Category Archives: Honky Tonk

Emmylou Harris To Release “Wrecking Ball” Special Package Reissue

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Emmylou Harris Wrecking Ball

American Songwriter reports that Nonesuch Records will reissue Emmylou Harris’ acclaimed 1995 album Wrecking Ball as a three-disc set. The reissue will contain a remastered version of the original album, which snagged the Grammy for Best Contemporary Folk Album in 1996. There will also be a bonus CD of recently unearthed demos and outtakes.

The reissue will also include a documentary DVD “Building the Wrecking Ball,” featuring studio footage and interviews with Harris and producer Daniel Lanois, as well as album contributors Steve Earle and Kate and Anna McGarrigle, and Neil Young, who wrote the title song.

Last month Harris celebrated her collaboration with Rodney Crowell, “Old Yellow Moon,” by winning the Grammy for Best Americana Album

In October of 2013 Emmylou Harris and Daniel Lanois, joined by Jim Wilson, Brian Blade and Malcolm Burn, performed “Wrecking Ball” in it’s entirety at the Marathon Music Works in Nashville. (see video below)

The Wrecking Ball reissues is slatted for release on April 8

In celebration of the reissue, Harris will hit the road with Lanois this spring. Check out tour dates below.

Disc 1

1. “Where Will I Be?” (Daniel Lanois)
2. “Goodbye” (Steve Earle)
3. “All My Tears” (Julie Miller)
4. “Wrecking Ball” (Neil Young)
5. “Goin’ Back to Harlan” (Anna McGarrigle)
6. “Deeper Well” (David Olney, Lanois, Emmylou Harris)
7. “Every Grain of Sand” (Bob Dylan)
8. “Sweet Old World” (Lucinda Williams)
9. “May This Be Love” (Jimi Hendrix)
10. “Orphan Girl” (Gillian Welch)
11. “Blackhawk” (Daniel Lanois)
12. “Waltz Across Texas Tonight” (Rodney Crowell, Emmylou Harris)

Disc 2 – Deeper Well: The Wrecking Ball Outtakes

1. Still Water 3:55
2. Where Will I Be (alternate version) 4:14
3. All My Tears 3:21
4. How Will I Ever Be Simple Again 3:36
5. Deeper Well 2:18
6. The Stranger Song 5:21
7. Sweet Old World (alternate version) 5:56
8. Gold 3:16
9. Blackhawk (alternate version) 4:40
10. May This Be Love (acoustic) 2:15
11. Goin’ Back to Harlan 2:35
12. Where Will I Be (alternate version) 2:13
13. Deeper Well 3:06

Emmylou Harris Wrecking Ball Tour Dates:

April 3 Los Angeles, CA The Wiltern
April 5 San Francisco, CA The Warfield
April 7 Royal Oak, MI The Royal Oak
April 8 Chicago, IL The Vic
April 11 Washington, DC The Lincoln Theatre
April 12 Brooklyn, NY TBA
April 13 Boston, MA The House of Blues
(additional tour dates to be announced)

Mary Sarah to Release “Bridges,” duets with Dolly, Willie, Merle, Ray Price

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Sarah Mary

It’s fashionable to gripe about the current sorry state of contemporary country music and for good reason. In it’s single-minded obsession for hits and radio charting Music Row often appears to be like an Chinese iPad factory (with better clothes.) A casual listen of country music hits from the last 40 years clearly shows that the industry often tilts the cultural scales toward stacks of commerce over the beauty of craft.

Mary Sarah has the looks and the pipes to shoot for the denim and glitter of Country Music stardom. She even toured with the lucrative Kidz Bop franchise as a singer and dancer when she was 12 years old. The lady’s got options

But performing in the Texas near her home in Richmond TX home (outside Houston) put her in a unique position to be steeped in tradition and to meet some of the legends that created that music.

Her upcoming release, “Bridges,” is a collection iconic songs done as duets with the legends that made them famous. Dolly Parton, Willie Nelson, Merle Haggard and Vince Gill, recorded over the last two-and-a-half years.

