BBC Lost Highway: The History of American Country

Lost-Highway-The-Story-of-Country-Music-Cover

If you haven’t seen the BBC’s “Lost Highway: The History of American Country’ then you’re in for a treat.

This four-part, four-hour documentary follows the musical lineage from the Bristol Sessions to Nashville, from Texas to Bakersfield, and brings it all together in a beautiful story of heritage and style any songwriter would love.

The history of it’s roots in mountain music, through bluegrass it’s first super star Hank Williams and honky tonkers. From the jazz fusion of Western Swing to the dominance of the adult-pop Nashville Sound through the extraordinary and game-changing emergence of female performers and the evolution of newer forms of the genre – country rock to alt.country and Americana.

Featuring contributions from Emmylou Harris, Alison Krauss, Gillian Welch, Hank Williams III, Kris Kristofferson, Lyle Lovett, Dwight Yoakam and Dolly Parton among others. Lost Highway: The Story of Country Music is produced by William Naylor; the series editor is Michael Poole.

Sit back with your favorite drink and enjoy.

Austin City Limits Announces New Class of Hall of Fame Inductees: Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez and Townes Van Zandt

 Austin City Limits -Loretta Lynn

Austin City Limits has announced thier newest class of ACL Hall of Fame inductees. The five legendary artists being honored are Western swing institution Asleep at the Wheel, country trailblazer Loretta Lynn, songwriting legend Guy Clark, master accordionist Flaco Jiménez and the legendary Townes Van Zandt. The announcement was made yesterday evening by ACL Executive Producer Terry Lickona at Austin’s Rattle Inn. The 2015 ACL Hall of Fame inductees will be celebrated at a ceremony highlighted by all-star music performances to be held on June 15th at ACL’s studio home, Austin’s ACL Live at The Moody Theater. The event will be open to the public and ticket onsale information will be announced at a later date.

“I am truly honored to be included in this year’s ACL Hall of Fame,” said Asleep at the Wheel founder Ray Benson who was on hand for the announcement. “After Willie did the pilot in 1974-5, Asleep at the Wheel was selected to do the first regular episode of ACL. Joe Gracey and I were roommates then, and he was booking the show. He asked who we wanted to share the bill with and I said, ‘The Texas Playboys, Bob Wills’ great band!’ That episode is now housed at the Smithsonian. Over the years I have appeared in numerous episodes both as a featured performer and a guest performer, and I cannot imagine our 45-year career without the exposure that ACL afforded us. Many thanks to the great staff who make the show what it is!”

ACL also announced the first round of new tapings for the series upcoming Season 41: breakout country rebel and Grammy-nominated Sturgill Simpson, acclaimed rock outfit The War on Drugs, and, in a special Bob Wills’ tribute, new Hall of Fame inductees Asleep at the Wheel, joined by guest stars including The Avett Brothers and Amos Lee.

The Austin City Limits Hall of Fame was established in 2014 in conjunction with the iconic television series’ 40th Anniversary to celebrate the legacy of legendary artists and key individuals who have been instrumental in the landmark series remarkable 40 years as an American music institution. The invitation-only inaugural induction ceremony took place April 26, 2014 at ACL’s original Studio 6A. Hosted by Oscar-winning actor and Texas native Matthew McConaughey, the historic evening honored the first class of inductees, featuring American music icon Willie Nelson who starred on the original ACL pilot program, Austin blues rock giants Stevie Ray Vaughan & Double Trouble and legendary steel guitarist and Grammy Award-winning music producer Lloyd Maines, in addition to non-performers who played a key role in the evolution of the program: original show creator Bill Arhos and longtime ACL supporter, Texas Longhorns football head coach Darrell Royal. A star-studded line-up paid tribute with incredible music performances, including: Lyle Lovett, Emmylou Harris, Buddy Guy, Robert Randolph, Doyle Bramhall II and Kenny Wayne Shepherd.

