As one of the founders and principle songwriters of the mighty Drive-By Truckers, Patterson Hood has created a wealth of searing narratives and complex and character studies that has put him on a short list of great contemporary songwriters.
On this occasion of his 50th birthday I take a daunting task at my top 10 , in no particular order, from that bounty.
Your’s not here? Add it to the comments.
Based loosely on Ray McKinnon film short “The Accountant”, the song is about family pride, greed and vengeance.
Hood’s great Uncle encapsulates the complexity of war by remarking “I never saw John Wayne on the sands of Iwo Jima” while watching said movie.
Act I of the DBT’s “Southern Rock Opera,†Hood delivers HISTORICAL soliloquy ON growing up Alabama and how George Wallace, Bear Bryant and Ronnie Van Zant shaped the environment.
Dirty South is where I fell in love with The Drive-By Truckers. Here’s one reason why.
Here’s another in acoustic version.
Hood displays his awesome storytelling chops before this excellent cut.
The title track off Hood’s latest. Inspired by the impending mortality of his Great Uncle.
Soulful and rips your heart out.
A delicate beauty that compliments hood’s voice well.
A reflection on Drive-By Truckers touring hard through rough times.
Portland Oregon’s self-described “junkbox blues duo” has a new song “Don’t Come Down” that offers some of the heat and ramshackle alchemy of Henry Christian (Guitar) and John Johnson (percussion), but with this cut there’s more.
From the guitar loop running throughout and the reverbed, lonesome vocals, there’s a beautiful menace and a work of a deft subtlety pointing to a richness and bravery in flexing their musical brawn.
“Don’t Come Down” is from Hillstomp’s upcoming, 4th full-length release “Portland, Ore” out April 15. The album is their first on Fluff and Gravy Records and features 10 new tracks and is mixed by Chet Lyster of Eels, and produced in conjunction with Kevin Blackwell of Sassparilla.
The record will be available on CD and LP, and can be pre-ordered here.
On March 25, Columbia/Legacy will release “Out Among the Stars,” an album of lost songs recorded by Johnny Cash in the early 1980s produced by Billy Sherrill.
You can now see a video for the album cut “She Used to Love Me a Lot”, directed by filmmaker John Hillcoat (the man behind The Proposition, The Road, and Lawless as well as music videos for Nick Cave, How to Destroy Angels, Depeche Mode, and others)
The video is a collection of snapshots of the American Cash championed in song and deed intercut with shots of the Man in Black himself.
In Hillcoat words from an accompanying statement:
The lyrics seemed to speak to America as it is now, to the nation that loved him and to the great divide he fought so hard against. This divide has only grown exponentially since he died, so we wanted to show America under this stark light and as a homage to the very reason Cash always wore black: to the shameful increase of the disenfranchised and outsiders. At the same time, we wanted to reference the great man’s own struggle and journey from the love of his life to the burnt out ruins of his infamous lake house home, personal photographs, the cave where he tried to take his life but then turned it all around, the place he last recorded in and his last photo before his passing.
“She Used to Love Me a Lot” was written by Dennis Morgan, Charles Quillen, and Kye Fleming. In 1984, David Allan Coe was recorded the song on his album “Darlin’, Darlin”. Listen to the Elvis Costello remix of Cash’s version here.
After 8 all-too-brief spellbinding and perplexingly metaphysical episodes the first season of HBO’s True Detective has finally reached its conclusion. The ending was such a hit that the millions hitting HBO GO service crashed the system for much of the show.
It’s no wonder it’s a hit.
The spirit of the show is reflected in the taunt writing of creator Nic Pizzolatto. Then there’s the stellar performances by Matthew McConaughey and Woody Harrelson as the dysfunctional Det. Rustin Spencer “Rust” Cohle and Det. Martin Eric “Marty” Hart bound together to catch a dark killer.
Another star of the series was the music selection that provided atmosphere and texture in a way that you hardly realized you were hearing songs by Wu-Tang Clan , Bob Dylan and Austin’s 13th Floor Elevators.
The soundtrack also included a great selection of Americana, country, gospel, and blues. John Lee Hooker and Slim Harpo sit aside Steve Earle , Buddy Miller , Lucinda Williams and Father John Misty.
And then there’s that stunning opening segment backed by The Handsome Family excellent performance of the T Bone Burnett-penned “Far From Any Road.” (below)
I reached out on twitter to ask folks what bands they most would like to hear on True Detective season two. Some of the choices were obvious, some surprising. All great and would fit nicely.
If Nic Pizzolatto stops by (‘sup Nic) I hope he considers some these great artists and allows them to set a tone and allow the greater exposure.
Enjoy and leave you choices in the comments.
Lincoln Durham is a consummate stage performer and brings grit, soul and blood to his craft. Perfect for end credits or a bar fight.
http://www.youtube.com/watch?v=t5QGl8PgUX8
Elephant Revival’s warm and inviting sound could lull in a audience in just before a particularly gruesome bit of work.
The Ben Miller Band kicked my butt in Nashville and their performance has stuck with me. Bar scene or panning a rugged landscape.
