Cowboy Jack Clement’s Posthumous Release ‘For Once and For All” Out July 15, 2014

Cowboy Jack Clement

Looks like the late legendary singer/songwriter/producer Cowboy Jack Clement isn’t quite done yet.

Clement’s last musical work, and only his 4th studio release, “For Once and For All” produced by Dave “Fergie” Ferguson and Matt Sweeney with T Bone Burnett as executive producer — will be the debut release on John Grady’s new I.R.S. Records Nashville label. Street date is July 15.

From the release:

“What an honor it is to be involved with Cowboy’s final record. This is the perfect way to start I.R.S. Nashville,” Grady says. “All the producers and musicians set the tone for this record. Sometimes we should all get together and do the right thing. I hope Jack is proud of us.”

He was 82-years-old when he died on August 8, 2013 and 82 when he finished this song-set with help from friends including John Prine, Emmylou Harris, Bobby Bare, Duane Eddy, T Bone Burnett, Vince Gill, Marty Stuart, Rodney Crowell, Buddy Miller, Dan Auerbach, Leon Russell, Gillian Welch, Dave Rawlings, Dickie Lee, Shawn Camp, Dierks Bentley, Jim Rooney, Jim Lauderdale, Will Oldham, daughter Allison Clement and a bunch of others who loved Cowboy and who Cowboy loved in return. His favorite accordionist, Joey Miskulin, played on “The Air Conditioner Song” and “Baby Is Gone.”

The whole thing is graceful and true, a primer for the unfamiliar, an anointed completion for the acolytes and a joy-filled lesson for those of us who study phrasing, musicality and soul.

Cowboy Jack was American music’s whimsical maverick. He was a singer and producer, a publisher, a best friend to Johnny Cash, Kris Kristofferson and Waylon Jennings. He was a writer of classic songs. He desegregated country music by bringing Charley Pride to popular attention and producing Pride’s first 13 albums for RCA. He was the first to record Jerry Lee Lewis and Roy Orbison, there at the popular birth of rock ‘n’ roll at Sun Records in Memphis.

He made the greatest album of country music’s “Outlaw Movement” when he produced Waylon Jennings’Dreaming My Dreams. He created the Cowboy Arms Hotel and Recording Spa, Nashville’s first great home studio and the nerve center for what would come to be known as Americana Music.

“If you unraveled all the threads Jack wove into the tapestry of what made country music great over the last 50 plus years, the whole thing would come apart,” Harris said.

No one unraveled those threads, though, and no one will. Can’t be done. The Cowboy’s tapestry weave is secure and indelible, and his import is ratified by a plaque in the Country Music Hall of Fame.
Cowboy Jack Clement sustained an unprecedented and unduplicated career outside of the public eye. He and fame saw each other across a crowded street, waved and went their separate ways.

Though he was in and around recording studios all of his adult life, he didn’t release a solo album, All I Want To Do In Life, until 1978, when he was in his late 40s. The follow-up came a quarter century later with 2004’sGuess Things Happen That Way. And he rarely toured. So while Clement impacted myriad major careers, he did little to promote his own.
“I don’t remember it being any huge letdown,” he said, recalling the less-than-platinum sales of All I Want To Do In Life. “It took a few months before you realized you ain’t gonna outdo Elvis or something, and by that time I was off into something else.”

Hear “Let the Chips Fall” the tearjerking first single from the album below.

Watch Out! Hurricane Roses – “Home To Haunt You” [VIDEO PREMIER]

Hurricane Roses

Hurricane Roses is a six-piece female roots band from the San Francisco Bay Area. In their 5 years together the band has honed a loosely-taut sensibility that results in a deceptively effortless sound.

They count as influences Fleetwood Mac, Neko Case, Brandi Carlile, and Ryan Adams, and those sources are in there. But not aped slavishly but worked as nuanced influences that resulted in their own craft.

The band’s new video features the title cut from their upcoming second album (release May 6th) A superficial listening brings to mind a jaunty ditty made for a top down summer drive. The lovely video makes plain the darker thread contained within.

The video was directed by The Sundays and filmed by Jeremy Castillo. It was filmed in the foothills of San Jose, CA.

Our album release show will be on May 16th at Club Rodeo in San Jose, CA.

Official site

Listen Up! Jane Ellen Bryant – “Here We Are” [Song Premier]

Jane Ellen Bryant - Here We Are

Texas-born and Nashville-based singer, songwriter and classically trained musician, Jane Ellen Bryant’s new cut, “Here We Are,” is a beautiful work inspired by a natural tragedy.

“I was inspired to write this song after the Haiti earthquake a few years back. Horrible natural disasters like that remind us of how little control we have over our lives. We can never understand why bad things happen to good people, but we can make the most of the here and now and remember what’s most important in life.” Jane Ellen Bryant says of the single

Drums shuffle like an open road. A dobro stretches and bends around Bryant’s soulful, expressive voice as she contemplates mortality within her poetry.

