Jason Isbell Southeastern Track List / Tour Dates Announced

jason isbell southeastern

Singer/songwriter jason Isbell will release his new solo album Southeastern on June 11th via Southeastern Records. Southeastern contains 12 new Isbell compositions and is said to be “the most personal songs of self-reflection and discovery he has written to date.” I’ve listened to it a couple of times and believe this to be true as well as some of the best arrangements and songs Isbell has done.

Pre-order it today on www.jasonisbell.com and you’ll receive a free download of an un-released and exclusive demo of “Traveling Alone” (below.)

https://www.youtube.com/watch?v=74S1dtoqAD0

Southeastern track list:

Cover Me Up
Stockholm
Traveling Alone
Elephant
Flying Over Water
Different Days
Live Oak
Songs That She Sang In The Shower
New South Wales
Super 8
Yvette
Relatively Easy

Tour Dates”
May 17 Tulsa, OK Tulsa Mayfest
May 19 Gulf Shores, AL Hangout Festival
May 22 New York, NY Stones Fest at Bowery Ballroom
May 23 New York, NY Stones Fest at Bowery Ballroom
June 6 Bowling Green, KY The Warehouse at Mt. Victor
June 7 Louisville, KY Iroquois Amphitheater
June 14 Manchester, TN Bonnaroo Music & Arts Festival
June 16 Croton-On-Hudson, NY Clearwater Festival
June 19 St. Louis, MO Off Broadway
June 20 Kansas City, MO Crossroads
June 22 Monterey, CA Monterey Americana Music Fest
June 25 Akron, OH Musica
June 26 Columbus, OH Skully’s
June 27 Ann Arbor, MI The Ark
June 30 Charleston, WV Culture Center Theater
July 1 Alexandria, VA The Birchmere
July 2 Raleigh, NC Lincoln Theatre
July 3 Charlotte, NC Visulite Theatre
July 5 Charleston, SC Pour House
July 6 Chattanooga, TN Track 29
July 26 Floyd, VA Floydfest
July 27 Newport, RI Newport Folk Festival
Aug 9 Wilkes-Barre, PA Kirby Center
Nov 1-5 Miami to Great Stirrup Cay Rombello Cruise

The Red-Headed Stranger Turns 80 – Happy Birthday to Willie Nelson

Willie Nelson and Jerry Max Lane

The only time I’ve met Willie Nelson was backstage at Ft. Worth’s storied hanky-tonk, Billy-Bobs. This was in the mid-eighties and I was about 18 so I was more interested in Ozzy and Iron Maiden than I was seeing some country singer. Even one as iconic as Willie is.

The thing about that night wasn’t meeting Willie with some floozy fawning all over him. It was his presence onstage and the crowd. How they loved him and he loved them right back. They hung on every classic verse and he was glade to sing it for them as the family, with sister Bobbie on grand piano. They were frenzied, they were moved to tears. They loved him and he them. He did the impossible, he made Texans more proud to be from Texas.

My dad and Willie were drinking buddies. Here they are tight and on the town searching for trouble and material for honky-tonk ballads. Willie became an icon and Dad had a song covered by George Strait. Not too shabby.

Willie and Dad don’t talk much anymore. I don’t think there was a falling out, I just think it’s hard to keep ties when you become famous. I would like it if Willie dropped in on dad as he’s not doing too well. But when you’re on the road 200 plus days of the year it’s not easy to reach back across those miles to the past

Willie turns 80 today and as we mourn another country music legend we are given a stark reminder of how great this music can be if given care and courage. A statue has been erected in Austin bit it’s not near time to write Willie off. He’s just released a new album, “Let’s Face The Music & Dance,” and he’s just announced dates at the Outside Lands festival here in San Francisco and a couple of shows at the Hollywood Bowl with fellow Texas- troubadour Lyle Lovett. The man who wrote “Crazy” will be on the road until his arthritis won’t allow him to hoist ol’ his signature guitar, Trigger.

Well, maybe a few more shows after that.