Valerie June. Who am I kidding. Put Valerie June in any segment and she’ll steal the scene.
Lee Harvey Osmond is a master of atmosphere. He’d fit right into a scene needing a slow simmer. Love scene, hands down.
Lindi Ortega is as good as it gets. Her sound is a great fit for an opening credits or as a a pan of the killers quarters.
Slim Cessna’s Auto Club oozes chaos and menace. Add to something violent.
16 Horsepower sounds as old as the hills and as deep as a grave. Opening credits or main character reflective moment.
Hiss Golden Messenger’s darkness is always bolstered by a joyful reverence. Perfect for a moment of hoe or resolution.
Rachel Brooke was born to back a show like True Detective. Her sound is of the ages and has a playful darkness and perfect for a late-night rainy drive away from something unspeakable.
Merle Haggard and the Strangers’ original release of the of “Okie From Muskogee” was December of 1969. The album went on to win the Academy of Country Music award for Album of the Year and Single of the Year for the Roy Edward Burris co-written ode to small town pride, “Okie from Muskogee.” The album was recorded live in Muskogee, Oklahoma and has been re-released in 1992, 1996, 1997, 2005, and 2006.
You can add 2014 to that list.
On March 25th Capital Nashville will reissue a special 45th anniversary package. The rerelease has been Remastered from the original analog tapes and will include “The Fightin’ Side Of Me,†a live Philadelphia recording that has never been released before on CD or digitally
Hear an up-tempo live version of Haggard’s ‘I Take a Lot of Pride In What I Am’ below.
Track List:
Disc 1
Okie From Muskogee
Recorded Live In Muskogee, Oklahoma 1969
1. Introduction by Carlton Haney
2. Mama Tried
3. No Hard Times
4. Silver Wings
5. Merle Receives Key To Muskogee
6. Mere’s Introduction to Medley
Medley:
7. Swinging Doors
8. I’m A Lonesome Fugitive
9. Sing Me Back Home
10. Branded Man
11. In The Arms Of Love
12. Workin’ Man Blues
13. Merle’s Introduction To “Hobo Billâ€
14. Hobo Bill’s Last Ride
15. Billy Overcame His Size
16. If I Had Left It Up To You
17. White Line Fever
18. Blue Rock
19. Introduction To “Okie From Muskogeeâ€
20. Okie From Muskogee
Disc 2
The Fightin’ Side Of Me
Recorded Live in Philadelphia, Pennsylvania 1970
1. Opening Theme: Hammin’ It Up
2. I Take A Lot Of Pride In What I Am
3. Corrine Corrina
4. Every Fool Has A Rainbow
5. T.B. Blues
6. When Did Right Become So Wrong
7. Philadelphia Lawyer
8. Stealin’ Corn
9. Harold’s Super Service
Medley:
10. Devil Woman
11. I’m Movin’ On
12. Folsom Prison Blues
13. Jackson
14. Orange Blossom Special
15. Love’s Gonna Live Here
16. Today I Started Loving You Again
17. Okie From Muskogee
18. The Fightin’ Side Of Me
Beck Hansen was at his Cali-folk best on last night on SNL. Backed by John Misty’s Josh and Tillman Justin Meldal-Johnsen, Beck’s reverent rendition of “Blue Moon” and orchestral drenched “Wave,” both from his recent masterpiece “Morning Phase,” proves again that when the kitsch is stripped away Beck is a master song craftsman that fits comfortably in the Americana fold.
Alabama Shakes has announced a headlining tour of the U.S. coming this spring. The run will kick off with a two-night stand at the 9:30 Club in Washington, DC (April 25 and 26).
A ticket pre-sale begins this Friday, February 28, at 12:00 PM local time. Tickets go on sale to the public on this Saturday, March 1, for all dates except Washington, DC, where tickets will go on sale Thursday, March 6. The band will also perform at the New Orleans Jazz & Heritage Festival, the Suburbia Festival, the Beale Street Music Festival and the Shaky Knees Fest. See below for itinerary or visit www.alabamashakes.com.
The Athens, AL-based band – comprising vocalist/guitarist Brittany Howard, guitarist Heath Fogg, drummer Steve Johnson and bassist Zac Cockrell – has been in the studio working on a new album. Further details will be announced soon.
Alabama Shakes – Upcoming Tour Dates
4/25 – Washington, DC @ 9:30 Club- Lee Bains III & The Glory Fires Fsupporting
4/26 – Washington, DC @ 9:30 Club- Lee Bains III & The Glory Fires supporting
4/28 – Asheville, NC @ The Orange Peel – Lee Bains III & The Glory Fires supporting
4/29 – Asheville, NC @ The Orange Peel -Lee Bains III & The Glory Fires supporting
5/2-4 – New Orleans, LA @ New Orleans Jazz & Heritage Festival
5/3-4 – Plano, TX @ Suburbia Festival
5/4 – Memphis, TN @ Beale Street Music Festival
5/7 – Northfield, OH @ Hard Rock Live – The Deslondes supporting
5/8 – Pittsburgh, PA @ Stage AE – The Deslondes supporting
5/9 – Richmond, VA @ The National – The Deslondes supporting
5/11 – Atlanta, GA @ Shaky Knees Fest
Beck’s chameleon-like career has rivaled that of the Thin White Duke himself. Like Bowie, Beck has both trailed and established trends so tightly that it’s hard to tell which proceeds or which follows his maneuvers.