“I never imagined that singing these songs in the Texas Oprys would lead to one day recording them with some of the greatest country legends of our time,” Mary Sarah says. “Working on this album and with these legends has changed my life. Not only did I learn more about traditional country music, it has led me to have a clearer vision of what I want to accomplish in country music.”

That doesn’t sound like a crass money grab to grease the path to maga-stardom. It does sound like a smart move in a genre starving for substance to set herself up for longevity and, dare I say, a shot as legend.

Yes, Loretta there is hope for Music City.

“Bridges” is expected to be released in early April.

“Bridges” track listing

“Jolene” with Dolly Parton
“Crazy” with Willie Nelson
“Fightin’ Side of Me” with Merle Haggard
“Heartaches by the Number” with Ray Price
“What a Difference You’ve Made in My Life” with Ronnie Milsap
“Texas, When I Die” with Tanya Tucker
“Rose Garden” with Lynn Anderson
“Go Rest High on That Mountain” with Vince Gill
“Dream On” with the Oak Ridge Boys
All I Wanna Do Is Sing My Song” with Freddy Powers
“Where the Boys Are” with Neil Sedaka
“My Great Escape” with Big & Rich (original song)
“I’m Sorry” (solo version of Brenda Lee classic)

Tribute “Bob Dylan In The 80s” Out March 25

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Bob Dylan 80s

Okay, this is cool. A tribute album from preeminent indy-roots artists focusing on Dylan’s under appreciated 80’s era.

ATO Records will release Bob Dylan In The 80s: Volume One on March 25. The brainchild of producers Jesse Lauter (Elvis Perkins, The Low Anthem) and Sean O’Brien (Dawes, PAPA), the mission of Bob Dylan In The 80s: Volume One is to shed new light on a large cache of Bob Dylan songs that have long gone ignored, covering the period starting with 1980’s Saved and ending with 1990’s Under The Red Sky (including unreleased material — the “80s Basement Tapes” — and The Traveling Wilburys).

Album contributors include: Built To Spill, Aaron Freeman of Ween & Slash, Glen Hansard, Reggie Watts, Bonnie “Prince” Billy, Lucius, Langhorne Slim, Craig Finn Of The Hold Steady, Deer Tick, Dawn Landes, Blitzen Trapper, Carl Broemel Of My Morning Jacket, Elvis Perkins and more. The album is available for pre-order now.

Hear the first track from the record, Jokerman by Built to Spill, below.

“80s Dylan is by no means a celebrated period in his career,” says co-producer Lauter. “It was, in fact, the lowest point of his commercial success even though he released eight studio albums.” He continues, “Our goal was to showcase one of the greatest artists of our time during an off-rhythm period and bring a stronger sense of harmony to the material at hand. Sean and I did everything we could to make this album flow together sonically as if you were listening to a concept album.”

Portions of proceeds from album sales will go to the charity, Pencils of Promise. Pencils of Promise is a non-profit organization that builds schools and increases educational opportunities in the developing world. The charity has built more than 150 schools in Asia, Africa and Latin America. For more information on Pencils of Promise, visit www.pencilsofpromise.org.

COMPLETE TRACK LISTING:

1. Langhorne Slim & The Law – “Got My Mind Made Up”(from Knocked Out Loaded, 1986)
2. Built To Spill – “Jokerman” (from Infidels, 1983)
3. Reggie Watts – “Brownsville Girl (Reprise)” (from Knocked Out Loaded, 1986)
4. Craig Finn (The Hold Steady) – “Sweetheart Like You” (from Infidels, 1983)
5. Ivan & Alyosha – “You Changed My Life” (from Shot Of Love outtakes, 1981)
6. Deer Tick – “Night After Night” (from Hearts of Fire Soundtrack, 1987)
7. Dawn Landes & Bonnie “Prince” Billy – “Dark Eyes” (from Empire Burlesque, 1985)
8. Tea Leaf Green – “Waiting To Get Beat” (from Empire Burlesque outtakes, 1985)
9. Aaron Freeman of Ween & Slash – “Wiggle Wiggle (from Under The Red Sky, 1990)
10. Elvis Perkins – “Congratulations” (from Traveling Wilburys Vol. 1, 1988)
11. Hannah Cohen – “Covenant Woman” (from Saved, 1980)
12. Marco Benevento – “Every Grain Of Sand” (from Shot Of Love, 1981)
13. Yellowbirds – “Series Of Dreams” (from Oh Mercy outtakes, 1989)
14. Blitzen Trapper – “Unbelievable” (from Under The Red Sky, 1990)
15. Lucius – “When The Night Comes Falling From The Sky” (from Empire Burlesque, 1985)
16. Glen Hansard – “Pressing On” (from Saved, 1980)
17. Carl Broemel (My Morning Jacket) – “Death Is Not The End” (from Down In The Groove, 1988)

