Category Archives: Legends

Dr. Ralph Stanley Announces Final Tour

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The website for the legendary Bluegrass stalwart and banjo innovator Dr. Ralph Stanley has announced the Man Of Constant Sorrow Tour: The Dr.’s Farewell. His final tour beginning in October 2013 to run through run through December 2014. The site states that the event is projected to cover more than 80 shows at festivals, folk clubs and performing arts centers.

Accompanying the multiple Grammy winner and Grand Ole Opry star will be his band, the fabled Clinch Mountain Boys. Various country and bluegrass artists will appear as supporting acts along the way. The start of the tour coincides with Dr. Stanley’s 67th anniversary as a professional performer. He began his career in 1946 with his older brother Carter, touring and recording as the Stanley Brothers. Carter died in 1966, after which Ralph moved to center stage as a solo artist.

From the site ” “What an honor it is to be a part of a musical legend and to work with my all-time hero’s final musical journey,” says Josh Trivett, Stanley’s co-manager. “Dr. Ralph is an American and an international musical icon who has influenced so many modern stars with his trademark mountain sound. Man of Constant Sorrow Tour: The Dr.’s Farewell will be a fantastic celebration of the life of Dr. Ralph, the mountain music he’s made famous and his legacy that will endure through the course of time.” (Photo by Will McIntire)

Over his historic career, Dr. Stanley has won virtually every honor America has to bestow on its master musicians. He has three Grammy awards, one as best male country vocalist, a category in which he competed with Tim McGraw, Willie Nelson, Johnny Cash and Lyle Lovett. His was the distinctive sound behind the seven-million-selling O Brother, Where Art Thou? soundtrack album. He was the first performer to be inducted into the Grand Ole Opry in the 21st Century. Dr. Stanley is a member of the International Bluegrass Music Hall of Fame and a recipient of the National Medal of Arts.”

As a bandleader, Dr. Stanley mentored the careers of Ricky Skaggs, Keith Whitley, Larry Sparks and Charlie Sizemore, among others.”

The following dates for the opening weekend of the Man of Constant Sorrow Tour: The Dr.’s Farewell are:
Oct. 18 The Dunn Center – Rocky Mount, NC
Oct. 19 Morehead Center – Morehead, NC
Oct. 20 The Birchmere – Alexandria, VA
Oct. 21 The Arts Center – Carrborro, NC

Twang Nation Podcast Episode 14 – Della Mae, David Ramirez, Nora Jane Struthers, John Moreland

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This may be the best Twang Nation podcast yet (yeah, I know I always say that. But this time it’s true!)

We have fantasticly spirited bluegrass of newcomers Della Mae. Heartfelt folk with singer/ songwriters David Ramirez, Ashleigh Flynn,Andrew Duhon and John Moreland.

Hurray for the Riff Raff offers a beautiful rendition of John Lennon’s “Jealous Guy” and Mother Merey and the Black Dirt and Defibulators bring new meaning to hillbilly bliss

We conclude with Bill Monroe and Steve Earl doing Monroe and Peter Rowan’s “Walls of Time” from his upcoming Warner Brothers box set.

ON EDIT: One correction to the podcast, I say that Mother Merey and the Black Dirt’s album is titled “A Million Stars.” That’s the title of the Ashleigh Flynn release. The correct title for Mother Merey and the Black Dirt’s album is “Down to the River.”

Also, I mistakenly refer to the new Donna the Buffalo as “My Dearest Darkest Neighbor.” The name of the album is actually “Tonight, Tomorrow and Yesterday/” “My Dearest Darkest Neighbor.” is thr name of the upcoming Hurray for the Riff Raff album.

Sorry for the mix up folks.

As always support local music and thanks for listening.

This podcast is dedicated to the great Chet Flippo.

1. Della Mae – “Empire”
2 David Ramirez – “The Bad Days”
3 Mother Merey and the Black Dirt – “Down to the River”
4 Ashleigh Flynn – “New Angel in Heaven”
5 Nora Jane Struthers and The Party Line – “Barn Dance”
6 Andrew Duhon – “Sidestep Your Grave”
7 Laura Cortese – “I Am The House”
8 Donna the Buffalo – “Don’t Know What We’ve Got”
9 Hurray for the Riff Raff – “Jealous Guy”
10 Defibulators – “Cackalacky”
11 John Moreland – “God’s Medicine”
12 Steve Earle With Bill Monroe – “Walls Of Time”

Listen Up: Album Review: Jason Isbell – “Southeastern”

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jason isbell southeastern

I first saw the Drive-By Truckers at what some might call their pinnacle. On a chilly New Year’s Day evening, with friends in tow, we headed to New York City’s legendary Bowery Ballroom to catch the band supporting their latest summer release “The Dirty South.”

