Turn! with tracks like ‘Time Between, ‘Satisfied Mind’ and ‘Girl With No Name’, but it wasn’t until Chris Hillman met Gram Parsons at a bank in Beverly Hills and brought him over to our rehearsal studio that we decided to go to Nashville and record an entire album of country material. We were in love with the genre and as sincere as we could possibly have been, in recording those songs.

5. Skeeter Davis supported the band after a “rebellious” Opry performance.

While in Nashville recording SotR, the Byrds were invited to appear on the Grand Ole Opry, at the Mother Church of Country Music, the Ryman Auditorium on March 15th, 1968. Singer-songwriter Tompall Glaser, who would become part of the “outlaw” moment the following decade, introduced the group, who were scheduled to play a Merle Haggard cover and a track from the upcoming album Sweetheart of the Rodeo. The band broke with the Opry’s history of strict bands playing approved setlists by instead performing Bob Dylan’s “You Ain’t Goin’ Nowhere,” which featured the iconic Lloyd Green on steel guitar and would be the opening track on Sweetheart of the Rodeo, Gram Parsons announced that instead of the planned “Sing Me Back Home,” they were going to play yet another track from the LP. He then dedicated their performance of “Hickory Wind” to his grandmother.

After their relatively rebellious performance and a chorus of boos from a visibly upset audience, they had one supporter, singer Skeeter Davis.

Roger McGuinn remembers “We walked out the back door with our tails between our legs, and Skeeter (Davis) caught up with us and said, “You Byrds don’t be afraid of these people: they’re just not caught up yet.” I told her later, “You were the only one who stood up for us. You were there for us, and I’ll never forget you for that.”

Sweetheart Of The Rodeo Tour Dates

Sept. 9 /// Folly Theatre /// Kansas City, MO
Sept. 12 /// Historic Gillioz Theatre /// Springfield , MO
Sept. 17 /// Albany, NY /// Hart Theater @ The Egg
Sept. 18 /// Albany, NY /// Hart Theater @ The Egg [Sold Out]
Sept. 20 /// Hopewell, VA /// Beacon Theatre [Sold Out]
Sept. 23 /// New York, NY /// Town Hall
Sept. 24 /// New York, NY /// Town Hall [Sold Out]
Sept. 26 /// Boston, MA /// The Emerson Colonial Theatre
Oct. 1 /// Louisville, KY /// Brown Theatre
Oct. 3 /// Akron, OH /// Akron Civic
Oct. 8 /// Nashville, TN /// The Ryman Auditorium
Oct. 10 /// Roanoke, VA /// The Jefferson Center
Oct. 15 /// Durham Performing Arts Center /// Durham, NC
Oct. 21 /// Byers Theatre /// Atlanta, GA
Oct. 23 /// EKU Center For The Arts/// Richmond, KY
Oct. 30 /// Carnegie Music Hall Of Homestead /// Munhall, PA
Nov. 9 /// Majestic Theatre /// Dallas, TX
Nov. 10 /// Austin City Limits Live at The Moody Theater /// Austin, TX

Shepard Fairey Unveils 15-Story Johnny Cash Mural

American contemporary street artist and graphic designer Shepard Fairey is best known for his viral designs featuring wrestler Andre the Giant and his “Hope” poster featuring Barack Obama.

Last Saturday Fairey unveiled a 15-story mural of Johnny Cas in downtown Sacramento, CA., just over 25 miles from where his historic Folsom Prison performance took place. Fairey stated on his Instagram account that the event was to commemorate …”the 50th anniversary of Cash’s Live at Folsom Prison album, and I hope that this art will ignite a conversation around the need for incarceration reform.”

Johnny Cash was an outspoken advocate of prison reform.

Prints are available for sale here.

