Speaking of great Summer concerts – Lone Star 92.5 presents a Lone Star Fandango with ZZ Top, David Allan Coe, Hank Williams III (not on his tour itinerary below), Shooter Jennings, Old 97s, Drive By Truckers and the Drams at the Smirnoff Music Centre, Dallas, TX on Sunday, July 15, 2007 01:00 PM
Category Archives: Concerts
Hank III Summer Tour Dates
Hank Williams III has updated his cool yet creepy web site and posted confirmed Summer tour dates. Get your cowboy hats and Misfits t-shirts on and hit one of III’s always memorable and rowdy shows.
Big Red Goad w/Power of County will be opening all shows.
July 10 Vinos, Little Rock AR
July 11Â Cain’s Ballroom, Tulsa OK
July 13 Backyard, Austin TX
July 14Â Â Â Â Cynthia W. Mitchell Pavilion, Houston TX
July 18Â Â Â Â Launchpad, Albuquerque NM
July 20 Marquee, Tempe AZ
July 21    House Of Blues, San Diego CA
July 22 Roxy,    Los Angeles CA
July 24 Slim’s,  San Francisco CA
July 27 Dante’s, Portland OR
July 28Â Big Easy, Spokane WA
July 29Â Big Easy, Boise ID
July 31 Gothic,  Denver CO
Hank III – Nighttime Ramblin Man
Deadstring Brothers – 5/9/07 – Mercury Lounge New York, NY
There was a time in the early-seventies when the first cousins of rock and country music laid together and beget a sleazy offspring that was best exemplified by early 70’s Faces and then followed Ronnie Wood when he took the swaggering sound to The Rolling Stones. It was then officially castrated later in the decade by the Eagles.
If the brits can take country and make this kind of potent mix of sound then why not some Yankees from Detroit, MI.?
The Deadstring Brothers carry the roots-rock flag back into the sleaze with their carefree brand of 70’s fusion that is ready made for the roadhouse or the pub.
Marschke (vocals/guitars) looks, playing style and mannerisms are reminiscent of a hillbilly version of Pete Townsand. He and the sultry songstress Masha Marjieh (backing vocals/percussion) belts backing and sometimes lead vocals provides
loads of passion and energy.
The stomping boom of “I’m not a stealer” to the rousing closer of the slide-guitar laden “Sacred Heart” the band, Marschke, Marjieh and Jeff Cullum (bass/vocals), Pat Kenneally (piano/organ), Spencer Cullum (pedal steel/lap steel/guitar) and E. Travis Harrett (drums/percussion) took it to a fevored level of rock/country hedonism that is rare to see.
One thing about music in the 70’s,it was a lot easier to catch something that blew you away. Something unexpected and wild. People making music just for the shear joy of it. They HAD to do it! They had no choice but to create, to express.
The Deadsting Brothers channel that passion, and the not quite capacity crowd was lucky to be there to witness.
Marty Stuart Announces Late Night Jam Lineup
Country Standard Time reports – Marty Stuart will host his annual Late Night Jam to benefit MusiCares during CMA Music Fest on June 6 at Nashville’s Ryman Auditorium. Marty Stuart and his Fabulous Superlatives (Kenny Vaughan, Harry Stinson, Brian Glenn) will perform and host the unstructured marathon of live music with guest performances this year by singer/songwriter Neko Case, Muzik Mafia founder John Rich (Big & Rich), Eric Church and Ashley Monroe,Charley Pride, Pam Tillis and Porter Wagoner.
“I try never to lose sight of the fact that Nashville is considered Music City,” said Stuart. “When it is time to book the Late Night Jam, it is always my goal to make every form of music welcome. That’s why the Ryman is such a great setting for this concert. It is the Mother Church. Every year, I always feel like its the best we’ve ever had, and this year proves to be no different.”
Marty Stuart’s 6th Annual Late Night Jam has raised more than $70,000 to date for MusiCares, the philanthropic arm of The Recording Academy.