Live Review – Old 97s – Majestic Theater – Hitchhike to Rhome Anniversary Show – December 13

Old 97s - Majestic Theater

Remember alt.country? That mongrel cultural mash-up, fueled on a hefty helpings of George Jones and The Clash, that burst into cultural consciousness with Uncle Tupelo’s 1990 debut ‘No Depression?” Though the style is still heard in many performers in the greater Americana genre the movement proper has the boozy haze of days gone by.

Don’t tell the Old 97s this.

For over two decades the indie band that could has crossed the globe many times, hung out with music legends, had loads of positive ink spilled, had their songs featured on television shows and movies, and flirted with mainstream success.

And tonight they looked poised to do it all over again.

Saturday night the Old 97′s played a hometown show with their brand of alt.country, joyously ramshackle performances offsetting sharp songwriting and melodies, is still going strong. On the Majestic Theater stage, blocks from their Deep Ellum origins, the band came to celebrate ‘Hitchhike to Rhome,’ their 20-year-old debut, by performing it in its 16-song entirety for a full house of adoring fans.

The over two hour show included the aforementioned debut rundown as well as a full set from their recent ‘Most Messed Up’ tour. Through it all this band of buds, Rhett Miller, Murry Hammond, Ken Bethea, Philip Peeples has endured by focusing on what works.

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‘Hitchhike to Rhome’ conjured memories of their 20 years younger selves in the studio with Killbilly guitarist and the album’s producer Alan Wooley. “You have to be kind of delusional to start a band.” Miller said beaming at the audience that wall shared in that beautiful delusion. As well as memories the songs channeled spirits. Abbey Hoffman and frenetic Loco Gringos frontman Pepe Lopez appeared in ‘Desperate Times,’ a song a 14 year-old Miller penned after being chosen as an extra for Oliver Stone’s ‘JFK.’ “Miss Molly invoked the spirits of the songwriter Cindy Walker and the father of western swing Bob Wills that made it famous. The spirit of Merle Haggard’s ‘Mama Tried’ with Hammond on vocals. “I grew up with this song and knew it had to be on here.” he beamed before tearing into a rousing rendition.

Less etherial people with ties to the songs also were in attendance. Alan Wooley sat in on three songs playing guitar and mandolin on three songs/ The actual Doreen was situated front and center. It was pretty great that right before tearing into the song Miller looked down and said ‘are you ready Doreen?’ She smiled and mouthed that she was.

Not sure if Mike Schwedler, the former Killbilly drummer who managed the 97′s when they recorded Hitchhike to Rhome now runs the city-owned theater they celebrated in, but it made it more fitting to imagine he was.

In the end we got what we came for, an Old 97s show. Loud, sweaty, vibrant and full of songs with lyrics etched on our brains. They were sang by all at full volume on this night.
The occasion made it all more special, for sure, but in the end they played like their 20 years younger selves. like I remember on the stage of Club DaDa or Clearview. And that was always special.

Here’s to 20 more.

Watch Out! Willie Nelson & Billy Joe Shaver: “Hard To Be An Outlaw” – David Letterman 12/17/2014

Willie Nelson & Billy Joe Shaver: "Hard To Be An Outlaw"

It’s good to be David Letterman. Though his last show is set for May 20, 2015 he continues to showcase great music for quality and less commercial reasons. And why not? He’s the reigning late night king. And while it lasts it’s good to be the king.

Texas music legends Willie Nelson and Billy Joe Shaver performed last night. And though Willie’s been on The Late Show numerous times this was Shaver’s Late Show debut. Better late then never.

The pair performed ‘Hard to Be an Outlaw,’ which appears on Shaver’s latest ‘Long in the Tooth,’ which with the shared vocals this performance is drawn from, and Willie’s solo vocal version on his ‘Band of Brothers.’

https://www.youtube.com/watch?v=1cAFyMtEFNg

Listen Up! Hear An Unreleased Joe Ely and Linda Ronstadt duet “Where is My Love.”

