Tag Archives: Townes Van Zandt

Concert Review: Gurf Morlix Pays Tribute to Blaze Foley

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Gurf Morlix and the traveling Blaze Foley road-show rolled through San Francisco last night in the Amnesia. The Mission district bar was packed and it house showed a strong interest local interest in the current Austin-based Americana legend and David Fuller aka Blaze Foley, an until recently forgotten homeless, drunken singer/songwriting that could pen transcendentally lovely and aching songs that was tragically killed at 39 while protecting an elderly friend.

The event opened with Kevin Triplett, the producer and director of the documentary Blaze Foley: Duct Tape Messiah,  setting up a projector and handling the remote control, all in the true DIY spirit in which he took the 12 years that it took to make the film. Family, friends, fellow songwriters -  including Mr. Morlix – and a past love, Sybil Rosen, who was on hand to read from her biography with her life with Foley  Living in the Woods in a Tree, , make appearances in this edited version of the doc to tell the extraordinary tale of a peculiar man who moved in the 70s and 80s Austin singer/songwriting circles along with Morlix as well as Lucinda Williams and Townes Van Zandt who were all friends with Foley and posthumously wrote songs about him.

Morlix then took the stage to sing songs from Foley that appear on his latest and great release Blaze Foley’s 113th Wet Dream. The room remained mostly silent as Morlix with a single parlor guitar performed song after song with palatable reverence – If I Could Only Fly, Cold Cold World, Clay Pigeons…each one making you wonder how Foley couldn’t see fame and fortune in his lifetime even with high profile artists like John Prine, Lyle Lovett, Willie Nelson and Merle Haggard covering his songs (the latter taking the time to praise Foley in the film.) But as the documentary made clear as Foley followed his muse, and rejected material comforts in that pursuit, oftentimes caused him to alienate people and undermine his own career.

Gurf Morlix Official Site | Blaze Foley: Duct Tape Messiah official site

[youtube]http://www.youtube.com/watch?v=qSxUDRB5jRU&feature=player_embedded#at=132[/youtube]

[youtube]http://www.youtube.com/watch?v=WRkYTBERTvE&feature=related[/youtube]

Townes Van Zandt – Play Away the Pain [VIDEO]

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”Townes Van Zandt is the best songwriter in the whole world and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” – Steve Earle

Though less influential than Hank Sr.,  Townes Van Zandt was no less innovative in his songs and Country/folk/Americana sound and destructive in his lifestyle. As one reader commented on my tweet for my Hank Sr. post “New Year’s is tough on song writers. The best ones anyway.” Indeed.

In the same vein of tribute I will post some of the best Townes Van Zandt covers I can find.

The Be Good Tanyas – Waiting Around to Die

Tindersticks – Kathleen

The Pyles – If I Needed You
http://www.youtube.com/watch?v=aF6h0u5i0Rc

Alison Krauss and Robert Plant – Nothin’
http://www.youtube.com/watch?v=2GitZD89Xrs

Tom Russell – Snowin’ on Ration
http://www.youtube.com/watchv=NuCArD7Gej8&playnext=1&list=PL197C3908C5753F12&index=58

Jimmie Dale Gilmore – Buckskin Stallion Blues

Guy Clark – To Live Is To Fly

Steve Earle – Colorado Girl
http://www.youtube.com/watch?v=bPWSoSgEZM4

Willie Nelson and Merle Haggard – Pancho and Lefty. Certainly not the best version, but the most recognizable and profitable version. Look for a cameo by Townes in the bar scene.

Emmylou Harris – Pancho and Lefty
http://www.youtube.com/watch?v=PRx5r32hsF4

Hank Williams – 15 Covers in Tribute [VIDEO]

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“I ain’t gonna worry wrinkles in my brow, cuz nothin’s never gonna be alright nohow. No matter how I struggle and strive, I’ll never get out of this world alive.”
— Hank Williams

Sometime in the early morning hours of January 1st 1953, somewhere on the roads of Kentucky on-route to a News Years Eve show in Canton, Ohio, The King of Country Music,  Hank Williams succumbed to a life of drugs, booze and sorrow in the back seat of his powder blue Cadillac. He was 29.

