Dave Alvin and Jimmie Dale Gilmore To Release ‘Downey to Lubbock’ This Summer

Dave Alvin and Jimmie Dale Gilmore - ‘Downey to Lubbock’

Few things in narration strike me as much as well-constructed alternate history. Like the Amazon series ‘The Man in the High Castle,’ loosely based Philip K. Dick’s 1962 alternative WW2 history novel of the same name there’s just something interesting about taking the familiar into unfamiliar territory.

Two roots music legends are decided to take that same technique and apply it to two of the most infamous legends of the American West. The song, entitled “Billy The Kid and Geronimo,” has Alvin giving voice to Billy the Kid, a.k.a. William Bonney a.k.a. William Henry McCarty Jr., the young gunslinger that made his name by killing 21 people before being famously shot to death at the tender age of 21 by Sheriff Pat Garrett.

Gilmore, who is part Native American, voices Geronimo, the Chiricahua Apache chief who was one of the last Native American leaders to abandon his resistance against white colonization of the American Southwest, as the two undertake an imagined conversation of morality, injustice and their place in history.

‘Billy The Kid said, “We’re just the same.

We’re cursed and we’re damned as they whisper our names…”

Geronimo said, “No, We’re not the same, for the harm I have done, I feel great shame

But we’ll pay the same price for the blood on our hands”

The song appears on ‘Downey to Lubbock,’ the title refers to eacj=h of their hometowns.

Friends for over three decades, it took Alvin – the founder of seminal punk roots band The Blasters – and Gilmore, of the pioneering country-folk trio The Flatlanders and well-known for his role as the notorious line over-stepping Smokey from The Big Lebowski, until last year to collaborate.

About their relationship, Alvin told the L.A. Times – “I first met Jimmie probably 27 years ago — maybe more,” Alvin said. “Tom Russell had put together a songwriter-traveling-circus kind of show with Butch Hancock and Jimmie Dale and Tom and me and Steve Young and Katy Moffatt. As we rolled along with picked up Lucinda Williams and some other folks.

“I’d heard of him, mentioned in a kind of whispered status, but when we met, I discovered he was a really nice guy and we kind of clicked,” Alvin said. ” There were certain complexities to him musically that took a while to figure out — like I knew he was influenced in many ways by blues stuff. A couple of years after that, I heard him pull out a Blind Lemon Jefferson number. There are not many people who do Blind Lemon.”

‘Downey to Lubbock’ will be released June 1st on Yep Roc records.

Hear “Billy The Kid and Geronimo.” below, see ‘Downey to Lubbock’ and check out Alvin and Gillmore’s tour schedule below.

Pre-order ‘Downey to Lubbock’ here.

‘Downey to Lubbock’ tracklist:

Downey To Lubbock
Silverlake
Stealin’, Stealin’
July, You’re A Woman
Buddy Brown’s Blues
The Gardens
Get Together
K.C. Moan
Lawdy Miss Clawdy
Billy The Kid and Geronimo
Deportee – Plane Wreck At Los Gatos

Dave Alvin and Jimmie Dale Gilmore Tour Dates:

Friday, May 25 – Strawberry Music Festival, Grass Valley, CA
Friday, June 1 – The Heights Theater, Houston, TX
Saturday, June 2 – Antone’s, Austin, TX
Sunday, June 3 @ 7:00PM – The Kessler Theater, Dallas, TX
Thursday, June 7 – World Cafe Live Downstairs, Philadelphia, PA
Friday, June 8 – City Winery, New York, NY
Saturday, June 9 – Narrows Center for the Arts, Fall River, MA
Wednesday, June 13 – Ram’s Head on Stage, Annapolis, MD
Thursday, June 14 – Birchmere, Alexandria, VA
Saturday, June 16 – Shea Theatre, Turner Falls, MA
Sunday, June 17 – Clearwater Festival, Croton-on-Hudson, NY
Saturday, June 23 – Club Cafe, Pittsburgh, PA
Sunday, July 1 — Friday, July 6 – Omega Institute, Rhinebeck, NY

What We know About Ethan Hawke’s Blaze Foley Biopic ‘Blaze.’

blaze movie poster

‘Blaze’ the Ethan Hawke co-written and directed tender biopic created to celebrate the tragic life of country blues Texas artist Blaze Foley has been turning heads at the 2018 Sundance Film Festival at the Cafe Artois in Park City, Utah. (here and here)

Benjamin Dickey, who portrays Blaze Foley, is a longtime friend of Ethan Hawke and was offered the role after he played ‘one of he and Ethan’s favorite Foley tunes.’

