Then There Was One – Rhiannon Giddens Remains As Only Carolina Chocolate Drops Member

Carolina Chocolate Drops

Mixed feelings about he the news that come the new year vocalist/violinist Rhiannon Giddens will be last original member of The Carolina Chocolate Drops.

Details came from the Grammy-winning sting-band’s social media channels. Where I personally learned about it was from from their facebook page:

“We’re all getting ready to hit the road together in December for a very special US tour. At the end of these dates, Dom Flemons will be embarking on a solo career and two new musicians – cellist Malcolm Parson and multi-instrumentalist Rowan Corbett – will join Rhiannon Giddens and Hubby Jenkins in the New Year for a full run of dates!

“Dom and I have been a tremendous team for the last eight years, and I wish him all the best on his new solo endeavor. I know he will be enriching the landscape of American music wherever he goes,” Rhiannon says. “Carolina Chocolate Drops lives on, and honors all past members who have added so much over the years; we wouldn’t be where we are without each and every one. I’m looking forward to introducing new, talented musicians to the ever-expanding Chocolate Drop family!”

“Though my music is taking me to new places with my upcoming solo projects, I know that the Carolina Chocolate Drops will continue on to do new, amazing things,” says Dom. “My past eight years with the band has been a wonderful experience, musically and personally. As my music grows in a new direction, I know I can count my time with them as a building block to where I am now. I am excited to continue on my musical journey exploring the hidden facets of American Music.” Dom will kick off 2014 with a tour of Australia, and continue performing across the US throughout the year (full schedule here).
Leyla McCalla will also be departing the band in order to pursue a solo career. We’re very excited for what the future holds for Dom, Leyla, and the Chocolate Drops and we hope you’ll come along for the ride!

Below are our remaining tour dates for 2013:

12/06 Variety Playhouse, Atlanta, GA Tickets
12/07 The Orange Peel, Asheville, NC Tickets
12/08 The Orange Peel, Asheville, NC Tickets
12/12 Bijou Theatre, Knoxville, TN Tickets
12/13 Bijou Theatre, Knoxville, TN Tickets
12/14 Neighborhood Theatre, Charlotte, NC Tickets
12/15 Neighborhood Theatre, Charlotte, NC Tickets

We hope to see you all at the shows! Please stop by the merch table to pick up this exclusive tour poster commemorating these last few shows of 2013!”

The Carolina Chocolate Drops have been one of the most exciting bands on the Americana and roots scene for the last decade. ” I’m happy that the band is not packing it in completely, but it is bittersweet that Flemons will be leaving.

Here’s to their continued success, and I look forward to seeing what the new members bring to the mix. And at some point the extended Drops family comes together for something special for the fans.

John Prine Exhibit ‘It Took Me Years to Get These Souvenirs’ Slated for The Country Music Hall of Fame® and Museum on November 15

John_Prine_old

On November 15TH The Country Music Hall of Fame® and Museum will shine a spotlight on another legend when they showcase the extraordinarily influential career of John Prine.

The exhibit opens November 15th and will follow “the Grammy-winning singer’s life from his early musical influences to his critically acclaimed career as a folk and country singer-songwriter with a knack for social commentary, free from judgment but full of poignancy, heartbreak and humor.”

More from the CMHOF press release:

The Country Music Hall of Fame® and Museum will unveil a special spotlight exhibit dedicated to revered singer-songwriter John Prine on November 15. John Prine: It Took Me Years to Get These Souvenirs, which will be located within the museum’s permanent exhibit on the second floor, will incorporate instruments, manuscripts and other relics spanning Prine’s four-decade career. The exhibition will run through May 2014.

John Prine: It Took Me Years to Get These Souvenirs traces the singer’s life from his early musical influences to his critically acclaimed career as a folk and country singer-songwriter with a knack for social commentary, free from judgment but full of poignancy, heartbreak and humor.