In his brief professional life Williams forged a sound and lasting legacy that runs throughout country and rock music , and really most all American music, to this day. On this New Years Eve I want to celebrate his life and demonstrate the broadness of his influence with some of the best covers of Hank Williams that I could uncover. Leave your own in the comments and at the stroke of midnight take a moment to remember the greatness of Hank Williams.

Tom Waits – Ramblin’ Man

Wayne Hancock – Lost Highway

Hunter Hayes / Hank Williams Jr. – Jambalaya
http://www.youtube.com/watch?v=57sfRo26fAc

Townes Van Zandt – Alone & Forsaken

Jerry Lee Lewis – Cold Cold Heart

Patsy Cline – Lovesick Blues
http://www.youtube.com/watch?v=2rBtNVmUvPw

Chris Scruggs – I’m A Long Gone Daddy
http://www.youtube.com/watch?v=9W6dA67kTJc

Ray Charles – Your Cheatin’ Heart

The The – I Saw The Light
http://www.youtube.com/watch?v=xYVXuauvZLA&feature=related

Neko Case – Alone and Forsaken

Jimmy Page and Robert Plant  -  My Bucket’s Got A Hole In It

Isobel Campbell and Mark Lanegan – Ramblin Man

Johnny Cash and Nick Cave – I Am So Lonesome I Could Cry
http://www.youtube.com/watch?v=ovaGrcOEI-M

Hank Williams III – I’ll Never Get Out Of This World Alive

Hank Williams Jr and Tammy Wynette – Hank Sr Medley

Six Rounds Spent – Outlaws

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We all know about the Outlaw Country movement, that stylistic and attitude splintering of Waylon, Willie and the others that took their sound out of Nashville and into Texas where some of the most vibrant, and most enduring, country music was created. That’s not what this is.

I wanted to do a list of songs actually about outlaws. The blood shedding type.  Whether as a concept or a literal fugitive it seemed like a rich and natural source for inspiration. Include your own in the comments if you would like.

6. Joe Ely’s Me and Billy the Kid – What does Bob Dylan, Billy Joel and Joe Ely have in common? A song about Bill the Kid. I went with what I think was the best.

[youtube]http://www.youtube.com/watch?v=RzClIWElrco[/youtube]

5. Bruce Springsteen – Nebraska. A song inspired by the 19 year-old Charles Starkweather who, along with his 14 year-old girlfriend Caril Fugate, went on a murder spree killing 11 people in Nebraska in 1958. Springsteen even considered “Starkweather” as the title.

[youtube]http://www.youtube.com/watch?v=NwcOhOv4fho&feature=player_embedded[/youtube]

4. Terry Allen – New Delhi Freight Train – Terry Allen’s song begins “Some people think that I must be crazy / But my real name is just Jesse James”, and goea on to be narrated by the outlaw. Originally recorded on Allen’s 1979 album Lubbock (On Everything), the song has been covered by Rick Nelson, and by Little Feat.

[youtube]http://www.youtube.com/watch?v=SsN1AcllQ4I[/youtube]

3. Willie Nelson – Red Headed Stranger -  In true Outlaw Country fashion Willie Nelson wrote a concept album in 1975 about murder. You can imagine how well that went over on Music Row. Red Headed Stranger follows a  fugitive on the run from the law after killing his wife.

[youtube]http://www.youtube.com/watch?v=4G9wXWr40WA&feature=related[/youtube]

2. Townes Van Zandt – Pancho and Lefty – This song may or may not be about the Mexican bandit Pancho Villa. It is however about betrayal, a manhunt and death. The song has been covered by
Emmylou Harris on her 1977 album, Luxury Liner and was a number one country hit in 1983 for Merle Haggard and Willie Nelson.

[youtube]http://www.youtube.com/watch?v=YtzgwNDZAs4[/youtube]

1. Johnny Cash – Folsom Prison Blues – The best of a pretty great set. A man sits in prison lamenting his lost freedom and recalling his past crime when he “Shot a man in Reno, just to watch him die.”

