Tribute “Bob Dylan In The 80s” Out March 25

Bob Dylan 80s

Okay, this is cool. A tribute album from preeminent indy-roots artists focusing on Dylan’s under appreciated 80’s era.

ATO Records will release Bob Dylan In The 80s: Volume One on March 25. The brainchild of producers Jesse Lauter (Elvis Perkins, The Low Anthem) and Sean O’Brien (Dawes, PAPA), the mission of Bob Dylan In The 80s: Volume One is to shed new light on a large cache of Bob Dylan songs that have long gone ignored, covering the period starting with 1980’s Saved and ending with 1990’s Under The Red Sky (including unreleased material — the “80s Basement Tapes” — and The Traveling Wilburys).

Album contributors include: Built To Spill, Aaron Freeman of Ween & Slash, Glen Hansard, Reggie Watts, Bonnie “Prince” Billy, Lucius, Langhorne Slim, Craig Finn Of The Hold Steady, Deer Tick, Dawn Landes, Blitzen Trapper, Carl Broemel Of My Morning Jacket, Elvis Perkins and more. The album is available for pre-order now.

Hear the first track from the record, Jokerman by Built to Spill, below.

“80s Dylan is by no means a celebrated period in his career,” says co-producer Lauter. “It was, in fact, the lowest point of his commercial success even though he released eight studio albums.” He continues, “Our goal was to showcase one of the greatest artists of our time during an off-rhythm period and bring a stronger sense of harmony to the material at hand. Sean and I did everything we could to make this album flow together sonically as if you were listening to a concept album.”

Portions of proceeds from album sales will go to the charity, Pencils of Promise. Pencils of Promise is a non-profit organization that builds schools and increases educational opportunities in the developing world. The charity has built more than 150 schools in Asia, Africa and Latin America. For more information on Pencils of Promise, visit www.pencilsofpromise.org.

COMPLETE TRACK LISTING:

1. Langhorne Slim & The Law – “Got My Mind Made Up”(from Knocked Out Loaded, 1986)
2. Built To Spill – “Jokerman” (from Infidels, 1983)
3. Reggie Watts – “Brownsville Girl (Reprise)” (from Knocked Out Loaded, 1986)
4. Craig Finn (The Hold Steady) – “Sweetheart Like You” (from Infidels, 1983)
5. Ivan & Alyosha – “You Changed My Life” (from Shot Of Love outtakes, 1981)
6. Deer Tick – “Night After Night” (from Hearts of Fire Soundtrack, 1987)
7. Dawn Landes & Bonnie “Prince” Billy – “Dark Eyes” (from Empire Burlesque, 1985)
8. Tea Leaf Green – “Waiting To Get Beat” (from Empire Burlesque outtakes, 1985)
9. Aaron Freeman of Ween & Slash – “Wiggle Wiggle (from Under The Red Sky, 1990)
10. Elvis Perkins – “Congratulations” (from Traveling Wilburys Vol. 1, 1988)
11. Hannah Cohen – “Covenant Woman” (from Saved, 1980)
12. Marco Benevento – “Every Grain Of Sand” (from Shot Of Love, 1981)
13. Yellowbirds – “Series Of Dreams” (from Oh Mercy outtakes, 1989)
14. Blitzen Trapper – “Unbelievable” (from Under The Red Sky, 1990)
15. Lucius – “When The Night Comes Falling From The Sky” (from Empire Burlesque, 1985)
16. Glen Hansard – “Pressing On” (from Saved, 1980)
17. Carl Broemel (My Morning Jacket) – “Death Is Not The End” (from Down In The Groove, 1988)

In addition, there will be seven bonus tracks available exclusively via iTunes as a Deluxe Edition and will also be included on the digital download card that accompanies the vinyl. The seven bonus tracks are listen below:

1. Spirit Family Reunion – “Man Of Peace” (from Infidels, 1983)
2. Widespread Panic – “Solid Rock” (from Saved, 1980)
3. Grayson Capps – “Silvio” (from Down In The Groove, 1988)
4. Neal Casal – “Property Of Jesus” (from Shot Of Love, 1981)
5. The Low Anthem – “Lenny Bruce” (from Shot Of Love, 1981)
6. Jesse Elliott (These United States) – “Handy Dandy” (from Under The Red Sky, 1990)
7. Chastity Brown – “Saving Grace” (from Saved, 1980)

Ken Burns’ Country Music Documentary Coming to PBS in 2018

Ken Burns

I’ve been hearing about Ken Burns’ new project focusing on Country Music for over a ear. Now PBS has made it a realty b announcing that the anticipated documentary, succinctly called called “Country Music,” will air in 2018.