Beck has tackled soul, funk and might have started Emo with “Loser.†But the best Beck is the dour-folk Beck.
Said to be a companion to 2002’s heart-crushing “Sea Change” “Morning Phase” has a slightly more comfortable feel. More excepting, fateful. Like Beck seems more at home with being uncomfortable.
“Morning Phase” is Beck’s “Pink Moon.” On “Heart Like A Drum” he sings “The Heart is a Drum / Keeping Time With Everyone.” and “Beat Beat beat / It’s Beating Me Down.”
The whole album has a pop-menace that sound like it sprang from the mind of Brian Wilson.
When Beck strips away he beat-box schtick here’s is genuine talent here. Dare I say genius. Yes, I think I will.
A more complete review will come soon. Just wanted to share this with you.
7 years ago neo-bluegrass trio Nickel Creek,Chris Thile (mandolin/vocals), Sara Watkins (fiddle/vocals) and Sean Watkins (guitar/vocals) , went on “indefinite hiatus” and then ventured into separate successful solo careers. Many thought the day the band might reunite had passed
They would be wrong.
Nickel Creek have announced new album in the Spring of 2014 as well as a 7 city tour this Spring.
A limited ticket pre-sale will begin tomorrow, February 4 at 10 a.m. local time at nickelcreek.com. Tickets will go on sale to the general public beginning this Friday, February 7.
Hear “Destination,” a song from the upcoming Nickel Creek album below.
Here’s the latest of Nickel Creek’s tour dates:
April 18 and 19 – Nashville, TN Ryman Auditorium
April 29 New York, NY Beacon Theatre
May 1 Boston, MA House of Blues
May 3 Washington, DC 9:30 Club
May 9 Chicago, IL Riviera Theater
May 19 Oakland, CA Fox Theater
June 19-22 Telluride, CO Telluride Bluegrass Festival
American Songwriter reports that Nonesuch Records will reissue Emmylou Harris’ acclaimed 1995 album Wrecking Ball as a three-disc set. The reissue will contain a remastered version of the original album, which snagged the Grammy for Best Contemporary Folk Album in 1996. There will also be a bonus CD of recently unearthed demos and outtakes.
The reissue will also include a documentary DVD “Building the Wrecking Ball,” featuring studio footage and interviews with Harris and producer Daniel Lanois, as well as album contributors Steve Earle and Kate and Anna McGarrigle, and Neil Young, who wrote the title song.
Last month Harris celebrated her collaboration with Rodney Crowell, “Old Yellow Moon,” by winning the Grammy for Best Americana Album
In October of 2013 Emmylou Harris and Daniel Lanois, joined by Jim Wilson, Brian Blade and Malcolm Burn, performed “Wrecking Ball” in it’s entirety at the Marathon Music Works in Nashville. (see video below)
The Wrecking Ball reissues is slatted for release on April 8
In celebration of the reissue, Harris will hit the road with Lanois this spring. Check out tour dates below.
Disc 1
1. “Where Will I Be?†(Daniel Lanois)
2. “Goodbye†(Steve Earle)
3. “All My Tears†(Julie Miller)
4. “Wrecking Ball†(Neil Young)
5. “Goin’ Back to Harlan†(Anna McGarrigle)
6. “Deeper Well†(David Olney, Lanois, Emmylou Harris)
7. “Every Grain of Sand†(Bob Dylan)
8. “Sweet Old World†(Lucinda Williams)
9. “May This Be Love†(Jimi Hendrix)
10. “Orphan Girl†(Gillian Welch)
11. “Blackhawk†(Daniel Lanois)
12. “Waltz Across Texas Tonight†(Rodney Crowell, Emmylou Harris)
Disc 2 – Deeper Well: The Wrecking Ball Outtakes
1. Still Water 3:55
2. Where Will I Be (alternate version) 4:14
3. All My Tears 3:21
4. How Will I Ever Be Simple Again 3:36
5. Deeper Well 2:18
6. The Stranger Song 5:21
7. Sweet Old World (alternate version) 5:56
8. Gold 3:16
9. Blackhawk (alternate version) 4:40
10. May This Be Love (acoustic) 2:15
11. Goin’ Back to Harlan 2:35
12. Where Will I Be (alternate version) 2:13
13. Deeper Well 3:06
Emmylou Harris Wrecking Ball Tour Dates:
April 3 Los Angeles, CA The Wiltern
April 5 San Francisco, CA The Warfield
April 7 Royal Oak, MI The Royal Oak
April 8 Chicago, IL The Vic
April 11 Washington, DC The Lincoln Theatre
April 12 Brooklyn, NY TBA
April 13 Boston, MA The House of Blues
(additional tour dates to be announced)