Blaze Foley’s lover Sybil Rosen, who is played in the film by Alia Shawkat, was Ethan Hawke’s co-writer for the film.

The great Kris Kristofferson portrays Foley’ father.

Charlie Sexton portrays Texas legend folk musician and Foley’s friend Townes Van Zandt.

Alynda Segarra from Hurray for the Riff Raff has a cameo.

The film was done in a cinema verite style, a technique that pays more attention to the natural actions and authentic dialogue showing people in a typical day in a day life.

Hawke knew he dad to make the film after reading reading Sybil Rosen’s beautiful memoir ‘Living in the Woods in a Tree,’ which he wrote for forward to.

Sybil Rosen plays her own mother in the film.

Blaze was not filmed in Austin but in the Baton Rouge area.

Village Studios in Jackson served as a production base for the project, which filmed in winter 2016-17.

Blaze will be released to the public later this year.

https://youtu.be/XUL2My4olT4

Old 97’s County Fair Line-Up Announced

It’s been a tough winter and spring can’t get here soon enough. Texas roots rock legends the Old 97’s made just made that anticipation greater.

The line-up for the 3rd annual Old 97’s County Fair has been released and it’s another great showcase of roots rock acts.

Along with the 40 foot Ferris wheel and all the carnival games you’ll catch Lord Huron, The Mavericks, Valerie June, The Bottle Rockets, Erika Wennenstrom from Heartless Bastards, Paul Cauthen, Jamie Wyatt, The Bastards of Soul and, of course, the Old 97’s.

The Old 97’s County Fair takes place on Saturday April 14th at Main Street Garden, Downtown Dallas.

Kids 10 & under get in free so bring the whole family.

Buy your tickets here.

Bermuda Triangle – Brittany Howard, Becca Mancari And Jesse Lafser – Announces Western U.S. Tour

The roots music supergroup Bermuda Triangle will begin its first tour of 2018 with a February 3 stop at the legendary Troubadour in West Hollywood, CA. The West Coast dates will bring also the band to San Diego, San Francisco, Seattle, Portland and Eugene as well as a trio of shows in Texas in April.

NPR Music premiered Bermuda Triangle’s dreamy debut song “Rosey,” (hear it below) anad the band’s live show has been covered by Rolling Stone stating the trio’s chemistry “was clear from the first-applause-silencing note,” “The band featured Howard switching between plucking out gorgeous, nimble-fingered nylon-string guitar solos and holding down the low end on upright
bass…with Mancari and Lafser trading off on banjo and acoustic guitar, accompanied by subtle beats from a drum machine on a pitch-perfect harmony-heavy set of blithe and breezy heartfelt folk tunes that filled the sweltering room with chill vibes.”

The artists have also been busy with their individual endeavors. Becca Mancari’s debut album, ‘Good Woman,’ was named by Rolling Stone as one of the top Americana/Country albums of 2017. Jesse Lafser’s follow-up to 2015’s ‘Raised On the Plains’ is due out in early 2018. In 2017, Brittany Howard toured North American with Alabama Shakes and performed at “A Concert For Charlottesville – An Evening Of Music And Unity,” held
at the University of Virginia’s Scott Stadium.

See below for itinerary. Tickets for all dates will go on sale this
Friday, January 5. For further details, visit www.BermudaTriangleBand.com.

Bermuda Triangle – Upcoming Tour Dates

2/3 – West Hollywood, CA @ The Troubadour
2/5 – San Diego, CA @ Music Box
2/6 – San Francisco, CA @ The Independent
2/8 – Seattle, WA @ The Crocodile
2/9 – Portland, OR @ Aladdin Theater
2/10 – Eugene, OR @ WOW Hall
4/4 – Houston, TX @ The Heights Theater *
4/5 – Austin, TX @ Antone’s *
4/6 – Dallas, TX @ The Kessler Theater *

* LIZ COOPER & THE STAMPEDE supporting

Kacey Musgraves Teases 2018 Album ‘Golden Hour’

Kacey Musgraves On Jimmy Fallon's “Tonight Show”

Entertainment Weekly reports that neo-trad singer/songwriter Kacey Musgraves will release a spanking new album in “early 2018.” Reportedly entitled ‘Golden Hour’ this will be the Texas-native’s third LP of original material and a follow-up to 2015’s Pageant Material.

