Category Archives: Country Music

Quick Shots Reviews – Ashton Shepherd, Dawn Landes

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Ashton Shepherd – Sounds So Good (MCA Nashville) – Like her Texas counterpart Miranda Lambert, Alabama native Ashton Shepherd serves up a gritty remedy for the sugary pop-confection emanating most recently from Carrie Underwood and Taylor Swift. Like Gretchen Wilson (without the goofy Muzik Mafia taint) Shepherd is a hell raising gal that calibrates good loving and a good time. Sure the release has producer Buddy Cannon’s Nashville sheen ladled over it like he does Kenny Chesney’s slop, but Shepherd shines through it with bad-ass glory. “Takin’ Off This Pain” puts all the cards on the table as a testament to women’s love woes. “I Ain’t Dead Yet” is a lovely Texas waltz about yearnings for good times in spite of domestic and maternal obligations. “Old Memory” is a slow burner that dwells on lost love that makes you forget the lady is only 21 years old. This is unabashed country music gold!

Dawn Landes – Fireproof (Cooking Vinyl) – Brooklyn by way of Louisville, Kentucky native singer/songwriter/producer Dawn Landes travels the same quirk-folk roads as her contemporaries Feist, Joanna Newsom and Chan Marshall (Cat Power) and like them she makes music that is both bold and subtle. On her second album, Fireproof, Landes hit a spot between the traditional and the contemporary. Like T. Bone Burnett producing The Breeders.

Singing with a voice that reflects a whispery-fragile grace reminiscent of Hem’s Sally Ellyson (some of the members of Hem appear on the release as well as members of The Earlies) and Suzanne Vega. Landes also plays everything from guitars, Optigans to bells and uses her experience as a producer to blend and fade between styles while preserving an overall mood of beauty veined with menace.

“Bodyguard” opens kicks things off like some kind of Appalachian beatnik mutation with it’s circular phrasings of “Where’s my bodyguard..” and “I saw a man, I saw a man, I saw a man..” it sublimely creepy. “Picture Show” has a Tom Waits scratchy junkyard carnival vibe that wobbles and skews under beat poetry. My preference for music with an open smile instead of a smirk and songs like “Tired Of This Life” and and the pedal steel tinged “Twilight” exhibit a simple, honest beauty that is reminiscent of Joni Mitchell.

It Burns When I Pee : Episode #13 – “Titties and Country Music”

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Just when your eyes have started to glaze over with all the talk about Elliot Spitzer being the biggest dumb-ass on the planet or if Hillary and Obama aught to just be put into the steel-cage death-match of democracy, It Burns When I Pee has released Episode #13 the “Titties and Country Music” release.

Blake had the good sense to take my advice and got Doyle Mayfield from The Doyle and Debbie Show on to tell tales about his childhood and life performing with his “3rd Debbie.”

There is also a feature on CMT’s  My Big Redneck Wedding and choice cuts from fine artists like The Pine Box Boys, Malcolm Hocombe, Gerry Stanek, and last but not least Roscoe Fletcher. So get over to IBWIP find out what real country music is all about and get yer Hank on!!!

Houston Chronicle Features Ray Price

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The 9513 returned after a brief outage (hyew!) to draw my attention to this great article from the Houston Chronicle featuring country music legend Ray Price. Here’s a taste:

Price’s early notoriety was as a wingman, of sorts, for Hank Williams. They met in 1951 and became fast friends and roommates, drinking buddies and tour partners. Price would stand in when Williams was too drunk to perform. Williams got Price on the Grand Ole Opry. Price calls Williams “a great cat, down to earth.”

They were supposed to meet for lunch on the New Year’s Day, 1953, that news broke of Williams’ death. Price had seen him a few weeks earlier.

“He was pretty low. He was really depressed over his marriage and he slowly went (crazy). But he was a nice guy. Twenty-nine when he died. And he died at the top of the heap.”

Deep Blues Festival and BamaJam

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It’s time to start planing on this Summer’s musical festivals and this strikes me as two of the more interesting ones.

The 2nd annual Deep Blues Musicland Film Festival seems to do for blues what alt.country did for country music. Taking place July 18-20, 2008 and offering bands from 18 states, Italy, Australia, Canada, and the United Kingdom – the festival will take place on the East side of Minneapolis/St Paul to the Washington County Fairgrounds by Lake Elmo, MN. The lineup offers 45 band including Richard Johnston, Th’ Legendary Shack*Shakers, T-Model Ford, Scissormen, Black-Eyed Snakes, Black Diamond Heavies, Bob Log III, Scott H. Biram, Left Lane Cruiser, Hillstomp and Charlie Parr.

The Deep Blues Festival prides itself in being a”fan friendly” event. Free parking, affordable ticket prices and concessions, no ticket services fees, and plenty of room for the fans are guaranteed. A film festival will feature dozens of music related films and will be free and open to the public at the fairgrounds throughout the weekend.

A limited quantity of discount advance three day passes for this 21+ show are available at the two festival websites deepbluesfestival.com and myspace.com/deepbluesfestival for $45. Daily tickets will be available at the event for $30. Under 21 are free, but must be accompanied by a parent or legal guardian. Gates open at 10:00am, rain or shine.