Wilie speaks out for local farmers, bio-fuel and yes, weed. These are not popular red state subjects but somehow coming from Willie skepticism is lowered and alternative possibilities are embraced. Natalie Maines could learn a lot from her fellow Texan on the nuances of self-expression without torching your fan base.

Willie and Kristfferon are the last Highwaymen staring. Both still out there in the night doing their thing their way. Transcending genre to become purely American music. Though he learned from the greats Hank, Jones , Lefty – Willie has more in common with the masters of the American songbook, the Gershwins, Cole Porter, and Irving Berlin. Sure Dylan brought a generation a voice but Willie did the unthinkable. He brought the hippies and rednecks together,

Let’s celebrate Willie by understanding what he means for music and be glade we were live when he vied to witness the transformation. Sure Music City does not reflect his legacy, it’s an industry not a preservation society. As Jason Isbell deftly tweeted “Hate to break it to y’all, but Nashville didn’t “ruin” country music. Lotta good burgers in this town; nobody forcing you to eat McDonald’s” Wilie knew this. He worked the burg line for hers before heeded back to Texas to try his own recipe. Americana and the thriving roots music community better reflects the legacy of Willie, Kristofferson, Cash and Waylon and the draft and love of music beyond trends or current fads. The business will always be there. Beans have to be put on the table. Touring vans don’t run on good will. But business should not be the driving force. That’s a sure road to crap.

Here’s to Willie. activist, actor, author, Texastentialist, and musical legend. Long may your flag wave, hoss.

https://www.youtube.com/watch?v=iESjQlCh87U

” You Can’t Change What Comes From Your Heart” An Interview with Escondido

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The first time I heard Nashville-based Jessica Maros and Tyler James, collectively knows as Escondido, it was the video for their garage-country noir song Bad Without You I was hooked. I even used the song on my podcast. I told you I was hooked.

There were shades of contemporaries Nikki Lane and Fist Aid Kit, but then again embodying a sound all their own.

Jessica and Tyler were kind enough to answer some questions a few days after their debut on the Conan O’Brien show (see below) about their chance meeting, their excellent taste in influences, and how it feels to have David Lynch as a fan.

Twang Nation: You recorded the album in a single day, What was the rush? Was there some limit on resources?

Tyler: Although it was really nice to save money on studio time… tracking the album in one day was intentional. Jess and i spent two months arranging the songs before hand so there wasn’t much confusion when tracking. I wanted to capture that initial instinct in the studio and not second guess ourselves. We started tracking around 10am and were done by 9pm… did around 3 takes of every song and i went through after and chose my favorites. I’m a huge Dylan fan and read alot about how he’d get the best players out there but throw them for a loop so they couldn’t over-think it.

Jessica: I wanted to capture a moment. Its interesting when you put a group of people in a room and see what happens.Tyler had a great knack for finding the right musicians, we really vibed off each other. We play the songs so much better now but back then….there was naivety about it. The song ‘Don’t love me too much’ was literally written on the spot. I had only a chorus and a verse and we were going to keep it as an Interlude. Once we started jamming it turned into a song and I wrote the second verse on the fly. Those are moments that I wish to relive on a daily basis. You can’t plan that.

TN: Your meeting was a happenstance occurrence. When did you realize you were kindred spirits?

Tyler: Right away… Jess starts most of the songs and they immediately get my wheels spinning on all the possibilities. We share a lot of musical influence but she keeps it simple and i lean towards the complex, so it balances out well.

Jessica: I agree with Tyler… The moment he started creating a drum beat for ‘Rodeo Queen’ we were instantly on the same page. I’ve worked with a lot of musicians throughout the years and nobody could understand the simplicity of my writing. Tyler took it to another level. We don’t even need to talk about it. I’ll start an idea send it to him and he makes it better. We have the same vision.

TN: Who did you listen to growing up?