That same week, Stuart will release “Compadres: An Anthology of Duets,” which includes a lifetime of musical collaborations with friends such as Merle Haggard, Loretta Lynn, Steve Earle, George Jones, BB King, Mavis Staples and others. He will also debut an historic museum exhibit titled “Sparkle & Twang: Marty Stuart’s American Musical Odysse” at the Tennessee State Museum that week featuring treasures from the late Johnny Cash, Hank Williams, Patsy Cline, Elvis and more.
Drew Kennedy Tour Dates
Austin singer/songwriter Drew Kennedy is making quite a name for himself with his release of the excellent “Dollar Theatre Movie” (Texas-based Sustain Records) – that features contributions from Bruce Robison, Kelly Willis, Keith Gattis and Kevin Szymanski, but by also having his song, “Bourbon Legend,” qs the title track on the most recent release from acclaimed alt-country band Jason Boland and The Stragglers.
Catch Drew on his tour of the Great State, including the historic Floore’s Country Store and Adair’s, at the dates below:
Apr 27 Spicewood, TX Angel’s Icehouse
Apr 30 Kerrville, TX Inn of the Hills
May 4 Pleasanton, TX Coughran Hall
May 6 Dallas, TX Adair’s
May 12 Bandera, TX Bandera Bar & Grill
May 18 Helotes, TX Floore’s Country Store
May 20 Ft. Worth, TX Jacks Off The Wall
May 22 College Station, TX Alfred T. Hornbeck’s
May 23 Corsicana, TX Max’s
May 24 Plano, TX Love and War in Texas
May 25 Grapevine, TX Love and War in Texas
May 26 Denison, TX T-Bones
May 27 Bandera, TX Bandera Bar & Grill
Jun 7 San Antonio, TX Rolling Oaks Sports Bar
Jun 13 Wichita Falls, TX Stage West
Jun 19 Austin, TX Austin-Bergstrom Int’l Airport (3 pm)
Jun 27 El Paso, TX The County Line
Jul 6 Brady, TX The Old Peanut Mill
Jul 14 Waco, TX Scruffy’s
Dale Watson Announces U.S. Tour Dates
Texas honky-tonk troubadour Dale Watson’s brand new studio album, From The Cradle To The Grave, is set for release nationwide April 24 on HYENA Records. Watson will hit the road in May to support its release with a run of East Coast and Midwest tour dates. It will mark the beginning of a year long promotional push that will find Dale performing in all corners of the United States, as well as, Europe and Australia. If you’ve never seen Dale in concert do youself, and your buddies or your gal, a favor.
On second thought don’t take your gal, you’ll never measure up after she sees Dale do his stuff.
Dale Watson’s upcoming tour dates are:
May 11 / WFPK “Live Lunch” / Louisville, KY
May 12 / Midnight Jamboree at Ernest Tubb / Nashville, TN
May 13 / Hideaway BBQ / Raleigh, NC
May 14 / Shenanigans / Richmond, VA
May 15 / The Iota Club / Arlington, VA
May 16 & 17 / The Rodeo Bar / New York, NY (Yeah!)
May 19 / Johnny D’s / Boston, MA
May 20 / The Ale House / Troy, NY
May 21 / The Sportsmen’s Tavern / Buffalo, NY
May 22 / Beachland Ballroom / Cleveland, OH
May 23 / Martyr’s / Chicago, IL
May 24 / Club Tavern / Middleton, WI
May 25 / Vnuk’s Lounge / Cudahi, WI
May 26 / Lee’s Liquor Lounge / Minneapolis, MN
May 27 / Knuckleheads / Kansas City, MO
Bluebird Cafe Celebrates 25th Anniversary
The Bluebird Cafe in Nashville, long a mainstay for singer/songwriters in Music City, will kick off a year-long celebration commemorating its 25th anniversary in May through a nationwide “Bluebird on the Road” tour to 12 cities later this year, a private birthday bash for Bluebird family and friends and a “Superstars of the Bluebird” series in June.