If you've been following updates this week, you know that I'm in #Sacramento for @WideOpenWalls. The crew and I just completed my 15-story #JohnnyCash at #FolsomPrison mural, which is my largest in the state of #California and my most technically ambitious mural ever. The art is based on a photo by @JimMarshallPhoto which I used originally as part of my #AmericanCivics series. I’m grateful to be able to create this image on such a large scale as a tribute for the 50th anniversary of Cash’s Live at Folsom Prison album, and I hope that this art will ignite a conversation around the need for incarceration reform. According to a recent in-depth study by the Prison Policy Initiative, America has the highest incarceration rate in the world with a shocking 2.3 million people currently imprisoned. On top of that, our prisons are disproportionately filled with poor people of color, in fact, African Americans are 13% of the U.S. population, yet 40% of the prison population in this country. More African American men are under correctional control today than there were slaves in the 1850s according to a Huffington Post piece by writer and civil rights advocate Michelle Alexander. A portion of proceeds from the Johnny Cash print I made, currently available through @ToyRoomGallery, will benefit @Cut50. Thank you to @WideOpenWalls, @BrandedArts, and my crew of assistants, Dan Flores, Nic Bowers, Rob Zagula, and Luka Densmore for the 11-hour days we worked this week in the intense heat to get this mural finished! 📷 by @jonathanfurlong

A post shared by Shepard Fairey (@obeygiant) on

Lucinda Williams Announces Tour to Commemorate ‘Car Wheels On A Gravel Road’ Anniversary

Lucinda Williams - Down Where The Spirit Meets The Bone

I was lucky enough to be living in New York City in 2007 when Lucinda Williams hit multiple venues to play her entire discography in reverse order. I caught “Essence” at Irving Plaza which, as extraordinary as that was, paled in comparison to the performance of ‘Car Wheels On A Gravel Road’ a few nights later at Town Hall.

Williams was joined on stage by Steve Earle and Jim Lauderdale, two key members of that grueling recording session. They joined a band, which included Williams’ current guitarist extraordinaire Doug Pettibone, to revisit an album that arguably is one of the most influential and groundbreaking albums that shaped what we now call Americana music.

Now others will be able to experience that magic as Williams will hit the road starting this Fall to celebrate her landmark masterpiece by playing it in its entirety. Williams will then perform a second set which will showcase other songs from her storied career.

Most tickets for the upcoming tour will go on sale Thursday, August 23rd. Find them at her website.

Here are the Car Wheels on a Gravel Road 20th Anniversary Tour dates:

November 2 – Collingswood, NJ @ The Scottish Rite
November 3 – Northampton, MA @ The Calvin Theatre
November 5-6 – Boston, MA @ The Paradise
November 7 – New York, NY @ The Beacon Theatre
November 9 – New Haven, CT @ College Street Music Hall
November 10 – Norwalk, CT @ Wall Street Theater
November 11 – Lebanon, NH @ Lebanon Opera House
November 13 – Toronto, ON @ Danforth Music Hall
November 14 – Toronto, ON @ The Phoenix Concert Theatre
November 16 – Chicago, IL @ Thalia Hall *
November 17 – Berwyn, IL @ FitzGerald’s *

Drive-By Truckers’ Mike Cooley and Patterson Hood To Put Out Unreleased First Record

Adam's House Cat

A decade before they went on to front the mighty Drive-By Truckers Mike Cooley and Patterson Hood collaborated in their first band, Adam’s House Cat. Cooley, Patterson et al are set to share those halcyon days with all of us by releasing ‘Town Burned Down,’ the first-ever official release of the 1990 recording will be released via ATO Records on Friday September 21.

Check out the first cut from the album, “Runaway Train,” below. Even in these early days the alt.country sensibilities were already on display reflecting their contemporary influences Uncle Tupelo and The Bottle Rockets.

On November 25, 1990, Adam’s House Cat set up in the rooms upstairs from Muscle Shoals Sound Recording Studio and recorded basic tracks for 15 songs with producer/engineer Steve Melton (Lynyrd Skynyrd, Bob Seger and the Silver Bullet Band, Traffic). Tracked live on 2” analog 24-track tape, the songs recorded that freezing cold day represent an historic document of Adam’s House Cat in all their electrifying, unwieldy glory. The cavernous studio’s plaster walls, hardwood floors, and 25-foot ceilings enabled the band to create a massive sound without using the digital reverb common in that era. As a result, the recordings – mostly first and second takes – capture Adam’s House Cat as they truly were, loud, passionate and bracingly determined.

1991 saw Adam’s House Cat struggling to both fund their album’s completion and simply stay together. Hood tracked his lead vocals on the same January night in which George H.W. Bush began Operation Desert Storm. Backing vocals and minimal overdubs were added that winter and though Hood was not entirely thrilled with his vocal performances, by spring, Melton had begun mixing the raw recordings. Cahoon abruptly left the band mid-summer, replaced by Chris Quillen, who eventually contributed a memorable high-harmony vocal to the album’s “Long Time Ago.”