Reportedly ‘Golden Hour’ was ‘musically influenced by everything from Sade to Neil Young’ as well as Musgraves’ newlywed status with singer-songwriter Ruston Kelly and specifically deals with the ‘different masks one uses to represent oneself.’

“None of the masks are solely us, but they’re all us,” she tells EW. “On this record, there’s the lonely girl, the blissful girl, the new wife, the girl that’s missing her mom, the angry girl, the sarcastic girl, the Sixties-sequined Cruella de Vil with the beehive, the shy girl, the life of the party, the winner, the loser – they’re all characters on this record. None of them alone are me, but the golden hour is when they all come together and you see me as a whole.”

Musgraves is not detailing the proper release date or song titles, but she did work with frequent collaborators Shane McAnally, Luke Laird and Natalie Hemby on the project. She also notes that she’ll be including a new song she’s been performing live for fans, but doesn’t share the title, which may or may not be the unreleased tune “Butterflies” (hear it below) she’s performed at many of her 2017 shows.

News of a new album only adds to what appears to be another great year for Musgraves as she continues to build out her career. Starting in February she’ll join Little Big Town and Midland on The Breakers Tour, running through May. Followed up by a June, run with with Harry Styles solo arena tour of the United States.

Twang Nation Americana and Roots Music Holiday List

– “At the Louisiana Hayride Tonight” – Various artists (Bear Family) $250.
Germany’s Bear Family label has reputation for giving loving (obsessive) detail in creating their box sets and “At the Louisiana Hayride Tonight” continues that osession. The Saturday night music radio show was broadcast by Shreveport, Louisiana’s KWKH-AM from 1948-1960 and rivaled only by the more straight-laced Grand Ole Opry for live radio entertainment.

Country and roots music greats abound – Hank Williams, George Jones, Elvis Presley, Johnny Cash, Kitty Wells, Loretta Lynn, Ernest Tubb, Louvin Brothers and many more in their prime.

A 20-CD set gives us a view back to live radio before studio wizardry and music was still wonderfully raw and brazon and done without a net.

Presley’s first TV appearance on the television version of the Hayride in March 1955 features and electrifying performance of his breakthrough single “That’s All Right,” as well as 14 songs includes “Baby Let’s Play House,” “Heartbreak Hotel,” and “Don’t Be Cruel” and are just a fraction of the more than 500 tunes stocking At the Louisiana Hayride Tonight. The box set also contains long-buried treasury of like a previously unknown recording of “I’m a Long Gone Daddy” by Hank Williams.

The accompanying 226-page book not only identifies all the performance dates and musicians, but also provides plenty of historical context.

Yeas this sweet collectable clocks in at over $200, but it breaks down to about $.40 a song for these treasured performances. That’s quite a deal.


‘Why Bob Dylan Matters’ by Richard Thomas – Richard Thomas $16.50
Harvard Professor of Classical Literature Richard F. Thomas explores Dylan’s music with a lense on his music influence on society as well as style. Dylan is dealt with in a serious tone usually reserved for classical literary and poetic luminaries. ‘Why Bob Dylan Matters’ set his work in it’s proper place and argues that it’s a work deserving of the ages.


‘Woman Walk the Line: How the Women in Country Music Changed Our Lives’ – Holly Gleason, in Woman Walk the Line ( University of Texas Press) $19.65
Music industry vet Holly Gleason presents twenty-seven extraordinary women scribes writing about twenty seven country music greats that just happen o be women. These personal and uplifting stories dig to the heart of what it means to connect to Music. Yes I still believe that #WomennInMusic is not a genre and that self-segregation is nearly as harmful as outside variety, but damn, this is a great read.


Johnny Cash, “Unearthed” (American) – $228.
THere was a real chance that Johnny Cash might have died in popular obscurity in 2003 had Rick Rubin not had the great instinct to spearhead the Country music legend’s breathtaking late-career albums. This 2003 collection of outtakes
serves a bounty with seven LPs featuring alternate takes and unreleased songs. Cash lends his historic baritone to distinctive renditions of gospel, rock,folk blues, and, of course golden-age country as well as covers by
Neil Young, Leonard Cohen, Tom Waits, Kris Kristofferson, Steve Earle and others so good you might forget their were sung by anyone before The Man in Black.