Linda Ronstadt Joe Ely

Joe Ely has alway been a step ahead of the music industry. He’s toured as an opener for the Clash and shared the stage with Elvis Costello. He;s kept Lubbock on the map by teaming up with local musicians Jimmie Dale Gilmore and Butch Hancock in the country/folk trio The Flatlanders. He’s written books, ‘Bonfire of Roadmaps’ and the forthcoming ‘Reverb: An Odyssey.’

Ely also released a ‘B484,’ an album made in the 80’s in his home studio, cutting edge at the time, that later was recreated in a “professional” studio by MCA and released as ‘Hi Res.’

All this scavenging through archives has also led to another treasure.

A recent visit that Ely had with Linda Ronstadt the two artists recalling the session for a 1987 duet for “Where is My Love.”

After a search, the recording was found. Ely and Ronstadt agreed the song held up well over time. Written by West Texas songwriter, Randy Banks, it is a Tejanao-tinged song of lost love and woeful regret that brings Linda Ronstadt back to her ‘Silk Purse’ country-rock era of the early 70’s. Her vocal interchange with Ely carries a soulful reminder of how two fine artists create magic through chemistry and the sheer joy of sharing together in a great country song and, sadly, how much we will miss her voice due to her struggles with Parkinson’s disease.

Hear the magic below/ I will post info on buying when I get it.

Ely is currently at work on a follow-up to 2011’s ‘Satisfied at Last,’

Listen Up! Old 97’s – “Eyes For You”

Old 97's debut ‘Hitchhike to Rhome.’

As I previously posted Omnivore Recordings today releases the Old 97’s alt.country standard-bearing debut, ‘Hitchhike to Rhome.’

Before you head over and get your copy (and you should,) check out the barn-burning (and unsettling) cut “Eyes For You,” below. The rave-up was selected by the band and co-producer Ken Bethea for this reissue and shows the boys at their hall-bent finest.

The version was first in Chicago in ’95 for Bloodshot Record’s “Early Tracks” and as a limited red vinyl edition (1000) 7″ single.

This version was cut in Dallas a year earlier during the original ‘Hitchhike to Rhome’ sessions, but was not included on it’s release.

Buy a few to stuff in those pitifully empty stockings over the fireplace.

CD TRACK LIST:
Disc One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Doreen
Hands Off
Mama Tried
Stoned
If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Disc Two
St. Ignatius (demo cassette version)
Drowning In The Days (demo cassette version)
Making Love With You (demo cassette version)

Stoned (demo cassette version)
Dancing With Tears (demo)*
Ivy (demo)*

Eyes For You*

Crying Drunk*

Victoria*

Old 97’s Theme Spgeddi*
Alright By Me*

Desperate Times*
LP TRACK LIST:
Side One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
Side Two
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Tupelo County Jail
Doreen
Hands Off
Side Three
Mama Tried
Stoned

If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Side Four
Crying Drunk*

Dancing With Tears (demo)
Ivy (demo)*

Victoria*

Eyes For You*
Old 97’s Theme Spgeddi*
* Previously unissued
– See more at: http://www.twangnation.com/2014/10/13/omnivore-recordings-to-release-expanded-20th-anniversary-of-old-97s-debut-hitchhike-to-rhome-november-17/#sthash.Wbhq2UGk.dpuf

Merle Haggard / Marty Stuart Deliver a Powerful Double-Shot – Bass Hall, Ft. Worth 11/12/14

Merle Haggard / Marty Stuart A Powerful One, Two Punch - Bass Hall, FT. Worth 11/12/14

On a North Texas night chilled by an early winter snap Merle Haggard and Marty Stuart brought a welcome reprieve by turning up the heat.

“I hope you didn’t come looking for some fancy show. If you did you just wasted your money!” Stuart grinned, making a reference to the lavish Ft. Worth venue typically showcasing symphonies, ballets, operas and musicals.

But not tonight. This cold night the capacity-filled Bass hall had been transformed into a rowdy roadhouse, though a tad highfalutin one.