That will be about 5 years worth of work on the one series. Sure that’s a long time
but it helpes to keep in mind that it’s a year less than he spent on his ten-episode miniseries detailing jazz. And given Burn’s attention to detail ranging from The Civil War and the history of baseball it’s satisfying to see that there is care being applied ot a genre we all love.

The origins and fundamentals of roots, folk and country music are vast . deep at least as deep and vast as many of the topics Burns has tackled before. I have faith that this is going to be a fascinating (and lengthy) series.

From the release “The country series explores the question, “what is country music.” It will track the careers of the Carter family, Jimmie Rodgers, Bob Wills, Hank Williams, Johnny Cash, Willie Nelson and others.”

“For over a century, country music has been a pivotal force in American culture, expressing the hopes, joys, fears and hardships of everyday people in songs lyrical, poignant and honest,” said PBS President Paula A. Kerger. “It is fitting that we have two of America’s master storytellers, Ken Burns and Dayton Duncan, tell the story on film of an art form that for generations has told America’s story in song.”

The documentary will follow the rise of bluegrass music with Bill Monroe and note how one of country music’s offspring – rockabilly – mutated into rock and roll in Memphis. It will show how Nashville slowly became not just the mecca of country music, but “Music City USA.” All the while, it will highlight the constant tug of war between the desire to make country music as mainstream as possible and the periodic reflexes to take it back to its roots.

That;s the part that will be interesting to me, how Burns handles the splinter threads of the genre. The aforementioned Bluegrass The Outlaws, Bakersfield and, as Steve Earle helped shepherd and deemed, “Great Credibility Scare of the Mid-1980s.”

Americana Music Association Presents Everly Brothers Tribute

 Everly Brothers Tribute J

One event I’m most looking forward to while covering the GRAMMYs this year is one that is not an official GRAMMY event.

The Franklin TN -based Americana Music Association is presenting “a tribute to the Everly Brothers during a celebration of American Roots Music.”

Now who will be performing and how a Everly Brothers tribute will be worked into a larger salute to roots music at the sold-out event is not detailed, but I’m excited to find out!

The event will take place at the legendary Los Angeles venue, the Troubadour, Saturday, January 25.

Phil Everly was a friend of the AMA. In 20019 he wrote down the lyrics of “When Will I Be Loved” on parchment paper and donated the work for auction which raised money for the non-profit organization.

WATCH OUT! Shovels & Rope – Full Acoustic Performance on KEXP

Shovels & Rope

Last fall Charleston, South Carolina roots-rock duo Shovels & Rope – husband and wife Michael Trent and Cary Ann Hearst – played an intimate acoustic session at The Triple Door in Seattle to support the local legendary public radio station KEXP.

The band shows why they are a shining light in the Americana scene as they bend genres between country and folk, to gut-bucket blues and garage rock.

Revel in the music.

Songs:
Birmingham
O’ Be Joyful
Boxcar
Keeper
All Those Words
Kitchen Hallway
(What’s So Funny ‘Bout) Peace, Love and Understanding (Nick Lowe / Elvis Costello cover)

Stand by Your Dream: The Tammy Wynette Story [VIDEO]

Tammy Wynette

I saw these clips on YouTube and needed to share them.

In this 1987 BBC Arena produced documentary Tammy Wynette discusses her rough and poor upbringing in Itawamba County, Mississippi, her troubled, richly creative but doomed marriage to George Jones and the glory and cost of fame.

It’s a wonderfully intimate glimpse at the Fist Lady of Country Music.

T Bone Burnett Unveils New Label

T Bone Burnett

T Bone Burnett is launching a new label, but if recent views still stand he won’t be promoting it.

Variety reports that roots-music auteur T Bone Burnett will launch a new music label , Electromagnetic Recordings, with Capitol Music Group. The label’s roster includes Gregg Allman and Jerry Lee Lewis.

It’s not surprising, given Burnett’s adversity aversion to technology, that the label appears to have no web presence and that the promotion appears to be handled by other rather than Burnett himself, except for being available for interviews. Is that promotion? (I say yes!)

“T Bone is quite simply one of culture’s most creative forces,” says Steve Barnett, CEO of Capitol Music Group. “He is an influential curator and tastemaker, and his projects are consistently of stellar quality and integrity.”