Alas, Adam’s House Cat’s days were numbered. Hood and Cooley relocated to Memphis in early September, and though their live shows that month proved among the band’s best ever, by month’s end, the band had played its last, quietly breaking up after an uneventful gig in Nashville. TOWN BURNED DOWN not only went unreleased, the original 24-track tapes were lost after Muscle Shoals Sound was sold and liquidated. As if that weren’t bad enough, Melton’s mixes were boxed up and sent to Jackson, MS’s Malaco Studio where they were later destroyed when a devastating tornado struck the historic building in 2011.

Hood and Cooley carried on, collaborating on a couple of ill-fated projects, but in 1993, the two had a falling out that lasted until Hood relocated to Athens, GA in April the following year. Their musical partnership resumed, with Hood making monthly visits to Cooley’s Birmingham apartment to record four-track demos together. With Cooley now also writing original songs, a new vision began to take shape. Hood and Cooley intended Chris Quillen to be a founding member but the bassist was tragically killed in a car accident that May, mere weeks before Drive-By Truckers officially came into being. John Cahoon passed away in 1999.

Fast-forward more than 20 years in which Drive-By Truckers grew to become what Stereogum hailed as “perhaps the greatest extant American rock and roll band,” equally acclaimed for their landmark 11-LP canon as well as their epic live performances. In 2015, three boxes labeled “ADAM’S HOUSE CAT” mysteriously appeared in the tape vault of longtime friend and DBT producer David Barbe’s Athens, GA studio. Contained within were the unmixed 2” tape master tapes of TOWN BURNED DOWN, along with another reel containing an EP’s worth of songs recorded the previous year.

Partly inspired by Chuck Tremblay’s near fatal heart attack in the spring of 2017, Hood made a New Year’s resolution to finally complete TOWN BURNED DOWN and in February 2018, Barbe baked the fragile tapes and placed them on reels for the first time in more than a quarter century.

Though the music and material were as powerful as ever, perhaps even more so, Hood remained as unhappy with his vocal performance as he had been in the past. Wondering if his hard-earned abilities would allow him to finally sing his songs as originally intended, Hood decided to attempt new vocal tracks. Within two hours, vocals were recorded for the entire album, raw and cathartic takes that were at once true to Hood’s original intent but reflecting the lessons of the intervening years.

On April 16, 2016, Hood, Cooley, and Tremblay convened at Barbe’s Chase Park Transduction studio in Athens to complete mixing TOWN BURNED DOWN – the first reunion of the Adam’s House Cat founding members in more than 27 years. The final mixes were later mastered at Sterling Sound in Edgewater, NJ by longtime DBT collaborator Greg Calbi.

TOWN BURNED DOWN can at last be properly heard the way Adam’s House Cat always wanted it to be heard, its raw soul and boisterous enthusiasm already hinting at what was yet to come. Songs like “Runaway Train” and “Cemeteries” display dark edges that surely must’ve intimated audiences in their time, but now sound startlingly heartfelt and full of fiery joy, energized by Cahoon and Tremblay’s versatile, dynamic backing and of course, the ever-present, undeniable chemistry between Patterson Hood and Mike Cooley.

“Finally releasing ‘Town Burned Down’ brings a sort of closure to one of the saddest and most important chapters of mine and Cooley’s lives,” writes Hood in the LP’s detailed liner notes. “The years we spent pounding out these songs made us the people and artists that we have later become, but we carried with us a darkness from never having been able to get the album out. The sound of these songs blasting out of the control room after all of these years while Cooley, Chuck and I grinned from ear to ear has truly been one of the most joyous events of my entire life. Songs from literally half of my life ago that somehow still seem vital to me all of these years later.”

Pre-order ‘Town Burned Down.’