Robert Ellis and Courtney Hartman To Release ‘Dear John,’ Tribute to John Hartford

Robert Ellis and Courtney Hartman 'Dear John,'

Texan Robert Ellis and Coloradan Courtney Hartman bonded backstage at a music festival in 2013 over their mutual love of John Hartford songs. After a few years of friendship and collaboration led to the creation of ‘Dear John,’ a collection of both well-known and obscure material that reveals witty and tender layers found in Hartford’s lyrics. The album also allows Ellis and Hartman to showcase their perfectly blended vocals and the playful ebb and flow of their shared guitar playing.

“I feel like Courtney Hartman and I must have known each other in a previous life. We share a deep love and obsession with a lot of the same music. There is a unique cross-section of songwriting craft, tradition and it’s context, and musicality that we both really get excited by,” says Ellis. “John Hartford is sort of the apex of this and it came as no surprise to me that he was a big influence on both of us and what we do. These songs, and playing them with Courtney really seemed to recharge my spirit in some way. Through playing these songs we are connected to each other and to John in a way that makes me feel like I’m at home.”

The album encompasses ten cuts that span John Hartford’s 30+ discography including his best-known song “Gentle on My Mind” – later recorded by Glen Campbell – for which Hartford earned two GRAMMY awards for Best Folk Performance and Best Country & Western Song. Versions of the song were also recorded by Elvis Presley, Aretha Franklin, Frank Sinatra, Johnny Cash, Bing Crosby, Lucinda Williams, and most recently Alison Krauss.

Throughout his career, Hartford earned two additional Grammy awards, for ‘Best Ethnic or Traditional Recording’ for his record ‘Mark Twang,’ as well as Album of the Year for his work on the watershed soundtrack to ‘O Brother, Where Art Thou?’

John Hartford’s son Jamie noted, “They have captured a subtle part of my dad that gets overlooked way too often. Now they have an obligation to the world to get this out. I wish them much success.”

From the 1980s onwards, Hartford had Non-Hodgkin lymphoma. On June 4, 2001, he died of the disease at Centennial Medical Center in Nashville, Tennessee. He was 63.

In support of the new release, Ellis and Hartman will hit the road for a limited tour kicking off on December 9 in Austin, TX at the Cactus Cafe, and ending at Stage One in Fairfield, CT on December 21. In between, they will make stops in Baton Rouge and Denver before two nights at Rockwood Music Hall in New York City.

Hear their gloriously heartfelt rendition of “Gentle on My Mind” below, and see ‘Dear John’ track listing and tour dates below:

‘Dear John’ Track List:
– Old Time River Man
– Them Way Long Time Ago Times
– Gentle On My Mind
– Right in the Middle of Falling for You
– Here I Am In Love Again
– Howard Hughes Blues
– Morning Bugle
– Delta Queen Waltz
– Up on the Hill Where They Do the Boogie
– We Did Our Best

Robert Ellis & Courtney Hartman Tour Dates:
12/7 – Dallas, TX @ The Rustic
12/8 – San Antonio, TX @ The Rustic*
12/9 – Austin, TX @ Cactus Café
12/13 – Baton Rouge, LA @ Manship Theatre
12/15 – Denver, CO @ Swallow Hill Music
12/16 – Austin, TX @ Moody Theater^
12/18 – NYC @ Rockwood Music Hall (stage 3)
12/19 – NYC @ Rockwood Music Hall (stage 3)
12/21 – Fairfield, CT @ Stage One
12/26 – Houston, TX @ House of Blues^
*Robert Ellis full band w/ Courtney Hartman opening
^Robert Ellis full band opening for Robert Earl

Sturgill Simpson Trolls CMA Awards, But To What End?

In case you hadn’t heard roots rocker and reluctant savior of country music Sturgill Simpson used the occasion of the 51st Country Music Association Awards to convey a message to the people mingling outside Nashville’s Bridgestone Arena on lower Broadway and fans looking in from his live Facebook stream.

What was the message and who was it aimed at?

As is currently de rigour let’s start with the most overtly political and divisive.

When a fan asked about Trump, Sturgill responded : “He’s a fascist fucking pig and I’m not afraid to say that. Anybody who’s still supporting that guy can’t be anything in my mind but an ignorant fucking bigot. So there it is. Anybody that’s surprised to hear me say that is going to unfollow me or stop listening to my record was probably not listening that closely anyway.”