Tyler: Mostly 60s/70s stuff… Bob Dylan, Paul Simon, Neil Young, Joni Mitchell, Beatles, Tom Petty, The Band, Beach Boys, Randy Newman, Rolling Stones, Bill Withers, Tom Waits, Shuggie Otis, Bread, Pink Floyd, Led Zeppelin, Judee Sill, Al Green, John Denver, Fleetwood Mac, Stephen Bishop

Jessica: I grew up with Slovakian immigrants so my musical taste never got cool until I had a boyfriend in eighth grade that introduced me to Smashing Pumpkins, Fiona Apple, Rufus Wainwright. Than I met a guy in a bar I worked at who taught me guitar and introduced me to Jimi Hendrix, Neil Young, Phoebe Snow, Little Feet, Steely Dan and I was hooked. He changed my life.

TN: Were you given formal music lessons?

Tyler: I took 10 years of piano lessons and 5 years of trumpet lessons.. made it a lot easier to pick up stringed and rhythm instruments down the road

Jessica: I had piano lessons for 5 yrs and never got good at it. I always wanted to play violin but my dad never took me seriously. Than I was given a guitar by a friend and taught myself. I watched youtube videos to learn guitar chords. I don’t consider myself a guitar player though. I just use it to write.

TN: The album has a Ennio Morricone vibe about it. Was he an influence?

Tyler: Yes definitely. My dad is a huge Clint Eastwood fan so the interest started there… but we’d start every day of pre-production listening to all of Morricone’s stuff as well as his counter parts. Burt Bacharach has a lot of killer compositions in the vein as well.

Jessica: Yes he was. We wanted to create a soundtrack to our life using his influence with a pop sensibility to it.

TN: What other band(s) influence you?

Tyler: I was on a huge Tom Petty, Rolling Stones kick while making the record.. i love the short/hooky songs where the rhythm and groove is a big part of it sound. Having the drums prominent in the mix isn’t limited to the club music happening right now.

Jessica: I’m a huge Chris Isaak fan. If I could write a songs like Neil Young, I’d retire. Sometimes you can’t change what comes from your heart so you just go with it. When I sit down and write a song I really want to make sure its coming from a truthful place.

TN: David Lynch tweeted that he really loved your song “Black Roses.” How did you feel about that?

Tyler: I’m a huge Twin Peaks fan so it obviously meant a lot… although the word ‘tweet’ in general is problematic 🙂

Jessica: I woke up Monday morning with my phone going crazy. I should have video taped it. The strangest thing is that he was mentioned as an influence for our ‘Black Roses’ video. Interesting what happens when you put those thoughts into the world and it comes back to you in the strangest ways.

TN:Jessica’s other profession is in clothing and jewelry design. How did it feel to be featured artist in Vogue.com?

Jessica: It was surreal. I’m grateful I was mentioned through music rather than fashion. Fashion is another outlet for me but music is my life. The fact that Vogue featured me in my dream profession was an indication that I’m on the right path.

TN: “Black Roses” has been featured on CMT and NPR. Those demographics that aren’t typically bridged. Why do you think you appeal to a broader audience?

Tyler: Perhaps because it’s the world we come from. We’re heavily influenced by our Nashville home but we listen to as much new music as we can. We all should be students of our own profession… start with the classics but not be limited by them.

Jessica: Not sure to be honest. We’re just going with the flow of things, I don’t think you can control who your audience is. Some bands cater to a specific sub culture but we’re just having fun creating our own little world and hoping people will join us!

TN: If you could perform on stage with any artist living or dead who would it be?

Tyler: That’s a tough question… probably Neil Young or The Band. Having a some wine and an axe up at Big Pink would have been my jam.

Jessica: I’d love to perform with Tom Petty and if I could be on stage with Bob Marley in my next life….that would make for a happy ending.

Escondido will perform with The Staves on an East Coast tour this May. check their site for more upcoming dates.

Watch Out! Patterson Hood’s New Song “Jimmy Page” [VIDEO]

hood

Patterson Hood discusses Southern passive-aggression, Roger Daltrey, Pete Townsend, Robert Plant and the art of rock God aging, and plays his excellent new tune Jimmy Page.