Burnett shares the admiration “Steve Barnett is a very interesting, energized, smart executive,” Burnett says. “(He) actually listens to, and believes in music as a force for good in the world. He has given me a base for which I can invest in some very good young artists. We’ll be doing films, television, records and tours. It is about music. The marketing focus is simple: it is music for people who like music. It’s all going to be good and it’s all going to be done analog. This is one of our things.”

Burnett has been in constant demand (in spite of a profession of no self-promotion) He recently lent his executive music producer and composer duties for his fourth film collaboration with Joel and Ethan Coen, “Inside Llewyn Davis,” and last year, did the same for “The Hunger Games” and ABC’s “Nashville.”

Burnett has also taken on another music exec producer role for HBO’s forthcoming “True Detective” series starring Matthew McConaughey, and has begun working on “The Basement Tapes … Continued,” an album and film documentary that will revisit 16 previously lost Bob Dylan lyric sheets from 1967. Dylan will be involved and as well as some of today’s most acclaimed artists.

Watch Out! – Brandy Clark – “Stripes” – David Letterman 1-6-14

Brandy Clark – “Stripes” Letterman

David Letterman, and his music booker at the Late Show Sheryl Zilikson, continued their ongoing support of Americana and roots music by featuring the creator of my #1 pick of last year, Brandy Clark

Clark performed the song “Stripes” from that latest debut “12 Stories.”

https://www.youtube.com/watch?v=lgQ7Y1U2M2A

ON EDIT: Want more Brandy? Here’s ‘Hold My Hand’ from ‘Hold My Hand’ in the Morning

Why Country Music Was Awful in 2013 [VIDEO]

Why Country Music Was Awful

I noticed that Grady Smith’s top 10 Best Country Albums of 2013 for Entertainment Weekly was primarily stacked with Americana acts.

As much as I appreciate the high-profile that Smith’s choices will bring to these performers the bright spotlight of EW, I was puzzled by the word “Country” in a list that featured Jason Isbell and Lindi Ortega.

When I asked about that on twitter Smith responded:

“I thought about calling it “10 Best Country/Americana Albums” but thought it made it too muddled.”

Fair enough. But apparently some folk thought the list wasn’t “mainstream” enough. That’s true, and the point of the list choices. Mainstream country sucks.

Smith responded to the critics in the best way possible. He made a video short showing how redundant and unimaginative mainstream country has become. The video is tearing up on the Internet because people get it. They agree. but that a major mainstream critic has said it is a big, big deal.

This brings my comment that some music is “so country it’s Americana” full circle.

Here’s the description from the video and the video below. Enjoy.

“I was inspired to make this supercut after posting my 10 Best Country Albums of 2013 list for EW. A few commenters told me that my choices weren’t mainstream enough, and I thought, “Well, yeah, because so much of what’s on the radio these days sounds exactly the same!” So I decided to make a video to prove my point.

I hope country fans will stop settling for this derivative junk. I love a dumb party song every once in a while (including some of these!), but when they’re the only flavor available, they get old very, very fast. Here’s to better music in 2014.”

2013 The Year in Americana and Roots Music

Jason Isbell

2013 will go in the books as the year that Americana and roots settled comfortably into the mainstream. Kids are wearing dust-bowl duds and there is a brisk trade in acoustic guitars and banjos. Bands are taking a page from the Mumford, Avetts and Lumineers book of hand-crafted songs with rousing melodies just begging to be sung at live shows. It’s no longer a rustic throwback fad.

The genre grows more diverse, from folk-pop, Laurel Canyon rock, psych folk, hard-sore honky-tonk and everything that doesn’t neatly fit in other buckets. As genre defying as the music can be it all comes down to the only tis that matters, Great songwriting, evocative, absorbing narratives and memorable melodies that endures the ages.

But first you must find an audience.

ABC music row drama Nashville has done a fine job in highlighting great roots music, under the guidance T Bone Burnett , and now Buddy Miller, as well as classic country references and Americana and roots performer cameos. The show’s cutest stars (and real-life sisters,) Lennon and Maisy Stella, performed the Lumineers omnipresent top-40 hit hit “Hey Ho.” This gave the song an already bigger audience then it originally had. Is that possible?

This July Americana stalwarts Old Crow Medicine Show backed ex-Hootie & the Blowfish front man, and current country music star, Darius Rucker on Old Crow’s version of Bob Dylan’s “Wagon Wheel” at the Grand Ole Opry. The song was recorded with the band and included on his latest album resulting in one of his most popular singles as a solo artist and reaching number one on Billboard Hot Country Songs in its 12th week.