In addition, there will be seven bonus tracks available exclusively via iTunes as a Deluxe Edition and will also be included on the digital download card that accompanies the vinyl. The seven bonus tracks are listen below:

1. Spirit Family Reunion – “Man Of Peace” (from Infidels, 1983)
2. Widespread Panic – “Solid Rock” (from Saved, 1980)
3. Grayson Capps – “Silvio” (from Down In The Groove, 1988)
4. Neal Casal – “Property Of Jesus” (from Shot Of Love, 1981)
5. The Low Anthem – “Lenny Bruce” (from Shot Of Love, 1981)
6. Jesse Elliott (These United States) – “Handy Dandy” (from Under The Red Sky, 1990)
7. Chastity Brown – “Saving Grace” (from Saved, 1980)

Ken Burns’ Country Music Documentary Coming to PBS in 2018

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Ken Burns

I’ve been hearing about Ken Burns’ new project focusing on Country Music for over a ear. Now PBS has made it a realty b announcing that the anticipated documentary, succinctly called called “Country Music,” will air in 2018.

That will be about 5 years worth of work on the one series. Sure that’s a long time
but it helpes to keep in mind that it’s a year less than he spent on his ten-episode miniseries detailing jazz. And given Burn’s attention to detail ranging from The Civil War and the history of baseball it’s satisfying to see that there is care being applied ot a genre we all love.

The origins and fundamentals of roots, folk and country music are vast . deep at least as deep and vast as many of the topics Burns has tackled before. I have faith that this is going to be a fascinating (and lengthy) series.

From the release “The country series explores the question, “what is country music.” It will track the careers of the Carter family, Jimmie Rodgers, Bob Wills, Hank Williams, Johnny Cash, Willie Nelson and others.”

“For over a century, country music has been a pivotal force in American culture, expressing the hopes, joys, fears and hardships of everyday people in songs lyrical, poignant and honest,” said PBS President Paula A. Kerger. “It is fitting that we have two of America’s master storytellers, Ken Burns and Dayton Duncan, tell the story on film of an art form that for generations has told America’s story in song.”

The documentary will follow the rise of bluegrass music with Bill Monroe and note how one of country music’s offspring – rockabilly – mutated into rock and roll in Memphis. It will show how Nashville slowly became not just the mecca of country music, but “Music City USA.” All the while, it will highlight the constant tug of war between the desire to make country music as mainstream as possible and the periodic reflexes to take it back to its roots.

That;s the part that will be interesting to me, how Burns handles the splinter threads of the genre. The aforementioned Bluegrass The Outlaws, Bakersfield and, as Steve Earle helped shepherd and deemed, “Great Credibility Scare of the Mid-1980s.”

Watch Out! – Brandy Clark – “Stripes” – David Letterman 1-6-14

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Brandy Clark – “Stripes” Letterman

David Letterman, and his music booker at the Late Show Sheryl Zilikson, continued their ongoing support of Americana and roots music by featuring the creator of my #1 pick of last year, Brandy Clark

Clark performed the song “Stripes” from that latest debut “12 Stories.”

https://www.youtube.com/watch?v=lgQ7Y1U2M2A

ON EDIT: Want more Brandy? Here’s ‘Hold My Hand’ from ‘Hold My Hand’ in the Morning

5 Iconic Americana / Roots Music GRAMMY Moments

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Johnny Cash

The 55th Annual GRAMMY Awards draws nigh. That famous night that the National Academy of Recording Arts and Sciences put on the most glitzy industry trade show. Though Americana and roots music comes to mind when you think of the GRAMMYs but there have been some great moments if you were paying attention.