Track Listing:
Lookout Mountain
Town Burned Down
Runaway Train
Down On Me
6 O’ Clock Train
Buttholeville
Child Abuse
Love Really Sucks
Kiss My Baby
Shot Rang Out
Long Time Ago
Cemeteries

DRIVE-BY TRUCKERS TOUR DATES 2018:
August 25 – Amsterdam NL – Once in a Blue Moon Festival
September 2 – Sausalito, CA – Sausalito Art Festival
September 3 – Richmond, VA – Stone’s Throw Down
September 22 – Chicago, IL – Goose Island Block Party
September 27 – Knoxville, TN – Bijou Theatre #
September 28 & 29 – Atlanta, GA – Variety Playhouse #
September 30 – Chattanooga, TN – Walker Theatre
October 2 – Peoria, IL – Monarch Music Hall *
October 3 – Lincoln, NE – Bourbon Theatre *
October 5 – Boulder, CO – Boulder Theater *
October 6 & 7 – Fort Collins, CO – Washington’s
November 6, 7 & 8 – Birmingham, AL – Saturn
November 9 & 10 – Nashville, TN – Cannery Ballroom &*
November 13 – Little Rock, AR – Revolution Music Room *
November 14 – Tulsa, OK – Cain’s Ballroom *
November 15 – Dallas, TX – Granada Theater
November 16 & 17 – Austin, TX – The Scoot Inn *
January 27 – Feb 1 – Tampa, FL – Outlaw Music Cruise – SOLD OUT

# – w/Adam’s House Cat
*- w/T. Hardy Morris
& – w/Lily Hiatt

Bobbie Gentry Box Set ‘The Girl From Chickasaw County-The Complete Capitol Masters’ To Be Released This Fall

Bobbie Gentry 'The Girl From Chickasaw County'

Great news for classic roots music fans! The first major retrospective box set celebrating the pioneering and enduring legacy of Bobbie Gentry will be released by Universal Music on September 21st.

“The Girl From Chickasaw County” is an 8 CD collection which includes all of the studio albums recorded by the Mississippi singer-songwriter, including more than 75 previously unreleased recordings. These extras include Gentry’s “lost” jazz album, outtakes, demos, and rarities, as well as a disc of live performances taken from the series she hosted on the BBC in 1968 and 1969 which was part of a vinyl-only release this past Record Store Day.

The set features specially commissioned cover art by David Downton and an 84-page book containing a comprehensive essay, rare and unseen photos, eight postcards and a facsimile of Gentry’s original handwritten lyrics for her signature hit ‘Ode To Billie Joe.’

https://www.youtube.com/watch?v=y9jSKfTOQZ0

Pre-order “The Girl From Chickasaw County” here.

‘The Girl From Chickasaw County-The Complete Capitol Masters’ track list:

*previously unreleased

DISC 1 – ODE TO BILLIE JOE

1. Mississippi Delta
2. I Saw an Angel Die
3. Chickasaw County Child
4. Sunday Best
5. Niki Hoeky
6. Papa, Woncha Let Me Go to Town With You?
7. Bugs
8. Hurry, Tuesday Child
9. Lazy Willie
10. Ode to Billie Joe

BONUS TRACKS

11. The Seventh Son [Demo]*
12. I Saw an Angel Die [Demo] *
13. Niki Hoeky [Demo]*
14. Papa, Woncha Let Me Go to Town With You? [Demo]*
15. Hurry, Tuesday Child [Demo]*
16. Mississippi Delta [Alternate version]*
17. Sunday Best [Alternate take]*
18. Show-Off [Stereo version]*
19. La Siepe [Original 7”]
20. La Citta E’ Grande [Original 7”]

DISC 2 – THE DELTA SWEETE

1. Okolona River Bottom Band
2. Big Boss Man
3. Reunion
4. Parchman Farm
5. Mornin’ Glory
6. Sermon
7. Tobacco Road
8. Penduli Pendulum
9. Jessye’ Lisabeth
10. Refractions
11. Louisiana Man
12. Courtyard

BONUS TRACKS

13. The Seventh Son [Band version]*
14. Feelin’ Good [Demo]*
15. I Didn’t Know [Demo]*
16. Morning to Midnight [Demo]*
17. Refractions [Demo]*
18. Louisiana Man [Demo]*
19. Sermon [Demo]*
20. Morning Glory [Demo]*
21. Jessye’ Lisabeth [Demo]*
22. Courtyard [Demo]*
23. Louisiana Man [‘The Tom Jones Show’ 06/07/1968]*
24. Ode to Billie Joe [‘The Tom Jones Show’ 06/07/1968]*