If i was Jimmy page I’d woo you with my double-neck guitar and my prowess,
if i was jimmy Page I’d conjure up my voodoo and put a spell on you,
and Know just what to do
If i was jimmy Page I’d live in a castle and do magic in the tower,
If I was jimmy Page I’d show up most everywhere but if you came looking for me,
You would never find me,
I would drink whiskey from crystal glasses,
Do my cocaine off of strippers asses,
While you’re sweating with (indecipherable)
Teenage girls with backstage passes,
I’d have risky sex with exotics,
Do my drugs from rosewood boxes,
I’d fly to New York City,
in my private plan,
I’d show up most everywhere in cardigans and silver hair,
I’d live in a castle, but record in Headley Grange,
If I was jimmy Page I’d take you anywhere you wanted to go,
I’d never pay the fiddler, i’d play my Les Paul with a bow,
If I was jimmy Page i would wear those dragon pants everywhere,
You’d see me in the check out line, I’d always be in front,
If i was Jimmy page I’d woo you with my double-neck guitar and my prowess

If I was jimmy Page

Country Music Is Not Dead

waylon

If you were one of the 15.4 million viewers of last Sunday’s 48th Annual Academy of Country Music Awards show you might have been, like me, wondering “When’s the country going to start?” I’ve never been branded a purists , but I prefer my country on the Lefty Frizzell / Buck Owens / Willie Nelson side of the fence rather than the Fleetwood Mac / Jack Johnson/ Def Leppard style that’s in vogue right now

Music City continues to chase the money by burying it’s legacy as it has since nearly it’s start. Fortunately for us that honor songs over celebrity we have a safe haven, Americana music. Below are a few performers that are keeping heartfelt and real. Post your suggestions in the comments.

https://www.youtube.com/watch?v=dJt3oHYmKcQ

https://www.youtube.com/watch?v=AcJml72K1HQ

https://www.youtube.com/watch?v=BrqdhA1_C5U

Twang Nation Podcast Episode 12 – Amanda Shires, Shinyribs, Sturgill Simpson, Markus Rill

podcastThe Easter Day podcast (aka episode 12) is now hot off the presses straight Casa Twang.

there are some great cuts here, from rootsy-waltz of Amanda Shires’ Bulletproof, the Lone-Star groove of Shinyribs (aka Gourd’s Kevin Russell) the hybrid Bluegrass of the David Mayfield Parade and the sweet Americana-meets-Japan sounds of Pirate’s Canoe, and much more for your listening pleasure.

We close out the selection with a great Hank Williams cut, perfect for Easter Day, from their classic Will the Circle Be Unbroken which is celebrating it’s 30th Anniversary Edition this year.

I hope you like this episode of the Twang Nation Podcast. if you do tell a friend and let me know here at my site, Google+, Twitter or my Facebook.

And thanks to all of you for supporting great music!

Opening Song – “Mr. D.J” – by Dale Watson

1.Sturgill Simpson – Song: “Railroad of Sin”- Album: “High Top Mountain” (Self released)
2. Amanda Shires – “Bulletproof” – Album: “?”
3. David Mayfield – Song: “Human Cannonball” – Album: “Good Man Down” ( Beautywood Records)
4. Amy Speace – Song: “The Fortunate Ones” – Album: “‘How To Sleep in a Stormy Boat” ( Wind Bone Records)
5. Sons of Fathers – Song: “Almost There” – Album: “Burning Days” (River Music)
6. Pirates Canoe – Song: “Ballerina Meena Jane” Album: “Sailing Home” (On the Corner Records)
7. Shinyribs Song: “Limpia Hotel (Chihuahua Desert)” Album: “‘Gulf Coast Museum” (Nine Mile Records)
8. Sara Petite – Song: “Movin’ On” Album: “‘Circus Comes to Town ” (Sweet P Reords – April 16th)
9. Markus Rill & The Troublemakers – Song: “One Fix Or Another” Album: “My Rocket Ship ” (Blue Rose Records)
10. Dale Watson & His Lone Stars Song: “Smokey Old Bar” Album: “El Rancho Azul ” (Red House Records)
11. The Nitty Gritty Dirt Band / Roy Acuff – Song: “I Saw the Light” Album: “Will the Circle Be Unbroken” (Capitol)

Record Store Day 2013 – Americana and Roots Music Picks

rsd2013

It’s that time again twangers. Yes, Record Store Day 2013 is upon us. The day when us music fans can snatch up slabs of limited pressing vinyl from our favorite artists and help local independent records store to not become bygone relics. That would stink.