Here are a few of my favorite GRAMMY moments over the years. Leave your in the comments, I’d love to hear about them.

Boston-based folk-pop performer Linda Chorney does the seemingly impossible and snags a 2011 nomination for the GRAMMY for Americana Album of the Year by employing elbow grease, sleepless nights and the Internet. This sets social media tongues wagging and puts PR pros and other music industry gatekeepers on their heels.

Extraordinary newcomer John Fullbright was nominated for a 2012 Americana Album of the Year GRAMMY for his debut studio full-length “From The Ground Up.” After his passionate performance of “Gawd Above” he lost out to the legendary Bonnie Raitt. Afterwords he said with a smile “If I’m going to lose Bonnie Raitt is the one I want to lose to.”


HD John Fullbright performance 2013 Grammys by dm_51188e7423dd3

It appeared to be just a jam between two great roots acts, Mumford & Sons and The Avett Brothers. The ands joined together and the true intension was revealed as they backed Bob Dylan on “Maggie’s Farm” at the 2011 GRAMMYS.

https://vimeo.com/20567315

In a heartfelt 2012 GRAMMY tribute in honor of Levon Helm and the victims of Sandy Hook shooting Elton John, Mumford & Sons, Mavis Staples, Zac Brown , Alabama Shakes singer Brittany Howard and T Bone Burnett came together for a passionate rendition of The Band’s ” classic ” The Weight.”

http://www.youtube.com/watch?v=yunfRRZXRuc

After years of lingering in a career slump Johnny Cash scores the GRAMMY for Best Contemporary Folk Album in 1995 giving the latter part of Cash’s career much deserved attention and a spirit of vitality.

http://www.youtube.com/watch?v=tuRYmUBUwCo

This bonus moment goes out to Arlene – “O Brother Where Art Thou” Grammy Performance (2002)

http://www.youtube.com/watch?v=R-C_HVoiJpY

2013 The Year in Americana and Roots Music

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Jason Isbell

2013 will go in the books as the year that Americana and roots settled comfortably into the mainstream. Kids are wearing dust-bowl duds and there is a brisk trade in acoustic guitars and banjos. Bands are taking a page from the Mumford, Avetts and Lumineers book of hand-crafted songs with rousing melodies just begging to be sung at live shows. It’s no longer a rustic throwback fad.

The genre grows more diverse, from folk-pop, Laurel Canyon rock, psych folk, hard-sore honky-tonk and everything that doesn’t neatly fit in other buckets. As genre defying as the music can be it all comes down to the only tis that matters, Great songwriting, evocative, absorbing narratives and memorable melodies that endures the ages.

But first you must find an audience.

ABC music row drama Nashville has done a fine job in highlighting great roots music, under the guidance T Bone Burnett , and now Buddy Miller, as well as classic country references and Americana and roots performer cameos. The show’s cutest stars (and real-life sisters,) Lennon and Maisy Stella, performed the Lumineers omnipresent top-40 hit hit “Hey Ho.” This gave the song an already bigger audience then it originally had. Is that possible?

This July Americana stalwarts Old Crow Medicine Show backed ex-Hootie & the Blowfish front man, and current country music star, Darius Rucker on Old Crow’s version of Bob Dylan’s “Wagon Wheel” at the Grand Ole Opry. The song was recorded with the band and included on his latest album resulting in one of his most popular singles as a solo artist and reaching number one on Billboard Hot Country Songs in its 12th week.

Old Crow Medicine Show then had the honor to be inducted into the Grand Ole Opry this fall by Opry members Dierks Bentley and Marty Stuart.

That’s not the only example of music row looking to Americana for material and a shot of inspiration. GRAMMY-winning singer Leann Rimes reached into the Americana well, and beyond her music row comfort zone, on her latest “ Spitfire.” She lends her extraordinary pipes to a searing version of Buddy Miler’s “Gasoline and Matches” in a duet with Rob Thomas. Country music chanteuse and Pistol Annie Ashley Monroe tapped legendary Texas singer-songwriter Guy Clark to collaborate on the title song on her latest “Like a Rose.”