DISC 3 – LOCAL GENTRY

1. Sweete Peony
2. Casket Vignette
3. Come Away Melinda
4. The Fool on the Hill
5. Papa’s Medicine Show
6. Ace Insurance Man
7. Recollection
8. Sittin’ Pretty
9. Eleanor Rigby
10. Peaceful
11. Here, There and Everywhere

BONUS TRACKS

12. Hushabye Mountain [Original 7”]
13. Skip A Long Sam [Ode to Bobbie Gentry]
14. Conspiracy of Homer Jones*
15. Sweet Peony [Alternate Version]*
16. Cotton Candy Sandman [Demo] *
17. Hushabye Mountain [Demo]*

DISC 4 – BOBBIE GENTRY & GLEN CAMPBELL

1. Less of Me
2. Little Green Apples
3. Gentle on My Mind
4. Heart to Heart Talk
5. My Elusive Dreams
6. (It’s Only Your) Imagination
7. Mornin’ Glory
8. Terrible Tangled Web
9. Sunday Mornin’
10. Let It Be Me
11. Scarborough Fair/Canticle

BONUS TRACKS

12. All I Have to Do Is Dream [Original 7”]
13. Walk Right Back [Original 7”]
14. Sunday Mornin’ [Alternate version]*
15. Let It Be Me [Without strings]*
16. Scarborough Fair/Canticle [without strings]*
17. Love Took My Heart and Mashed That Sucker Flat [Duet with Kelly Gordon] [Defunked, 1969]
18. Fool on the Hill [Japanese language version] [Original 7”]
19. No me quiero enamorar [Spanish Language ‘I’ll Never Fall In Love Again’] [Original 7”]
20. En Todas Partes [Spanish Language ‘Here There and Everywhere’] [Original 7”]

DISC 5 – TOUCH ‘EM WITH LOVE

1. Touch ‘Em with Love
2. Greyhound Goin’ Somewhere
3. Natural to Be Gone
4. Seasons Come, Seasons Go
5. Glory Hallelujah, How They’ll Sing
6. I Wouldn’t Be Surprised
7. Son of a Preacher Man
8. Where’s the Playground, Johnny
9. I’ll Never Fall in Love Again
10. You’ve Made Me So Very Happy

Bonus Tracks

11. More Today Than Yesterday*
12. Spinning Wheel*
13. Touch ‘Em with Love [Stereo version]*
14. Glory Hallelujah, How They’ll Sing [Alternate take]*
15. Seasons Come, Seasons Go [Demo]*
16. Suppertime*
17. God Bless The Child*
18. Since I Fell For You*
19. Save Your Love For Me*
20. Here’s That Rainy Day*
21. Stormy [Ode To Bobbie Gentry]
22. This Girls In Love With You
23. Windows of the World [The Best of Bobbie Gentry: The Capitol Years]

DISC 6 – FANCY

1. Fancy
2. Delta Man
3. Something in the Way He Moves
4. Find ‘Em, Fool ‘Em and Forget About ‘Em
5. He Made a Woman Out of Me
6. Raindrops Keep Falling on My Head
7. If You Gotta Make a Fool of Somebody
8. Rainmaker
9. Wedding Bell Blues

BONUS TRACKS

10. In the Ghetto [I’ll Never Fall In Love Again (UK)]
11. Fancy [Mono radio edit]*
12. Apartment 21 [Original 7”]
13. Away In A Manger [The Christmas Sound of Music, 1969]
14. Scarlett Ribbons [The Christmas Sound of Music, 1969]
15. Circle ‘Round the Sun*
16. Raindrops Keep Falling on My Head [Alternate take]*
17. Wedding Bell Blues [Alternate take]*
18. Apartment 21 [Without strings]*
19. Scarlett Ribbons [Alternate version]*
20. If You Gotta Make A Fool Of Somebody [Live on ‘Top Of The Pops’]

DISC 7 – PATCHWORK

1. Benjamin
2. Interlude 1
3. Marigolds and Tangerines
4. Interlude 2
5. Billy the Kid
6. Interlude 3
7. Beverly
8. Interlude 4
9. Miss Clara/Azusa Sue
10. Interlude 5
11. But I Can’t Get Back
12. Jeremiah
13. Interlude 6
14. Belinda
15. Mean Stepmama Blues
16. Your Number One Fan
17. Interlude 7
18. Somebody Like Me
19. Lookin’ In