This year’s RSD2013 releases offer some great selections from the roots and Americana side of the fence. Willie Nelson demos? Yes please! Waylon Jennings and Old 97s collaboration? Oh yeah!

Check the hilarious video from RSD1013 Ambassador Jack White below, where he details the shady doings of the music industry, the Masons and the NBA draft (sort of) and on April 20th head to your local independent record store to pick up one of the limited edition goodies below.

Head to the official RSD2013 site to get a complete list of releases and participating stores.

https://www.youtube.com/watch?v=etxYxIfDhXc

Chet Atkins
Black Jack EP
Format: 7″ Vinyl
Label: SUNDAZED
Release type: RSD Exclusive Release
More Info:
Previously unreleased recordings by this guitar master
Midnight, Boo Boo Stick Beat, Blackjack, Blue Moon of Kentucky

The Avett Brothers/ Randy Travis
Format: 7″ Vinyl
Label: Warner Music Nashville
More Info:
Limited edition split single. Randy Travis covers the Avett Brothers’ “February”, The Avett Brothers covers the Randy Travis song, “Three Wooden Crosses.

The Band
The Last Waltz
Format: 12″ Vinyl
Label: Rhino
More Info:
3 180 Gram LPs, Numbered RSD Edition. All original packaging with Embossing and two foils. All original inner sleeves plus 12-page booklet. Out of print for more than a decade.

Billy Bragg
No One Knows Nothing Anymore / Song of the Iceberg
Format: 7″ Vinyl
Label: Cooking Vinyl

Blitzen Trapper
Blitzen Trapper Deluxe Reissue
Format: 12″ Vinyl
Label: LidKerCow, LTD
More Info:
Blitzen Trapper’s debut album from 2003 will be available for the first time on vinyl in celebration of it’s 10th Anniversary. The record was remastered by Bruce Barielle and the lacquers were cut by Jeff Powell at Ardent Studios in Memphis, TN. A very limited edition run, the record is pressed on 180g vinyl with a free digital download of the entire record with five previously unheard bonus tracks from the original sessions.

Joe Bussard
Guitar Rag/Screwdriver Slide
DETAILS
Format: 78 rpm 10″
Label: Tompkins Square

Calexico
Spiritoso
Format: 12″ Vinyl
Label: Anti/Epitaph

Kasey Chambers and Shane Nicholson
Rattlin Bones
DETAILS
Format: 12″ Vinyl
Label: Sugar Hill

cookisbell

Elizabeth Cook / Jason Isbell
Tecumseh Valley b/w Pancho & Lefty
DETAILS
Format: 7″ Vinyl
Label: 31 Tigers
Release type: RSD Exclusive Release
More Info:
“Tecumseh Valley” b/w “Pancho & Lefty”
Studio versions of both artists covering Townes Van Zandt. They originally performed these songs on Late Night with David Letterman

cooley

Mike Cooley
Too Pretty To Work
Format: 7″ Vinyl
Label: Cooley Records
More Info:
Record Store Day 7″ featuring 2 live tracks recorded at shows in 2012.
1 – Self Destructive Zones (3:36)
2 – Get Downtown (3:12)

Bob Dylan
Wigwam
Format: 7″ Vinyl
Label: Columbia
More Info:
A – Wigwam (Unreleased Demo,) B – Thirsty Boots (Previously Unreleased) — Two previously unreleased Bob Dylan recordings from the Self Portrait sessions. Includes a demo version of “Wigwam” and the previously unreleased track “Thirsty Boots.” Taken from the forthcoming release, The Bootleg Series Vol. 10.