I wondered how well the band might fair the day after the revelry of New Years Eve, but with the opening chords of Mike Cooley’s “Where The Devil Don’t Stay” all doubts vanished. It remains one of the best show’s I’ve ever attended.

Stage right stood the cherub-faced new kid. Just 26, but with two DBT albums under his belt, he held his own and more with the road veterans Hood and Cooly. Out of the 31 originals performed that night Isbell only had 4 songs slotted – Danko / Manuel , Goddamn Lonely Love, Outfit Decoration Day – but they stood out as some of the best that night.

On April 5, 2007 Isbell left the Truckers in an “amicable” split. He then went on to release three studio albums, one solo and two with his band the 400 Unit , and two live albums. Some of the songs hinted at the former brilliance, but many others seemed middling and stylistically unfocused.

I wondered if the absence of collaborative competition the Drive-By Truckers provided had also removed a mental whetstone that had worked to sharpen Isbell’s work.

Isbell’s new release Southeastern has now put that theory to waste. The album contains 12 cuts that meet anything Isbell has done in the past, and some nearly exceed the mark.

Changes in Isbell’s life – his marriage to singer/songwriter Amanda Shires, his friendship with singer/songwriter Ryan Adams and his overcoming dependency on alcohol – could be the reason for this new-found creativity and focus.

Like Steve Earle’s post-addiction releases there is a fresh spark of bottled-up creativity that emerges in Southeastern. And though the specter of addiction hangs in the background it’s never used as a literary soapbox. No simplistic moralizing or rationalization here.

Songs like Cover me Up – “Put your faith to the test when I tore off your dress in Richmond on high But I sobered up and I swore off that stuff forever, this time.” and Traveling Alone – “Damn near strangled by my appetite In Ybor City on a Friday night Couldn’t even stand upright So high, the street girls wouldn’t take my pay” use his time with alcohol as narrative context and as a new dimension in the his storytelling.

The Drive-By Truckers, Steve Earle, Chris Knight and Malcolm Holcombe all draw from their southern heritage and use artifacts and language tied to local heritage to cast modern work. Isbell uses faith, the road, the bottle and the occasional figurative and literal firearm to similarly build layers not erect stereotypes.

Some stand-outs are Traveling Alone, a moody acoustic ballad that takes hard look at the road and the heart and opens the door to camaraderie and affection while not yielding completely to vulnerability. Elephant is a touching tale of a friend with “Sharecropper eyes, and the hair almost all gone ” dying of cancer. The song eases the crushing sadness of the situation with touches of dark humor.

I’m most drawn to the darkness that runs through Southeastern. Songs like Live Oak, an excellent edition to the lexicon of murder ballads – the self-defeating loathing and loneliness of Songs That She Sang in the Shower and the and youthful moral certainty and vengeance in the chilling Yvette are all beauties.

But It’s not all brooding and menace. Isbell and the band rip it up on Super 8. I was trying to think if an apt description but my buddy and fellow blogger @Truersound said it best when he tweeted that it had a “strong “gimme three steps” vibe …Sent through a Hayes Carll filter.”

As good as the songs are on Southeastern the striking thing is their economy and absence of excess. These songs are lean and driven from the soul of man finding and maintaining footing. They transform the listener as much as the singer , for those that have the patience and courage to listen.

Southeastern is the kind of album that reminds us that music can be more that a backdrop to life, but a reflection of it.

Official Site | Buy

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Americana Music Association Announces Initial Showcase Line-up

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Americana Conference Lineup

Nashville-based Americana Music Association has released an excellent initial artist line-up for showcase portion of the conference, festival and awards show. the selections show a broad range of diversity and excellence the of the genre. Great to see many Casa Twang favorites represented as well.