John Prine was born October 10, 1946, in Maywood, Illinois-a suburb of Chicago. His parents gave him his first guitar for his 14th birthday. Both his family’s love of country music and its roots in Muhlenberg County, Kentucky, would greatly inform Prine’s songwriting style and content.

After high school, Prine served a two-year stint in the U.S. Army before taking a job as a postal worker in Chicago, where he wrote songs while walking his route. He tried out those songs on the Chicago folk circuit. In 1971, Kris Kristofferson heard Prine perform and helped him secure a record deal.

Prine’s self-titled debut album included the songs “Hello in There,” “Paradise” and “Angel from Montgomery,” later recorded by Bette Midler, the Everly Brothers and Bonnie Raitt, respectively. The album also included one of Prine’s most famous songs, “Sam Stone,” a raw look at a drug-addicted Vietnam veteran that critic Roger Ebert called “one of the great songs of the century.”

Prine released a string of other critically acclaimed albums in the 1970s, including Diamonds in the Rough, Sweet Revenge, Common Sense and Bruised Orange. “Souvenirs,” “Christmas in Prison,” “Dear Abby” and “If You Don’t Want My Love” are among his songs from that period.

Prine moved to Nashville in the early 1980s and founded the independent record label Oh Boy Records with his longtime manager, Al Bunetta. In 1991, The Missing Years earned Prine his first Grammy, for Best Contemporary Folk Album. He won another Grammy in 2005 with Fair & Square. In 2007 he released Standard Songs for Average People, an album of duets with Mac Wiseman.

Among the artifacts on display in John Prine: It Took Me Years to Get These Souvenirs are:

– Prine’s first guitar, a 1960 Silvertone Kentucky Blue archtop
– Handwritten manuscript for “Sam Stone,” under its original title, “The Great Society Conflict Veteran Blues”
– Original, handwritten manuscript for “Angel from Montgomery”
– John Prine concert posters from the early 1970s
– Handwritten manuscript for “Dear Abby,” written on stationery from a hotel in Rome, Italy
– Customized guitar with mother-of-pearl and abalone inlays on the body, fretboard, and headstock
– Typed and handwritten three-page manuscript for “Jesus: the Missing Years,” Prine’s tongue-in-cheek, fictitious account of the life of Jesus between the ages of twelve and thirty
– 1991 Grammy for Best Contemporary Folk Album for The Missing Years
– 2005 Grammy for Best Contemporary Folk Album for Fair & Square
– Prine’s doodles of winged dogs and other figures, some of which were incorporated into cartoonist John Callahan’s cover art for Prine’s 1995 album, Lost Dogs and Mixed Blessings
– Street sign for John Prine Avenue, which runs through Drakesboro, Kentucky, five miles from the Muhlenberg County town of Paradise, where his parents were raised
– Country Weekly award for Favorite Line Dance Song, given to John Prine for co-writing (with Roger Cook) “I Just Want to Dance with You,” a #1 hit for George Strait in 1998
– Personalized tour books with travel itineraries for tours in 1996, 2003, 2005 and 2011

https://www.youtube.com/watch?v=eXqFFfVpnhQ

Watch Out! Alan Jackson: “Blacktop” on David Letterman

Alan Jackson - Letterman

Alan Jackson did more than sit around and gripe about the sad state of commercial country music. He went out and made a damn fine bluegrass album and reminded us all how great that music was and can be.

David Letterman and his crew continued their fine tradition of supporting fine country, roots and Americana music as they welcomed jackson and his cracker-jack band (in bluegrass is there any other kind?)

Jackson and Co. performed “Blacktop” from the newly released, and straightforwardly titled, “The Bluegrass Album” (Alan’s Country Records/EMI Nashville)

http://www.youtube.com/watch?v=I4jdefl2JS4

Watch out! Willie Nelson featuring Paula Nelson – “Have You Ever Seen The Rain” [VIDEO]

Willie Nelson and Paula Nelson

Willie Nelson, and his talented daughter Paula, duet beautifully on this languid version of the Creedance Clearwater Revival classic. You can almost imagine sitting on the porch and watching a spring shower.