Justin Townes Earle
Yuma
Format: 10″ Vinyl
Label: Bloodshot Records
More Info:
Previously released debut EP from Justin Townes Earle, now on vinyl for the first time. 10″ vinyl. Colored vinyl (opaque gold). Limited to 1000 copies, for RSD.
The Ghost of Virginia, You Can’t Leave, Yuma, I Don’t Care, Let the Waters Rise, A Desolate Angels Blues

Alejandro Escovedo/Chris Scruggs
78 rpm 10
Format: 10″ Vinyl
Label: Plowboy Records
More Info:
78 rpm 10″ A/B single release of two covers of Eddy Arnold standards by Alejandro Escovedo (A side) and Chris Scruggs (B side) for upcoming “You Don’t Know Me: Rediscovering Eddy Arnold” album project due in May 2013
a side : “It’s a Sin” by Alejandro Escovedo – B side: “Just A Little Lovin’ (Will Go A Long Way” by Chris Scruggs

Giant Giant Sand
Return to Tucson
DETAILS
Format: 12″ Vinyl
Label: Fire / Cargo
More Info:
limited to 1000 copies. 12″LP featuring 8 remixes by John Parish and Ali chant from tracks that featured on 2012’s ‘Tucson’ LP.
SIDE A: Lost love (John Parish + Ali Chant Remix); Undiscovered Country (John Parish Remix); Wind Blown Waltz (John Parish + Ali Chant Alternative Mix); Thing Like That (Ali Chant Extended Version) SIDE B: Carinito (Ali Chant Alternative Mix); Not The End Of The World (Ali Chant Alternative Version); Hard Morning in a Soft Blur (Chris Schultz Extended Version(; Forever & A Day (John Parish + Ali Chant Alternative Mix)

Golden Gunn (Steve Gunn + Hiss Golden Messenger)
Golden Gunn
Format: 12″ Vinyl
Label: Three Lobed / Thrill Jockey
More Info:
Golden Gunn is a collaboration between Steve Gunn and Hiss Golden Messenger. LP comes with a download code. Only 870 made.

Jackie Greene
Love Is A Shining Catastrophe/Sweet Somewhere Bound 7
DETAILS
Format: 7″ Vinyl
Label: self-released
More Info:
7″ Vinyl Single in 4/c jacket with 2 “A” Sides and 5 song digital download.

Patty Griffin
Ohio
Format: 7″ Vinyl
Label: New West
More Info:
This is a single A-side 7” pressed on heavyweight vinyl. The vinyl is black, hand-numbered 1-500, and Patty will sign Side B on 25 of the records, which will be randomly distributed. This song is from her forthcoming album, American Kid, due out 5/14/13. This will come in an all white sleeve with a stamped logo and a stickered UPC.

IMAGINATIONAL ANTHEM VOL. 6 : ORIGINS OF AMERICAN PRIMITIVE GUITAR
Format: Gatefold Vinyl Ltd 1500
Label: Tompkins Square
If American Primitive Guitar begins with John Fahey and the Takoma School, then the actual origins of this sound is found within this collection of fourteen classic solo guitar performances. Recorded between 1923 to 1930, this set is the “Rosetta Stone” of style and repertoire tapped into deeply by Fahey, Basho & Rose, among many others. Sam McGee, Riley Puckett, Bayless Rose, Sylvester Weaver, Lemuel Turner, Frank Hutchison and Davey Miller are the rural artists included in this anthology. Each one of these showcases a particular technique and sensitivity sourced from the earlier 19th century parlor guitar tradition. Several of these sides are reissued for their first time including Sylvester Weaver’s “Guitar Blues” which is the first solo finger picked guitar solo ever recorded. Stunningly remastered and annotated by Christopher King.

Iron and Wine
Next to Paradise/Dirty Ocean
Format: 7″ Vinyl
Label: Warner Bros.
Release type: RSD Exclusive Release

Sarah Jarosz
Live At The Troubadour
Label: Sugar Hill

tift

Tift Merritt
Markings
DETAILS
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
4-song 12″ featuring an unreleased track, a live track and two acoustic tracks from Traveling Alone. Covered with a tactile cross-stitched/embroidered record cover.