No chairs or longnecks were thrown (and no chicken wire across the stage required) during Stuart’s set but the atmosphere created was just that. Stuart is the consummate showman – in tight leather pants and silver rooster comb of hair – as he worked the crowd into a frenzy. Well, the crowd was largely equally as sliver, so let’s say a tizzy. He and his always extraordinary band, the Fabulous Superlatives – Kenny Vaughan on guitar, Harry Stinson on drums and Paul Martin on bass, – brought a level of bluegrass-level virtuosity that Start had honed personally from his many years in country music, including his start with Lester Flatt. The majority of the brief but satisfying set was from their just-released double album, “Saturday Night/Sunday Morning.” Honky-tonk barn-burners mixed with Gospel pew-kneelers set toes-tapping and hands-clapping.

And in the case of Stuart’s astonishing mandolin solo, jaws dropping.

As Merle Haggard said later in the program “Marty likes to work in Nashville, I DON’T! But he keeps that town alive.”

Stuart introduced the 77-year-old Haggard as he strolled out on stage as nonchalantly as a living legend might.

Decked in Blacks slacks, boosts and a black jacket with brown leather trim (my bets a Manual exclusive) a fedora/cowboy hybrid chapéu and dark sunglasses, The Hag wasted no time launching into “Big City.”

The classics kept coming, his own hits like “Twinkle, Twinkle Lucky Star,” Silver Wings,” “I Think I’ll Just Stay Here and Drink” and others including Johnny Cash’s “Folsom Prison Blues,” Blaze Foley’s “If I Could Only Fly,” and the Townes Van Zandt he and Willie made into a radio staple “Pancho and Lefty.”

A hush fell over the crowd during his reverent rendition of “Are the Good Times Really Over.” As the song reminiscences simpler times, and better music, without resorting to saccharin tropes of as he asks teh question most of us ask whe watching a oucntry awards program, “Are the good times really over for good?”

Not as long as Haggard and Stuart walk this earth.

Haggard appeared to be a bit winded and he mentioned several times about “Being out of breath” and feeling like he was having an “asthma attack.” Given hsi recent history with health issue there was palpable concern and calls of encouragement as he sipped some hot tea a delivered on-stage by a background singer.

The one soap-box moment of the night came when Haggard asked the audience who was in favor for legalization of marijuana? He then asked “Who’s against it?” Following rhetorically with, “Why?” (video below)

Are the good times really over for good? Not as long as Haggard and Stuart walk this earth.

Merle Haggard’s set list: “Big City,” “Twinkle, Twinkle Lucky Star,” Silver Wings,” “Folsom Prison Blues,” “I Think I’ll Just Stay Here and Drink,” “If I Could Only Fly,” “I’m a Lonesome Fugitive,” “Mama Tried,” “The Bottle Let Me Down,” “If We Make It Through December,” “Are the Good Times Really Over,” “Pancho and Lefty,” “Footlights,” “Train of Life,” “San Antonio Rose,” “Old Fashioned Love,” “Working in Tennessee” (with Marty Stuart) and “Okie From Muskogee” (with Marty Stuart) No encore.

Ryan Bingham Announces New Album, ‘Fear and Saturday Night,’ Streams New Song ‘Broken Heart Tattoos’

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2015 is shaping up to be another great bounty year for Americana and roots music and singer-songwriter Ryan Bingham has just sweetened the pot.

Bingham’s follow up to 2012’s “Tomorrowland,” and his fifth studio release, entitled “Fear and Saturday Night” will be released on Jan. 20

Bingham described the new album to wsj.com as a more positive effort than “Tomorrowland.” “On this album I find myself back in a more hopeful place and the songs are more stripped down musically,” he told WSJ. “Each album seems to be about whatever I have gone through in my life previous to recording it.”

“Sometimes they’re like scars or tattoos that you have to live with and deal with. You can’t run and hide from them or wash them off,” he explained. “There’s no way to remove them from your soul.”

On the 12-song album has Bingham working with a new band and Jim Scott (Wilco, Tom Petty) as producer.