Artists include: Black Prairie, Billy Bragg, Rosanne Cash, The Devil Makes Three, Frank Fairfield, Drew Holcomb & the Neighbors, John Fullbright, JD McPherson,
The Lone Bellow, Aoife O’ Donovan, Darrell Scott & Tim O’Brien, Richard Thompson, The White Buffalo, Holly Williams and The Wood Brothers

The 14th annual event will take place in Nashville, Sept. 18-22. I’ll be there. hope you are too!

Showcase artists confirmed to perform include:

Black Prairie
Billy Bragg
Rosanne Cash
The Del-Lords
The Devil Makes Three
Sam Doores, Riley Downing & the Tumbleweeds
Frank Fairfield
Field Report
John Fullbright
Drew Holcomb & the Neighbors
Hurray for the Riff Raff
The Infamous Stringdusters
Kruger Brothers
Pokey LaFarge
Nikki Lane
The Lone Bellow
Luella & the Sun
JD McPherson
Buddy Miller & Jim Lauderdale
Aoife O’Donovan
Old Man Luedecke
Lindi Ortega
Darrell Scott & Tim O’Brien
Shakey Graves
Sturgill Simpson
Sons of Fathers
Spirit Family Reunion
Steelism
The Stray Birds
Richard Thompson
Holly Williams
The White Buffalo
The Wood Brothers

Kathy Cash’s Johnny Cash “Forever” Stamp Celebration Speech

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The Johnny Cash “Forever” Stamp celebration took place June 5th at the Ryman Auditorium featured John Carter Cash, The Oak Ridge Boys, Marty Stuart, Randy Travis, Carlene Carter, Wesley Orbison and other members of the Cash family to kick off the release of the limited-edition stamp

A “forever’stamp is a non-denominated stamp that retains full validity postage no matter of price increases.

Kathy Cash , Johnny’s Daughter from his first marriage to Vivian Liberto Distin and sister of Rosanne Cash, posted her heartfelt and funny speech from the event. I re-post it here with a video of a rousing “Will The Circle Be Unbroken” from the finale. Enjoy.
___________________________________________________________
Good Morning.

Thank you for being here to celebrate the “Johnny Cash Forever Stamp” in the Music Icon series.

My dad and mom had a 4 year courtship in the early 50’s. Dad was in the Air Force in Germany, mom was a young woman living in San Antonio, Texas. During that 4 year period, they exchanged an astounding 10,000 letters.

Dad was no stranger to licking a stamp.

He loved stamps and we have the letters to prove it.

When dad was on the road until he retired, he sent us hundreds of cards, letters, poems and Valentines, postmarked from all over the world. When he heard a new upcoming artist on the radio and liked what he heard, he always sat down to write a letter of encouragement.

Always postmarked, always mailed.

In a fast paced world of telegrams and faxes, then email and texts, dad always preferred and chose writing. It meant a great deal to him to send a handwritten letter, stamped and mailed to people he cared about.

Dad has been inducted into all 4 Halls of Fame : Country Music, Songwriters, Rock and Roll and Gospel. He received the Kennedy Honor Award, The National Medal Of Arts, and was the first person to receive the Spirit Of Americana “Free Speech Award.” He earned thousands of awards for his musical accomplishments and humanitarian works. There’s even a main street in Hendersonville, TN., named “The Johnny Cash Parkway.”

Dad loved this country. I have no doubt that having his image on a United States postage stamp would be his proudest accomplishment.

If dad were here he’d be beaming with pride, and would say something to the effect of, “Well. Ain’t that somethin’? This face of mine on a postage stamp. A government issued postage stamp. A FOREVER STAMP.” He would love that it’s a forever stamp.

Dad had such an impact on American history. To have him recognized in this capacity is incredible. It means future generations will realize what a monumental part of American history and music Johnny Cash is.

On behalf of the entire Cash family, I want to thank the United States Postal Service, the fans and collectors who initiated and participated in this remarkable effort, voicing their support for a Johnny Cash stamp.

Carlene Carter and Larry Gatlin sing “Jackson”

Jimmie Rodgers Guitar Used to Record for First Time in 80 years

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Britt Gully

The Mississippi Picnic (6/8) at New York’s Central Park will honor “Singing Brakeman,” Jimmie Rodgers, the “Father of Country Music,” as his iconic guitar will be played for the first time in 80 years to record music.

Rodger’s custom-ordered 1927 Martin 000-45, has his name in pearl inlay on the neck and “Thanks” written upside down on the back. After his death, Rodgers’ widow loaned the 000-45 to Ernest Tubb, who played it for forty years. It was later donated to the Jimmie Rodgers Museum, in Meridian, Mississippi, where it is kept in a safe behind glass.