To say the election of Donald Trump a year ago was galvanizing is like saying tropical storm Harvey was merely a spring shower. The resulting split in the Country seems to roughly falls into three camps. Those that voted for Trump and still support him no matter what he does (or tweets,) Republicans that didn’t vote for Trump but disgruntledly supports him for the sake of the party, even as recent state elections suggest, he is single-handedly dismantling it. Then there are those that rally under the hashtag #NotMyPresident. Given the following quote, I’m willing to say Simpson falls into the third faction.

The ‘F’ word gets thrown around a lot by the 3rd faction (or it’s more heated shortcut Hitler,) which of course does little to set the groundwork for opposing views. But Sturgill is a smart man and he knows full well that Trump is not a fascist. A hallmark of traditional Mussolini strain of facism most people know violence against opposing views, not tweeting snarky things but actual rounding up and beatings or murder, is part of the ideology. As far as I can tell by the footage Simpson was allowed to speak at length with no harm inflicted.

When asked about the kind of acceptance speech he might give if handed an award at the proceedings happening behind him Simpson remarked “Nobody needs a machine gun, coming from a guy who owns quite a few guns.” He continued: “Gay people should have the right to be happy and live their life any way they want to and get married if they want to without fear of getting drug down the road behind a pickup truck. Black people are probably tired of getting shot in the streets and being enslaved by the industrial prison complex. And hegemony and fascism is alive and well in Nashville, Tenn. Thank you very much.”

A generally non-controversial view for tolerant, thinking people of the 21st century, if rambling and broad one. Of course, as a gun owner Simpson knows he can’t legally buy an automatic machine gun anywhere in the United States and the ‘hegemony and fascism’ is this time aimed at his adopted city. This might refer to the Music Row system in general or the CMA’s decision to formally hamstring the media on topics they deemed sensitive in the aftermath of last month’s mass shooting in Las Vegas.

As a free speech purist I get it. But it’s not surprising with other award shows and the NFL’s ratings plummeting as a response to overt political topics that the CMA would want to steer clear.

Winning the Best Country Album Grammy last year does afford Simpson a level of minor celebrity (and let’s be honest, if People magazine covers your actions, you’re a celebrity.) It also gives Simpson a certain level of professional cache. Many artists would be meticulously building their career on by growing mass appeal leading to earning potential. But if you’ve followed Simpson’s career over the years you know Simpson’s songs and his interviews show he speaks his mind no matter the professional risk.

This has allowed Simpson to evolve into a persona defined more by what he’s against rather than what he’s for. Much like our beloved genre Americana he bristles against, Simpson has nebulous borders. Is he a new-breed Outlaw come to save “real” Country music from the contemporary homogenized variety being engineered out of Music Row for, well, decades or something else?

Simpson makes it hard to pin him down and that’s what makes him an intriguing artist. It’s also what makes him. like most of us, a lousy authority on public policy.

Simpson set up on the street to voice his opinion as is his constitutional right to do. He knows, as a Navy veteran, what that right costs. His guitar case open with his Grammy inside (not sure what to take from that) he collected tips that he said he’d be donating to the ACLU, a fine organization that has fought for the rights of groups as diametrically opposed as the Black Panthers and the K.K.K. and , most recently defended an on-line magazine in suggesting that Taylor Swift is a covert White Supremacist.

Sturgill’s views declared map generally to other Americana and Americana-leaning artists willing to publicize their views in interviews, on stage and through social Media. ANd though I agree with many of the sentiments expressed (yes i did vote for Hillary) I’m always concerned about the echo chamber effect made so easy by social media. Though I’m on the record arguing against the accusations of bigotry against Americana, I am concerned about the lack of intellectual diversity within the comminity. the only kind of diversity that matters and moved us forward.

Merle Haggard Museum + Restaurant Set To Open in Summer of 2018

Merle Haggard Museum

It appears that Nashville will be the location for Merle Haggard’s Museum and Merle’s Meat + 3 Saloon – a Southern-style restaurant with adjacent bar. The restaurant will be operated by longtime Nashville restaurateur David Swett.

Sounds like a recipe for tourism cheese, but given the Johnny Cash and Patsy Cline Museum museum are located in the same vicinity off Nashville’s tourist-jammed Lower Broadway, it probably makes perfect business sense.

But I find it ironic that the estates of Haggard and Johnny Cash decide to locate their memorial museums in the town that eventually shunned them professionally later in their careers when they demonstrably had much more to offer. I mean, in the case of The Hag wouldn’t to make more sense to locate hs museum the city that reflected his signature music style, Bakersfield, CA?