“Here we are
Loving like it’s one of our chores
Here we are
Closing every open door”

“Here We Are” is a follow up track to her sophomore album Hourglass.

Official site

Listen Up! Lydia Loveless Covers cover of Ke$ha’s “Blind for Record Store Day

LydiaLoveless_BS219Promo_Horiz_White

Record Store Day is not only an opportunity to inject much needed revenue ( and love) to yu local mom-and-pop vinyl dealers, it also a opportunity to artists to get in touch with their funky side and cut loose

This year’s event has Columbus, OH pop-twang chanteuse Lyda Loveless will release a non-album cut “Mile High.” The B side a cover of Kesha’s dance-hall ballad “Blind,” Loveless smartly strips out the Autotune and cheesy beats and turns up the rock and soul to ring out the blood and tears of a song.

“You must be blind if you can’t see/you’ll miss me ’till the day you/without me, you’re nothing”

Sentiment like that is jukebox gold.

“Mile High” b/w “Blind” is out on April 19 via Bloodshot Records on limited edition lime green vinyl.

Lydia Loveless’s acclaimed new album ‘Somewhere Else‘ is out now.

Review: Rosanne Cash – The River & the Thread (Blue Note)

Rosanne Cash

Rosanne Cash’s latest completes a body of self-reflective work beginning with 2006’s dark beauty Black Cadillac, the homage to her and father’s musical bond with 2009’ s “The List” and now with “The River & the Thread” Cash get’s back to her genealogical, and spiritual, roots.

Cash’s early success hinged tacking country music and giving it a fresh pop spin that allowed her to break into the charts dominated by Willie Nelson, Conway Twitty and Ronnie Milsap.

The River & the Thread, she does much of the same. Americana’s expansive style fits well with her current range of material. Reflecting a deeper level of artistry and honesty those qualities shine brightly on songs like opening track “A Feather’s Not a Bird,” where a Creedence-style swamp groove runs deep into the Southern art of blurring fact and myth, reminiscent of Bobbie Gentry‘s “ode to Billy Joe.”

The songs continues to travel across space and time. To cotton fields in “The Sunken Lands,” where back-breaking work parallels the humiliation of a woman suffering under a cruel man. Then down a hot, reverb-shimmering asphalt road to Memphis where the achingly beautiful “Etta’s Tune,” where a Southern summer simmers across past regrets.

“World of Strange Desire” is a boot-stomper that echoes the mythology gumbo of the album opener

Part of her journey that led to this sterling release were actual travels. One stop was to the famed Muscle Shoals recording studio and Greenwood Mississippi where Robert Johnson’s grave is located.

I only have these nits to pick. The album, at 38 minutes, is too good to be this brief. Also the arrangements fill the space with excellent instrumentation to a point that there’s little room for Cash to settle in a quiet place and let her expressive voice build any level of intimacy.

Quibbles aside “The River & the Thread” is a bountiful work from a soulful traveler.

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Johnny Cash’s Son Reveals More Songs To Come

cash

John Carter Cash, son of Johnny and June Carter and owner and operator of Cash Productions, LLC and the Cash Cabin Studio in Hendersonville, Tennessee, has told the Guardian that that there is enough material left in the archives of his late father for several more posthumous albums and enough outtakes from the American Recordings sessions to fill another multi-disc box set.

Carter Cash said, There are a few things that are in the works right now – probably four or five albums if we wanted to release everything. There may be three or four albums worth of American Recordings stuff, but some of it may never see the light of day.”

Rick Rubin said: “We released the work we had been planning to release along with John [Carter Cash] and the idea of the Unearthed boxset of outtakes was his idea. We will probably put out additional Unearthed material recorded since the last Unearthed box, in keeping with John’s wishes.”

Here a John Carter Cash interview with country925fm where he discusses more releases.

The most recent posthumous Johnny Cash album is “Out Among The Stars,” featuring 12 previously unreleased recordings from sessions in 1981 and 1984, on sale now.

T Bone Burnett Recording Unfinished Dylan Tunes with Elvis Costello, Jim James, Marcus Mumford [VIDEO]

New Basement Tapes

If there was ever an Americana and roots music watershed recording the Basement Tapes 1967 sessions from Bob Dylan and The band was one.

Now there’s official word that that mainstay of Americana, T Bone Burnett, is working on a project “Lost On The River: The New Basement Tapes.” The project has a solid (and marketable) roster – Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket) and Marcus Mumford (Mumford & Sons.)

The event focuses on two-dozen recently discovered lyrics written by Dylan during the 1967 period that generated original legendary Basement Tapes release.