Tribute artist Britt Gully received permission to use the guitar for recording a tribute CD and will play the guitar at a Rodgers tribute at the event. That day will celebrate the ‘Mississippi Country Music Trail’ by recognizing Jimmie Rodgers. Gully will perform along with other Mississippi artists during the picnic.

“This guitar is magical,” Gully said. “There was never a time when playing it that I did not realize what I was playing, and who played it before me.”

The first New York Mississippi Picnic took place in 1979, when a small group of native Mississippians living in New York had a strong desire to improve the perceptions of both regions in regard to one another.

Americana Music is the New Country Music

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I’m not sure if I was the first to coin the term but I’m pretty sure i was the first to tweet it – that’s so country it’s Americana.

By that I mean as Music City continues to do what it’s always done, chase trends to broaden consumer acceptance, fill radio slots and asses in arena seats, and make truckloads of money, who looks after the legacy of the music? The legacy of twang, soul and grit that Rodgers, the Carters and Hank Sr. left us? The focus on the song as deep, personal expressions and not just target-marketed laundry lists? Ladies and gents it’s Americana straight up.

sure music Row still determines the brand “Country Music” but they don’t won the legacy or spirit. Tom Petty hit the nail squarely in the noggin when he described contemporary country music as “Bad rock with a fiddle. Zing! While the rhinestone cowboys chase hits and eschew tradition (Blake!) the real soul of country music has found a new home in the Americana camp. Now by Americana I also include the underground, muddy roots acts as well, as I believe a lot of the passion and blue-collar core is often found on that side. Here are a few videos to make my case.

Legacy: in their golden years no one in Music Row bothered to return phone calls to Johnny Cash and Porter Wagoner who were still viable a, had songs, and wanted to work. It took hip-hop/rock producer Rick Rubin and musician/producer Marty Stuart to work with these legendary men, respectively, and understand their storied place in music history. Working with their own label (Rubin) and an L.A. rock label (Epitaph) allowed these legends to produce some of their best work at the end of their lives and leave this world with dignity and fans with a few more treasures. Hell, even country music legend Lee Ann Womack teamed up with Americana stalwart Buddy Miller to stretch her wings.

Johnny Cash – “Hurt” (Nine Inch Nails)
http://www.youtube.com/watch?v=SmVAWKfJ4Go

Porter Wagoner – “Committed to Parkview”

Leann Womack & Buddy Miller – “Don’t Tell Me”

Soul – At it’s core country music is soul music. It bleeds life in common stories plaintive and wondrous. Here are some performers that reflect that rough beauty.

Robert Ellis – “Cemetery”

Jason Eady – “AM Country Heaven”

Elizabeth Cook – “Mama’s Prayers”
www.twangnation.com/blog/wp-admin/post.php?post=5944&action=edit

Twang and Grit – Musicianship has always been the stock and trade of country music , but it used to be more than a backdrop for party anthems. Here are some that are tearing it up without dumbing it down.

Sturgill Simpson – “You Can Have The Crown / Some Days”

Whitey Morgan and the 78’s – Cocaine Train

Turnpike Troubadours – “Before The Devil Knows We’re Dead”

Dale Watson – “I Lie When I Drink”

Johnny Cash Forever Stamp Celebration at the Ryman Auditorium

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The United States Postal Service, John Carter Cash and other members of the Cash family will the release of a limited-edition Johnny Cash Forever stamp June 5, 2013 at historic Ryman Auditorium (116 Fifth Avenue, Nashville) at 10:30 a.m. CDT. Doors open for stamp sales at 9 a.m. and the event is free and open to the public.

Artists set to appear, perform or speak include John Carter Cash, Carlene Carter, Larry Gatlin, Jamey Johnson, The Oak Ridge Boys, The Roys, Marty Stuart and Randy Travis among others. 650AM WSM personality Bill Cody will serve as emcee of the event.
 
“It is an amazing blessing that my father Johnny Cash be honored with the issue of this stamp. Dad was a hard-working man, a man of dignity. As much as anything else, he was a proud American, always supporting his family, fans and country. I can think of no better way to pay due respect to his legacy than through the release of this stamp,” said John Carter Cash.
 