[youtube]http://www.youtube.com/watch?v=i1xSt7iganA[/youtube]

No More Kings

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The other day I     saw a tweet from  the American Songwriter site a story title that caught my eye, like many of the tweets from excellent @AmerSongwriter. Writer Austin L. Ray story on Robert Plant and his new musical venture Band of Joy “The Unlikely King Of Americana.” It’s an excellent take on how a once rock-god followed his muse from the amped-up Blues side of the tracks to where the American genre flourishes wild.

Though it is a great story of a learned musical journeyman I take exception to the title of the piece. Please allow be to indulge the petty grievance of a genre blogger.

My first quibble is with the method of Americana regal ascendancy. Plant was not born into a legacy of Americana lineage, like say Rosanne Cash or Justin Townes Earle, that would align him in a place in whatever a genre monarchy we might imagine. So his crown must be earned.  Putting aside the concept of a violent coup I will focus on the work to goal.

Granted Plant has released two excellent Americana albums, Raising Sand and the current Band of Joy, and Led Zeppelin sometimes infused their sound with an Americana  spice (Black Country Woman and Bron-Y-Aur Stomp are great examples of this) his body of original Americana material is scant. Aside from the few Zeppelin pieces, Raising Sand and Band of Joy are comprised primarily of covers. Though excellently interpreted; these covers do not mount an argument toward an Americana crown
.
If we weigh personal legacy and quality, original material a list to regal ascendancy would be long – Johnny Cash, Steve Earle, Marty Stuart, John Mellencamp, Gram Parsons, Townes Van Zandt etc. And why not a queen? Emmylou and Lucinda come to mind. And it’s not a Nativism issue. I believe Plant’s fellow English countrymen Elvis Costello and Richard Thompson have more of a right to any imagined throne.

Like America itself the Americana genre is a work in progress. And like America many of the settlers in this new land are from another land – rock, country, folk, hip-hop – and the borders are porous and the genre is stronger for it. Not all of these emigres are going to be in simpatico.  Guy Clark fans may have very little in common with Hank Williams III fans, but the bloodline that ties them are there for those who take the time to look.

Jed Hilly, executive director of the Americana Music Association, when asked about Plant’s possible crowning is quoted as saying “Without question.” I have no argument with Hilly’s opinion on this. Hilly heads up a trade group who’s primary objective is to raise awareness. Plant, along with his well-chosen guides, Allison Krauss, T Bone Burnett and Buddy Miller and others as well as the excellent songwriters chosen to be included on his albums, has led to the addition of a an Americana GRAMMY (which I am fortunate to be covering this year) and brought significant awareness to the genre.

But as a blogger for the cause I take exception to this coronation, or in fact any coronation. Like America we serve under no crown but for the exceptional beauty of the music itself. But I do nominate Gram Parsons as it’s patron saint.

Music Review – Mat D’s: Plank Road Drag [self-released]

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Country and blues music has always mined the life’s mundane moments and extracted nuggets of domestic mythology shimmering with love, lust, booze, blood, tears, asphalt and diesel fuel.  With these elements masters like Hank Williams Sr., Neil Young, Townes Van Zandt and Bob Dylan – and latter day troubadours like Bruce Springsteen, Steve Earle and Chris Knight – transcend whatever genre they are bridled with and forge minor pedestrian masterpieces.

This second solo release from Sioux City, IA’s Mat D (Mat deRiso) draws from the same humanistic sources. Assuming a more Americana tone than the country-rock his Profane Saints offers, Plank Road Drag works a well-worn sonic landscape but still manages to uncover many dusty gems.

Resurrection Cadillac, the album opener is bathed in the sanctified blues of Leadbelly and Lightnin’ Hopkins as it lurches forward like a revved-up version of Led Zeppelin’s back-porch stomper Black Country Woman.