The museum will feature performance clothing and musical instruments, along with awards and other professional and personal possessions from the Haggard, who died on his 79th birthday, April 6th, 2016.

The Merle Haggard museum and Merle’s Meat + 3 Saloon will be located at 121 Third Avenue South, with the restaurant on the ground level with the Museum on an upper floor. The projected opening for both is the summer of 2018.

In the meantime you can always visit the Hags childhood home, in Oildale, California, made from an old railcar. That seems appropriate.

Tonight we sail on a radio song – Tom Petty Tributes

Tom Petty’s music appealed to anyone who loved thoughtful and superbly performed songs, but he held a special place in the hearts of Americana and roots artists. In the wake of his untimely death of cardiac arrest last Monday, there was an outpouring of tributes from his contemporaries and acolytes. Here are some I’ve collected and will add more as I come across them.

Know one? Let me know in the comments below.

Walk off the Earth – ‘You Don’t Know How It Feels’ – Just happened across this brilliant cover by Canada’s Walk off the Earth. Sit back and enjoy.

One person that best exemplifies a contemporary version of roots rock Petty helped establish is Jason Isbell. Here’s Isbell and the 400 Unit tearing through “Refugee” on the first night of their 6-night sold-out run at The Ryman Auditorium. Auditorium – October 9th, 2017
https://youtu.be/nei56RLiFRc

Heres Jason Isbell and the 400 Unit performing “You Wreck Me” on the second night of their The Ryman Auditorium run. October 10th, 2017
https://www.youtube.com/watch?v=Qi9CG504Twg

Here is Jason Isbell and the 400 unit ripping through “American Girl” at Mempho Fest 2017 – October 7th, 2017

Margo Price gives ‘Last Dance with Mary Jane’ a badass spin – 10/7/17

Lukas Nelson and Promise of the Real – ‘American Girl’ at The Fonda Theater – Hollywood, Ca. – Willie’s son does this rocker justice.

Gov’t Mule – ‘Breakdown’ – Houston, October 2nd, 2017 – Gov’t Mule brings on the moody groove featuring searing guitar work by Warren Haynes.

Old Crow Medicine Show – ‘American Girl’ Sydney, Australia, October 6th, 2017 – A badass breakdown by Old Crow Medicine Show.

The Mavericks – ‘You don’t know how it feels’ – Humphrey’s – SD, CA – October 5, 2017 – The Mavericks put their unique spin on this classic.

Miley Cyrus and Billy Ray Cyrus – “Wildflowers” – Whatever Miley Cyrus does musically she proves time and again that she has a country heart. Cyrus finishes out her Tonight Show residency with a lovely tribute to Petty with accompaniment from her father Billy Ray Cyrus.

Marty Stuart and his Fabulous Superlatives- ‘Runnin’ Down A Dream’, April – Marty Stuart has long proclaimed in concert that he’s a Petty fan. This tribute was captured a few months before Petty’s death.

The Avett Brothers – “You Don’t Know How It Feels” Council Bluffs, IA October 5th, 2017 – The Avett Brothers h=get a lot of help from the audience in this heartfelt tribute.

Chris Stapleton – “Learning to Fly” – October 5th, 2017, Moline, Illinois – Chris Stapleton offers some memories of playing a show with Petty before performing a soulful solo acoustic version of “Learning to Fly.”

John Fogerty – “I Won’t Back Down” – October 4th, 2017, Encore Theatre at Wynn hotel, Las Vegas. Fogerty honors Tom Petty at his show at The Encore Theatre at Wynn Las Vegas. This was also the first show after the tragic events at Mandalay Bay

Wilco – ‘The Waiting,’ Toyota Pavilion, Irving, Texas, October 3, 2017 – I dare you not to get chills from this tribute.

Hanson – “Wildflowers” (rehearsal) – October 3rd, 2017 at the Corona Theatre in Montreal, Canada. – Say want you want about Hanson, this is a beautiful harmonic tribute.

Emmylou Harris, Steve Earle, Dave Matthews, Patty Griffin – “Refugee” by Tom Petty – Moore Theatre, Seattle October, 3rd 2017 – This performance was the opening song on the opening night of the 2017 edition of Lampedusa: Concerts for Refugees benefiting Jesuit Refugee Services USA.

Foo Fighters “Breakdown”- Played at a secret 2013 show in Moorpark, CA – Redballs Rock N Roll Pizza. Just badass.

Super Bowl XLII Halftime Show – Tom Petty & The Heartbreakers – An all American moment with the master himself.