If your looking for evidence of Americana’s mainstream presence you need go no further than SPIN’s list of 20 Best Country Albums of 2013 had Blake Shelton and Brad Paisley mixed with The Civil Wars (12), Jason Isbell (11) and Emmylou Harris and Rodney Crowell (9) Holly Williams (8) Sturgill Simpson (6) Cailtlin Rose (2).

Entertainment Weekly, the beacon of popular taste, counted a majority of Americana artists on their list of top country releases of 2013 with Jason Isbell and Lindi Ortega taking the number 1 and 2 spot respectively.

As in recent years I even had a hard time limiting myself to a top 10,15, 20+ on my Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013.

T Bone Burnett again joins forces with the Coen Brothers to contribute soundtrack stewardship to thier new 60’s neo-folk focused film. The soundtrack features old folk songs performed by Marcus Mumford , The Punch Brothers along with the film’s actors Oscar Isaac, Carey Mulligan , Adam Driver and Justin Timberlake, who might use his his work here to jump dart his desired foray into country music.

As the music advances it’s important that a music that celebrate the past honors those that came before. George Jones, the greatest voice in country music and the innovator, Ray Price were both lost to use this year.

We also lost “Cowboy” Jack Clement, As a record and movie producer, songwriter, performing and recording performer and studio engineer, Clement was responsible for for shaping American music in the 20th century.

Premier rock and country journalist Flippo, who documented much of the major changes in country music including the Outlaw movement and one of the original Outlaws Tompall Glaser, both left us in 2013.

Though gone they will boot be forgotten for their contribution to the rich and progressive music we love.

Here’s to the music we love and the performers that endure much to offer their craft to make this world just a little bit better, kinder and more interesting. Here’s to a community that still buys albums, t-shirts and packs local shows and helps these talented folks make music a career.

Here’s to the New Year.

Country Music Pioneer Ray Price Dead at 87

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RIP Ray Price

After some initial confusion the day before regarding the health of country music legend Ray Price, his death was confirmed today by veteran country disc jockey Bill Mack, a spokesman for Mr. Price’s family. Price passed away Monday at his home in Mount Pleasant, Texas, from complications stemming from the pancreatic cancer he was diagnosed with in 2011. He was 87.

Price honed his craft at the heels of his friend and once roommate Hank Williams, who’s band he inherited, and rechristened the Cherokee Cowboys, in the wake of William’s death.

Price was an early practitioner of the 4/4 beat, later called the “Ray Price beat,” that then went on to become a standard of the genre.

with songs like “Crazy Arms” and Kris Kristofferson’s “For the Good Times” Price was also a pioneer in bringing country music to a wider audience. With 109 songs charting between 1952-89, His history on Billboard’s Hot Country Songs chart spans more than 37 years with 46 top 10 entries, eight of those reaching No. 1.

Price last charting album was the collaboration with Merle Haggard and Willie Nelson “Last of the Breed.”

“I have fought prejudice since I got in country music and I will continue to fight it,” he told The Associated Press in 1981. “A lot of people want to keep country music in the minority of people. But it belongs to the world. It’s art.”

The Country Music Hall of Fame and Grammy Hall of Fame member was a staunch advocate for the dignity of classic country music. Last year price responded on Facebook to Blake Shelton’s classic-country “Old Farts” & “Jackasses” slam.
The ruckus played out on the Internet and introduced Price to a new generation of country fans.

“You should be so lucky as us old-timers,” Price said in a happily cantankerous post in all capital letters. “Check back in 63 years (the year 2075) and let us know how your name and your music will be remembered.”

Price follows George Jones as country music legends that have passed this year.

Twang Nation Podcast Episode 17 – Amy Black, Jimbo Mathus , Jason Eady and Lucinda Williams

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Twang Nation Podcast

Step right up ladies and gents. What you have before you is the latest Twang Nation podcast with the latest and best of Americana and roots cuts.

It’s also the last podcast of 2013 and the last to be done exclusively in San Francisco. Number 18 will be a cross-country effort.