BONUS TRACKS

20. Smoke [The Best Of The Capital Years, 2007]
21. Joanne*
22. Salome Smith and the Amazing Dancing Bear*
23. Benjamin [Alternate take]*
24. Belinda [Alternate version]*
25. Smoke (Demo)*
26. The Girl from Cincinnati [Original 7”]
27. You and Me Together [Original 7”]

DISC 8 – LIVE AT THE BBC

1. Mississippi Delta [Live on ‘Bobbie Gentry’ 08/03/1968]*
2. Papa Won’t You Let Me Go To Town With You [Live on ‘Bobbie Gentry’ 08/03/1968]*
3. I Saw An Angel Die [Live on ‘Bobbie Gentry’ 08/03/1968]*
4. My Dog Sargent [Live on ‘Bobbie Gentry’ 08/03/1968] *1.15
5. Ode to Billie Joe [Live on ‘Bobbie Gentry’ 08/03/1968] *
6. Mornin Glory [Live on ‘Bobbie Gentry’ 07/27/1968]* 3.15
7. Sunday Best [Live on ‘Bobbie Gentry’ 07/27/1968]*
8. Hurry Tuesday Child [Live on ‘Bobbie Gentry’ 07/27/1968]*
9. Nikki Hokey / Barefootin’ [Live on ‘Bobbie Gentry’ 08/10/1968]*
10. Penduli Pendulum [Live on ‘Bobbie Gentry’ 08/10/1968]*
11. Ace Insurance Man [Live on ‘Bobbie Gentry’ 08/10/1968]*
12. Chickasaw County Child [Live on ‘Bobbie Gentry’ 08/10/1968]*
13. Recollection [Live on ‘Bobbie Gentry’ 07/16/1969]*
14. Sweet Peony [Live on ‘Bobbie Gentry’ 07/16/1969]*
15. Refractions [Live on ‘Bobbie Gentry’ 07/16/1969]*
16. Greyhound Goin’ Somewhere [Live on ‘Bobbie Gentry’ 07/16/1969]*
17. Cotton Candy Sandman [Live on ‘Bobbie Gentry’ 07/16/1969]*
18. Open Your Window [Live on ‘Bobbie Gentry’ 02/01/1971]*
19. Mother Nature’s son [Live on ‘Bobbie Gentry’ 02/01/1971]*
20. Mr Bojangles [Live on ‘Bobbie Gentry’ 02/01/1971]*
21. Your Number One Fan [Live on ‘Bobbie Gentry’ 02/01/1971]*
22. He Made A Woman Out of Me [Live on ‘Bobbie Gentry’ 03/08/1971]*
23. Billy the Kid [Live on ‘Bobbie Gentry’ 03/08/1971]*
24. Wailing Of The Willow [Live on ‘Bobbie Gentry’ 03/08/1971]*

25. Belinda [Live on ‘Bobbie Gentry’ 03/08/1971]*

26. Circle ‘Round The Sun [Live on ‘Bobbie Gentry’ 03/08/1971]*

*Previously unreleased

David Crosby Joins Jason Isbell And the 400 Unit on Stage at Newport Folk Festival

David Crosby Joins Jason Isbell

Folks attending the Jason Isbell And the 400 Unit performance at last Friday at the Newport Folk Festival were treated to one of those spectacular collaborations that can often happen at the storied festival. During the set Folk / rock legend David Crosby unassumingly strolled onstage to join the band on a couple of perform a pair of Crosby, Stills, Nash and Young classics from their 1974 release ‘So Far.’

Isbell took time to speak to the bonds connecting him and other performers at this year’s festival and artists of older generations, and how artists like Crosby effect social change with their music.

“The songwriters, the guitar players and bass players and banjo players and singers — they’re all connected to the people that they were when they were trying to make things change,” he said. “We need to get together and try to make things change.”

Watch Isbell and Crosby perform “Wooden Ships” and “Ohio” at the 2018 Newport Folk Festival below.

Isbell and Crosby have had a budding bromance on Twitter for quite a while now so it was no surprise that once they appearing at there same event there would be some kind of collaboration.