BamaJam Music & Arts Festival is a three-day event in Enterprise, AL. – June 5-7 – and offers a nice lineup of country, Southern rock, folk and bluegrass acts. The fest will present 30 acts on three stages, including Hank Williams Jr., Trace Adkins, Lynyrd Skynyrd, Nanci Griffith, Ralph Stanley, ZZ Top, Randy Owen, Ricky Skaggs, Little Big Town, Miranda Lambert, Del McCoury Band, Tracy Lawrence, Darryl Worley, the Duhks, Dan Tyminski, Eric Church, Claire Lynch and Railroad Earth.

Ticket prices range from $39.50 to $99.50 for general admission, $149.50 to $309.50 for VIP.

New York Times on the City’s Growing Roots Music Scene

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The New York Times has a nice piece on something I’ve seen first hand. the rising popularity of Roots Music here in New York. The city that gave you the smoky Greenwich Village folk clubs from the 60’s seems posed to offer the same proving ground for roots and Americana music.

From the article: “There’s another generation of people who want to hear music that’s accessible, that’s not a prefab product, that’s lyric based but not preachy,” said Adam Levy, a guitarist and singer-songwriter who has played on all of Ms. (Norah) Jones’s albums. “If there’s a roots movement in New York now, I think of it in those terms.”

Country Music Hall of Fame to Present the Williams Family Legacy

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The Country Music Hall of Fame and Museum will present an intimate, behind-the-scenes portrait of a great American musical dynasty in Family Tradition: The Williams Family Legacy, Co-Presented by SunTrust and Ford Motor Company, a more than 5,000-square-foot exhibition opening on Friday, March 28, 2008, and closing on December 31, 2009.

“The Williams family story may seem familiar,” said Museum Director Kyle Young. “However, this exhibit will take the visitor inside the family to revisit the life and impact of Hank Williams, examine the struggles and musical successes of his only son, Randall Hank Williams, and study the direct descendants, who are now striving within a new generation of artists, all measuring themselves by the example of Hank Williams.”

The exhibition has benefited enormously from the blessing and cooperation of the family, including Randall Hank Williams, now known as singer-songwriter Hank Williams Jr.; Lycrecia Williams Hoover, Hank Jr.’s older sister and the only member of the family with clear personal memories of Hank Williams; and singer-songwriter Jett Williams, who discovered her Williams parentage in the 1980s. Lending their own stories and family mementoes are Hank Jr.’s eldest children, singer-songwriters Shelton Williams, now Hank III, and Hilary and Holly Williams.

“I’ll Love You till I Die” – Top 30 Country/Roots Love Songs

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George+Jones++Tammy+Wynette

Sure most genres deal with topic of love but few can work all the angles like country and roots music. Courting, marriage, sex, cheating, fighting, break-ups, shooting, disposing of bodies… it’s all there in all its heart-wrenching glory.

Some old, some new, all guaranteed to get to you some when mixed with tequila and memories.

I’m sure I let some beauties sip so feel free to add your own.

1. He Stopped Loving Her Today – George Jones
2. I Walk The Line – Johnny Cash
3. Angel Flying Too Close the Ground – Willie Nelson
4. Blue Eyes Crying In The Rain – Willie Nelson
5. Always On My Mind – Willie Nelson
6. Valentine’s Day – Steve Earle
7. Still I Long For Kiss – Lucinda Williams
8. Marry Me – Drive By Truckers
9. Arlington – Ridley Bent
10. Dale Watson – Every Song I Write For You
11. Before The Next Teardrop Falls – Freddy Fender
12. Behind Closed Doors – Charlie Rich
13. Oh My Sweet Carolina – Ryan Adams
14. Carrying Your Love With Me – George Strait
15. Cowboy Take Me Away – Dixie Chicks
16. Crazy – Patsy Cline
17. Gentle on My Mind – Glen Campbell
18. Lovin You Against My Will – Gary Allan
19. Golden Ring – George Jones and Tammy Wynette
20. He’ll Have To Go – Jim Reeves
21. Hello Darlin – Conway Twitty
22. Melissa – Allman Brothers Band
23. Hello Walls – Faron Young
24. Help Me Make It Through the Night – Sammi Smith
25. I Cross My Heart – George Strait
26. Kiss An Angel Good Mornin’ – Charley Pride
27. It Only Hurts When I Cry – Dwight Yoakam
28. Please Break My Heart – Thad Cockrell and Caitlin Cary
29. Lovesick Blues – Hank Williams
30. I’m So Lonesome, I Could Cry – Hank Williams

2008 Country Music Hall of Fame Inductees Announced

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From CMT.com – Emmylou Harris, Tom T. Hall, the Statler Brothers and country-bluegrass music pioneer Ernest “Pop” Stoneman are the newest inductees into the Country Music Hall of Fame. The inductions were announced Tuesday (Feb. 12) at a press conference held at the Ford Theater in Nashville’s Country Music Hall of Fame and Museum.

Except for Stoneman, who died in 1968, all the new members were on hand to comment on the honor. With the addition of these four figures, the Hall of Fame will have 105 members.

Although membership in the Hall of Fame is conferred by the Country Music Association, this is the first year the inductions will be entirely separate from the CMA Awards Show, where they used to be formally recognized. This year, the official induction will take place at the annual medallion ceremony tentatively set for April 27.