This episode has some gems from the ending year by an unlikely and excellent collaboration of Norah Jones and Billy Joe Armstrong doing Everly Brothers covers. There is also new cuts from Doug Balmain and Ocean Carolina.

There are also some choice cuts from upcoming releases by Jason Eady, Jimbo Mathus and a new live cut from the upcoming reissue of Lucinda Williams’ self-titled 1988 album.

I hope you like this episode of the Twang Nation Podcast. if you do tell a friend and let me know here at my site, Google+, Twitter or my Facebook.

Happy holidays and thanks to all of you for supporting great music! Remember band shirts and show tickets to shows make great gifts.

Dale Watson – A Real Country Song

1. Norah Jones and Billie Joe Armstrong – Song: “Long Time Gone ” – album: “Foreverly” Out now on Reprise Records
2. Doug Balmain – Song: “I’ll Lay Down in the Rain ” – album: “Troubled Mind” Out now Released Independently
3. Amy Black – Song: “Layin It Down ” – album: “This Is Home” Out now Released Independently
4. Grace & Tony – Song: “Layin It Down ” – album: “November ” Out now via Rock Ridge Music
5. Jason Eady – Song: “OK Whiskey” – album: ‘Daylight And Dark’ Out Jan 21
6. Lori McKenna – Song: “Take Me With You When You Go” – album: Massachusetts on 1-2-3-4-go records – out now
7. Ocean Carolina – Song: “Women and Wine” – album: “All The Way Home” Old Hand Records 1/14/14
8. Star Anna – Song: “Mean Kind of Love ” – album: “Go To Hell” Spark & Shine out now
9. Jimbo Mathus – Song: “Hawkeye Jordan” – album: “Dark Night of the Soul” Fat Possum Records out February 15.
10. Lucinda Williams – Song: “Something About What Happens When We Talk (Live at KCRW) ” – album: “Lucinda Williams,” to be released on January 14

56th Annual Grammy Awards 2014 Americana Album of the Year Predictions

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Grammy Noms Americana

I’ve got no special knowledge who will be nominated for the 56th Annual Grammy Awards 2014 Americana Album of the Year. What I do know is that in the four years of this categories existence The National Academy of Recording Arts and Sciences has showed a preference for established, seasoned performers like Levon Helm (winner in 2010 and 2012) That makes sense in genre that draws so closely it’s lineage.

They also appear to favor acts that do well on the Americana plays charts. That makes sense, if being a tad predictable.

Last year’s nomination of John Fullbright for his debut album was a welcome surprise and hopefully signals a new opportunity of NARAS taking more chances on younger talent.

One quantitative qualifier for an album is that they had to be released between October 1, 2012 and September 30, 2013.

So, here are my predictions for the 56th Annual Grammy Award for Americana Album of the Year. I reserve the right to be 100% wrong on this.

The 56th Annual Grammy Awards will be held on January 26, 2014, at the Staples Center in Los Angeles. The show will broadcast on CBS at 8 p.m. ET/PT

Emmylou Harris was nominated in 2012 for “Hard Bargain.” “Old Yellow Moon,” her collaboration with Rodney Crowell, is a favorite in this category.

Southeastern is Jason Isbell’s most mature and complete work to date. And that’s a high bar.

One of the most recognizable faces of mainstream Americana The Avett Brothers are shoo-ins for their “Magpie And The Dandelion.” I retract this prediction because it wasn’t released in time to qualify for 2014.

Kacey Musgraves release “Same Trailer Different Park” is part a hybrid of wry pop and classic country. It’s hard to categorize neatly but there’s no denying it’s popularity. In other words a perfect Americana nominee. I’ve decided the odds of this are too remote to be real.

Patty Griffin is tHe perfect performer and her new album ‘American Kid’ is a perfect fit for americana AOTY.

The biggest dark horse of the bunch Sturgill Simpson’s “High Top Mountain” is, as I like to say, so country it’s Americana.

The Civil Wars self-titled post-hiatus release is probably the most sure thing on this list. One thing’s for certain, barring a miracle of reconciliation this win will result in one chilly acceptance ceremony.