I love this and look forward to re collaberations between these men and more of the old guard reaching out to the new blood for same.

Colter Wall Readies New Album Coming This Autumn – Hear Two New Songs – Announces Extensive Tour

Colter Wall - Songs of the Plains, October 12
Photo credit: Little Jack Films

The only downside to hearing a work as stunningly perfect as Colter Wall’s eponymous 2017 debut is the dread that the proverbial sophomore slump will strike down any hopes of experiencing that satisfaction the next time around.

Well if the two released cuts off WaLL’s highly-anticipated forthcoming release “Songs of the Plains’ (October 12 – Young Mary’s Record Co.) is any indication of the flavor of the remainder of the album you can put those apprehensions to rest. The timeless simple beauty of the arrangements are there transporting Wall’s deep baritone across country music’s golden years.

The first is ‘Plain to See Plainsman’ a delicate 4/4 strummer paying tribute to his Swift Current home in the prairies in a new-traditional style reminiscent of Marty Robbin’ “El Paso” and “Big Iron period. The song has an extra layer of beauty as Mickey Raphael’s signature harmonica wails in the distance like a midnight train.

The second cut is a version of ‘Calgary Round-Up’ by real-life Alberta cowpuncher and Canadian Country Music Hall of Fame / Nashville Songwriters Hall of Fame member Wilf Carter, better known in the lower 48 as Montana Slim, 1961 release. Though much more toned-down and missing the original’s signature yodeling, you can close your eyes and still get the sense of the prairies winds coming off the plains accompanied by the cry of Lloyd Green’s pedal steel.

Colter Wall - Songs of the Plains

Recorded at Nashville’s RCA Studio A with Dave Cobb (Sturgill Simpson, Jason Isbell, Chris Stapleton, Lori McKenna), the album features 11 songs, seven original songs written by Wall as well as versions of Billy Don Burns’ “Wild Dogs,” the aforementioned Wilf Carter’s “Calgary Round-Up” and two cowboy traditional songs, “Night Herding Song” and “Tying Knots in the Devil’s Tail.”

In addition to Wall (vocals, acoustic guitar), the album also features Cobb (acoustic guitar), Lloyd Green (pedal steel), Chris Powell (drums, spoons), Jason Simpson (bass), Mickey Raphael (harmonica), Blake Berglund (vocals) and Corb Lund (vocals).

Pre-order “Songs of the Plains’ here.

The track list is:
1. “Plain to See Plainsman” (written by Colter Wall)
2. “Saskatchewan In 1881” (written by Colter Wall)
3. “John Beyers (Camaro Song)” (written by Colter Wall)
4. “Wild Dogs” (written by Billy Don Burns)
5. “Calgary Round-Up” (written by Wilf Carter)
6. “Night Herding Song” (Cowboy Traditional)
7. “Wild Bill Hickok” (written by Colter Wall)
8. “The Trains are Gone” (written by Colter Wall)
9. “Thinkin’ on a Woman” (written by Colter Wall)
10. “Manitoba Man” (written by Colter Wall)
11. “Tying Knots in the Devil’s Tail” (Cowboy Traditional)