Street souls collide in Ford Marriage. Mat D colorfully throws his Born to Run-style tramps toward a ramshackle wedding  – “I’ll trade a fan belt and a hub cap for a suit-coat and a tie, we’ll use her panties a a veil and wrap an old rag around her thigh and make a bouquet out of tumbleweeds and hold on ‘til we die, my my.” – until passion’s heat burns away all that’s left is matrimonial ash – ”Turns out a house of love don’t run on truck-stop grease and gasoline.”

Doomed romance continues with Cannonball as family plight and hardship runs as rough as their path toward Texas. Three A.M. refuels the dirt-floor romance, gliding like a fever-dream vision of trailer-part trysts. 40 Watt Moon is the fever aftermath recounting beautiful memories and empty bottles.

Ribbon of Dirt uses the hard-bluegrass of Steve Earle’s Copperhead Road to tell another hard tale of the road’s siren call and Motorbelle is a beautiful, moody white-trash serenade “she was silver and gold from the trailer, she was sequins and jewels from the trash, she was flesh, she was blood,she was lonely, spilling out of old strapless dress with her big hair all pinned up and perfect all that Tammy Faye make-up a mess.”

The album closes with the bluegrass-tinted title song, where Mat d uses hillbilly poetry that could easily be inspired by watching the Coen brothers’ O Brother, Where Art Thou? with the sound down and Guy Clark on the turntable turned way up high.

Mat D’s Plank Road Drag is an ambitious record that hits on all cylinders to set a high water mark for any other contender for this year’s album of the year.

Official site | MySpace | Facebook | Buy

[youtube]http://www.youtube.com/watch?v=ewROFZPZMco[/youtube]

Suburban Home Records Mix Tape Vol. 5, Someone’s Gonna Die

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Denver, Colorado’s Suburban Home Records has released a fine compilation (Or for this roots music blogger, a convenient sonic crib sheet)  of new and classic roots rock and Americana music entitled Suburban Home Records Mix Tape Vol. 5, Someone’s Gonna Die. The title is inspired by I Can Lick Any Sonofabitch In the House’s new album, “The Sounds of Dying (featured here as the first two cuts as well as ICLASOBITH lead singer Micahel Dean Damron ballsy solo version of Townes Van Zandt’s Waiting Around to Die.) This mix was bound for greatness. How can you not trust this kind of music to a label owned by a guy named Virgil?

Go grab this release (via You Send It)  for some fine music for your next Summer cookout or that next riveting game of whiskey-fueled Russian roulette.

1. I Can Lick Any Sonofabitch in the House – Swear to God
2. I Can Lick Any Sonofabitch in the House – Postcards and Apologies (Two Cow Garage cover)
3. Two Cow Garage – Postcards and Apologies
4. Micahel Dean Damron – Waiting Around to Die (Townes Van Zandt cover)
5. Townes Van Zandt – Waiting Around to Die
6. Austin Lucas – Sleep Well (Demo)
7. Trampled By Turtles – Wait So Long
8. Oblio’s Arrow – End of the Burning Moon
9. Tim Barry – Exit Wounds.mp3
10. Slobberbone – Placemat Blues.mp3
11. John Moreland and the Black Gold Band – Bastards of the Highway
12. Jeff Rowe – Kate
13. The Replacements – Unsatisfied
14. Jon Snodgrass – Fast in Last
15. Arliss Nancy – Stella Lovely
16. Jr. Juggernaut – Another Two Weeks
17. Alexander Hudjohn – Down So Low
18. Calling Morocco – Break Your Heart
19. Tin Horn Prayer – Louis Collins
20. Jared Grabb – Devil Between
21. Lucky Old Sun – Back in Style
22. Armchair Martian – …Not Fine (Demo)
23. The Takers – Drift
24. Look Mexico – Take it Upstairs, Einstein
25. Geraldine Fibbers – Lilybelle
26. Pariah Beat – Elvis in Jerusulum
27. Drag the River – Beautiful and Damned
28. BEERS – I Love You (But I Don’t Trust You)
29. The Evening Rig – Half Asleep
30. Hank Williams, Jr. – If You Don’t Like Hank Williams.mp3

To all who have served.