“I set out to open a restaurant 25 years ago, but the music quickly took over,” says owner Amy Kurland. “Nothing could be more special than celebrating this milestone year with some of the same songwriters who were regulars back when we first opened the doors.”
Those original songwriters and many more will be invited to attend a private birthday bash hosted by performing rights organization BMI on May 24. Later, the festivities will be open to the public when a 10-day series titled “Superstars of the Bluebird” takes residence starting June 1. Dierks Bentley is among those slated to appear.
The show will hit the road on a 12 city songwriter tour, kicking off in New York City at Joe’s Pub on May 31 with a few of the founders of the “In The Round” format that originated at the Bluebird; Fred Knobloch, Thom Schuyler, Tony Arata and Jelly Roll Johnson. Additional songwriters, cities and dates will be announced in the coming weeks.
Garth Brooks’ record-shattering career began at the Bluebird, where a Capitol Records exec saw him substituting at the last minute for a performer who didn’t show up and promptly signed him. “In my opinion, the songwriter is the foundation of music,” Brooks once said, “and the Bluebird is the rock on which that foundation sits.”
Others who have played the Bluebird over the years include Melissa Etheridge, Steve Earle, the Cowboy Junkies, the Indigo Girls and the late Townes Van Zandt and Mickey Newbury. Vince Gill, Janis Ian, John Prine, Guy Clark, Rodney Crowell, Raul Malo, Radney Foster and Pam Tillis also have played the room.
Chris Knight – The Knitting Factory -New York City – 4/6/07

Chris Knight tells stories about the down and out, the desperate, the unlucky and folks generally off societies grid and influenced by his childhood growing up in the tiny mining town of Slaughters, KY – and here in the tiny downstairs Tap Room at the Knitting Factory a near capacity crowd came to bear witness to their lives in song.
Dismissed by critics as the poor-man’s (so to speak) Steve Earle, Knight has his own stories and they tend to be more direct, more sparse and grittier then Earle would pen. Knight is also not afraid to show his redneck roots in song and onstage which Earle, with his newfound Liberalism, seems uncomfortable with is not outright embarrasses with his Texas heritage.
This cold New York eve Knight covered songs from his entire catalog, “Enough Rope” from his last release from last year by the same name, is followed by the question “Are there any PETA people here tonight? I love animals, I just don’t take any shit off of them.” Knight joked and then breaks into “Bridle on a Bull” which features the lyrics “If your mule don’t want to plow/Talk to him with a two-by-four/And if he still don’t want to plow/Talk to him just a little bit more/And if he just don’t want to listen/Haul him off to the dog food store.”
In fine Southern and country music tradition Knight told many stories about how his songs came about. He tells a story of how his song Devil Behind The When (from the CD “The Jealous Kind”) involving the hiring of a religious drummer demonic birthday card.
Next is asong of the recently release “The Trailer Tapes” (Thirty Tigers) was about “I big city boy coming to the country and stirring up trouble. Yeah, I know this is going to go over big here in New York City. Laughs and gawfaws all around. The song kiils in it’s menace and heat. “Rita’s Only Fault” from the same release follows, about a former beauty queen’s revenge after a husband’s abuse was somber and heartfelt.
The crowd was almost dead silent during the solo guitar accompanied songs (despite the loud rock band playing on the upstairs stage), but once the songs were over the crowd is clapping and whooping as much as any Mason Dixon dive (with better beer.) I met some boys a few sheets to the wind who had driven all the way from Connecticut to see the show. “We had to come seee our boy.” the tall, lanky guy with a trucker cap beamed.
Knight the tells the story about a shoe in Switzerland when a local fan came up to him after the show and asked if he was okay after what happened to his brother. Knight had performed “Down The River” (from the CD “A Pretty Good Guy”). The song tells the story of two brothers that go fishing and the older one is murdered as revenge for a pool hall brawl.