Wall also announced a series of new tour dates starting in October. His full schedule is:
July 28 – Newport, RI-Newport Folk Festival
Aug. 3-4-Happy Valley, OR-Pickathon
Aug. 18-Fort Worth, TX-Cody Jinks’ Loud and Heavy Festival
Aug. 24-Tonder, Denmark-Tonder Festival
Aug. 29-London, U.K. -Scala
Aug. 30-Manchester, U.K. -Gorilla
Sept. 1-Salisbury, U.K. -End of the Road Festival
Sept. 2-Stradbally, Ireland-Electric Picnic
Sept. 14-15-Athens, Ontario-Festival of Small Halls
Sept. 16-Lansdowne Park, Ottawa-City Folk
Sept. 23-Indianapolis, IN-Holler on the Hill Festival
Oct. 13-Saskatoon, Saskatchewan-O’Brian’s Event Centre
Oct. 16-Regina, Saskatchewan-Conexus Convention Hall
Oct. 18-Edmonton, Alberta-Union Hall
Oct. 19-Calgary, Alberta-Macewan Hall Ballroom
Oct. 21-Missoula, MT-Top Hat
Oct. 22-Bozeman, MT-The Rialto
Oct. 23-Billings, MT-Pub Station Taproom
Oct. 25-Omaha, NE-The Waiting Room
Oct. 26-Des Moines, IA-Wooly’s
Oct. 27-Maquoketa, IA-Codfish Hollow Barn
Oct. 28-Detroit, MI-Majestic Theatre
Oct. 30-Columbus, OH-A&R Music Bar
Oct. 31-Pittsburgh, PA-Club AE
Nov. 2-Somerville, MA-Somerville Theater
Nov. 3-South Burlington, VT-Higher Ground Ballroom
Nov. 5-New York, NY-Irving Plaza
Nov. 8-Charlotte, NC-Neighborhood Theatre
Nov. 9-Richmond, VA-Capital Ale House
Nov. 11-Carrboro, NC-Cats Cradle
Nov. 14-15-Nashville, TN-The Basement East
Nov. 16-Asheville, NC-The Grey Eagle
Nov. 17-Atlanta, GA-Variety Playhouse
Nov. 18-Charleston, SC-Charleston Music Hall
Nov. 24-Toronto, Ontario-Opera House
Nov. 28-Washington, D.C. -9:30 Club
Dec. 1-Madison, WI-Majestic Theatre
Dec. 2-Columbia, MO-The Blue Note
Dec. 10-Santa Fe, NM-Meow Wolf
Dec. 12-Solana Beach, CA-Belly Up
Dec. 14-Los Angeles, CA-El Rey Theatre
Jan. 19-Vancouver, British Columbia-Commodore Ballroom
Jan. 20-Seattle, WA-The Showbox @ The Market

The Band’s Landmark Debut ‘Music From Big Pink’ To Get 50th Anniversary Edition Treatment This Summer

'Music From Big Pink' To Get 50th Anniversary Edition

On July 1, 1968, The Band’s landmark debut album, Music from Big Pink, seemed to spring from nowhere and everywhere. Drawing from the American roots music panoply of country, blues, R&B, gospel, soul, rockabilly, the honking tenor sax tradition, hymns, funeral dirges, brass band music, folk, and rock ‘n’ roll, The Band forged a timeless new style that forever changed the course of popular music. Fifty years later, the mythology surrounding Music from Big Pink lives on through the evocative storytelling of its songs including “The Weight,” “This Wheel’s On Fire,” “Tears of Rage,” and “To Kingdom Come,” its enigmatic cover art painted by Bob Dylan, the salmon-colored upstate New York house – ‘Big Pink’ – where The Band wrote the songs, and in myriad descendant legends carried forth since the album’s stunning arrival.

On August 31, Capitol/UMe will release Music From Big Pink in newly remixed and expanded 50th Anniversary Edition packages, including a Super Deluxe CD/Blu-ray/2LP/7-inch vinyl box set with a hardbound book; 1CD, digital, 180-gram 2LP black vinyl, and limited edition 180-gram 2LP pink vinyl packages. All the Anniversary Edition configurations feature a new stereo mix for the album, produced by Bob Clearmountain from the original four-track analog masters, achieving a striking clarity and incorporating some previously unreleased chatter from the studio sessions. The 50th Anniversary Edition’s CD, digital, and box set configurations also include five outtakes and alternate recordings from the ‘Big Pink’ sessions and a previously unreleased a cappella version of “I Shall Be Released.”

Exclusively for the box set, Clearmountain has also produced a new 5.1 surround mix for the album and the bonus tracks, presented on Blu-ray with the new stereo mix in high-resolution audio (96kHz/24bit). All the new audio mixes have been mastered by Bob Ludwig at Gateway Mastering. The box set also includes an exclusive reproduction of The Band’s 1968 7-inch vinyl single for “The Weight” / “I Shall Be Released” in their new stereo mixes and a hardbound book with a new essay by noted music journalist David Fricke and classic photos by Elliott Landy. For the album’s new vinyl editions, Chris Bellman cut the vinyl lacquers for the album’s new stereo mix at 45rpm at Bernie Grundman Mastering, expanding the album’s vinyl footprint from one LP to two. The black and pink vinyl LPs were pressed at GZ Vinyl / Precision.

Pre-order “Music From Big Pink: The 50th Anniversary Edition” here.