“My family is thrilled that my father will grace a United States ‘Forever’ stamp, a great honor for any American, and an honor that would have particularly delighted him. It is a joy to know that generations will use this stamp, and my father will forever be where he loved to be: traveling the world,” added Rosanne Cash.
 
About the Limited-Edition Johnny Cash Forever Stamp:
Designed by art director Greg Breeding, the Johnny Cash stamp features a photograph captured by Frank Bez during the photo session for Ring of Fire: The Best of Johnny Cash (1963).  The stamp is part of the U.S. Postal Service’s Music Icon series, which also includes stamps honoring Lydia Mendoza (available now)  and Ray Charles (to be released in September).
 
The stamps will be available for purchase at the Ryman Auditorium June 5 from 9 a.m. until 1 p.m., at the CMA Festival Fan Fair X at LP Field June 6-9, local Post Offices and online at usps.com/stamps.

Top 5 Levon Helm Songs

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He didn’t write many of the songs he made legendary but when he did them they stayed done.You couldn’t imagine them any other way.

On this occasion of his birth I submit to you my choice in the top 5 Levon Helm songs he performed over his Band and solo career. I hope you like them. If you don’t see your favorite place it in the comments below.

“Tennessee Jed” – This Jerry Garcia and Robert Hunter tune is from Levon Helm’s final studio album “Electric Dirt.” The album won the first ever Grammy Award for Best Americana Album, an inaugural category in 2010.

“Poor Old Dirt Farmer” – This cover from of an old traditional, the Grammy-winning “Dirt Farmer” , could have easily been written by helm in tribute to his birthplace of Elaine, Arkansas.

“A Train Robbery” – Depending on your source this Paul Kennerley penned tune may or may not be about Jesse James. True or not it’s a great yarn well performed by Levon from the album “Dirt Farmer.”
https://www.youtube.com/watch?v=JqDwS6z58eU

“The Night They Drove Old Dixie Down” – Written by Robbie Robertson with Levon Helm. The song tells the tale of the last days of the American Civil War and the suffering and humiliation of the South.

“The Weight” – Though it was not a significant mainstream hit for The Band it has gone on to become their signature song.

Race in Country and Roots Music

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carolina chocolate drops

When the nominees for the Americana Music Association awards was released there was some that commented on the lack of diversity; which is a shortcut for racial diversity. I agree there’s no one of color represented. But the implication is that racism is to blame. Yeah, that’s not it.

Though I do believe there is an inherent bias in the AMA wards nominees it tends towards the popular and well-known and not on skin color. If an African-American act sold as many albums as Mumford and Sons you can bet they would be o the list.

Though I’m willing to call out discrimination when I see it, the simple fast is there’s not a lot of diversity on the Americana charts, which represent the source of the radio-centric voters for the AMA Awards. Superior performers like the Carolina Chocolate Drops are few and with no representation there’s no opportunity for celebration.

Some have suggested we expand Americana to include the Blues and R&B. Though these genres, like country , folk, and jazz, feed into the greater American music ocean they are going fine on their own as mature, rich and diverse genres. Beside we already have extraordinarily talented musicians that, regardless of color, deserves celebration without us wringing our hands when we do so.

Some want to dig deeper than the charts and top level performers to see if there’s a strata of increased diversity somewhere below the surface. I’m all for seeking out undiscovered talent, but seek how far and for what reason?

Personally I’m not an advocate for pilfering other mature genres or lowering a musical bar, those are forms of racism. How far afield would we have to travel to address some imagined suppression of racial diversity?

Then there is outright racism. After appearing on the Opry stage Darius Rucker received a tweet stating that he should “leave country to the white folk.” Now that’s racist as well as historically imprecise. Huffington Post held an interesting discussion on the subject of race in mainstream country industry and culture.Though I don’t fully agree with all the discussion it’s a healthy and interesting conversation. Perhaps there should be a roundtable on race in the more left-leaning Americana genre.

Hosted by Marc Lamont Hill with guests Charles Hughes (Memphis, TN) Music Historian at Rhodes College, Cowboy Troy @cowboytroy (Mt. Pleasant, MI) Recording Artist at Warner Music Nashville, Rissi Palmer @RissiPalmer (Raleigh, NC) Country Music Singer / Songwriter, John Bryant (Dallas, TX) Ray Charles’ Drummer and Stanley Crouch (Brooklyn, NY) Writer and Music Critic