The fan said “I hope your alright since that happed to your brother.” Knight then deadpans in his Kentucky drawl “If I can make people think these things are happening to me, I’ve done my job.”
He’s got me believing.
Chris Knight Coming to the Knitting Factory
Singer/Songwriter Chris Knight will be stopping in to the legendary New York music venue, the Knitting Factory (Mando Saenz opening) on Thurday April 5th. Knight’s CD “The Trailer Tapes” (Thirty Tigers) has just been released.
Porter Wagner/Marty Stuart – Joe’s Pub – New York City – 3/30/07
At one time Porter Wagner was something of a visionary. A TV star before most of country music had anything to do with the new-fangeled contraption. Wagner’s TV show was syndicated out of Nashville and was the most popular country show of the ’60s, growing from 18 stations in 1961 to over a hundred stations in the early ’70s ( In 1981, after nearly 30 years, and his television show went off the air). Crooning and strumming guitar bejeweled in his Nudie suits and flanked by a young, buxom newcomer named Dolly Parton – who’s career was launched on his show. Dolly and Porter won the Vocal Duo of the Year by the Country Music Association for the years 1968, 1970 and 1971.
The Thin Man from West Plains, Missouri, was coming to Manhattan for the first time in nearly 20 years to play some of his many hits and showcase some work off his forthcoming CD from Anti records, the Marty Stuart produced “The Wagonmaster.”. I find myself at a 7:30pm sold-out show at Joe’s Pub on the East Side (claustrophobic even by Manhattan standards) among the devotees.
After a warm and heartfelt introduction by Mart Stuart, which included a story of when Stuart was shopping the CD around Nashville nobody was biting. “So we went to Los Angeles and approached Anti / Epitaph, that’s right we had to go to a punk label to make real Country Music.”
Then the man hisself entered the stage looking younger than his almost 80 years, still tall and thin and donning a spangled white Nudie suit and jeweled boots. Maty and Porter then took seats donning acoustics and began a trip through a simpler time, starting the show with “Satisfied Mind.”
Stuart played backup guitar like the master he is while Porter strummed occasionally on his acoustic and read the lyrics from his music stand.
Porter was in a jovial mood and joked with the audience like that did back in the day. He missed some of the lyrics and explained it away as “That used to be Dolly’s part. I called Dolly and told her I was coming to New York said “They are some of the nicest people you’ll meet.” First time she ever told me thee truth.” He cracked.
Porter sang the song that sat in Stuart’s studio for about 30 years after Johnny Cash gave his then band guitarist (and son-in-law) a song about being institutionalized (Porter and Cash were both) “Committed to Parkview.” Marty told the story “John said ‘I’ve got a song for Porter; it’s about a stay in Parkview, which is an asylum at the edge of Nashville. Porter and I both have been guests there.’ Cash gave me a cassette of the song in 1981 and asked me to get it to Porter. I never got around to it until we started collecting songs for this project. I searched my warehouse and found the envelope with ‘Committed to Parkview’ on it, with a note from John to Porter. now you got it!” Porter laughed.
Then came the “Big Sandy River,” “The Rubber Room” and the classic “Green, Green Grass of Home.”
Porter told a tale (after prompted by Stuart by a ‘fan question”) about seeing Hank Williams play in Arkansas when he was Young and then honored Hank by preforming Luke the Drifter morality tale “Men with Broken Hearts” and “Lonesome Whistle.”
Then the pair played the solemn “Cold Hard Facts of Life” and the ironically funny “I’ve Enjoyed As Much of This As I Can Stand.”
Marty played a blistering mandolin solo and then it was on to “Dooley”, “..about a man who created a wood picture beautiful woman.” Porter said as he introduced the song.
The fact that Porter Wagner was sitting here in this room was even more miraculous after Porter tells the story of how before recording the new CD last summer he almost died of an abdominal aortic aneurysm. “I’m truly blessed to be here.” He said, tearing up a moment. “I’m truly blessed.”
As were we.