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I want to share one of my favorite songs for this holiday weekend. The Ballad of Ira Hayes, written by the folk singer Peter La Farge,  tells the story of Ira Hayes, a Pima Native American and one of the five Marines and one Navy Corpsman who raised the flag  on Mount Suribachi during the Battle of Iwo Jima during World War II. Hayes came home to a hero’s welcome, but after the grandeur had subsided he went on to live a troubled life of alcoholism and depression. On January 24, 1955, Hayes was found dead, lying face down in the mud. I don’t write to this to depress you, I, and I believe the song, just want to remind America we need to take care of these soldiers when they get home.

The song has been recorded many times; the most popular version is by Johnny Cash.Others that have covered the song are Patrick Sky, Bob Dylan, Townes Van Zandt and Kinky Friedman.

Thanks to all that serve and have served. We are proud of you.

Please share some of your favorites below.

News Round Up: RIP Vic Chesnutt

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Welcome to 2010 folks, not let’s get a cup of joe and roll up our sleeves, and get into the latest in music happenings…

  • The New York Times features an article, Nashville Inches, Ever So Grudgingly, Into The Future, where it compares the lack of innovation in Music Row to the stubborn (and suicidal) stance to the recording industry over the last decade. Country music has learned tat “if it ain’t broke, don’t fix it” in as much as it’s attained it’s current  brand of pop-country. This is where the article overlooks Nashville’s history of of style assimilation over the past 50 years from co-opting the 1940’s crooners to the current filching of bad 70’s rock.
  • New York City twangers need to head over to the always excellent Rockwood Music Hall on Tuesday, January 12 to see friend of  Twang Nation Joe Whyte (the King of NYC Americana)  who will be appearing with his full band, Cat Popper (Grace Potter, Ryan Adams) on bass, Rob Heath (Kevin Kinney, Jill Sobule) on drums, and Dan Marcus (Norah Jones, Ana Egge) on guitar. Whyte will be playing current favorites as well as premiering new music to appear on his follow up to Devil in the Details.
  • American Songwriter’s newest legend’s issue features Townes Van Zandt, Robert Earle Keen, Bobby Braddock, Rickie Lee Jones, Richard Thompson and John Prine.
  • If you didn’t hear, died on Christmas Day at his Athens, Georgia, holidays singer/songwriter Vic Chesnutt took his own life by overdose of muscle relaxants.  Paralyzed from the waist down after a 1983 car accident, Chesnutt was wheelchair-bound since the age of 18 and suffered from years of depression. His music is a unique blend of idiosyncratic folk/Americana, bracing in its beauty as much as in its honesty. Here are some tributes: PopMatters.com, Online Athens, the New York Times and the Guardian.uk.

News Round Up: Jamey Johnson Pays Respect

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  • Country Music Neo-Outlaw Jamey Johnson shows his respect for the classics by covering Vern Gosdin, George Jones, George Strait and, his most obvious influence, Waylon Jennings, at the Chicago Country Music Festival.
  • Break out a jar of granny’s skull rattle folks, Juli Thaki at the 9513.com has given us her top 26 songs about moonshine.
  • Tom Russell has written what could be considered a companion piece to his new release Blood and Candle Smoke at the Rumpas (Where God and the Devil Wheel Like Vultures: Report from El Paso.) The dispatch reflects Russell’s style he cultivated by hanging with American underground great Charles Bukowski and similar threads from this and previous releases about his home in El Paso, TX,  the culture, people and the drug wars.
  • The Flower Pickin’ festival (October 16-19)will feature Carlene Carter, Justin Townes Earle, Jimmy Tittle, John Francis and more. The festival celebrates the day that Johnny Cash was arrested for public drunkenness in Starkville, MS in the early morning of May 11, 1965 following a performance at Mississippi State University. He spent one night in jail and paid a fine of $36. Cash sang about his run-in with “the law” in Starkville on his album, “At San Quentin (The Complete Live Concert),” recorded in 1969.