Mumford & Sons
Live at Bull Moose
DETAILS
Format: 10″ Vinyl
Label: Glassnote
More Info:
“””I Will Wait”” “”Ghosts That We Knew”” “”Where Are You Now”” “”Awake My Soul”” — 3 or 4 songs from their bull moose instore – 10″” version”

WillieNelsonCrazyVinyl.indd

Willie Nelson
Crazy: The Demo Sessions
Format: 12″ Vinyl
Label: Sugar Hill
More Info:
When Willie first got to Nashville he cut some demos for Ray Price and Hal Smith’s publishing company, Pamper Music. Though these cuts were used to pitch songs to artists (including ‘Crazy’ for Patsy Cline) and producers, many weren’t released. These 1960-1966 tracks are raw, real and really good, clearly the work of an artist/songwriter headed for stardom.

Willie Nelson
Someday My Prince Will Come
Label: Legacy

Waylon

Waylon Jennings / Old 97s
Format: 7″ Vinyl
Label: Omnivore Recordings
More Info:
2 x 7″
Two tracks from Old 97s sessions with Waylon Jennings, and two additional Old 97s demo tracks. Cover art by Jon Langford of the Mekons and Waco Brothers, and famed painter of country icons.
Iron Road The Other Shoe, Visiting Hours (1996 demo), Fireflies Take 2 (1996 demo)

Gram Parsons
Gram Parsons & The Fallen Angels-Live 1973 7
Format: 7″ Vinyl
Label: SIERRA
More Info:
Originally released in 1982 as a bonus 7″ EP to Sierra Records “Live 1973” LP release of Gram Parsons with Emmylou Harris with full color sleeve.
Side One: Medley- Bony Moronie, 40 Days, Almost Grown Side Two: Conversations, Doing It in the Bus, Broken EBS Box, Hot Burrito #1

Phosphorescent
Aw Come Aw Wry
Label: Misra Records
More Info:
Previously released title from Phosphorescent, and one of the best-selling, on Misra. This will be the first time that it is available on vinyl.

CHARLIE POOLE & THE HIGHLANDERS : THE COMPLETE PARAMOUNT & BRUNSWICK RECORDINGS, 1929
Vinyl w/ Poster Ltd 1500
From 1926 to 1930 one of the most popular rural string bands on record was Charlie Poole & The North Carolina Ramblers. Through their 78 RPM discs and their various performances, Charlie Poole was second only to Gid Tanner and His Skillet Lickers. Poole’s uniquely syncopated three finger banjo picking style coupled with his Piedmont vocal inflections eventually colored and defined much of what we consider “old-time” music. The classic configuration of banjo, fiddle and guitar with vocals was encouraged by the main label that promoted Poole but he also wanted to record instrumentals featuring twin-fiddle and piano. As renaming his group The Highlanders, Poole was able to actualize this musical vision. This collection contains all of the sides that Poole made with Roy Harvey, Lucy Terry, and twin-fiddlers Lonnie Austin & Odell Smith. Remastered in beautiful sound by Christopher King and with notes written by old-time musician and scholar Kinney Rorrer.

Punch Brothers
“Ahoy!” – 33 1/3 rpm Vinyl EP
Label: Nonesuch Records
For the first time, the EP has been pressed on 10″ vinyl for Record Store Day, and includes songs by Josh Ritter (“Another New World”), Gillian Welch and David Rawlings (“Down Along the Dixie Line”), Punch Brothers (“Squirrel of Possibility”), and Mclusky (“Icarus Smicarus”), along with one traditional tune, arranged by Punch Brothers (“Moonshiner”). Originall yrecorded during the Nashville sessions for their 2012 album Who’s Feeling Young Now?,

Richard Thompson
Salford Sunday
DETAILS
Format: 7″ Vinyl
Label: New West
More Info:This is a single A-side 7” pressed on heavyweight vinyl. This song is off of the release Electric (2/5/13). The vinyl is black, hand-numbered 1-500. Richard will sign Side B on 25 of the records, which will be distributed randomly

Frank Turner
Recovery
Format: 7″ Vinyl
Label: Interscope

Various Artists
Yep Roc Hearsay / They Call It Rock
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
2 Song 12″ on clear vinyl, 24 Yep Roc Artist performing, DVD of recording session, hand made cover