Old Crow Medicine Show then had the honor to be inducted into the Grand Ole Opry this fall by Opry members Dierks Bentley and Marty Stuart.

That’s not the only example of music row looking to Americana for material and a shot of inspiration. GRAMMY-winning singer Leann Rimes reached into the Americana well, and beyond her music row comfort zone, on her latest “ Spitfire.” She lends her extraordinary pipes to a searing version of Buddy Miler’s “Gasoline and Matches” in a duet with Rob Thomas. Country music chanteuse and Pistol Annie Ashley Monroe tapped legendary Texas singer-songwriter Guy Clark to collaborate on the title song on her latest “Like a Rose.”

If your looking for evidence of Americana’s mainstream presence you need go no further than SPIN’s list of 20 Best Country Albums of 2013 had Blake Shelton and Brad Paisley mixed with The Civil Wars (12), Jason Isbell (11) and Emmylou Harris and Rodney Crowell (9) Holly Williams (8) Sturgill Simpson (6) Cailtlin Rose (2).

Entertainment Weekly, the beacon of popular taste, counted a majority of Americana artists on their list of top country releases of 2013 with Jason Isbell and Lindi Ortega taking the number 1 and 2 spot respectively.

As in recent years I even had a hard time limiting myself to a top 10,15, 20+ on my Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013.

T Bone Burnett again joins forces with the Coen Brothers to contribute soundtrack stewardship to thier new 60’s neo-folk focused film. The soundtrack features old folk songs performed by Marcus Mumford , The Punch Brothers along with the film’s actors Oscar Isaac, Carey Mulligan , Adam Driver and Justin Timberlake, who might use his his work here to jump dart his desired foray into country music.

As the music advances it’s important that a music that celebrate the past honors those that came before. George Jones, the greatest voice in country music and the innovator, Ray Price were both lost to use this year.

We also lost “Cowboy” Jack Clement, As a record and movie producer, songwriter, performing and recording performer and studio engineer, Clement was responsible for for shaping American music in the 20th century.

Premier rock and country journalist Flippo, who documented much of the major changes in country music including the Outlaw movement and one of the original Outlaws Tompall Glaser, both left us in 2013.

Though gone they will boot be forgotten for their contribution to the rich and progressive music we love.

Here’s to the music we love and the performers that endure much to offer their craft to make this world just a little bit better, kinder and more interesting. Here’s to a community that still buys albums, t-shirts and packs local shows and helps these talented folks make music a career.

Here’s to the New Year.

Country Music Pioneer Ray Price Dead at 87

RIP Ray Price

After some initial confusion the day before regarding the health of country music legend Ray Price, his death was confirmed today by veteran country disc jockey Bill Mack, a spokesman for Mr. Price’s family. Price passed away Monday at his home in Mount Pleasant, Texas, from complications stemming from the pancreatic cancer he was diagnosed with in 2011. He was 87.

Price honed his craft at the heels of his friend and once roommate Hank Williams, who’s band he inherited, and rechristened the Cherokee Cowboys, in the wake of William’s death.

Price was an early practitioner of the 4/4 beat, later called the “Ray Price beat,” that then went on to become a standard of the genre.

with songs like “Crazy Arms” and Kris Kristofferson’s “For the Good Times” Price was also a pioneer in bringing country music to a wider audience. With 109 songs charting between 1952-89, His history on Billboard’s Hot Country Songs chart spans more than 37 years with 46 top 10 entries, eight of those reaching No. 1.

Price last charting album was the collaboration with Merle Haggard and Willie Nelson “Last of the Breed.”

“I have fought prejudice since I got in country music and I will continue to fight it,” he told The Associated Press in 1981. “A lot of people want to keep country music in the minority of people. But it belongs to the world. It’s art.”

The Country Music Hall of Fame and Grammy Hall of Fame member was a staunch advocate for the dignity of classic country music. Last year price responded on Facebook to Blake Shelton’s classic-country “Old Farts” & “Jackasses” slam.
The ruckus played out on the Internet and introduced Price to a new generation of country fans.

“You should be so lucky as us old-timers,” Price said in a happily cantankerous post in all capital letters. “Check back in 63 years (the year 2075) and let us know how your name and your music will be remembered.”

Price follows George Jones as country music legends that have passed this year.