Like many of his recent music videos this was one was shot at Willie Nelson’s replica western town in Luck, TX, (about a 45 minute ride from downtown Austin) for his own Luck Films. The video is shot in a rich black-and-white and features Paula looking lovely, Willie looking pensive riding a horse and looking pensive playing cards.

There’s also some pretty great family photos. Baby Paula ( I assume,) Willie’s pianist and sister Bobbie Nelson, Waylon and the Appalachian moonshiner legend, Marvin “Popcorn” Sutton

Sit back and let it wash over you.

Watch Out! 10 Murder Ballads for Halloween

Johnny Cash - Delia's Gone

Hello ghouls and goblins! Halloween celebrations in some form has a long and rich tradition in 16th century European and Scandinavia. At roughly the same time the murder ballad evolved right along with it. Both washed up on these US shores with the pilgrims and were shaped, over time, with our own uniques cultural influences and musical styles.

Gallons of blood, and scores of lifeless bodies, have been detailed in many harrowing ditties. The genres of folk, bluegrass and country music count more death and malice
than in metal and gangster rap combined (to be fair, they have had centuries to stack up bodies.)

I bring to you this spooky season some contemporary versions and variations of the murder ballad. From the Wilburn Brothers’ version of “The Knoxville Girl,” an Appalachian murder ballad, derived from the 19th-century Irish ballad The Wexford Girl. There also modern takes like Lindi Ortega’s menacing “Murder Of Crows.”

Enjoy these dark treats and leave your favorites in the comments.

Wilburn Brothers – Knoxville Girl

Rachel Brooke – The Black Bird

Th’ Legendary Shack Shakers – Where’s the Devil?
https://www.youtube.com/watch?v=tgphO4JJIrw

Lera Lynn – Bobby, Baby

O’Death – Lowtide – Video

Stab – The Pine Box Boys

Lindi Ortega – Murder Of Crows

Porter Wagoner – Cold Hard Facts Of Life
http://www.youtube.com/watch?v=pl4yjGzWOvI

Bobbie Gentry – Ode To Billie Joe

Johnny Cash – Delia’s Gone

NASHVILLE 2.0: The Rise of Americana to Air on PBS This November

Nashville 2.0

NASHVILLE 2.0 kicks off the “PBS Americana Music Weekend,” which pairs this documentary with an Americana music concert from PBS’ iconic Austin City Limits (ACL) series. In a special episode, ACL travels to Nashville to capture performance highlights from the 2013 Americana Music Association Honors & Awards. ACL PRESENTS: AMERICANA MUSIC FESTIVAL 2013 airs November 23rd on PBS in select markets (check local listings for broadcast dates and times)

The hour-long film was co-directed by Carol Stein and Susan Wittenberg (the duo behind 2011‘s Women Who Rock) and will feature a lineup of some of the best rising and veteran country, folk, rock and multi-genre artists prominent in building the Americana movement.

The special will incluse includes performances by, and interviews with, Alabama Shakes, The Avett Brothers, Billy Bragg, Laura Cantrell, Carolina Chocolate Drops, Rosanne Cash, The Civil Wars, Elizabeth Cook, Rodney Crowell, Dawes, Jerry Douglas, John Fullbright, Shakey Graves, Emmylou Harris, The James Hunter Six, Jason Isbell , Amanda Shires, Jim Lauderdale, The Lone Bellow, The Mavericks, The Milk Carton Kids, Buddy Miller, Mumford & Sons, Shovels and Rope*, Richard Thompson, and Dwight Yoakam.

This is hardly an exhaustive list, and not all of these artists are from, or reside, in Nashville. Buy Music City has become the de-facto hub of the Americana Music industry.

For now.