Recording is nearly complete on the project which will be released later this year by Electromagnetic Recordings/Harvest Records. The album will be accompanied by a Showtime documentary titled Lost Songs: The Basement Tapes Continued, directed by Sam Jones (the Wilco documentary, I Am Trying To Break Your Heart)

I can imagine the germ of this endeavor occurred during the “Another Day, Another Time: Celebrating the Music of “Inside Llewyn Davis,” held at New York City’s Town Hall last September. That one-night event featured Mumford and Giddens as well as Joan Baez, Patti Smith, Jack White, The Avett Brothers, Punch Brothers, Gillian Welch, Dave Rawlings Machine, Willie Watson, The Milk Carton Kids, Colin Meloy and Lake Street Dive. (see below)

Truth is I’m ambivalent about this. A sequel to The New Basement Tapes is like a sequel to Casablanca. Is it necessary and will it ever have a chance to even come close to the genius of the original. And as much as i respect the artists involved, they are hardly the contemporary versions of Dylan and The Band.

If this was Ryan Adams and the Felice Brothers I still think it would fall short, but damn it would be interesting.

Here’s to being proven wrong.

You can sign up for updates at on the project at the official site.

Lost On The River: The New Basement Tapes” will be released Nov. 11. Pre-order here.

John Fullbright Readies His Second studio album ‘Songs’ (May 27th)

John Fullbright

There is cause for great celebration here at Casa Twang. One of my favorite Americana /roost artists John Fullbright will release his second studio album , the straightforwardly titled ‘Songs’ (Blue Dirt/Thirty Tigers) on May 27th.

Fullbright is one of the brightest and most talented and versatile singer/songwriters/performers working today – regardless of genre. We’re just fortunate that he hews to out part of the Americana field.

“Songs” follows the breakout success of his 2012 debut ‘From the Ground Up’, which was nominated for the “Best Americana Album” Grammy (and criminally lost) Fullbright will play an intimate album-preview show at NYC’s Rockwood Music Hall Stage 2 on Monday, March 24.

The Wall Street Journal premiered new single “Happy” this morning, with Jim Fusilli calling ‘Songs’ “a warm, winning and plainspoken Americana album that builds on the authority and charm of ‘From the Ground Up’ not by musical-muscle flexing, but by its clarity and simmering intensity.”

Fullbright says of his songwriting influences “When I discovered Townes Van Zandt, that’s when I went, ‘You know, this is something to be taken pretty damn seriously,'” says Fullbright. “You can write something that’s going to outlast you, and immortality through song is a big draw.”

“I didn’t grow up around musicians or like-minded songwriters, but I grew up around records,” he says. “One of the most fulfilling things about the last two years is that now I’m surrounded by like-minded people in a community of peers. You don’t feel so alone anymore.”

From the press release:

“The arrangements on ‘Songs’ are stripped down to their cores and free of ornamentation. Fullbright’s guitar and piano anchor the record, while a minimalist rhythm section weaves in and out throughout the album. That’s not to say these are simple songs; Fullbright possesses a keen ear for memorable melody and a unique approach to harmony, moving through chord progressions far outside the expected confines of traditional folk or Americana. The performances are stark and direct, though, a deliberate approach meant to deliver the songs in their purest and most honest form.

This is one to look forward to kids. Hear the new single “Happy” , complete with some mighty fine whistling, below.

‘Songs’ Tracklist:
01. Happy
02. When You’re Here
03. Keeping Hope Alive
04. She Knows
05. Until You Were Gone
06. Write a Song
07. Never Cry Again
08. Going Home
09. All That You Know
10. The One That Lives Too Far
11. High Road
12. Very First Time

Listen Up! Johnny Cash & Waylon Jennings – I’m Movin’ On

Johnny Cash album 'Out Among the Stars'

Casa Twang is proud to bring you another cut from the highly anticipated Columbia/Legacy release “Out Among the Stars,” (March 25) An album of lost songs recorded by Cash in the early 1980s and produced by Billy Sherrill.
(see the video for “She Used to Love Me a Lot” here)

Cash is in fine form joking about a conversation he had with the creator of the song , the great Hank Snow. Jerry Kennedy’s guitar, Hargus “Pig” Robbins on piano and an uncredited drummer lays down a solid shuffle, The lead guitar portions sounds like classic Marty Stuart, who was tasked with “fortifying” the original recordings.

“I’m Moving On” is a 1950 country standard. The song reached #1 on the Billboard country singles chart and stayed there for 21 weeks. The song was previously covered by Ray Charles, Willie Nelson, the Rolling Stones, Elvis Presley, Emmylou Harris, Chuck Prophet among others.

Listen Up! Hillstomp – “Don’t Come Down”

Hillstomp

Portland Oregon’s self-described “junkbox blues duo” has a new song “Don’t Come Down” that offers some of the heat and ramshackle alchemy of Henry Christian (Guitar) and John Johnson (percussion), but with this cut there’s more.

From the guitar loop running throughout and the reverbed, lonesome vocals, there’s a beautiful menace and a work of a deft subtlety pointing to a richness and bravery in flexing their musical brawn.

“Don’t Come Down” is from Hillstomp’s upcoming, 4th full-length release “Portland, Ore” out April 15. The album is their first on Fluff and Gravy Records and features 10 new tracks and is mixed by Chet Lyster of Eels, and produced in conjunction with Kevin Blackwell of Sassparilla.

The record will be available on CD and LP, and can be pre-ordered here.