Yonder Mountain String Band
Format: 12″ Vinyl
Label: Vanguard

Listen Up! Neko Case – “That’s Who I Am” from Ghost Brothers of Darkland County

GhostBros_cover_5x5_rgbI haven’t seen the Ghost Brothers of Darkland County, the collaboration by horror author Stephen King and , roots-rocker John Mellencamp and Americana godfather and singer/songwriter T Bone Burnett, but if the soundtrack gives us any insight into the Southern Gothic musical it’s going to be a killer.(heh)

I already posted an Elvis Costello cut from album. Now we have a sweet cut from Neko Case. A femme fatale reels off a long list of libido-fueled plays over a shuffle. I’m willing to go out on a limb and say that Neko’s character is not one of the good guys.

It’s been years since I’ve heard this country music tinged sound from Neko and I am a fan. What do you think? Leave it in the comments below.

June 4th, 2013 as the project’s new release date. Check the trailer for the soundtrack below.

Ryan Adams to Preview New Album in Live , Full-Band , Performance

RyanAdams2Consequence of Sound reports that Ryan Adams has announced his first show backed by a full band since The Cardinals split up in 2009. The show will take place March 19th at London’s Royal Albert Hall and is part of the Noel Gallagher-curated Teenage Cancer Trust benefit concert series.

COS has done some on-line sleuthing and posts “…the Royal Albert Hall ticketing site describes Adams’ “The show will feature the debut of new songs from his as-yet-untitled new album due for release in the autumn alongside classics from his extensive catalogue.”

So, if the program’s details of “new songs” and “new album” correct there appears to be a new album on the horizon. The record reportedly has Adams reuniting with 2011′s Ashes & Fire producer/legend Glyn Johns (The Beatles, The Rolling Stones, The Clash), and COS reports that the band accompanying him on March 19th is expected to be the same as in the studio.
Check Adams’ recent appearance on Conan, sporting Buck Owen’s red, white and blue acoustic guitar, below.

The Sin City Social Club Annual SXSW 2013 Bash

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Twang Nation is proud to announce sponsorship of The Sin City Social Club Annual Bash, the premier South-By-Southwest roots and Americana music showcase.

Now celebrating it’s 11th Anniversary, Sin City Social Club knows how to put on a party. This is one of thier best line ups and you won’t want to miss it! And make sure to try the great food at Maria’s Taco Xpress

The Sin City Social Club Annual Bash
Maria’s Taco Xpress in Austin, Texas
Fri, March 15, 12pm – 9pm
Free! No badges or wrist bands needed. All ages.

Lineup:

12:00 * The Mercy Brothers (S. Louisiana)
12:40 * So Long Problems (Austin)
1:20 * Rod Melancon (Los Angeles)
2:00 * Chelle Rose (Nashville)
2:40 * Israel Nash Gripka (Austin)
3:20 * Deadman (Austin)
3:45 * Deadstring Brothers (Detroit)
4:25 * Shurman (Austin)
5:05 * Out of Our Tree (Feat. Tim Easton & Megan Palmer)
5:45 * Elijah Ford & The Bloom (Austin)
6:20 * Mike Stinson (Houston)
6:55 * Ian Moore & The Lossy Coils (Seattle)
7:40 * Jesse Dayton (Austin)
8:30 * Two Hoots & A Holler (Austin)

Brought to you by: Sin City Social Club * Rootsy Records * Twang Nation * Chris Kro Art Design * Lone Star Beer * Lone Star Music * Mojave Audio * Little Brother Music * Maria’s Taco Xpress

Other great SXSW Americana showcases:

Official SXSW Little Brother Showcase Tuesday, March 12 – 8:00pm until 2:00am

Guitartown/Conqueroo Block Party Kickoff – Wednesday, March 13 – 11:00am until 9:00pm

Grand Ole Austin SXSW Showcase – Thursday, March 14 – 11:00am until 9:00pm

Hillgrass Bluebilly Records presents: X-SXSW 6 Unofficial Showcase – Open to the Public – $10 Fri. 03/15 | 6:00PM