“Broken Heart Tattoos” is a return to the dusty country-folk that fits Bingham’s gravel delivery like a bill-rider’s glove. the song also retains some of the sonic experimentation Bingham has been ex[poring.

Stream the new song “Broken Heart Tattoos,” below.

“Fear and Saturday Night” track list:

Nobody Knows My Trouble
Broken Heart Tattoos
Top Shelf Drug
Island in the Sky
Adventures of You and Me
Fear and Saturday Night
My Diamond is Too Rough
Radio
Snow Falls in June
Darlin’
Hands of Time
Gun Fightiin’ Man

Watch Out! Shakey Graves – “Dearly Departed” on Conan

Shakey Graves "Dearly Departed"

Check this rousing performance of Austin’s Shakey Graves’ “Dearly Departed” from Conan last night.

Shakey (Alejandro Rose-Garcia) is accompanied beautifully by vocalist Esmé Patterson, who has her own new album entitled “Woman to Woman.”

“Dearly Departed” can be found on Shakey Graves newest album And The War Came

Omnivore Recordings To Release Expanded 20th-Anniversary of Old 97’s debut ‘Hitchhike to Rhome,’ November 17

Old 97's debut ‘Hitchhike to Rhome.’

When discussing the pioneers and legacy of the alt.country movement Dallas’ Old 97s have to be on the short list of most influential, and enduring, roots rockers to ever till that field.

The band’s indy debut, ‘Hitchhike to Rhome,’ blasted onto the scene in 1994. Already cooked in was the roots-rock with a dash of pop ingredients that has served the band well over their 20-year career. Rhett Miller, already a solo veteran, displayed a deft hand at smart and catchy phrasing on songs like “St. Ignatius,” “If My Heart Was a Car,” and the album’s standout “Stoned,” that has made one of the most charismatic, and generous, front men going.

To celebrate the 20th anniversary of ‘Hitchhike to Rhome’ the excellent Omnivore Recordings continues their support of the Old 97s catalog (they released the ‘Too Far To Care’ reissue complete with demos (also available separately on vinyl as They Made A Monster), and the band’s sessions with Waylon Jennings) by reissuing the album as an expanded 2-CD and digital release. But wait there’s more! The album will also be released as on double vinyl LP for the first time with a limited edition first pressing on translucent orange vinyl!

From the presser:

“When band member and set co-producer Ken Bethea was revisiting the original tapes for this reissue, he discovered a treasure trove of eight extra tracks cut at the album sessions — many of which the band hadn’t even remembered recording. It seemed the perfect time to bring those previously unissued songs to light and add the tracks from their first four-song demo cassette to round out the early picture of the 97’s.

The 2-CD version of Hitchhike To Rhome contains the original album, coupled with a second disc of those 12 rare and unreleased tracks, many mixed from the original multi-tracks for the first time by longtime Old 97’s engineer Rip Rowan. The double LP features the LP on three sides with six of the recently unearthed tracks on Side 4. The download card included gives the buyer the complete 2-CD program. Both formats include rare photos, memorabilia and notes from Bethea.

Street date is November 17, 2014.

Pre-order here.

CD TRACK LIST:

Disc One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Doreen
Hands Off
Mama Tried
Stoned
If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Disc Two
St. Ignatius (demo cassette version)
Drowning In The Days (demo cassette version)
Making Love With You (demo cassette version)

Stoned (demo cassette version)
Dancing With Tears (demo)*
Ivy (demo)*

Eyes For You*

Crying Drunk*

Victoria*

Old 97’s Theme Spgeddi*
Alright By Me*

Desperate Times*

LP TRACK LIST:
Side One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
Side Two
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Tupelo County Jail
Doreen
Hands Off
Side Three
Mama Tried
Stoned

If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Side Four
Crying Drunk*

Dancing With Tears (demo)
Ivy (demo)*

Victoria*

Eyes For You*
Old 97’s Theme Spgeddi*
* Previously unissued