Listen Up! Billie Joe Armstrong and Norah Jones – “Long Time Gone” (The Everly Brothers)

Billie Joe Armstrong and Norah Jones

After seeing the live many years ago at Lollapalooza I quickly became a Green Day Fan. not a record buying kind, but the kind that when the subject of punk came up I weighed in on their side. Of course making a jillion $$ and a Bradway shows doesn’t help with punk cred, but none of that mattered to me anyway. I never bought into punk purity. Green Day could put on a show and hold an audience. I was a fan.

When I heard that Green Day frontman Billie Joe Armstrong was collaborating with my Dallas home-girl Norah Jones i was amused. Then I heard it was a track-for-track tribute to the Everly Brothers’ 1958 classic, “Songs Our Daddy Taught Us.” Then I was intrigued.

The album, “Foreverly,” originated when Armstrong, who says he’s a longtime Everly Brothers fan, discovered the pop-Americana/folk 12-song collection a couple years go.

So why Norah Jones? “I thought of Norah because she can sing anything, from rock to jazz to blues,” he says, “and I knew her harmonies would be amazing.” Armstrong tells Rolling Stone.

The duo recorded the album in nine days at the Magic Shop studio in Manhattan with Engineer Chris Dugan at the boards. Armstrong and Jones split vocal duties (along with guitar and piano),  and were accompanied by fiddle player Charlie Burnham, bassist Tim Luntzel, drummer Dan Rieser and pedal-steel guitarist Johnny Lam.

Armstrong and Jones told Stereogum that the process of making the album was similar to a “blind date.”

“We sang together with Stevie Wonder and his band and a whole bunch of people, that’s how Norah and I first met,” Armstrong says. “Then, well, I got into the Everly Brothers’ record a couple years ago, and I thought it was just beautiful. I was listening to it every morning for a while off and on. I thought it would be cool to remake the record because I thought it was sort of an obscure thing and more people should know about it, but I really wanted to do it with a woman singing because I thought it would take on a different meaning – maybe broaden the meaning a little bit – as compared to hearing the songs being sung by the two brothers. And so my wife said, ‘Why don’t you get Norah Jones to do it?’ and I was like, ‘Well, I kinda know her.’ Well, I mean, we had Stevie Wonder in common. And so I called her and she said yes.” Armstrong tells Rolling Stone.
 
“The average listener might be like, ‘Well, that’s not punk rock’ or whatever in regards to this record, but I like doing different things – it’s fun, it makes life more interesting,” he said.

“Foreverly” will be released November 25th on Reprise Records. In the meantime, check the stream of the lovely and softly twangy “Long Time Gone.”

Watch Out! Billy Gibbons joined John Fogerty on stage in Tulsa, Oklahoma for “Born on the Bayou.” [VIDEO]

Billy Gibbons joined John Fogerty on stage

ZZ Top’s Billy Gibbons joined John Fogerty on stage in Tulsa, Oklahoma for a swamp-meets-grease version of classic Credence Clearwater Revival’s “Born on the Bayou.”

John Fogerty is currently on tour across the US.

Taylor Swift to Perform with Alison Krauss, Vince Gill, Sam Bush at Country Music Awards

video-taylor-swift-with-civil-war

Nashville’s Tennessean posts an Associated Press story “Taylor Swift invites special guests to CMA Awards.”

These “Special guests” turn out to be some roots music heavy-hitters. Alison Krauss, Vince Gill, Sam Bush, bassist Edgar Meyer and percussionist Eric Darken. They will join Swift for on the Country Music Awards “special version” of her hit song “Red.”

Swift has worked with Americana musicians in the past, most notably her Grammy-wining collaboration withe The Civil Wars for the song “Safe and Sound” for the Hunger Games soundtrack.

This allows huge exposure for these participating artists, and give Swift some gravitas and Americana cred for a future career move.

How do you feel about this announcement?

Tune in to find out November 6th on ABC. Follow me on twitter as I will live tweet thsi awards

(VIDEO ADDED)

https://www.youtube.com/watch?v=76vj3O8402c